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00:00 - 0:00:02
I just dropped the airpods in my sweater.
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0:00:02 – 0:00:03
It's a second.
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It's better.
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That's it.
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I always do it like a urolog.
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I'll set myself free downstairs.
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Let's not get any closer.
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What a start for the show.
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Is the recording already underway?
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It's running, yeah.
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Please do the intro.
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It's unbelievable here.
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Everyone gets naked.
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The rehearsal podcast.
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At the cozy talk in the rehearsal room.
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0:00:29 – 0:00:48
I say Christmas is emotional.
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Condoms are upstairs.
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That's right.
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My favorite quote.
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Exactly.
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How are you guys?
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That's fine.
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I would be better off if Mr. Raumwelle played the intro now.
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You got, you got, I did this in the marker, so I got … here
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You set a marker, okay.
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Yeah, I just grabbed the other files from the dinghy.
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I thought you had that extra... well, no matter.
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0:01:25 – 0:01:31
Well, then Tobi hears that afterwards, when we have the finished episode.
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0:01:31 – 0:01:34
Is it again so Ü40 WhatsApp group stuff?
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No, yes, you only ever have that with your WhatsApp group stuff.
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I don't even have WhatsApp.
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So I'm already at Ü40, last time I was at Ü50.
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Oh yeah, because the point is …
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He wanted to include you so you could feel offended too.
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I've accused him of age discrimination.
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Yeah, that's fine.
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Which he denies like someone else.
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He is already over 20 himself.
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With your sock puppet somewhere …
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More than 30.
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Yes, yes.
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Should this be a diss?
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By the way, it's only half AI.
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Oh, at least.
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I failed yesterday, four of us yesterday, to explain the concept of memes to my parents, who are about your age, Thomas, maybe two or three years older.
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I have every reason to feel young here.
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Why? Memes? Everybody knows. 6-7.
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6 to 7! 6 to 7! You have to tell them. I'm sure you'll understand immediately.
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6, 7, 8.
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First of all, a well-groomed dab.
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Are you still planning?
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Do you know how many times I had to explain in the comments what a dab is?
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Dabtechno, right?
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Yeah, not just that. It was in the 2010s, so yes.
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Yeah, I know.
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Tear your arms so diagonally upwards and walk with your head in front of you.
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You had to throw a bottle before and then you have to land almost right
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And then you could do it, right?
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Yeah, that's right.
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There were such combinations, yes.
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Was that a combo?
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I don't know what came first.
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But yes, I also found videos, so "Bottle Flip on Track" from 2012.
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Best youth ever.
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What the flip on platforms. Were there any other hobbies? I only know Hacky Sack.
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Hacky Sack?
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Don't you know Hacky Sack?
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No, no.
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I already heard that.
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I think it must have been 2010. I don't know. So at least I saw that a few times then at the Junk Folk that they played with it.
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With HackySec.
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Wait, I'll google this for you.
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That's fine.
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And with that,
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Welcome to the
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Relaxed last episode
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This year, I would
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say. That's right.
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How are you, boys?
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That's so good. Sleeping out.
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So these celebrations are
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survived.
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Yeah, well, after all.
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We've eaten, we've shitted, we're fine.
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You're all right, it hurts me.
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Why? Tell me what happens except that you just got naked, especially for us?
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I saw the video I posted earlier.
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But did you take this today?
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No, it was the 25th morning.
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I've just learned that you make this a trinity, but the classic cure does it on Christmas morning.
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There you meet at 6 o'clock, I think, around 50 noses and the average 70 plus.
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So the German variant you can every time you play home team,
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You can also see through the streets, but without the star banner in front.
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Such a whore's son, hey, hey, hey, or what?
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No, it's more like that.
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Ole, ole, ole, ole, we're the biggest, ole.
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My goodness, Hamburg, even in such matters only to speak embarrassingly.
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"Song Pauli, Pauli"
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I mean, the last sense of togetherness of a dying society, right?
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Yes, but it has also become rarer. In the years before, it was more frequent.
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So I have this now this year, in this fading year,
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When I look back at the climate this year,
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It was at least five or six times.
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It wasn't that often.
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I mean, did we somehow have a big European Championship or World Cup?
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I don't think this year, do I?
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No, I think that's next year, don't I?
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I had the Eurovision Song Contest on my doorstep.
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Yeah, you don't hear any, you don't hear people cheering here.
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I also had Women's World Cup on my doorstep.
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That's right.
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But no one was interested in that.
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And you didn't film it?
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Honestly. One big media campaign after another for women's football and in the end it was a minus business.
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And today it doesn't matter as much as before.
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Who even won?
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I don't know, honestly.
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That's so sad.
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Not a game like the one before.
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There's such a huge event on your doorstep and you don't even know who won. Isn't that sad?
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Yes, yes. This needs to be clarified first. Are you interested in football?
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Yes, yes. So I found the Eurovision exciting, but there were at least a few leading demos. At least a little bit of action.
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I meant the ESC. That's why I asked for it. Who won?
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I don't know, somebody must have won because this thing isn't there next year and I'm very happy about it.
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Imagine if they had won again.
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With the snoring palade?
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So the jury scored points without end and then the audience came with zero. That was great.
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I have a theory. I have a conspiracy theory about the ESC.
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That's every year in a different country and supposedly always in the country of the winner.
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Why the hell do some countries win, but it has never won a country twice?
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One after another? No, no!
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Switzerland.
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When? 1976 or what?
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No, 56. 56 and 57.
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Yes, they still had the old rules, but according to the new rules.
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Yes, yes.
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That's why my theory is that the organizers somehow deal with the, I say,
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with the host countries, nonsense, not with the host countries, but with the host countries
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Somehow they agreed. So, yeah, hey, here, if you want, you can buy the title and
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This is then always drawn at the highest bidder every year.
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That was already very obvious when it went to Sweden just in time for ABBA's 40th anniversary.
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And the singer was also the only one who kept the microphone on throughout the voting.
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Puh, hups, coincidence.
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Anyway, we're digressing again.
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I was just about to tell you how …
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Why? It's a music theme.
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So you look more in the rehearsal room.
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Yes, that's right.
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Exactly, today a bit more comfortable anyway.
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I'm curing my right arm,
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Because, as I said, this video happened 5 minutes before the disaster.
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And the catastrophe was,
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that the good woman who was to direct it,
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Somehow it had a cycle.
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And yes, a minute later I had the stick in my hand
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He was allowed to direct the rest.
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Oh, you shit.
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Every two hours.
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Shame on you.
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It was really, I already knew, shit, in two songs comes "Joy to the World", right behind it is a rose leap.
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I don't even know how to wave it.
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Joy to the world.
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This thing sucks, you have to run parallel to it.
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And what I couldn't do anymore was sing, because tenor voices are beautifully decorated and ornate, right?
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You're off-task anyway, aren't you? Then, yes, priorities.
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And behind such a few rows further back stood the old conductor, who did it until a few years ago.
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And I thought about looking at it like this, "Could you please see this one?"
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And he's like, "No, you do it."
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So from zero to a hundred, everyone thought it was great and I think I've been choking the job for the next 20 years.
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So, that's why you still want to live for me.
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Anyway.
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Yes, as I said, this is very noticeable right now.
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So a goodness.
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How much can the shoulder hurt? I don't have physiotherapy until the new year.
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It's time for you to go to the Mukki booth. Maybe you just have to lift a few weights to build more muscle.
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0:10:59 – 0:11:06
You can specifically make yourself such a personal coaching and say, here, make me a nutrition advice.
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I need protein shakes here, I need to train my right arm so that I can wear the thing for the Star Singer thing.
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Or are you just training your right arm?
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No, he's pushing like that.
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What about self-defilement?
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Yes, but the left is using it.
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There.
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We don't want to know for sure, Oka.
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But it's an interesting ….
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These pictures!
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You talked that up.
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I wanted to do a Family Guy joke.
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Anyway, the question I asked myself,
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Saja, we may have even discussed them once
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about a different format, but the development of, let's say, digital defilement,
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This has led us to have more people scrubbing with links, or more people scrubbing with links.
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Can you use the mouse with links?
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Yes, that's a good question, and yes, we've discussed that before.
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Yeah, but I think you might want to ask a sex therapist.
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Yes, but the mouse, I think, has all become obsolete.
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These days, that's more like these small, handy, smart loudspeakers.
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You already know that there are headsets where you can strap the part in and then you have both hands free?
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[Laughter]
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Why do you need both hands? Oh, yeah.
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[Laughter]
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And you don't want to produce pictures? Boy, boy!
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[Laughter]
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Oh, my God.
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It's a good start to this Christmas show.
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Yes, it will be the New Year's program.
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Yes, so glittering balls and so, on the Christmas tree I mean.
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It's going to be the post-Christmas show, so that's also the official annual wrap-up.
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Did you celebrate well, despite everything? I can't get out of my food anymore.
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After all, people call and want to eat again.
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Without the level falling again, I celebrated with myself.
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Yes, we just celebrated here for two and that was quiet and contemplative.
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Congratulations.
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I had four days of Boebel around me.
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So sorry, I just cooked and was good.
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You were with your parents, Tobi.
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Yes, that's right. Twice. So once so ad hoc, just so test-wise.
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So two more times, okay, we have nothing in mind, do we want four?
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Suddenly my brother started the kitchen.
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So quite the art student, almost perfect salmon with risotto and everything.
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I thought I wouldn't be anymore.
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Our 1 at that time still fed on suppliers and avocado.
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And yes, then next day still big family snack, then still small family snack
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and this morning another family outing, because
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There is always someone to invite.
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So you are back and forth, because of course I also had to do my laundry with the parents,
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'Cause down here right now, well, we don't want to talk about it,
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No, I don't have laundry today.
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Yes, it was very pleasant. So it was above all very good to endure, sometimes nice conflict-free. As I said,
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Very little sleep from all the early morning singing and everything.
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Yes, my family has moved on to grandparents and since I don't have so many vacation days
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I said, okay, I'll give up, but the main thing is you're there New Year's Eve and New Year's Eve.
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0:15:22 – 0:15:28
We will spend together. But now the three Christmas days I'm with myself
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0:15:28 – 0:15:37
I've been alone. I then watched Christmas movies, finished myself in the microwave
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0:15:37 – 0:15:45
pushed. You're kind of alive, so we're kind of two opposite poles. You live life,
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0:15:45 – 0:15:48
That I live under a year, you live during the Christmas season. And I feel the other way around.
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0:15:48 – 0:15:56
Yeah, I used it pretty well. So I slept a lot, I made a lot of music and
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0:15:56 – 0:16:03
I'm currently working on an album, which I plan to release early next year.
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0:16:03 – 0:16:11
I brought a few pieces with me. You can listen if we still have time afterwards.
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0:16:11 – 0:16:16
Let's have a look. I don't know what this show brings us.
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0:16:16 – 0:16:21
And then we had another topic. You gave us a topic as a homework assignment.
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0:16:21 – 0:16:24
I picked out three things.
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0:16:24 – 0:16:28
Yeah, I thought maybe we shouldn't just talk about the usual things,
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0:16:28 – 0:16:33
We wanted to, we wanted to, we wanted to, we wanted to, we wanted to, we wanted to, we wanted to, we wanted to, we wanted to, we wanted to, we wanted to, we wanted to, we wanted to, we wanted to, we wanted to, we wanted to
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0:16:33 – 0:16:40
No bigger, but more comprehensive stop will also be in our rehearsal room conversation.
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0:16:40 – 0:16:48
I think that's good. Unfortunately, we are not allowed to present music examples from monetary and
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0:16:48 – 0:16:52
Copyright-technical reasons, otherwise I would have, that would be even more interesting,
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0:16:52 – 0:16:58
when we say, we have music tips, which then briefly so maybe for a few
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0:16:58 – 0:17:03
seconds, but we don't want to risk a strike on any of the platforms,
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0:17:03 – 0:17:08
on which we are traveling. That's why we can't do it. But we can
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0:17:08 – 0:17:13
Talk about it, about things. So the only platform where that would go would be Spotify.
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0:17:13 – 0:17:24
Really. To what extent? You mean by our podcast? Yeah, and there's foreign music playing.
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0:17:24 – 0:17:26
You can't do that with the others.
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0:17:26 – 0:17:33
But this podcast, which is also published on YouTube and Apple Podcasts and
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0:17:33 – 0:17:37
There are many other platforms and that's not possible. I'm sorry.
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0:17:37 – 0:17:45
I even have some people who have become aware of Spotify before, so via Spotify almost on podcasts,
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0:17:45 – 0:17:50
Watch Apple podcasts and others go, because Spotify now throws in ads everywhere,
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0:17:50 – 0:17:54
Even with premium podcasts.
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0:17:54 – 0:17:58
Do they need the change of their listeners?
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0:17:58 – 0:18:00
Are they so bad?
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0:18:00 – 0:18:04
You can never have enough guns, right?
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0:18:04 – 0:18:09
They don't invest in anything else. The core business is lousy.
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0:18:09 – 0:18:12
Who is a partner at Spotify?
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0:18:12 – 0:18:16
Blackrock?
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|
0:18:16 – 0:18:30
No, the CEO of Spotify has bought from some gunsmith.
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0:18:30 – 0:18:39
That was the one who said that you just have to create music, that would be an honor for the artists and they should make the music available for free if possible.
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|
0:18:39 – 0:18:43
First of all, what do we do in such a way that we want money for it?
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0:18:43 – 0:18:46
This isn't that tedious.
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0:18:46 – 0:18:53
I am basically in favour of breaking up all this monetization about copyright a bit.
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0:18:53 – 0:19:00
Because I think culture has to be a... so we have to fundamentally rethink the right to quote.
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|
0:19:00 – 0:19:03
Culture thrives on the fact that they are mutually...
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0:19:03 – 0:19:18
Since AI was fed with human-made, copyright-protected material worldwide, this is a story that needs to be rethought anyway.
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0:19:18 – 0:19:29
You will be approached very hard if you even appear to be using AI by some groups.
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0:19:29 – 0:19:33
Yes, there was also this beautiful ultralative video, did you see that?
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0:19:33 – 0:19:36
I saw it, yes, it was very well done.
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0:19:36 – 0:19:39
Peter sent it to us before it grew in Marabu.
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|
0:19:39 – 0:19:47
That was awesome, I enjoyed it very much, because that sometimes nicely represents the aspects of the whole thing.
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0:19:47 – 0:19:58
However, on the whole, I think they forgot one thing about ultralatives.
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|
0:19:58 – 0:20:02
What if you generated AI and reused your own pieces?
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0:20:02 – 0:20:16
That is, for example, what we are doing here and also what Mr Raumwille and also what Mr Emergencystrom are doing, in part.
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0:20:16 – 0:20:28
For me, these are now a lot of things that I then use elements that continue to edit, restructure, reorder.
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0:20:28 – 0:20:32
Yeah, I mean, you don't have to do that like Lieselotte Legwidth.
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0:20:32 – 0:20:45
Yes, very well-known content on YouTube, where you clearly hear, these are completely AI-generated stuff.
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0:20:45 – 0:20:49
Yes, where even texts are completely …
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0:20:49 – 0:20:52
Yes, everything, that's what you hear.
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0:20:52 – 0:21:00
Yes, no, as I said, I don't want to raise the issue at all, but it shows that there is still ….
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|
0:21:00 – 0:21:04
I found it a nice demolition, I think, so to bring this meta level then still.
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|
0:21:04 – 0:21:10
You can also agree to disagree, but I think I would write to the good old Finn again.
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|
0:21:10 – 0:21:19
We haven't read since 2017, but maybe he still remembers that I exist.
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|
0:21:19 – 0:21:23
He was recently with Lester's sister.
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0:21:23 – 0:21:27
Yeah, but I haven't heard them since David Hain got out of there.
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0:21:27 – 0:21:29
I think it's been five years or so now.
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0:21:29 – 0:21:31
It's coming, yeah.
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|
0:21:31 – 0:21:34
All this influenza bubble.
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|
0:21:34 – 0:21:38
I'm not that grown up for that, but I have adult things to do.
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|
0:21:38 – 0:21:42
Well, the problem with Spotify, to address that,
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|
0:21:42 – 0:21:44
The problem with Spotify is that, on the one hand, the guy says,
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0:21:44 – 0:21:46
Give us your music for free.
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|
0:21:46 – 0:21:53
and at the same time they buy a site, quasi a community project called "WhoSampled",
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|
0:21:53 – 0:22:01
that the last 20 years have collected samples for Educational, i.e. as a community project,
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|
0:22:01 – 0:22:06
and will probably use this now to train the AI to find even more samples,
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|
0:22:06 – 0:22:08
So that you can pull people off a bit more.
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|
0:22:08 – 0:22:12
So I don't want to see that in the hands of Spotify, but that's right there.
|
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|
0:22:12 – 0:22:18
Yeah, maybe they'll get something like Zuno or something next, right?
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|
0:22:18 – 0:22:21
Or Judio, or whatever they're all called, these music AI generators.
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|
0:22:21 – 0:22:22
It can be.
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|
0:22:22 – 0:22:27
They'll be stupid if they sell out.
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|
0:22:27 – 0:22:30
And maybe not, because if the whole bubble bursts next year,
|
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|
0:22:30 – 0:22:36
Eventually it will become affordable again.
|
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|
0:22:36 – 0:22:39
Or RAM components.
|
|
|
0:22:39 – 0:22:43
You can now buy your gaming PCs without RAM, right?
|
|
|
0:22:43 – 0:22:44
I know.
|
|
|
0:22:44 – 0:22:48
And they cost the same as before.
|
|
|
0:22:48 – 0:22:50
That's the craziest thing.
|
|
|
0:22:50 – 0:22:57
You pay now somehow so 400 euros for such a small gaming PC without RAM and without hard drive.
|
|
|
0:22:57 – 0:22:59
That's crass.
|
|
|
0:22:59 – 0:23:02
And it costs as much as before.
|
|
|
0:23:02 – 0:23:03
That's so blatant.
|
|
|
0:23:03 – 0:23:07
Something's happening right now that's awkward.
|
|
|
0:23:07 – 0:23:09
Let's take a look.
|
|
|
0:23:09 – 0:23:14
I'm not looking forward to 2026, the new year.
|
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|
0:23:14 – 0:23:16
But we'll get to that later.
|
|
|
0:23:16 – 0:23:18
We can philosophize about it later.
|
|
|
0:23:18 – 0:23:21
What the New Year will bring.
|
|
|
0:23:21 – 0:23:27
Yeah, but let's take a look back at the old year,
|
|
|
0:23:27 – 0:23:32
Because that's what we're doing in the last episode of the year,
|
|
|
0:23:32 – 0:23:34
This podcast too.
|
|
|
0:23:34 – 0:23:39
And we had, I counted it again, 22 episodes with this one.
|
|
|
0:23:39 – 0:23:45
And last year it was 33, so next year it will be 11.
|
|
|
0:23:45 – 0:23:48
No, I think it'll probably be more.
|
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|
0:23:48 – 0:23:50
You don't have to push the joke to the extreme.
|
|
|
0:23:50 – 0:23:54
But if you say of course, well, 22 episodes,
|
|
|
0:23:54 – 0:23:57
each on average nearly 90 minutes long or much longer,
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|
0:23:57 – 0:24:01
I can't do that to myself, I can't and won't do that to myself.
|
|
|
0:24:01 – 0:24:07
That's why here again for you from the soundboard
|
|
|
0:24:07 – 0:24:12
Last year's rehearsal podcast in 575 seconds.
|
|
|
0:24:12 – 0:24:14
Have fun!
|
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|
0:24:14 – 0:24:28
[Music]
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|
0:24:28 – 0:24:31
Definitely interesting. I think that will happen someday
|
|
|
0:24:31 – 0:24:35
Next, next week, next week.
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|
0:24:35 – 0:24:37
I think we're going to have to check this out.
|
|
|
0:24:37 – 0:24:43
We just know that it will come two days later.
|
|
|
0:24:43 – 0:24:47
Now that we've said it, exactly.
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|
0:24:47 – 0:24:49
Yes, that's true.
|
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|
0:24:49 – 0:24:54
If we report any news, a day later, zack.
|
|
|
0:24:54 – 0:24:58
What do we do if that's the case again?
|
|
|
0:24:58 – 0:24:59
Are we going to add a bonus?
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|
|
0:24:59 – 0:25:00
Or how do we do that?
|
|
|
0:25:00 – 0:25:03
Yes, let's make a bonus-of-bonus wall.
|
|
|
0:25:03 – 0:25:04
A firewall?
|
|
|
0:25:04 – 0:25:15
Wall. So don't talk about it. We're just putting Big Man 6 out and we're not talking about Big Man 6 anymore.
|
|
|
0:25:15 – 0:25:25
That's why the topic is what happened a few days ago with the Deep Seed,
|
|
|
0:25:25 – 0:25:30
That's why it hit a bit like a bomb. The entire stock market
|
|
|
0:25:30 – 0:25:35
Somehow $600 billion lost, in one fell swoop, because the stock price crashed.
|
|
|
0:25:35 – 0:25:36
Because the clinic...
|
|
|
0:25:36 – 0:25:39
Only Nvidia has lost $600 billion.
|
|
|
0:25:39 – 0:25:48
Sounds like if you were to use it as a bass, so to speak, for the guitar accompaniment,
|
|
|
0:25:48 – 0:25:49
That's pretty shit.
|
|
|
0:25:49 – 0:25:50
So very unnatural.
|
|
|
0:25:50 – 0:25:51
Yeah, totally unspectacular.
|
|
|
0:25:51 – 0:25:57
Yes, very unnatural and stop, yes, so not particularly.
|
|
|
0:25:57 – 0:26:00
And as I said, the sequencer that's there,
|
|
|
0:26:00 – 0:26:05
You can also tell that the bass guitar is kind of
|
|
|
0:26:05 – 0:26:11
It's designed and it's just shit to program.
|
|
|
0:26:11 – 0:26:15
You have to be very clear.
|
|
|
0:26:15 – 0:26:16
It's terrible.
|
|
|
0:26:16 – 0:26:23
If I can recommend a whisky again, where we are at the moment.
|
|
|
0:26:23 – 0:26:28
So if you want to drink something really horny, then you are actually
|
|
|
0:26:28 – 0:26:33
Now we are at 55, 50, 55 euros the bottle.
|
|
|
0:26:33 – 0:26:37
That's a Glenmorengi's name.
|
|
|
0:26:37 – 0:26:40
By the way, I can also tell a very small story.
|
|
|
0:26:40 – 0:26:45
The Quinter Ruban is 14 years old.
|
|
|
0:26:45 – 0:26:54
This is a single malt Scotch whisky, which is stored for 12 years and then again
|
|
|
0:26:54 – 0:26:56
Two years in port wine.
|
|
|
0:26:56 – 0:27:01
I mean, there's the Huishu of synthesizers in there, right?
|
|
|
0:27:01 – 0:27:02
That's the most important thing.
|
|
|
0:27:02 – 0:27:06
That's a lot of synthesis for relatively little money.
|
|
|
0:27:06 – 0:27:08
I mean, $200, hello?
|
|
|
0:27:08 – 0:27:10
It costs a hardware synthesizer.
|
|
|
0:27:10 – 0:27:11
That's a lot.
|
|
|
0:27:11 – 0:27:17
So you get real, real, real, really, really a lot of synthesis for it, for 200 euros.
|
|
|
0:27:17 – 0:27:18
That's the hammer.
|
|
|
0:27:18 – 0:27:20
A very horny deer sausage.
|
|
|
0:27:20 – 0:27:25
When I see the chaos that Native Instruments is doing right now, with this Complete Select Beat,
|
|
|
0:27:25 – 0:27:30
Select Band and Select Electronic, then I have to say, that's definitely better from Artur.
|
|
|
0:27:30 – 0:27:34
Can we talk about the anti-Thomann revolt?
|
|
|
0:27:34 – 0:27:36
Yes, Thomann is evil now, yes.
|
|
|
0:27:36 – 0:27:39
I didn't understand why, but okay.
|
|
|
0:27:41 – 0:27:51
*singing*
|
|
|
0:27:51 – 0:27:53
Another round!
|
|
|
0:27:53 – 0:27:58
Let's go again. Look inside again.
|
|
|
0:27:58 – 0:28:00
Yeah, that's right. Now the echo is gone.
|
|
|
0:28:00 – 0:28:02
Yeah, it's done.
|
|
|
0:28:02 – 0:28:04
I can only hear it quietly.
|
|
|
0:28:04 – 0:28:09
This can't happen anymore, because now it's just headphones.
|
|
|
0:28:09 – 0:28:11
I'll make it quiet, too.
|
|
|
0:28:11 – 0:28:13
Very good.
|
|
|
0:28:13 – 0:28:15
For the sake of...
|
|
|
0:28:15 – 0:28:17
Oh, I'll close the windows, that's what makes me.
|
|
|
0:28:17 – 0:28:19
We don't hear them.
|
|
|
0:28:19 – 0:28:21
But it doesn't matter.
|
|
|
0:28:21 – 0:28:23
Calm down.
|
|
|
0:28:23 – 0:28:25
How's the weather with you, Mick?
|
|
|
0:28:25 – 0:28:27
Welcome
|
|
|
0:28:27 – 0:28:29
The rehearsal podcast.
|
|
|
0:28:29 – 0:28:31
Today a special edition,
|
|
|
0:28:31 – 0:28:33
which we try in less than 60 minutes
|
|
|
0:28:33 – 0:28:35
to be included.
|
|
|
0:28:35 – 0:28:37
Moin, colleagues.
|
|
|
0:28:37 – 0:28:39
That's very...
|
|
|
0:28:39 – 0:28:41
And now he's having a cough attack.
|
|
|
0:28:41 – 0:28:43
Very optimistic.
|
|
|
0:28:43 – 0:28:47
By the way, I thought Wolfgang Palm was already dead.
|
|
|
0:28:47 – 0:28:49
But he's still alive.
|
|
|
0:28:49 – 0:28:52
I've got a parallel universe, haven't I?
|
|
|
0:28:52 – 0:28:55
At least he looks like he's already dead.
|
|
|
0:28:55 – 0:28:57
Excuse me, but...
|
|
|
0:28:57 – 0:28:59
I thought when I saw that press photo...
|
|
|
0:28:59 – 0:29:01
That's mean.
|
|
|
0:29:01 – 0:29:05
I'll have a look in here.
|
|
|
0:29:05 – 0:29:10
So now I've opened a Schema Light here and I...
|
|
|
0:29:10 – 0:29:12
Oh, there's the pad.
|
|
|
0:29:12 – 0:29:13
Oh, that's how it works.
|
|
|
0:29:13 – 0:29:14
Yeah, great.
|
|
|
0:29:14 – 0:29:19
You see, if you want to try 20,000 plugins in a weekend and don't get it,
|
|
|
0:29:19 – 0:29:23
where the pad sequencer is, now for the first time in my life I click on the
|
|
|
0:29:23 – 0:29:24
colored circles and boom.
|
|
|
0:29:24 – 0:29:29
What do they mean by Free State?
|
|
|
0:29:29 – 0:29:32
That Bavaria is free of state?
|
|
|
0:29:32 – 0:29:33
I think that's supposed to...
|
|
|
0:29:33 – 0:29:34
I really don't know.
|
|
|
0:29:34 – 0:29:36
I never took care of it.
|
|
|
0:29:36 – 0:29:38
I've...
|
|
|
0:29:38 – 0:29:41
I'll research it next time and tell you next time.
|
|
|
0:29:41 – 0:29:43
I don't want to say nonsense anymore.
|
|
|
0:29:43 – 0:29:49
I just broke my headset on the podcast.
|
|
|
0:29:49 – 0:29:55
Say, my real speaker on the head, so the headphones,
|
|
|
0:29:55 – 0:29:57
There is no signal anymore.
|
|
|
0:29:57 – 0:30:01
I always switched to my studio monitor when it came to music.
|
|
|
0:30:01 – 0:30:06
Nice quiet, so that the neighbors do not slip out of the window.
|
|
|
0:30:06 – 0:30:11
Exactly. But I don't want to run into the right ones anymore.
|
|
|
0:30:11 – 0:30:14
I don't want to buy an expensive network anymore.
|
|
|
0:30:14 – 0:30:17
No one wants it either. They're just shit.
|
|
|
0:30:17 – 0:30:19
They come so dirty.
|
|
|
0:30:19 – 0:30:21
It's a whole tank with so many additives.
|
|
|
0:30:21 – 0:30:23
Nobody wants to eat that. Who wants to eat it voluntarily?
|
|
|
0:30:23 – 0:30:26
That's spanked shit.
|
|
|
0:30:26 – 0:30:29
Do you know where all the vegan clothes all end up?
|
|
|
0:30:29 – 0:30:31
They all come to your tables.
|
|
|
0:30:31 – 0:30:34
I have acquaintances who tell me this, don't they?
|
|
|
0:30:34 – 0:30:42
So you can't eat something like that, it doesn't taste and yes, but you can't eat it because it's just disgusting, the stuff that's disgusting.
|
|
|
0:30:42 – 0:30:45
This is not only disgusting, it is also highly processed.
|
|
|
0:30:45 – 0:30:46
Yeah, that too.
|
|
|
0:30:46 – 0:30:50
People go and say yes, you can't eat that because it's so processed.
|
|
|
0:30:50 – 0:30:54
Yeah, but your vegan shit, it's so processed.
|
|
|
0:30:54 – 0:30:55
Yes, yes.
|
|
|
0:30:55 – 0:30:59
I'm sorry if I ever said I'm vegetarian.
|
|
|
0:30:59 – 0:31:05
But with the vegan, there are some things that are so crass and then it must always be
|
|
|
0:31:05 – 0:31:08
Everything looks and tastes like meat.
|
|
|
0:31:08 – 0:31:11
Yeah, I didn't understand that either.
|
|
|
0:31:11 – 0:31:17
So if you, how was that with "It quacks like a duck, it runs like a duck,
|
|
|
0:31:17 – 0:31:20
Then get yourself a duck, my face!
|
|
|
0:31:21 – 0:31:22
Then with Automis …
|
|
|
0:31:22 – 0:31:28
…Signifierable, automation-ready?
|
|
|
0:31:28 – 0:31:34
What's that name? Able to automate? No. Able to automate?
|
|
|
0:31:34 – 0:31:36
Yes, exactly, automatized …
|
|
|
0:31:36 – 0:31:38
You can automate.
|
|
|
0:31:38 – 0:31:40
Oh, I've never said that before.
|
|
|
0:31:40 – 0:31:41
Neither do I.
|
|
|
0:31:41 – 0:31:44
Space wave, that's it.
|
|
|
0:31:44 – 0:31:48
Space wave, you haven't dealt with the part at all.
|
|
|
0:31:48 – 0:31:54
No, that's a far cry from what I can afford.
|
|
|
0:31:54 – 0:31:59
I also felt like the Italian beach vendor.
|
|
|
0:31:59 – 0:32:01
Good price, good price, today cheap, tomorrow expensive.
|
|
|
0:32:01 – 0:32:09
Well, the other thing is, I'd like to watch,
|
|
|
0:32:09 – 0:32:17
that we are not constantly only concerned with study construction or other continuous loop topics,
|
|
|
0:32:17 – 0:32:21
that we should try to avoid this, but I would...
|
|
|
0:32:21 – 0:32:25
So I would have the vision...
|
|
|
0:32:25 – 0:32:27
Sounds stupid when you say that.
|
|
|
0:32:27 – 0:32:29
Anyone who has vision should go to the doctor.
|
|
|
0:32:29 – 0:32:32
Maybe I'm the pessimist.
|
|
|
0:32:32 – 0:32:34
Maybe there's a rave party in every second basement somewhere.
|
|
|
0:32:34 – 0:32:36
Why doesn't anyone invite me?
|
|
|
0:32:36 – 0:32:39
Well, Sascha, how's your label going?
|
|
|
0:32:39 – 0:32:41
Round.
|
|
|
0:32:41 – 0:32:42
You're stupid.
|
|
|
0:32:42 – 0:32:45
I'm an idealist, right?
|
|
|
0:32:45 – 0:32:50
It may be my German origin, I don't know.
|
|
|
0:32:50 – 0:32:54
We had an idealism here in Germany before it was flattened.
|
|
|
0:32:54 – 0:32:57
I'm also an idealist, but that doesn't mean...
|
|
|
0:32:57 – 0:33:00
I think you're also a realist.
|
|
|
0:33:00 – 0:33:03
It always depends.
|
|
|
0:33:03 – 0:33:06
I switch flexibly between positions.
|
|
|
0:33:06 – 0:33:13
If you choose anything, consciously or unconsciously,
|
|
|
0:33:13 – 0:33:17
For me, this is the ultimate goal,
|
|
|
0:33:17 – 0:33:22
To see how it works,
|
|
|
0:33:22 – 0:33:26
Inspiring, I can work with it musically
|
|
|
0:33:26 – 0:33:30
and less is this now technically right or wrong
|
|
|
0:33:30 – 0:33:32
Or better or worse.
|
|
|
0:33:32 – 0:33:39
Quite a trivial question, how do you come up with such ideas?
|
|
|
0:33:41 – 0:33:44
Playing "For God" in the morning in the shower, right?
|
|
|
0:33:44 – 0:33:51
[Audience claps]
|
|
|
0:33:51 – 0:33:54
[Audience claps]
|
|
|
0:33:54 – 0:33:58
Yes, very nice. Thank you very much.
|
|
|
0:33:58 – 0:34:01
Thank you, yes, gladly done.
|
|
|
0:34:01 – 0:34:03
Great compilation.
|
|
|
0:34:03 – 0:34:08
I hope you get a little overview of what happened last year.
|
|
|
0:34:08 – 0:34:11
Hendrik, I miss him.
|
|
|
0:34:11 – 0:34:13
I missed him, I miss him.
|
|
|
0:34:13 – 0:34:16
Hendrik, if you hear this, come back.
|
|
|
0:34:16 – 0:34:18
At least for a visit.
|
|
|
0:34:18 – 0:34:20
Please get in touch.
|
|
|
0:34:20 – 0:34:32
So I mostly read transcripts or used the things I remembered.
|
|
|
0:34:32 – 0:34:36
But yes, with the Hendrik episodes, it already had a different dynamic.
|
|
|
0:34:36 – 0:34:41
It was the highlight of this podcast year.
|
|
|
0:34:41 – 0:34:43
Well, of course.
|
|
|
0:34:43 – 0:34:51
Not only that, but he also brought in other perspectives.
|
|
|
0:34:51 – 0:34:53
I mean, we've been doing this for a couple of days now.
|
|
|
0:34:53 – 0:35:00
And even if we don't talk every day now, but somehow you already know each other very well.
|
|
|
0:35:00 – 0:35:04
Yes, and that had been nice that came in with such a fresh wind.
|
|
|
0:35:04 – 0:35:08
Yes, the fresh wind only talked about liquor and video games, but …
|
|
|
0:35:08 – 0:35:12
That's not true, he also talked about Tal.
|
|
|
0:35:12 – 0:35:14
Yeah, I know, I do jokes.
|
|
|
0:35:14 – 0:35:17
Back in the day, no one understands.
|
|
|
0:35:17 – 0:35:27
And then we get bad posts in the forum and somewhere else and yes …
|
|
|
0:35:27 – 0:35:29
That's right.
|
|
|
0:35:31 – 0:35:38
Yes, no, the Henrik, who was already, that was already a very nice spring for four.
|
|
|
0:35:38 – 0:35:45
But I also understand that it is an effort and you have to want to give it to yourself.
|
|
|
0:35:45 – 0:35:49
I mean, even we had a moment when we didn't want to give it all to ourselves anymore
|
|
|
0:35:49 – 0:35:52
Then there was a maneuver criticism.
|
|
|
0:35:52 – 0:35:54
But I'm glad we did.
|
|
|
0:35:54 – 0:35:58
I'm gonna miss something, too.
|
|
|
0:36:00 – 0:36:02
Yeah, me too.
|
|
|
0:36:02 – 0:36:05
Old men at
|
|
|
0:36:05 – 0:36:07
Centering over the hobby
|
|
|
0:36:07 – 0:36:09
Listen to me.
|
|
|
0:36:09 – 0:36:11
You take the old back.
|
|
|
0:36:11 – 0:36:13
I would still like to be wise.
|
|
|
0:36:13 – 0:36:15
I didn't say Zenier,
|
|
|
0:36:15 – 0:36:17
I said old.
|
|
|
0:36:17 – 0:36:19
I didn't say Zenier, either.
|
|
|
0:36:19 – 0:36:21
You just said that.
|
|
|
0:36:21 – 0:36:23
I said wise and old.
|
|
|
0:36:23 – 0:36:29
The beer,
|
|
|
0:36:29 – 0:36:31
It tastes like it's called.
|
|
|
0:36:31 – 0:36:33
Yes, Kölsch.
|
|
|
0:36:33 – 0:36:35
It's a blatant boy.
|
|
|
0:36:35 – 0:36:37
The Old Town of Düsseldorf
|
|
|
0:36:37 – 0:36:39
You mean by that, huh?
|
|
|
0:36:39 – 0:36:41
Yes, it is also a
|
|
|
0:36:41 – 0:36:43
White spirit line, so it's not mine.
|
|
|
0:36:43 – 0:36:45
I tried it once, Duesseldorfer Alt.
|
|
|
0:36:45 – 0:36:47
It tastes just like Kölsch.
|
|
|
0:36:47 – 0:36:49
Oh, oh.
|
|
|
0:36:49 – 0:36:51
hate now
|
|
|
0:36:51 – 0:36:53
I'm the two.
|
|
|
0:36:53 – 0:36:55
Now all colognes are allowed to
|
|
|
0:36:55 – 0:36:57
and all Düsseldorfers hate,
|
|
|
0:36:57 – 0:37:03
Now you've started the Rhine side wars, boy.
|
|
|
0:37:03 – 0:37:06
3, 2, 1, the mailbox explodes.
|
|
|
0:37:06 – 0:37:11
Yes, yes.
|
|
|
0:37:11 – 0:37:16
Well, then I just have to move a few gigabytes to the mailbox.
|
|
|
0:37:16 – 0:37:29
What did we have in terms of equipment highlights this year? On instruments?
|
|
|
0:37:29 – 0:37:34
Is there anything that caught your eye so much?
|
|
|
0:37:34 – 0:37:39
Now, regardless of whether you want to buy it now or not, …
|
|
|
0:37:39 – 0:37:45
I'm thinking because everyone is doing it right now.
|
|
|
0:37:45 – 0:37:47
Top ten lists, I know.
|
|
|
0:37:47 – 0:37:49
Top ten lists and yearly reviews.
|
|
|
0:37:49 – 0:37:51
Some people review their entire studio.
|
|
|
0:37:51 – 0:37:54
"Greetings to Florian, come by."
|
|
|
0:37:54 – 0:37:57
And some make a handmade bubble
|
|
|
0:37:57 – 0:37:59
and let the AI run over it,
|
|
|
0:37:59 – 0:38:01
The Gear and Gear cannot be distinguished.
|
|
|
0:38:01 – 0:38:04
and just write down Gear twice or Gear twice.
|
|
|
0:38:04 – 0:38:08
So really, the same set, the gear for more gear.
|
|
|
0:38:08 – 0:38:11
Once both times with "ie" and once both times with "he".
|
|
|
0:38:11 – 0:38:14
That's great, but just not right.
|
|
|
0:38:14 – 0:38:18
Greetings to Gear News. Or "Gear News," whatever.
|
|
|
0:38:18 – 0:38:19
Um...
|
|
|
0:38:19 – 0:38:24
I have to think, did you guys...
|
|
|
0:38:24 – 0:38:27
So... - Yes, we had internally,
|
|
|
0:38:27 – 0:38:30
We had already discussed it,
|
|
|
0:38:30 – 0:38:33
What could be such a highlight,
|
|
|
0:38:33 – 0:38:36
I remember when it was dark a few days ago.
|
|
|
0:38:37 – 0:38:39
Yeah, the TR, right?
|
|
|
0:38:39 – 0:38:46
Which you canceled before you got it delivered.
|
|
|
0:38:46 – 0:38:57
I would say if that was this year, then it had been the extension of the assembly.
|
|
|
0:38:57 – 0:39:01
And here, the smaller one, so the...
|
|
|
0:39:01 – 0:39:07
Yes, the MOD-DX, I think we even talked about it, but off, so not on the podcast.
|
|
|
0:39:07 – 0:39:15
I would say that now the FM, i.e. the AM synthesis, has come in, i.e. the AM part.
|
|
|
0:39:15 – 0:39:18
That would have been so for me, such a highlight.
|
|
|
0:39:18 – 0:39:21
I recently played the little one in the shop.
|
|
|
0:39:21 – 0:39:26
That was, so that's actually a completely different level than the old MOD-DX.
|
|
|
0:39:26 – 0:39:29
better keyboard, better workmanship, better buttons,
|
|
|
0:39:29 – 0:39:32
Insane possibilities too.
|
|
|
0:39:32 – 0:39:35
I've played with the idea more than once.
|
|
|
0:39:35 – 0:39:39
Maybe go back to workstation.
|
|
|
0:39:39 – 0:39:43
and after 15 years to return to the Yamaha home port.
|
|
|
0:39:43 – 0:39:45
Oh, the coal.
|
|
|
0:39:45 – 0:39:49
But yes, I would say that was certainly one.
|
|
|
0:39:49 – 0:39:55
I would also say that all this rage of new supersynthies
|
|
|
0:39:55 – 0:39:57
or upgraded to Super Synthies.
|
|
|
0:39:57 – 0:39:59
It's all in super synth now.
|
|
|
0:39:59 – 0:40:01
Serum 2, which I have.
|
|
|
0:40:01 – 0:40:07
Pigments 6 and 7 followed the idea.
|
|
|
0:40:07 – 0:40:10
I don't think you can get the serum for a while.
|
|
|
0:40:10 – 0:40:14
Zebra 3, after all, a beta,
|
|
|
0:40:14 – 0:40:18
Even if it's not yet a full-fledged release candidate.
|
|
|
0:40:18 – 0:40:24
Omnisphere 3, so you just had the impression the last few weeks,
|
|
|
0:40:24 – 0:40:26
They all have something to beat out.
|
|
|
0:40:26 – 0:40:30
Apsules is back.
|
|
|
0:40:30 – 0:40:35
Then what else did we have?
|
|
|
0:40:35 – 0:40:39
Moog also released two synthesizers.
|
|
|
0:40:39 – 0:40:43
Once the big fat muse.
|
|
|
0:40:43 – 0:40:45
But that was last year.
|
|
|
0:40:45 – 0:40:49
Was that the last year he was so terribly laundered?
|
|
|
0:40:49 – 0:40:50
I was talking about ….
|
|
|
0:40:50 – 0:40:52
That was this year, wasn't it?
|
|
|
0:40:52 – 0:40:53
No, it was last year.
|
|
|
0:40:53 – 0:40:54
Really?
|
|
|
0:40:54 – 0:40:57
The labyrinth was also last year.
|
|
|
0:40:57 – 0:41:01
Okay, but the Messenger, that's what they cut out.
|
|
|
0:41:01 – 0:41:02
Yes, the messenger.
|
|
|
0:41:02 – 0:41:03
The messenger.
|
|
|
0:41:03 – 0:41:07
This is the Billo, so to speak, the first Mo-
|
|
|
0:41:07 – 0:41:12
The Pro1 to the Muse, yes, yes, the Pro1 to the Muse compared to the Prophet then, yes, I see.
|
|
|
0:41:12 – 0:41:13
That's right.
|
|
|
0:41:13 – 0:41:16
I saw it on Nine Inch Nails, but as a MIDI keyboard.
|
|
|
0:41:16 – 0:41:22
So, let's put it this way, I think he played the bass on One Million himself,
|
|
|
0:41:22 – 0:41:27
But the other stuff, so the thing isn't polyphonic and choirs can't do that either.
|
|
|
0:41:27 – 0:41:31
I think there is such a middle ground.
|
|
|
0:41:31 – 0:41:39
But yes, the messenger was a fancy thing, yes.
|
|
|
0:41:39 – 0:41:44
I'm going to look at Tom to see if I'm missing anything.
|
|
|
0:41:44 – 0:41:48
Which I personally found very strong, sequential form.
|
|
|
0:41:48 – 0:41:51
I even had it under my fingers in the shop the other day.
|
|
|
0:41:51 – 0:42:00
The fancy Prophet 5 with 5 votes.
|
|
|
0:42:00 – 0:42:02
Ne, 4.
|
|
|
0:42:02 – 0:42:04
With 4 voices and a mini keyboard.
|
|
|
0:42:04 – 0:42:08
It's about the size of your microcord.
|
|
|
0:42:08 – 0:42:10
It's about the size of the mini freak.
|
|
|
0:42:10 – 0:42:13
It's a bit bigger than the first microcord.
|
|
|
0:42:13 – 0:42:16
The mini freak isn't that huge either.
|
|
|
0:42:16 – 0:42:18
No, but he's got it so much deeper.
|
|
|
0:42:18 – 0:42:19
So as much bigger as?
|
|
|
0:42:19 – 0:42:20
He's deeper.
|
|
|
0:42:20 – 0:42:23
The MicroCork is a bonsai from the keyboard.
|
|
|
0:42:23 – 0:42:26
The shape has a very nice, larger keyboard, so slim keys.
|
|
|
0:42:26 – 0:42:27
Okay.
|
|
|
0:42:27 – 0:42:29
And these are by the way very good Slim Keys.
|
|
|
0:42:29 – 0:42:33
So I'd say that along with the MiniFreak, this is the best bonsai you can have.
|
|
|
0:42:33 – 0:42:35
Astrolab, of course, still exists.
|
|
|
0:42:35 – 0:42:38
It was a highlight in a different way.
|
|
|
0:42:38 – 0:42:40
The Astrolab 37, yes.
|
|
|
0:42:40 – 0:42:43
Which they blew out before Christmas, yes.
|
|
|
0:42:43 – 0:42:47
Yes, that was, I would say, massive.
|
|
|
0:42:47 – 0:42:50
Black Friday, in the Black Friday week.
|
|
|
0:42:50 – 0:42:57
Just like Waldorf with its protein, that was something I didn't expect.
|
|
|
0:42:57 – 0:43:01
It was also a little surprise.
|
|
|
0:43:01 – 0:43:05
Yes, that's right, the protein, an interesting fusion.
|
|
|
0:43:05 – 0:43:06
Yes, yes.
|
|
|
0:43:06 – 0:43:14
Because of the form factor and then of course what they did with the engine.
|
|
|
0:43:14 – 0:43:23
That's right. Yeah, and then you have the usual suspects. So Elektron blew out his Digitakt in the new version.
|
|
|
0:43:23 – 0:43:26
No, the Digitakt was last year. Digitakt, Digitone was last year.
|
|
|
0:43:26 – 0:43:28
Really? Digitone?
|
|
|
0:43:28 – 0:43:30
Digitone was this year?
|
|
|
0:43:30 – 0:43:36
Digitone was last year. Digitask in May, Digitone in October. We can do both in our aftermath.
|
|
|
0:43:36 – 0:43:41
Then Tonwerk was also this September, which has already leaked last year.
|
|
|
0:43:41 – 0:43:43
Then came out this year.
|
|
|
0:43:43 – 0:43:45
That's right, that's right.
|
|
|
0:43:45 – 0:43:47
That's …, too.
|
|
|
0:43:47 – 0:43:53
Well, and then you stopped the … What did the PolyEnd people do?
|
|
|
0:43:53 – 0:43:58
They have also released a two-piece version, a Mark-Two-piece version, of all their devices.
|
|
|
0:43:58 – 0:44:02
Surprisingly, I think it's just software. Do you have Mark II versions?
|
|
|
0:44:02 – 0:44:07
Yeah, but I don't know, did they show up this year?
|
|
|
0:44:07 – 0:44:10
No, the Plus versions, these are the last few years.
|
|
|
0:44:10 – 0:44:15
However, I don't really see through their product range anymore, because these devices look like this.
|
|
|
0:44:15 – 0:44:16
PolyEnd?
|
|
|
0:44:16 – 0:44:22
So, they have the PolyEnd Play Plus, then there is the PolyEnd Synth Plus.
|
|
|
0:44:22 – 0:44:24
The Synth Plus is also available.
|
|
|
0:44:24 – 0:44:34
Then there's the, what's the name of the tracker, they have it in a mini version, but that was last year, and the Tracker Plus they have knocked out.
|
|
|
0:44:34 – 0:44:40
So I don't see a synth plus, I only see the first synth on the website so far.
|
|
|
0:44:40 – 0:44:43
What they did was synth pedals.
|
|
|
0:44:43 – 0:44:45
They did a couple of pedals.
|
|
|
0:44:45 – 0:44:48
Exactly, and pedals they did, partly with display, partly without.
|
|
|
0:44:48 – 0:44:50
Press, yes.
|
|
|
0:44:50 – 0:44:52
Step, press, press.
|
|
|
0:44:52 – 0:44:54
It was a pedal year, I had the impression.
|
|
|
0:44:54 – 0:44:56
and eventide,
|
|
|
0:44:56 – 0:44:58
Big in the update game
|
|
|
0:44:58 – 0:45:00
inside. Maris
|
|
|
0:45:00 – 0:45:02
I don't think it was all last year.
|
|
|
0:45:02 – 0:45:04
I have yes
|
|
|
0:45:04 – 0:45:06
a bit concerned with pedals,
|
|
|
0:45:06 – 0:45:08
I'll come back to why later.
|
|
|
0:45:08 – 0:45:10
And
|
|
|
0:45:10 – 0:45:12
I'm here right now
|
|
|
0:45:12 – 0:45:14
A bit of scrolling
|
|
|
0:45:14 – 0:45:16
by Tomann and the
|
|
|
0:45:16 – 0:45:21
The usual suspects. You can throw all the categories together here, but then only shit comes around here.
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0:45:21 – 0:45:29
Give me a second. With the MIDI keyboards, I have to say, a new keystep, MK2, you've got it,
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0:45:29 – 0:45:32
I think they're still lying around, right? Or have you already sent it back?
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0:45:32 – 0:45:38
No, he's still standing here. I'm just thinking about having my MicroLab, which I still have,
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0:45:38 – 0:45:46
Then maybe throw it off again. However, it is actually quite practical.
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0:45:46 – 0:45:49
But I don't know yet.
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0:45:49 – 0:45:51
Don't eat, don't eat bread.
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0:45:51 – 0:46:02
I think the size is a bit different.
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0:46:02 – 0:46:04
Here, which I also found very horny,
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0:46:04 – 0:46:08
Archive Professional MPK Mini 4.
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0:46:08 – 0:46:11
So, this is such an update, you can see it rather,
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|
0:46:11 – 0:46:14
If you're in the game, you're in the midi keyboard game.
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0:46:14 – 0:46:17
This time they really made a paradigm shift.
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0:46:17 – 0:46:19
The little MPK, that's so...
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0:46:19 – 0:46:23
I'd say a little bit of the...
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0:46:23 – 0:46:25
So the device among the bonsai keyboards,
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0:46:25 – 0:46:27
Bonsai midi keyboards.
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0:46:27 – 0:46:29
And that has now gotten a bigger keyboard.
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0:46:29 – 0:46:31
And a larger casing.
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0:46:31 – 0:46:33
Many, many more features, real wheels.
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0:46:33 – 0:46:36
That was a big update.
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0:46:36 – 0:46:40
And if you compare it to the other big Akai update of the year,
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0:46:40 – 0:46:42
the MPC Live 3,
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0:46:42 – 0:46:47
I would be really happy,
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0:46:47 – 0:46:48
Or maybe it would be real,
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0:46:48 – 0:46:54
That this company is launching a new generation of their great master keyboards on the market.
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0:46:54 – 0:46:58
So the MPK 2 series is from 2014.
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0:46:58 – 0:47:03
I wonder why Akai leaves this huge market?
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0:47:03 – 0:47:09
Arturia, Novation and Native. They could only do it with the same quality.
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0:47:09 – 0:47:16
Not to mention the new NPC pads. And there you can also, the same goes for the MPDs and
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0:47:16 – 0:47:23
APCs. So they had to rerun APC already, because the Endorsers were all pissed off. And MPD pads
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0:47:23 – 0:47:29
In fact, they are also quite unrivalled. I think there was something else about nectar. Otherwise
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0:47:29 – 0:47:35
I haven't seen anything in the way, so so drum pad moderate, what would now come to the MPDs in terms of
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0:47:35 – 0:47:42
Simplicity, handling and integration, especially at Ableton. So a little something is already there
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0:47:42 – 0:47:50
It's happening. I'll go over for a second. If you press on everything in the category of Doma,
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0:47:50 – 0:47:55
He's throwing it all together. I'm allowed to scan now. I found from, is now a
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0:47:55 – 0:48:02
Device that I wouldn't use at all because I can't, but I found from ASM,
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0:48:02 – 0:48:08
You know, this new blow-shift synthesizer there. This, everyone thought so horny,
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0:48:08 – 0:48:12
new ASM something synth, and then comes such a consolation.
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0:48:12 – 0:48:17
Yes, then they come with a Blaswandler synth, with a Spektra hyper synth.
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0:48:17 – 0:48:17
That's right, that's right, that's right.
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0:48:17 – 0:48:21
Synthesis engine on the market, yes, that was also a surprise.
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0:48:21 – 0:48:23
What was the name of that thing again? I just got …
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0:48:23 – 0:48:27
Blaswandler is enough. Everyone knows what is meant.
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0:48:27 – 0:48:29
[Laughter]
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0:48:29 – 0:48:31
You may have a point.
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|
0:48:31 – 0:48:35
While you're searching for that from Dreadbox, there was something new.
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0:48:35 – 0:48:37
No? No? No?
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|
0:48:37 – 0:48:39
The Artemis.
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0:48:39 – 0:48:47
The 5-voice, ne 6-voice, analog polysynthesizer with effect section by Sine Vibes.
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0:48:47 – 0:48:51
Kind of like a typhoon, just a little bit bigger and a little bit more expensive.
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0:48:51 – 0:48:55
I thought I didn't know that thing when I saw it in videos.
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0:48:55 – 0:48:58
Sounds cool. Sounds really good.
|
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|
0:48:58 – 0:49:02
Well, if it sounds like a penis, then it must sound cool.
|
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|
0:49:02 – 0:49:04
Like Artemis?
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|
0:49:04 – 0:49:04
Yes, yes!
|
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|
0:49:04 – 0:49:08
The goddess of love, right? Or was it something else?
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|
0:49:08 – 0:49:14
This is Athena. By that, you meant Aphrodite, but no matter.
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0:49:14 – 0:49:20
Its predecessor was called Nymphes.
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0:49:20 – 0:49:30
Speaking of endorphines, they packed some radio into the granular synthesizer pedal,
|
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|
0:49:30 – 0:49:43
I'm just seeing here. Evil Pet was the name of the pedal, which was also an interesting thing.
|
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|
0:49:43 – 0:49:53
The Dio are, or Dio are, called the blow transducer of ASM, of the shoes Sound Machines.
|
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|
0:49:53 – 0:49:59
What you have to say, Synapse Audio has released Proxima, they make sense, if I just...
|
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|
0:49:59 – 0:50:07
Wasn't the Legend Hardset even this year? So first this fat fat ultraminimum with Hans Zimmer.
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|
0:50:07 – 0:50:15
And now, towards the end of the year, they also banged out a prophet 600 emulation.
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|
0:50:15 – 0:50:19
It's really good. If it didn't cost 130 flakes, I'd have it too.
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|
0:50:19 – 0:50:31
But a bit big prices for a 2-OSC-Synthi, which sounds really good, are admitted.
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|
0:50:31 – 0:50:42
He mentioned it earlier, the Roland Th1000 is of course also a home lead in some respects.
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|
0:50:42 – 0:50:44
Wise, but you have to be able to afford it.
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0:50:44 – 0:50:45
That's right.
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|
0:50:45 – 0:50:48
You sent her back before Sascha even saw money.
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|
0:50:48 – 0:50:55
I just cancelled the order because I thought it was worth it
|
|
|
0:50:55 – 0:50:57
Not for my needs.
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|
0:50:57 – 0:50:59
It's not worth it.
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|
0:50:59 – 0:51:01
Yes, yes.
|
|
|
0:51:01 – 0:51:03
Yes, that is the big dilemma.
|
|
|
0:51:03 – 0:51:05
$2,700, that's one.
|
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|
0:51:05 – 0:51:07
Announcement. That's it.
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|
0:51:07 – 0:51:09
You want to push it around, but then it's
|
|
|
0:51:09 – 0:51:11
Yes, and then you have such fine
|
|
|
0:51:11 – 0:51:13
Things like this
|
|
|
0:51:13 – 0:51:15
Erika Hex Drums. Oh, I got it
|
|
|
0:51:15 – 0:51:17
Right in front of me too. It costs
|
|
|
0:51:17 – 0:51:19
About half. I'm now, original, while you said it, I'm on it
|
|
|
0:51:19 – 0:51:21
scrolled. Hex drums, yes.
|
|
|
0:51:21 – 0:51:25
But I think he doesn't have any storable kits, does he?
|
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|
0:51:25 – 0:51:30
isn't it? No, he didn't. He doesn't have any storable kits. This thing is pretty analog.
|
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|
0:51:30 – 0:51:39
That wouldn't be necessary. That could be so horny. But yeah, well, then don't stop. I mean,
|
|
|
0:51:39 – 0:51:42
Sure, it's cool if you want to shoot it live, but …
|
|
|
0:51:42 – 0:51:49
I think that's a lot of money for it, just to turn a button occasionally.
|
|
|
0:51:49 – 0:51:55
Yes, and speaking of turning buttons once … They are just professional tools.
|
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|
0:51:55 – 0:51:58
Yeah, that's the way it is. It's like the guitars. You can
|
|
|
0:51:58 – 0:52:05
Yes, of course, of course, you can get a plaster for 2,000, 3,000 euros, but if you're just …
|
|
|
0:52:05 – 0:52:10
What's the name of this song you can't play in music?
|
|
|
0:52:10 – 0:52:12
"Somewhere called the water"? "Starway to heaven"?
|
|
|
0:52:12 – 0:52:23
If you can just play "Stairway to Heaven", then maybe you shouldn't get me plasters, but maybe just a little … first.
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|
|
0:52:23 – 0:52:25
I had a neighbor.
|
|
|
0:52:25 – 0:52:29
… might have used a Billo like that.
|
|
|
0:52:29 – 0:52:35
I had a neighbor who did it for hours. And you've heard it all along.
|
|
|
0:52:35 – 0:52:41
Dab, dab, dab, dab, dab, dab, dab, for hours.
|
|
|
0:52:41 – 0:52:42
Oh, my God.
|
|
|
0:52:42 – 0:52:47
Of course also the simplified version, because actually is the Smoke on the Water Riff
|
|
|
0:52:47 – 0:52:51
It's pretty complicated after the first short thing.
|
|
|
0:52:51 – 0:52:55
So the Blackmore was already a very good, very passable guitarist.
|
|
|
0:52:55 – 0:52:56
Yes, yes.
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|
|
0:53:02 – 0:53:13
I've got a lot on Reddit when I've looked through the setups, I've seen a lot of Melbourne Instruments Rototrums, so I've seen Rototrol, you know?
|
|
|
0:53:13 – 0:53:20
This motorized 8-controller fader, which I would like to have from Novation long ago.
|
|
|
0:53:20 – 0:53:30
The Toman in Black Friday Week, the Nina they knocked out for a third of the price because no one wanted it.
|
|
|
0:53:30 – 0:53:32
No, the Delia. It wasn't Nina.
|
|
|
0:53:32 – 0:53:34
Oh, they blew the Delia out.
|
|
|
0:53:34 – 0:53:40
So the keyboard version, but not everything the Nina, I think, can.
|
|
|
0:53:40 – 0:53:42
Yeah, that's right.
|
|
|
0:53:42 – 0:53:47
So, I've already arrived at the Thea 1000 after five pages on Thomann.
|
|
|
0:53:47 – 0:53:53
I'm curious how long this list will continue, but I just added it to the category.
|
|
|
0:53:53 – 0:54:03
it just comes everything, really from individual matching Fingifab tripods for TD3 upright and
|
|
|
0:54:03 – 0:54:08
Low and whatever. The form, we talked about the form, I'll be back later
|
|
|
0:54:08 – 0:54:16
Talk about the form. Then we have here, something bigger was still in the middle of the year, but I
|
|
|
0:54:16 – 0:54:22
I really forgot what. That was the PPG, but that's not a highlight, it's just a joke.
|
|
|
0:54:22 – 0:54:25
For 10,000 euros.
|
|
|
0:54:25 – 0:54:30
After all, there was the beautiful template from the summary.
|
|
|
0:54:30 – 0:54:41
Why can I buy individual Native or Arturia plugins from Toman?
|
|
|
0:54:41 – 0:54:51
The problem is, I'm going to get out of here and just click the software away. Point.
|
|
|
0:54:51 – 0:54:57
Synthesizer, Expander, Drum Computer, Roof Boxing. Cool, I should have noticed the filter first.
|
|
|
0:54:57 – 0:55:01
Then I wouldn't have scrolled five pages through software now.
|
|
|
0:55:01 – 0:55:05
You can explode it here. Where was I?
|
|
|
0:55:05 – 0:55:14
Yes, the Beringer Wave finally came out and nobody wanted it anymore.
|
|
|
0:55:14 – 0:55:16
The torso was … last year.
|
|
|
0:55:16 – 0:55:25
Is that the synt bubble that's there now, the vintage synt bubble and clone vintage synt bubble that's there now so
|
|
|
0:55:25 – 0:55:26
Is it slowly bursting?
|
|
|
0:55:26 – 0:55:37
People are going out the door. And in return for the modules that all came out during Corona,
|
|
|
0:55:37 – 0:55:43
You can stack the keys relatively poorly. And then there's the B-Stock,
|
|
|
0:55:43 – 0:55:52
Just the PBG clone and the Polysix clone and stuff. And what does not come,
|
|
|
0:55:52 – 0:55:58
are the Junos, the Profits and Sweetwater even in one action accidentally canceled the whole pre-order.
|
|
|
0:55:58 – 0:56:09
I've spent two weeks believing people that the products were discontinued, so they wouldn't exist anymore.
|
|
|
0:56:09 – 0:56:15
But if you've been talking about it for, I don't know, two, four, five years,
|
|
|
0:56:15 – 0:56:23
Then, I think you can only keep people on the Volta for so long.
|
|
|
0:56:23 – 0:56:31
Yes, now they're making a bonsai version of all sorts of things that aren't on the tree at 12.
|
|
|
0:56:31 – 0:56:39
I can only recall the CZ-101. Behringer now has the CZ-1,
|
|
|
0:56:39 – 0:56:42
What's the name of that part? It's called CZ1, isn't it?
|
|
|
0:56:42 – 0:56:47
CZ1 Mini they have made a bonsai version, so in Volca format.
|
|
|
0:56:47 – 0:56:50
Yes, and of some things they do one more,
|
|
|
0:56:50 – 0:56:53
The bonsai version is a mini bonsai version.
|
|
|
0:56:53 – 0:57:05
From an OB, nee, OBXA, that's their 16-voice Oberheim OBXA version,
|
|
|
0:57:05 – 0:57:07
That's where they made a bonsai version.
|
|
|
0:57:07 – 0:57:10
And in this bonsai version they made another bonsai version.
|
|
|
0:57:10 – 0:57:11
It's a mini bonsai.
|
|
|
0:57:11 – 0:57:16
A mini-mini-bonsai version that costs only half and has only half the controllers.
|
|
|
0:57:16 – 0:57:23
I mean, no, does that have to be? Do you need that? Is that going on?
|
|
|
0:57:23 – 0:57:26
Maybe it's in the Asian market, I don't know.
|
|
|
0:57:26 – 0:57:30
I can't just do it in Europe and America.
|
|
|
0:57:30 – 0:57:39
I believe that the Asian region, which must actually, so also the Indian, must look clean.
|
|
|
0:57:39 – 0:57:50
Of course, it's much bigger. So here, if you take Asia, now India and all Asian countries and maybe also Russia with you.
|
|
|
0:57:50 – 0:58:06
I haven't seen a company now for internal reasons, I haven't seen a company yet, while there was no end to that with the guitars, I haven't seen a company that clones synthesizers on a large scale, except Beringer, who clones synthesizers for his own market on a large scale.
|
|
|
0:58:06 – 0:58:08
Well, Beringer, of course, but that's what … is all about.
|
|
|
0:58:08 – 0:58:10
Yeah, that's thunder.
|
|
|
0:58:10 – 0:58:12
That's right, thunder, yes.
|
|
|
0:58:12 – 0:58:16
Has there been more?
|
|
|
0:58:16 – 0:58:33
Yes, they started with the clone of the 303. They are, of course, something you may not know, but they have been on the market for many years and produce home keyboards and all kinds of musical instruments.
|
|
|
0:58:33 – 0:58:39
They just produce a piece here. They got a lot in sight.
|
|
|
0:58:39 – 0:58:48
Right, so not so obvious. They have a lot for all the dealers here, music stores, as they are all called, they have produced.
|
|
|
0:58:48 – 0:58:50
Both in stories, yes.
|
|
|
0:58:50 – 0:59:00
That's right, that's right. And now they have started to build synthesizers. That's where they started with the 303 clone and now, this year, they have their thunder L1.
|
|
|
0:59:00 – 0:59:06
This is a SH-101 clone thrown on the market. Really analog.
|
|
|
0:59:06 – 0:59:08
Not even so bad.
|
|
|
0:59:08 – 0:59:10
It has something to do with what I still think is cool.
|
|
|
0:59:10 – 0:59:12
With magnets. Totally crazy.
|
|
|
0:59:12 – 0:59:18
Cool thing, but yeah. So there's something going on.
|
|
|
0:59:18 – 0:59:20
I see the point.
|
|
|
0:59:20 – 0:59:26
I have for, um once again my personal highlight, to the already once …
|
|
|
0:59:26 – 0:59:28
Should I pre-empt this?
|
|
|
0:59:28 – 0:59:38
That would be this. Can you hear that? Yes, yes.
|
|
|
0:59:38 – 0:59:49
You got something analog, something to touch. That's right. Is that a handpan?
|
|
|
0:59:49 – 1:00:01
This is a Sonic Energy Hand… not a Handpan, but a drum of tongues. Sounds like a handpan.
|
|
|
1:00:01 – 1:00:06
And she has a … downstairs
|
|
|
1:00:06 – 1:00:18
I hope this is more tolerable for your ears.
|
|
|
1:00:18 – 1:00:20
Boah, now a joint.
|
|
|
1:00:20 – 1:00:22
That's what I was about to say, isn't it?
|
|
|
1:00:22 – 1:00:28
Or these esoteric self-help groups.
|
|
|
1:00:28 – 1:00:35
And now we open the chakra.
|
|
|
1:00:35 – 1:00:42
Why do I have to think about Avatar? Chakra, Chakra, Chakra.
|
|
|
1:00:42 – 1:00:45
Which part? One, two or three?
|
|
|
1:00:45 – 1:00:48
Never seen the movie. Or do you mean the series?
|
|
|
1:00:48 – 1:00:52
The series, Lord of the Elements.
|
|
|
1:00:52 – 1:00:54
Never seen either.
|
|
|
1:00:54 – 1:01:01
There's such a guy, he's such an old guy, and he makes chakra, chakra, chakra.
|
|
|
1:01:01 – 1:01:05
He looks like such a guru.
|
|
|
1:01:05 – 1:01:07
An old, crazy guru.
|
|
|
1:01:07 – 1:01:13
That was my discovery this year, to be able to hold a musical instrument in my hand again,
|
|
|
1:01:13 – 1:01:21
Which is not electronically operated, but completely analog, which vibrates in my hands.
|
|
|
1:01:21 – 1:01:32
And yes, I realize that for me this is one of the ways to relax right now.
|
|
|
1:01:32 – 1:01:37
You could do it electrically, of course, but that just hurts.
|
|
|
1:01:37 – 1:01:46
I just wanted to say it, EY! Strip the flywheel cable!
|
|
|
1:01:46 – 1:01:50
I could use a contact microphone, of course, but why?
|
|
|
1:01:50 – 1:01:55
Or one of these sensors for mushrooms, which you can just …
|
|
|
1:01:55 – 1:01:58
Yes, you mean those pizzo sensors for mushrooms.
|
|
|
1:01:58 – 1:02:01
Yes, there are those pizzo levels.
|
|
|
1:02:01 – 1:02:03
So organic pizza stories, yes.
|
|
|
1:02:03 – 1:02:04
Like piezo?
|
|
|
1:02:04 – 1:02:06
Yes, they exist for that.
|
|
|
1:02:06 – 1:02:08
Gezusensoren for mushrooms?
|
|
|
1:02:08 – 1:02:10
Yeah, they stick that to mushrooms and then...
|
|
|
1:02:10 – 1:02:13
Is there even a Eurorack module?
|
|
|
1:02:13 – 1:02:15
Yes, there is.
|
|
|
1:02:15 – 1:02:16
Guaranteed.
|
|
|
1:02:16 – 1:02:21
Where the voltage is then amplified and then you can turn it into control voltage.
|
|
|
1:02:21 – 1:02:25
That's so dull, but...
|
|
|
1:02:25 – 1:02:30
Can you sit down in the woods, eat some mushrooms and then play with the mushrooms?
|
|
|
1:02:30 – 1:02:31
Yes, yes.
|
|
|
1:02:32 – 1:02:36
So you can actually play this instrument without eating mushrooms.
|
|
|
1:02:36 – 1:02:37
Just by the way.
|
|
|
1:02:37 – 1:02:43
And it also relaxes without eating mushrooms or any other funny things
|
|
|
1:02:43 – 1:02:44
smokes.
|
|
|
1:02:44 – 1:02:48
So old socks or corn cobs.
|
|
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1:02:48 – 1:02:51
What my brother used to do.
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1:02:51 – 1:02:52
What?
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1:02:52 – 1:02:53
The leaves?
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1:02:53 – 1:02:57
It's supposed to have chatted with a buddy, I heard.
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1:02:57 – 1:03:06
Together with a buddy we went to the field and my brother said "Hey let's smoke corn cobs!"
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1:03:06 – 1:03:13
Because he absolutely wanted to smoke and then we plucked the scrub from the corn cobs here, this hard one there.
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1:03:13 – 1:03:22
And then we turned it into a cigarette and he tried to smoke it and then he did it again, well, of course not on the lungs, of course.
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1:03:22 – 1:03:24
It just stinks, pathetic.
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1:03:24 – 1:03:28
Yes, yes.
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1:03:28 – 1:03:31
These are the robber stories of the robber Horzenplotz.
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1:03:31 – 1:03:33
Didn't he smoke a corn leaf too?
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1:03:33 – 1:03:35
No, that really happened. It was nothing of robbers Horzenplotz.
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1:03:35 – 1:03:40
Yeah, but hasn't he smoked a corn leaf in history or something?
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1:03:40 – 1:03:42
Somewhere in a position?
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1:03:42 – 1:03:49
No, he was right, I think, here, I don't know, he was, I think, smoking something right.
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1:03:49 – 1:03:51
Maybe it was the Swiss adoption.
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1:03:51 – 1:03:55
Maybe he smoked the black Afghan or something.
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1:03:55 – 1:03:56
You don't know.
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1:03:56 – 1:03:58
Well, how Hotzenplotz did it again.
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1:03:58 – 1:04:02
Maximum pigmented Afghans, please.
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1:04:02 – 1:04:04
Hi there? We're talking about a hand plant, aren't we?
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1:04:04 – 1:04:07
Yes, black Afghans. That's what he's doing here ….
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1:04:07 – 1:04:08
The heart.
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1:04:08 – 1:04:10
Don't break my joke, please.
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1:04:10 – 1:04:14
There are no pigments, which is rather strongly chlorophyllized.
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1:04:14 – 1:04:16
Don't break the joke.
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1:04:16 – 1:04:22
There was shit when I made it, and you're taking it to the bottomless. Please.
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1:04:22 – 1:04:25
Come on, let's drown him together.
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1:04:25 – 1:04:35
In the cry of the mob. So, otherwise, before I get to my personal highlight,
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1:04:35 – 1:04:41
Maybe two more things for a moment. First, the Bento, the Ten Ten Ten Music Bento, the Ten Ten Music Bento, the Ten Ten Ten Music Bento, the Ten Ten Ten Music Bento, the Ten Ten Ten Music
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1:04:41 – 1:04:49
An absolute meme of video and two and a half stars on Tomann. So something's wrong
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1:04:49 – 1:04:55
run. But the influencers still swear by him. The 1010 Music Bento? Yes, so there are
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1:04:55 – 1:05:00
So influencers who find the thing completely horny. I haven't seen one, but I'm no more
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1:05:00 – 1:05:08
"Why the 10/10 Music Bento changed my way of working".
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1:05:08 – 1:05:11
I think, "Yes, okay."
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1:05:11 – 1:05:14
You want me to tell you the secret?
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1:05:14 – 1:05:16
Yeah, let me guess because they get paid.
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1:05:16 – 1:05:18
That's right.
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1:05:18 – 1:05:25
I also believe that there would be such a box in which, although insanely much would be possible, but somehow,
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1:05:25 – 1:05:30
No, it's like that again. I think the dollar trend needs to be really careful now.
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1:05:30 – 1:05:36
It also has to do with what I'm about to mention.
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1:05:36 – 1:05:40
Two thoughts on that first. First of all, I see a lot of people here, including Bento,
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1:05:40 – 1:05:46
here is a special promotion including full access to artmaster.com,
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1:05:46 – 1:05:52
your online music learning platform for music production, songwriting and the creation of viral music in TikTok style.
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1:05:52 – 1:06:05
Now I have to say yes, as an old Drameo consumer, because they can drive a horny, I say artists, artists and performance platform on YouTube,
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1:06:05 – 1:06:17
I think this or Saini, so I find this basic tendency to these learning platforms, workshop platforms, sharing platforms, I don't think so bad.
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1:06:17 – 1:06:22
But honestly, how many of these things are there and why can they all survive?
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1:06:22 – 1:06:27
If they're still in, they're kind of free additions to something.
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1:06:27 – 1:06:31
So Artmaster, that's kind of the tenth or twelfth platform I see.
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1:06:31 – 1:06:35
These are all log offers. That's how it works. It's like IKEA.
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1:06:35 – 1:06:41
Here, buy yourself, get a Family Card and then get it every time you visit
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1:06:41 – 1:06:49
Once Köttbullar for free.
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1:06:49 – 1:06:51
And the table a little cheaper, yes.
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1:06:51 – 1:07:10
Exactly, and then you go into the store and they have always prepared it so that they pull you in and then you so quasi not without that you have at least five scented candles, two pillows, a half carpet and such a wrinkled closet somehow
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1:07:10 – 1:07:14
or such a wrinkled cabinet for living room.
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1:07:14 – 1:07:17
I'm just imagining myself taking half a carpet out of the church.
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1:07:17 – 1:07:20
Yeah, or hold a plastic ball or something like that.
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1:07:20 – 1:07:24
Preferably the half to which the price tag does not stick.
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1:07:24 – 1:07:26
Yes, but it works.
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1:07:26 – 1:07:34
They have entire teams of psychologists, sales psychologists, who are investigating this.
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1:07:34 – 1:07:42
And that's the same as with these companies.
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1:07:42 – 1:07:45
It's also companies like these empty platforms.
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1:07:45 – 1:07:54
They also get professional help and ask, how can we raise this professionally, how can we bind the clientele.
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1:07:54 – 1:08:01
I used to be a few years ago when I was looking for our car,
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1:08:01 – 1:08:04
I went to the Mazda dealer.
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1:08:04 – 1:08:09
I'm not driving a Mazda now, I'm driving a different brand, but I just landed at a Mazda dealership.
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1:08:09 – 1:08:13
And he also made a sales call with me, as it is.
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1:08:13 – 1:08:15
And he fucked me up.
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1:08:15 – 1:08:17
For three-quarters of an hour.
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1:08:17 – 1:08:24
And since I somehow didn't seem to make such a willing-to-buy impression,
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1:08:24 – 1:08:34
If you are interested, please leave a comment or send an e-mail to Lautfunk.
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1:08:34 – 1:08:39
I can't tell you why. We are not an autopodcast.
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1:08:39 – 1:08:45
At the end of the day, however, he put out his very last argument.
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1:08:45 – 1:08:51
Yes, the bank, I consulted them and they told me I had to somehow generate more sales figures.
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|
1:08:51 – 1:08:54
Then he wanted to give me such a leasing contract.
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|
1:08:54 – 1:08:58
And that's exactly what these learning platforms want.
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|
1:08:58 – 1:09:02
They want to encourage you with these lock offers,
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|
1:09:02 – 1:09:07
That you're entering into a subscription contract, a leasing contract, so to speak.
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1:09:07 – 1:09:11
That's how it works. Everyone does that.
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1:09:11 – 1:09:16
You just have to ignite my LZZ subscription, which I have regularly forgotten for two months.
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1:09:16 – 1:09:17
Yeah, great.
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1:09:17 – 1:09:20
Yeah, you see? Exactly, that's it.
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1:09:20 – 1:09:22
Newspapers are just as bad as everyone else.
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1:09:22 – 1:09:29
And for example here, we Germans here with the GEZ,
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1:09:29 – 1:09:31
Okay, let's go, we didn't want to be political.
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1:09:31 – 1:09:34
You could also make jokes about it now.
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1:09:34 – 1:09:37
We have a halving initiative here next year.
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|
1:09:37 – 1:09:39
for public service fees.
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|
1:09:39 – 1:09:42
But not now, not here.
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1:09:42 – 1:09:46
Another thought that I still …
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|
1:09:46 – 1:09:49
I heard from you once.
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|
1:09:49 – 1:09:53
Lambda Synthesis Polypuls?
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|
1:09:53 – 1:09:54
No.
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|
1:09:54 – 1:09:57
Yeah, it was in Gear News, I know that.
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1:09:57 – 1:09:59
I don't even know what that box was.
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1:09:59 – 1:10:01
I see them here in front of me,
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1:10:01 – 1:10:05
Mainly for 1.8k and
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|
1:10:05 – 1:10:09
It looks like this,
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|
1:10:09 – 1:10:12
So these boards that you put up for a child,
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|
1:10:12 – 1:10:15
so that it can turn on buttons and keep it busy.
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1:10:15 – 1:10:18
You, these things are funny, that's fun.
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1:10:18 – 1:10:20
Of course, I had one too.
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|
1:10:20 – 1:10:25
This is the groove box, isn't it? This time several months ago …
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1:10:25 – 1:10:28
Algorithmic Performance Workstation.
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|
1:10:28 – 1:10:36
Exactly, these several months ago they presented the part on the, um, the Supergroove.
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1:10:36 – 1:10:39
Yes, with touchpad.
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|
1:10:39 – 1:10:42
The Kickstarter campaign. 2000 euros!
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|
1:10:42 – 1:10:49
Touchpads and everything. I see cherry buttons more and more often.
|
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|
1:10:49 – 1:10:53
Where do the people who do this come from?
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|
1:10:53 – 1:10:57
I don't see it on the Twitter page.
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|
1:10:57 – 1:11:02
The "Hey" website.
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|
1:11:02 – 1:11:05
Sounds Swedish.
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|
1:11:05 – 1:11:08
You mean? He was pretty fat.
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|
1:11:08 – 1:11:14
No, because you just said "Hey" and that's on Ikea's welcome page.
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|
1:11:14 – 1:11:22
This is on the website as a welcome. It reminds me of a little ….
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|
1:11:22 – 1:11:30
We sing the tunes for the creation of electronic music. With our instruments we try to offer you a new approach to live electronics.
|
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|
1:11:30 – 1:11:37
They have no imprint, but scroll without end.
|
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|
1:11:37 – 1:11:53
So they have, this is a … Five tracks has the sequencer, with an Algorithmic Sequencer,
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|
1:11:53 – 1:12:04
A polyphonic synthesis engine with four audio effects, seven synthesis forms, substractive, FM, additive,
|
|
|
1:12:04 – 1:12:13
Resonator, quad engine, whatever that is, granular and external. What can he do?
|
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|
1:12:18 – 1:12:20
So, I'd like to know about the company.
|
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|
1:12:20 – 1:12:24
No imprint on the website, but...
|
|
|
1:12:24 – 1:12:26
In any case, it is not German.
|
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|
1:12:26 – 1:12:28
No, they're Dutch.
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|
1:12:28 – 1:12:34
So there are names for photography, light and video that sounds very Dutch.
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|
1:12:34 – 1:12:36
That's right.
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|
1:12:36 – 1:12:41
That's right, the movies are with Roel Verdenburg.
|
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|
1:12:41 – 1:12:47
I see here on the Instagram page, where I was just redirected, I see Utrecht, Netherlands.
|
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|
1:12:47 – 1:12:54
These are relatively high chances that they may even speak German. Maybe I'll write them down.
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|
|
1:12:54 – 1:12:56
Yeah, that would be an idea.
|
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|
1:12:56 – 1:13:10
If they tell us for themselves what the device is. So I'd like to understand. It looks interesting. Zero my price range, but it looks interesting.
|
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|
1:13:10 – 1:13:14
From one ugly language to the next.
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|
1:13:14 – 1:13:18
Expressiv E, osmosis 61.
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|
1:13:18 – 1:13:22
Yes, the big, ne the small version.
|
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|
1:13:22 – 1:13:24
No, the big one.
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|
1:13:24 – 1:13:28
Big or small? Previously it was 49, now they have the 61 version.
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|
1:13:28 – 1:13:32
That was a bit of my highlight.
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|
1:13:32 – 1:13:36
Actually, because, well,
|
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|
1:13:36 – 1:13:48
49 is such a compromise. It's cool, but this commitment to the, I say,
|
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|
1:13:48 – 1:13:52
always bulky goods class, because you can no longer ship to the point in Switzerland,
|
|
|
1:13:52 – 1:13:58
without it becoming this year, so over a meter long, that's already …
|
|
|
1:13:58 – 1:14:03
I had such an ambivalent relationship with osmosis. I played it and found
|
|
|
1:14:03 – 1:14:07
and the internal sounds never really found the yellow of the egg.
|
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|
1:14:07 – 1:14:13
I'm basically more on Seaboard in terms of desire and idea,
|
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|
1:14:13 – 1:14:17
But Brody is such a company that goes bankrupt here three times a year and nobody uses it.
|
|
|
1:14:17 – 1:14:22
So I see Diego Teixeira, the Mexican who used to play hooks
|
|
|
1:14:22 – 1:14:24
And now I think I have another prog metal band,
|
|
|
1:14:24 – 1:14:28
He uses his Seaboard-Rise very excessively.
|
|
|
1:14:28 – 1:14:34
And otherwise, you'll actually only see influencers playing this thing on YouTube.
|
|
|
1:14:34 – 1:14:39
And in the case of osmosis, I really have the impression that I am currently encountering this at every third corner.
|
|
|
1:14:39 – 1:14:48
And even in the synthesizer subreddit I now see a lot of used osmosis of the first generation around Christmas.
|
|
|
1:14:48 – 1:14:53
And I also wrote to people who sold the thing in the little ads.
|
|
|
1:14:53 – 1:15:04
They were just not around the corner and then I just said, if you have other people, give them.
|
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|
1:15:04 – 1:15:07
Let them be happy. I thought for a moment.
|
|
|
1:15:07 – 1:15:13
So I wished for an Osmosis 61 at the musician board Christmas competition.
|
|
|
1:15:13 – 1:15:18
Of course not won, as well as with 20,000 posts in the chat.
|
|
|
1:15:18 – 1:15:25
And then just after the conversion I have the 49er standing next to me and thought to myself,
|
|
|
1:15:25 – 1:15:27
If only it were an osmosis.
|
|
|
1:15:27 – 1:15:32
I think you can get used to the keyboard, it's actually bad,
|
|
|
1:15:32 – 1:15:34
Even if she's not quite mine.
|
|
|
1:15:34 – 1:15:36
But there are a few plugins.
|
|
|
1:15:36 – 1:15:40
So this is, I think, already a very, very horny device.
|
|
|
1:15:40 – 1:15:47
And the 61er of course brings that even more away from the gimmick to the upper class.
|
|
|
1:15:47 – 1:16:02
So extra octave, that's now, you had such a bit of a problem before that you had the thing as a central keyboard, so if it was your only device, you just had to switch back and forth.
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|
1:16:02 – 1:16:07
And so a 61, so 5 octave, you get that decently split.
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|
1:16:07 – 1:16:15
Or maybe a better piano or something.
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|
1:16:15 – 1:16:22
And that's it, so, I don't know, I'm,
|
|
|
1:16:22 – 1:16:26
even I'm always so back and forth between now not even more money on the head,
|
|
|
1:16:26 – 1:16:32
You would actually have to save that, and that would be a great idea.
|
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|
1:16:32 – 1:16:36
So here in Osmosis next to me, why not?
|
|
|
1:16:36 – 1:16:46
And at the same time, no, so somehow the opportunity buying opportunities are just good, but,
|
|
|
1:16:46 – 1:16:48
Yeah, I don't know.
|
|
|
1:16:48 – 1:16:53
The world seems to be going down tomorrow, I should buy an osmosis today.
|
|
|
1:16:53 – 1:16:56
You'd better buy some candles and some warm blankets.
|
|
|
1:16:56 – 1:17:00
[Laughter]
|
|
|
1:17:00 – 1:17:03
And the gas cooker, exactly.
|
|
|
1:17:03 – 1:17:05
You can have a point.
|
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|
1:17:05 – 1:17:10
That would be my personal recommendation if you ask me now what to buy next year.
|
|
|
1:17:10 – 1:17:13
And some canned food.
|
|
|
1:17:13 – 1:17:15
I should top up my canned food.
|
|
|
1:17:15 – 1:17:17
And don't forget the can opener.
|
|
|
1:17:17 – 1:17:23
I just unzipped a handful of cracked and leaked canned food today.
|
|
|
1:17:23 – 1:17:26
So this year, when I'm through the basement.
|
|
|
1:17:26 – 1:17:28
How can these things burst?
|
|
|
1:17:28 – 1:17:30
Yeah, if they like to start.
|
|
|
1:17:30 – 1:17:32
That's what I was asking myself.
|
|
|
1:17:32 – 1:17:33
Delicious botox.
|
|
|
1:17:33 – 1:17:37
Yes, it was an interesting mix.
|
|
|
1:17:37 – 1:17:42
So just completely expired, and indeed really expired, inflated, burst.
|
|
|
1:17:42 – 1:17:47
It's Botox, that's good.
|
|
|
1:17:47 – 1:17:53
Good old Bodullism.
|
|
|
1:17:53 – 1:17:57
Now we still haven't heard the Lord of the Space Wave.
|
|
|
1:17:57 – 1:17:58
Yes, yes.
|
|
|
1:17:58 – 1:18:00
Yeah, I said it was just for me...
|
|
|
1:18:00 – 1:18:01
Oh, the assembly?
|
|
|
1:18:02 – 1:18:08
No, the Modex? The small assembly.
|
|
|
1:18:08 – 1:18:10
The Modex M.
|
|
|
1:18:10 – 1:18:12
The small assembly, the Modex M, yes.
|
|
|
1:18:12 – 1:18:15
With the AN extension.
|
|
|
1:18:15 – 1:18:26
Yes, I actually stood in front of it, after my studio clean-up, whether I put myself such a part.
|
|
|
1:18:26 – 1:18:28
Then I said goodbye again.
|
|
|
1:18:30 – 1:18:34
Because these are the synthetic things that I found totally cool at Yamaha.
|
|
|
1:18:34 – 1:18:38
Yeah, yeah. It's all in there. FM, ANX.
|
|
|
1:18:38 – 1:18:40
The only thing missing is vector synthesis, right?
|
|
|
1:18:40 – 1:18:42
AWM2 is in.
|
|
|
1:18:42 – 1:18:52
You basically have vector synthesis in there, with the big rotary knob there. This is automatable.
|
|
|
1:18:52 – 1:18:57
You can record that. So the modulation, the parameters, you can record.
|
|
|
1:18:57 – 1:19:01
So that's kind of like a huge vector synth.
|
|
|
1:19:01 – 1:19:04
And you have more than just a vector synthesis.
|
|
|
1:19:04 – 1:19:08
I mean, have you looked at the synthesis engine of the ModX?
|
|
|
1:19:08 – 1:19:09
That's the hammer.
|
|
|
1:19:09 – 1:19:15
You can mix up to 128 different sounds.
|
|
|
1:19:15 – 1:19:17
This is more than vector synthesis.
|
|
|
1:19:17 – 1:19:21
That's...
|
|
|
1:19:21 – 1:19:22
Yes, in any case, I say.
|
|
|
1:19:22 – 1:19:25
These are the two things that are most interesting.
|
|
|
1:19:25 – 1:19:29
and then you have such an egg-laying wool milk sow. That's pretty cool.
|
|
|
1:19:29 – 1:19:32
Yeah, she sounds pretty horny too. Yes, that's true.
|
|
|
1:19:32 – 1:19:35
She can do something.
|
|
|
1:19:35 – 1:19:40
That's why, that's what I found really cool.
|
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1:19:40 – 1:19:46
Otherwise, nothing has picked me up on the hardware.
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1:19:46 – 1:19:53
In software, of course, I found that once they brought the absinthe, the six,
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1:19:53 – 1:20:02
I thought that was pretty cool and now hold the update for the little piggy.
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1:20:02 – 1:20:11
I think what you thought was cool this year, if I remember correctly,
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1:20:11 – 1:20:16
I just saw this on the GNews page, it was Sonic Pi.
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1:20:16 – 1:20:27
Livecoding, music livecoding, you can program music and instead of any
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1:20:27 – 1:20:33
Buttons to rotate simply drop a line of code. That was strudel. It is also known as Sonic Pi.
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1:20:33 – 1:20:36
But Strodel is free.
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1:20:36 – 1:20:37
It is a ….
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1:20:37 – 1:20:41
Wait for …
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1:20:41 – 1:20:47
I think Sonic Pi is free too.
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1:20:47 – 1:20:50
Or do you need the …?
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1:20:50 – 1:20:51
Is this a service?
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1:20:51 – 1:20:52
Do you somehow …
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1:20:52 – 1:20:54
I don't know now.
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1:20:54 – 1:20:55
Neither do I.
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1:20:55 – 1:20:56
I only know Strodel.
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1:20:56 – 1:20:59
It's always so funny,
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1:20:59 – 1:21:01
when the English and the Americans then …
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1:21:01 – 1:21:02
Strodel!
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1:21:02 – 1:21:04
Strudel.
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1:21:04 – 1:21:06
You have to speak Austrian.
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1:21:06 – 1:21:08
Austrian.
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1:21:08 – 1:21:10
Strudel.
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1:21:10 – 1:21:12
Strudel.
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1:21:12 – 1:21:14
That's definitely one of those things,
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1:21:14 – 1:21:16
the YouTube
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1:21:16 – 1:21:18
It is also very popular
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1:21:18 – 1:21:20
and TikTok.
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1:21:20 – 1:21:22
Yeah, yeah, I saw that.
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1:21:22 – 1:21:24
People really do
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1:21:24 – 1:21:26
Crazy things about it.
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1:21:26 – 1:21:28
There are really nice trendy things and so on.
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1:21:28 – 1:21:30
Yes, also
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1:21:30 – 1:21:34
Drum and bass or something. Yeah, everything.
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1:21:34 – 1:21:42
And if you can of course use it as a website, you can run it locally at home.
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1:21:42 – 1:21:47
That's really crazy. I'm looking for the page here.
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1:21:47 – 1:21:50
Strudel live coding.
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1:21:51 – 1:22:00
Strudel rappel. Strudel is a music light-coating environment for the browser.
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1:22:00 – 1:22:07
I said with the Australian accent.
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1:22:07 – 1:22:15
So, let's link to it in Show Notes. Put this in a thread.
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1:22:15 – 1:22:20
But that just fell to my feet and I thought so, hey, that's funny.
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1:22:20 – 1:22:37
Yes, it says here, it strudel is a JavaScript version of a Tidal Cycle, which is a popular live coding language for music, written in Haskell.
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1:22:37 – 1:22:42
It is based on the Haskell programming language.
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1:22:42 – 1:22:47
Doesn't that mean what about JavaScript?
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1:22:47 – 1:22:50
JavaScript only means that it is running in the browser.
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1:22:50 – 1:22:56
They'll just use it as a frame.
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1:22:56 – 1:22:57
Yeah, that's right.
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1:22:57 – 1:23:00
You can run it locally.
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1:23:00 – 1:23:03
Is this a German place?
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|
1:23:03 – 1:23:04
No, no.
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|
1:23:04 – 1:23:06
Is this a German place?
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|
1:23:06 – 1:23:10
Good question. I thought it was an Austrian.
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|
1:23:10 – 1:23:12
Strudel, Strudel.
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1:23:12 – 1:23:14
Unfortunately, it is not here.
|
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|
1:23:14 – 1:23:23
Interesting. The CC doesn't really help, does it?
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|
1:23:23 – 1:23:24
No, no.
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1:23:24 – 1:23:26
The web address.
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1:23:26 – 1:23:27
No, no.
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|
1:23:27 – 1:23:29
That can be anything.
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|
1:23:29 – 1:23:32
You have to ask in the AI. Or Google.
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|
1:23:32 – 1:23:35
You can forget about Google.
|
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|
1:23:35 – 1:23:41
So at Google, Google search results have gotten so crappy this year,
|
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|
1:23:41 – 1:23:47
that I am considering whether to voluntarily switch to DuckDuckGo,
|
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|
1:23:47 – 1:24:00
Where I actually found with the, I say, less than with Google at that time.
|
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|
1:24:00 – 1:24:10
But by now, yes, ey, this Kaack platform always wants … Should we go into AI mode for you? Not now!
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|
1:24:10 – 1:24:13
I'm going to do an AI summary ….
|
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|
1:24:13 – 1:24:18
So I entered here on Google strudel.cc, who is behind this?
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|
1:24:18 – 1:24:28
"Strudel is open source" created by Felix Orros and Alex McLean with
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|
1:24:28 – 1:24:30
many other contributors.
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|
1:24:30 – 1:24:34
That can mean a lot.
|
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|
1:24:34 – 1:24:41
Well, that means a lot.
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|
1:24:41 – 1:24:44
Maybe a letter would be an idea.
|
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|
1:24:44 – 1:24:53
So in general, I noticed that at least in the published issues this year we did not have a new guest.
|
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|
1:24:53 – 1:24:59
Many old, good friends and good conversations.
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|
1:24:59 – 1:25:05
So just the last quarter I found again great.
|
|
|
1:25:05 – 1:25:10
And the only new guest, we hear it at the beginning of January.
|
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|
1:25:10 – 1:25:15
It's not quite true. We still have a few invitations open.
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|
1:25:15 – 1:25:20
We still have appointments open and I'm still waiting for something to come.
|
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|
1:25:20 – 1:25:22
Yeah, but that's in the new year.
|
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|
1:25:22 – 1:25:24
This is the new year, exactly.
|
|
|
1:25:24 – 1:25:26
I'm talking about this one now.
|
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|
1:25:26 – 1:25:31
So everyone I've written to hasn't even come back yet.
|
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|
1:25:31 – 1:25:47
Maybe you need a little more with the 5000 subscribers, or how many were there now?
|
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|
1:25:47 – 1:25:56
I would like to take care of it again next year, that we invite Vermona again.
|
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|
1:25:56 – 1:26:00
What has become of drumming?
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|
1:26:00 – 1:26:04
That's exactly why I want to talk to them.
|
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|
1:26:04 – 1:26:08
So you don't know.
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|
1:26:08 – 1:26:12
You have now presented a prototype, I suppose,
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|
1:26:12 – 1:26:16
that they are still developing,
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|
1:26:16 – 1:26:20
or they may also have problems getting parts forward, or something like that.
|
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|
1:26:20 – 1:26:24
You don't know what kind of problems there are.
|
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|
1:26:24 – 1:26:32
new requirements for equipment, instruments.
|
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|
1:26:32 – 1:26:37
The bureaucracy has already broken a lot in the world.
|
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|
1:26:37 – 1:26:44
But where we are at the devices, you already sounded it before,
|
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|
1:26:44 – 1:26:49
You have a tongue drum and a car repair shop, I hear.
|
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|
1:26:49 – 1:26:54
No, that was, no, the auto repair shop, that was just one example,
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|
1:26:54 – 1:27:00
This is what sales strategies look like.
|
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|
1:27:00 – 1:27:08
And otherwise this year, speaking of the garage, I got new brakes for my car.
|
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|
1:27:08 – 1:27:11
Yes, yes.
|
|
|
1:27:11 – 1:27:14
But you have a parallel hobby, don't you?
|
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|
1:27:14 – 1:27:17
That's what I really wanted to get out of.
|
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|
1:27:17 – 1:27:22
You, I understand. I actually did this year,
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|
|
1:27:22 – 1:27:29
Started in April, I discovered a new hobby. Driving a car,
|
|
|
1:27:29 – 1:27:39
Remotely controlled driving. Radio controlled. That's right, remote-controlled cars that aren't like that now.
|
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|
1:27:39 – 1:27:44
They are, as one so generally imagines. Here's a little P-Mobile car, which here somehow
|
|
|
1:27:44 – 1:27:51
It's about five or ten miles per hour. The cars I'm talking about and the cars I'm talking about
|
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|
1:27:51 – 1:27:57
I also have, these are then such bullets, which weigh then so five, six kilos and then drive
|
|
|
1:27:57 – 1:28:08
60, 70, 80 kilometers per hour. There's nothing you can do on the playground.
|
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|
1:28:08 – 1:28:17
Somehow or in the skate park, if there are people on the road, just let go, because things really hurt.
|
|
|
1:28:17 – 1:28:23
I've hit myself with this part a couple of times.
|
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|
1:28:23 – 1:28:24
Oh, yeah.
|
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|
1:28:24 – 1:28:27
And these are already neat bruises that you wear from it.
|
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|
1:28:27 – 1:28:29
And I didn't go full throttle.
|
|
|
1:28:29 – 1:28:35
If I imagine that I can somehow get such a part into the soft tissues at 80 km/h,
|
|
|
1:28:35 – 1:28:39
Please take a look at YouTube to see what the final result will be.
|
|
|
1:28:39 – 1:28:43
There are various videos of people who then woke up in the hospital.
|
|
|
1:28:43 – 1:28:48
I had this experience in the 90s.
|
|
|
1:28:48 – 1:28:54
There I also had such a phase, there I had several models of Tamiya or like the company
|
|
|
1:28:54 – 1:28:55
It's called.
|
|
|
1:28:55 – 1:28:56
Tamiya, yes.
|
|
|
1:28:56 – 1:29:02
And there always the stronger engines put in with over 1.2 hp.
|
|
|
1:29:02 – 1:29:08
And the things that went off like anything else. They left every car at the traffic lights.
|
|
|
1:29:08 – 1:29:10
Yes, yes.
|
|
|
1:29:10 – 1:29:11
That's unbelievable.
|
|
|
1:29:11 – 1:29:18
Now you have to imagine, there are now no … You can still have some with combustion engine
|
|
|
1:29:18 – 1:29:25
But now, in this hobby bubble, it is common to work with electric motors. The
|
|
|
1:29:25 – 1:29:30
Things are really fast and they have a lot of Newton meters.
|
|
|
1:29:30 – 1:29:33
Especially because the batteries have made animal progress.
|
|
|
1:29:33 – 1:29:41
The batteries are awesome. This is no longer for children.
|
|
|
1:29:41 – 1:29:49
So I drove myself on the foot and then you have this Lexan body on it
|
|
|
1:29:49 – 1:29:55
And that's so sharp-edged. I actually got a really nasty cut on my foot.
|
|
|
1:29:55 – 1:30:10
Caused by. Yes, they are due to the fact that many people bash with these cars, as the Americans call it. So they drive with it very consciously and make jumps that are somehow so 5, 6, 7, 8 meters high.
|
|
|
1:30:10 – 1:30:14
You've also crossed country roads, I had only 1.25 street.
|
|
|
1:30:14 – 1:30:22
Yes, so long speech, in a nutshell, things are all built this way today,
|
|
|
1:30:22 – 1:30:28
with extra thick aluminium and also partly with steel parts.
|
|
|
1:30:28 – 1:30:33
So it really hurts if something like that drives you against you by now.
|
|
|
1:30:33 – 1:30:36
That's not fun.
|
|
|
1:30:36 – 1:30:53
But it's really fun to heat with it over a clay court, to whirl up dust or simply to heat through the area in more or less hilly terrain.
|
|
|
1:30:53 – 1:31:03
I found it super relaxed now in summer, now in winter it's too cold for me, but otherwise, I enjoyed it a lot.
|
|
|
1:31:03 – 1:31:13
You have a lot of bomb funnels in the woods near the mine and there are those everywhere driving, everywhere.
|
|
|
1:31:13 – 1:31:19
You regularly see cars flying in the woods.
|
|
|
1:31:19 – 1:31:30
Yes, you have converted your desk into a car repair shop in between.
|
|
|
1:31:30 – 1:31:32
Yeah, that was cool.
|
|
|
1:31:32 – 1:31:34
Synthesizer down, car on it.
|
|
|
1:31:34 – 1:31:55
Yeah, that's right. That was something else. And I learned a completely new hobby through it, I worked myself into the matter and that was for me a bit like clearing my head of some kind of synthesizer or something else. That was pretty good.
|
|
|
1:31:55 – 1:32:03
The realization that I have drawn from this time for myself is that a plastic sprocket can leak a steel sprocket.
|
|
|
1:32:03 – 1:32:10
Yeah, I've learned a lot of things, too.
|
|
|
1:32:10 – 1:32:23
I've learned things like, how does your axle have to be suspended, how does your motorization have to be, and depending on which tyres you're hoisting, it can also have an impact.
|
|
|
1:32:24 – 1:32:32
A lot. That's madness. And I learned again by doing rallying sports.
|
|
|
1:32:32 – 1:32:37
I think it's pretty interesting. And I think maybe I'll get stronger in the new year
|
|
|
1:32:37 – 1:32:43
As a spectator, so to speak, get in there and have a look. I'm sure there will be a few rally-
|
|
|
1:32:43 – 1:32:50
Cross or whatever race here in the bypass that I might pull myself in live
|
|
|
1:32:50 – 1:33:00
If we used to drive to Holland, there was a motorway in Belgium for motorcycles, such an off-road route.
|
|
|
1:33:00 – 1:33:10
And then sometimes there were competitors, we drove by there and I always found it so funny, as a child, then you saw the motorcycles flying, how they jumped then.
|
|
|
1:33:10 – 1:33:11
Yeah, that's awesome.
|
|
|
1:33:11 – 1:33:12
Yeah, that's totally cool.
|
|
|
1:33:12 – 1:33:14
And above all, it's hellishly loud.
|
|
|
1:33:14 – 1:33:17
Yeah, you even heard that on the highway.
|
|
|
1:33:17 – 1:33:19
Yes, madness.
|
|
|
1:33:19 – 1:33:26
If you scrap at 120 and then you still hear the motorcycles so "meh"
|
|
|
1:33:26 – 1:33:37
Yes, it has become a bit of horizontal work, I would say.
|
|
|
1:33:37 – 1:33:41
Yes, it's a balance to other things.
|
|
|
1:33:41 – 1:33:48
Yes, of course, if you only ever engage in a hobby for years or decades,
|
|
|
1:33:48 – 1:33:52
At some point you get a rappel and then you just have to do something completely different.
|
|
|
1:33:52 – 1:33:57
That's a bit of the text I want to go to later, because I can already
|
|
|
1:33:57 – 1:34:05
So much anticipation. This year, I don't know, music has moved here more than ever.
|
|
|
1:34:05 – 1:34:10
It felt like work, even though it wasn't or wasn't in many ways.
|
|
|
1:34:10 – 1:34:14
And that's actually not a good development.
|
|
|
1:34:14 – 1:34:16
No, that's not the way it should be.
|
|
|
1:34:16 – 1:34:17
No, no.
|
|
|
1:34:17 – 1:34:18
So clumsy to say.
|
|
|
1:34:18 – 1:34:26
But maybe, if you had … before.
|
|
|
1:34:26 – 1:34:31
I think you've done less remodeling with you than I did with me, haven't you?
|
|
|
1:34:31 – 1:34:34
The problem is, I'd like to remodel.
|
|
|
1:34:34 – 1:34:35
Yes, yes.
|
|
|
1:34:35 – 1:34:38
Only, I don't have a place for it.
|
|
|
1:34:38 – 1:34:41
Or I throw my bed out of the room.
|
|
|
1:34:41 – 1:34:45
All right, stand there, then we can sleep something new, but …
|
|
|
1:34:45 – 1:34:48
But …, well, I'd have to rebuild your whole apartment.
|
|
|
1:34:48 – 1:34:53
Just like I did when we broke the ribs and slept in the office chair
|
|
|
1:34:53 – 1:34:54
I have, two nights.
|
|
|
1:34:54 – 1:34:56
That was awkward.
|
|
|
1:34:56 – 1:35:04
But you've now gotten away from your favorite red chair, I learned this year,
|
|
|
1:35:04 – 1:35:07
I actually gave you an office chair.
|
|
|
1:35:07 – 1:35:11
Yeah, well, … gave it to him, I think, thanks for the back, didn't I?
|
|
|
1:35:11 – 1:35:23
Grandma gave it to him. So she moved into the home after years of haughty life
|
|
|
1:35:23 – 1:35:32
Five rooms. He gave himself up at that time the hut, got himself a larger apartment,
|
|
|
1:35:32 – 1:35:36
the completed and the woman cleaned up, but we still took three months,
|
|
|
1:35:36 – 1:35:45
Apartment to vacate. And then an office chair jumped off for me. And yes,
|
|
|
1:35:45 – 1:35:53
which is actually top notch, which is comfortable, which has roles, which has in the new setting,
|
|
|
1:35:53 – 1:35:58
I had the old chair, I have more or less involuntarily, or do you say involuntarily,
|
|
|
1:35:58 – 1:36:04
No, I stopped when it was only necessary to have normal chairs at the table,
|
|
|
1:36:04 – 1:36:09
Because my little brother no longer needed or wanted to be.
|
|
|
1:36:09 – 1:36:13
And then I put it briefly at the desk,
|
|
|
1:36:13 – 1:36:16
According to the motto, yes, I get everything better than the wooden chair from that time
|
|
|
1:36:16 – 1:36:19
I'll get a new one sometime.
|
|
|
1:36:19 – 1:36:22
And then it turned into four or five moves.
|
|
|
1:36:22 – 1:36:31
Sometimes short, flatshare, harbor, H3, but four or five moves arrive.
|
|
|
1:36:31 – 1:36:35
And that was always very good, because that's just a chair that keeps you a bit more dynamic.
|
|
|
1:36:35 – 1:36:46
But I'm going to be 31 now and I realized then, so after a week change back and forth,
|
|
|
1:36:46 – 1:36:50
such an office chair with castors, so the castors are already super practical.
|
|
|
1:36:50 – 1:36:55
You can lean back, you can lean forward, you can actually so …
|
|
|
1:36:55 – 1:36:57
You might as well.
|
|
|
1:36:57 – 1:37:02
Just because you have a dynamic backrest. You don't have to find out.
|
|
|
1:37:02 – 1:37:05
I mean, a lot of people, they always fix the backrest on an office chair like that.
|
|
|
1:37:05 – 1:37:07
I don't know why they do that.
|
|
|
1:37:07 – 1:37:11
Because it is specially designed for you to be able to sit on it a bit more dynamically.
|
|
|
1:37:11 – 1:37:15
But the big advantage is actually that you have roles at the bottom.
|
|
|
1:37:15 – 1:37:21
And if you go from one device to another or only if you want to turn around,
|
|
|
1:37:21 – 1:37:25
If you have to tap your feet and zack, then you are already on the other side
|
|
|
1:37:25 – 1:37:27
You can also roll closer.
|
|
|
1:37:27 – 1:37:32
You are much more flexible in your studio.
|
|
|
1:37:32 – 1:37:34
So you can put me on...
|
|
|
1:37:34 – 1:37:35
[laughs]
|
|
|
1:37:35 – 1:37:37
Then comes the tragedy.
|
|
|
1:37:37 – 1:37:39
You can see me on YouTube,
|
|
|
1:37:39 – 1:37:41
how I robbed the area with the other chair.
|
|
|
1:37:41 – 1:37:44
And yes, this area doesn't exist anymore.
|
|
|
1:37:44 – 1:37:48
So I am now founded this year out of volume.
|
|
|
1:37:48 – 1:37:52
Keyword new innovation keyboards.
|
|
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1:37:52 – 1:38:01
I moved into a living room corner. My old studio is now storage space and I have to
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1:38:01 – 1:38:04
It's hard to get through things because it's unbelievable what you'll be doing in 15 years.
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1:38:04 – 1:38:15
Calling for shit. I understand Grandma too, you know? And Grandma doesn't have that penchant for it
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1:38:15 – 1:38:18
I had to buy junk. Now you have three different
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1:38:18 – 1:38:21
Cut in your drawer in the kitchen?
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1:38:21 – 1:38:24
No, no, no, no, no, that would be pragmatic.
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1:38:24 – 1:38:28
So I still have the cutlery I took off with at the time.
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1:38:28 – 1:38:32
And six teacups from a company that no longer exists.
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1:38:32 – 1:38:36
When we went to my mom's house,
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1:38:36 – 1:38:40
God bless them when we cleaned up their house.
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1:38:40 – 1:38:44
We found 15 year old spices.
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1:38:44 – 1:38:46
She hoarded everything.
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1:38:46 – 1:38:48
Yes, yes.
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1:38:48 – 1:38:50
She wasn't Messi.
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1:38:50 – 1:38:52
That sounds like it now,
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1:38:52 – 1:38:54
As if she were a Messi.
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1:38:54 – 1:38:56
She wasn't.
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1:38:56 – 1:38:58
They're old people, they're after the war generation.
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1:38:58 – 1:39:00
That's right.
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1:39:00 – 1:39:02
When we got the apartment from my grandparents
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1:39:02 – 1:39:04
on the father's side,
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1:39:04 – 1:39:06
We still have the old
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1:39:06 – 1:39:08
Folding bed from my father on the
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1:39:08 – 1:39:10
Found an attic.
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1:39:10 – 1:39:12
Yeah, why? It's still good.
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1:39:12 – 1:39:14
When we have guests.
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1:39:14 – 1:39:20
But you would have had to pack away the things they presented for a week.
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1:39:20 – 1:39:27
Yeah, yeah, watch out, now it's coming, so does my wife.
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1:39:27 – 1:39:30
Don't ask me why. Yes, I know why.
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1:39:30 – 1:39:31
Oh, yeah.
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1:39:31 – 1:39:34
No, there's always the saying with her.
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1:39:34 – 1:39:38
Yes, why, that's still good, you can still use it.
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1:39:38 – 1:39:43
And zack, the glasses she found on the street are in our closet.
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1:39:43 – 1:39:46
It's like Master Röhrig.
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1:39:46 – 1:39:47
What's that?
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1:39:47 – 1:39:49
There's a hell of a slider.
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1:39:49 – 1:39:50
Look, there's a cup.
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1:39:50 – 1:39:52
It's still good, you can still use it.
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1:39:52 – 1:39:54
And zack, she's in the closet with us.
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1:39:54 – 1:39:57
In the living room closet.
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1:39:57 – 1:40:02
It's still good, the inch slider.
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1:40:02 – 1:40:06
Does that mean he's boxing around?
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1:40:06 – 1:40:10
Yes, there are such people.
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1:40:10 – 1:40:15
Yeah, well, he's not wrong.
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1:40:15 – 1:40:19
I had once done such a student internship over such an electrician.
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1:40:19 – 1:40:23
And then he also had the idea of cleaning up the old camp.
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1:40:23 – 1:40:25
That's where we found the cable drum.
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1:40:25 – 1:40:36
And there it had been so old that the mantle has really detached itself from the ladder, because it has already become carbon.
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1:40:36 – 1:40:48
We once had a consultant in my company who was somehow employed for half a year and was brought in for a project.
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1:40:48 – 1:41:00
He once walked past the electronic waste container and saw that there are keyboards in it.
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1:41:00 – 1:41:06
He took a keyboard and took it home with him. He was fired the next day.
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1:41:06 – 1:41:10
That's tough too, isn't it?
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1:41:10 – 1:41:12
Yeah, that's tough.
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1:41:12 – 1:41:19
Well, medical bureaucracy, but the main thing is environmental protection for the right coffers.
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1:41:19 – 1:41:22
Yeah, I know.
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1:41:22 – 1:41:27
I found it a bit crass, because the thing would have ended up in the junk anyway, so far.
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1:41:27 – 1:41:31
Yeah, but you shouldn't have asked, right?
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1:41:31 – 1:41:36
Yes, that's the problem. I think if he had asked, he didn't ask, he just plugged it in.
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1:41:36 – 1:41:40
But I think if he had asked, they probably would have even given it to him.
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1:41:40 – 1:41:42
I think the problem is that he didn't ask.
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1:41:42 – 1:41:44
Yes, yes.
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1:41:44 – 1:41:52
And by the way, here in Germany, if you put things on the street, 500 euros penalty,
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1:41:52 – 1:41:58
Just by the way. So it's not a good idea to put something on the street to give away.
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1:41:58 – 1:42:03
Unless you just ordered some garbage. Otherwise, you can't do that in Germany.
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1:42:03 – 1:42:12
That's what happened to neighbors. He wanted to take it off, empty his basement,
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1:42:12 – 1:42:17
put the things in front and wanted to transport the next day the stop.
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1:42:17 – 1:42:26
And in the night came the order office. Shit, somebody must have fucked him.
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1:42:31 – 1:42:37
So how do we get from this wonderful topic now, which is totally not
|
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1:42:37 – 1:42:40
Is it Christmas in a Christmas mood?
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1:42:40 – 1:42:46
The Christmas mood was already there. Yeah, I'm glad it's over now.
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1:42:46 – 1:42:49
It's been a day too much for me. Or someone else is suffering from it.
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1:42:49 – 1:42:57
Biscuit poisoning? So according to the motto, biscuits have so few nutrients, you need extra
|
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1:42:57 – 1:43:01
A lot of food or what? Yeah, I know. My blood type is butter.
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1:43:01 – 1:43:15
The Tobi and I, we had recorded another podcast episode and there was the running
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1:43:15 – 1:43:20
Gag has been that we have constantly said, my God, that is contemplative.
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1:43:20 – 1:43:22
Oh, it's Christmas.
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1:43:22 – 1:43:30
Contemplative and so and have somehow always had before one shitty message after another and always oh that is contemplative.
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1:43:30 – 1:43:34
Do you have such a hatred for these pop Christmas carols?
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1:43:34 – 1:43:45
Yes, as a teenager, not a teenager, as a pre-teen, I thought something like Lars' Christmas song was great.
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1:43:45 – 1:44:01
Lars, Christmas, oh, come home. I thought it was so great, but at the latest as a teenager I thought it was so bad and I still think it is so bad today.
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|
1:44:01 – 1:44:06
I have to admit, I listened to it unironically twice this year, once in the summer.
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1:44:06 – 1:44:09
Do they know it's Christmas time?
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1:44:09 – 1:44:13
Oh, that's quite tragic, the song, if you pay attention to the text.
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|
1:44:13 – 1:44:17
Yeah, because his ass cheated on him.
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1:44:17 – 1:44:17
Yes, yes.
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|
1:44:17 – 1:44:20
"Do they know it's Christmas, Ada?" - …
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|
1:44:20 – 1:44:24
"Do they know it's Christmas?" This is Band Aid.
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|
1:44:24 – 1:44:26
Yeah, you know those pussy-flover asses?
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|
1:44:26 – 1:44:28
Do you know the pussy-flover asses of it?
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|
1:44:28 – 1:44:29
Tell me.
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|
1:44:29 – 1:44:32
Black people want Christmas even if they don't know what it is?
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|
1:44:32 – 1:44:35
Oh, you have to hear that, you can't tell.
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|
1:44:35 – 1:44:39
But that's, I think, the only right answer to this band Aid poop, ey.
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|
1:44:39 – 1:44:42
Yes, yes.
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|
1:44:42 – 1:44:54
But so these pop songs, the then so this willow mood, yes, that's already difficult.
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|
1:44:54 – 1:44:59
I can separate that, after all.
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|
1:44:59 – 1:45:07
So I can actually bear it well and I actually hear it, when it's on the radio, I actually like to hear it.
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|
1:45:07 – 1:45:14
What I can't borrow at all, on the other hand, are things like Mariah Carey and...
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|
1:45:14 – 1:45:27
[Music]
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|
1:45:27 – 1:45:33
I have to say that I like these things so much from Frank Sinatra or something, that's what I think, from the time...
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|
1:45:33 – 1:45:35
That's cool, too.
|
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|
1:45:35 – 1:45:38
"Who don'ts the red rose reindeer,
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|
1:45:38 – 1:45:42
And a little shiny nose?
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|
1:45:42 – 1:45:47
Yes, I always think of Heilfest, Christmas is a nice gift.
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|
1:45:47 – 1:45:58
So I also find these old American hits from the 60s with Christmas from, what's the name of it? Dean Martin.
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|
1:45:58 – 1:46:00
Dean Martin.
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|
1:46:00 – 1:46:02
And what's the other guy like?
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|
1:46:02 – 1:46:11
by Red Pack, Sam S. Davis Jr. Yes, that's exactly what I really like to hear, but, honestly,
|
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|
1:46:11 – 1:46:20
I really like the classic stuff. So from such a beautiful orchestra
|
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|
1:46:20 – 1:46:27
Played. The Christmas summer autorium. Yes, exactly. I heard it live, I heard it live.
|
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|
1:46:27 – 1:46:34
this year. Oh, horny! In Münster at the Christmas party. Awesome! Yeah, I'm there. I thought, yeah, take it with you.
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|
1:46:34 – 1:46:40
They even have a priest who doesn't just kind of, I don't know, political crap,
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|
1:46:40 – 1:46:45
It may be the Lord's return to the people. He did well.
|
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|
1:46:45 – 1:46:51
Not as sharp as a few years ago, where even the newspaper jumped on it. And most importantly,
|
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|
1:46:51 – 1:46:56
Not as blatant as the evangelical church here in Germany, where before everyone, I don't know,
|
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|
1:46:56 – 1:47:01
Victims of those, but in front of the evangelical church that we have here in the district, there is now
|
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|
1:47:01 – 1:47:08
such a rainbow, such large rainbow letters. Last year there was "Peace", nonsense,
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|
1:47:08 – 1:47:13
It's not true. Last year there was "peace" where I thought, so you let it end,
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|
1:47:13 – 1:47:23
and "peace." And now there is "Now" where I ask myself, what kind of message is this,
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|
1:47:23 – 1:47:25
No, now.
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|
1:47:25 – 1:47:27
Is this a Christian message? Now?
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|
1:47:27 – 1:47:32
It's a very this-sided message, so from that point on, Christian, I'd say no.
|
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|
1:47:32 – 1:47:34
This is not a message, what does it mean?
|
|
|
1:47:34 – 1:47:36
This is meta-level.
|
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|
1:47:36 – 1:47:39
No matter what, but the main thing now.
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|
1:47:39 – 1:47:41
It's like these...
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|
1:47:41 – 1:47:47
Let your church tax grow over. Now!
|
|
|
1:47:47 – 1:47:53
Just like with these CDU election posters or "Prosperity, Security, Now!"
|
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|
1:47:53 – 1:47:54
That's right!
|
|
|
1:47:54 – 1:47:55
Yes, exactly!
|
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|
1:47:55 – 1:47:56
You're horny!
|
|
|
1:47:56 – 1:47:57
Pay your taxes at last!
|
|
|
1:47:57 – 1:47:58
Now!
|
|
|
1:47:58 – 1:48:01
Pay more taxes, yes, little milking pigs!
|
|
|
1:48:01 – 1:48:06
I always think about $33 billion.
|
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|
1:48:06 – 1:48:08
$33 billion?
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|
|
1:48:08 – 1:48:12
Yes, savings on citizen money.
|
|
|
1:48:12 – 1:48:13
How?
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|
|
1:48:13 – 1:48:15
Savings on Citizens' Money?
|
|
|
1:48:15 – 1:48:16
What savings?
|
|
|
1:48:16 – 1:48:17
What are you talking about?
|
|
|
1:48:17 – 1:48:24
Yeah, so what they promised and didn't do. Right, now they said yes, you can save 33 billion.
|
|
|
1:48:24 – 1:48:32
A little less than that has become yes. Yes, but for that they have taken in a thousand billion, not true, nine hundred billion, but we did not want to become political.
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|
|
1:48:32 – 1:48:39
Yeah, but anyway. That's not appropriate for this beautiful post-Christmas evening.
|
|
|
1:48:39 – 1:49:02
Yes, but if you at the latest after the food was through, the gifts and so on and they all sit there with their drinks, yes then one uncle makes fun of the niece, who then just found out that he is now rather a cat or a rabbit and the one nephew, who has discovered that he would rather be a frog.
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|
1:49:02 – 1:49:04
Was your family like that?
|
|
|
1:49:04 – 1:49:15
No, that's the summary of the last news I've read, just in different forums about the funniest Christmas stories.
|
|
|
1:49:15 – 1:49:24
I've only read a complete meltdown on Reddit because someone who hasn't even been outed with their family has felt consistently miserable.
|
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|
1:49:24 – 1:49:26
What do you see, I mean things like that.
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|
1:49:26 – 1:49:36
And I just thought, you know, that's one thing if they don't want to join in, but at least tell them.
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|
1:49:36 – 1:49:46
The problem is, you could tackle the problem, however.
|
|
|
1:49:46 – 1:49:56
These are the typical Christmas stories. The one is just a friend of the blue heart here, who rotates all over the Internet.
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|
1:49:56 – 1:50:08
And the other is then just on the other side of the political side and then it is almost beaten under the fir tree.
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|
1:50:08 – 1:50:14
I was shocked how explicitly my brother, art student,
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|
1:50:14 – 1:50:20
the rich people, and even the very, very conservative people
|
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|
1:50:20 – 1:50:23
In fact, there was only approval at the party.
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|
1:50:23 – 1:50:25
So something happened.
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|
1:50:25 – 1:50:29
Yeah, that's this, okay, we really need to talk about it,
|
|
|
1:50:29 – 1:50:35
This is the general, what is it called?
|
|
|
1:50:35 – 1:50:37
General mood?
|
|
|
1:50:37 – 1:50:39
What's that name?
|
|
|
1:50:39 – 1:50:41
Cognitive dissonance.
|
|
|
1:50:41 – 1:50:43
Exactly, thank you.
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|
1:50:43 – 1:50:45
I would say this is a general phenomenon.
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|
1:50:45 – 1:50:47
You can see it pretty plain now.
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|
1:50:47 – 1:50:49
Absolutely.
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|
1:50:49 – 1:50:51
I know someone who has a quarter of a million in their account.
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|
1:50:51 – 1:50:53
and a relatively short
|
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|
1:50:53 – 1:50:55
Residual life expectancy
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|
1:50:55 – 1:50:57
and then still go with
|
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|
1:50:57 – 1:50:59
Aldi in the 30's% Department
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|
1:50:59 – 1:51:01
See if there isn't
|
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|
1:51:01 – 1:51:03
Maybe the Camembert is down.
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|
1:51:03 – 1:51:05
Yes, it's still good, you can still eat it.
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|
1:51:05 – 1:51:10
Above all, it's good for conscience when you buy a thing.
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|
1:51:10 – 1:51:14
Yes, but if I still had, let's say, 10 to 15 years of life expectancy and
|
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|
1:51:14 – 1:51:19
as much coal on the edge and a sufficient pension, then I would say to myself, know
|
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|
1:51:19 – 1:51:23
you something, fuck it, I'll buy this thing for a normal price if I buck it
|
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|
1:51:23 – 1:51:24
I have.
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|
1:51:24 – 1:51:27
But no, I'd like to have Camembert again, but he wasn't even offered yet.
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|
1:51:27 – 1:51:36
I think this is such a class where wealth can be gone at any time.
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|
1:51:36 – 1:51:46
I think people who just buy Spotify from the post office, not the subscription, but the company that thinks so.
|
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|
1:51:46 – 1:51:52
But with a quarter of a million, that's like in Switzerland, well, the initiative was stupid,
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|
1:51:52 – 1:51:56
Mainly because it was intended for some kind of climate story.
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|
1:51:56 – 1:52:06
But you have now again, I am then surprised again, how many people in Switzerland seem to think,
|
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|
1:52:06 – 1:52:14
They are closer to the billion than unemployment.
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|
1:52:14 – 1:52:16
That's not true.
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|
1:52:16 – 1:52:19
That's complete nonsense.
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|
1:52:19 – 1:52:31
You're a resignation and then I think it's twelve months until you're away from social life. Or two years, I think.
|
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|
1:52:31 – 1:52:38
Let's not get political, because otherwise I could unpack some very different things now.
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|
1:52:38 – 1:52:42
I actually wanted to come to the Christmas songs.
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|
1:52:42 – 1:52:46
Yes, but that's the topic, such a tantan construction. And I always think so …
|
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|
1:52:46 – 1:52:49
It was good to be alone for Christmas.
|
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|
1:52:49 – 1:52:53
Because I had sometimes wished in these discussions,
|
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|
1:52:53 – 1:52:55
I have my shotgun with me.
|
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|
1:52:55 – 1:53:01
Because of the people or because of you?
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|
1:53:01 – 1:53:03
For the people.
|
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|
1:53:03 – 1:53:06
Aggressive or autoaggressive?
|
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|
1:53:06 – 1:53:08
Aggressive, not autoaggressive.
|
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|
1:53:08 – 1:53:10
This is an opinion booster.
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|
1:53:10 – 1:53:13
In some cases, you want to kill yourself.
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|
1:53:13 – 1:53:22
I got myself today, we already had the topic at the beginning, but I still want to cut it a bit before we come to the Christmas carols.
|
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|
1:53:22 – 1:53:36
I had a podcast today, a videocast of, unscripted myself, the militant vegan in a dispute with Niki Bra.
|
|
|
1:53:36 – 1:53:42
He's a biochemist, she's a doctor and what I didn't know was from Austria.
|
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|
1:53:42 – 1:53:44
It comes from Austria.
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|
1:53:44 – 1:53:52
He accused her of fascism and her argument that I should think he was right.
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|
1:53:52 – 1:54:02
But you can do the whole conversation, that was so at Hans-Meiser-level, it has unfortunately only gotten better in some places.
|
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|
1:54:02 – 1:54:22
What I actually find very unfortunate is, because this topic of veganism versus non-vegan nutrition would, I think, be worth discussing factually, because I do not find this so intriguing.
|
|
|
1:54:22 – 1:54:30
So the facts that are more in the room, they have blown the studies around each other's ears.
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|
1:54:30 – 1:54:33
That's what I think, you should take a closer look.
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|
1:54:33 – 1:54:40
The problem with a lot of such things, I always say ideologically linked things,
|
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|
1:54:40 – 1:54:49
This is usually not the data situation, but this general trend of the last 10, 15 years,
|
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|
1:54:49 – 1:54:52
You have to be the better person.
|
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|
1:54:52 – 1:54:54
Yeah, that's exactly the problem.
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|
1:54:54 – 1:54:56
Instead of just having better ideas.
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|
1:54:56 – 1:54:59
That was what it ended up being,
|
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|
1:54:59 – 1:55:02
They both blamed themselves for being better people.
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|
1:55:02 – 1:55:06
She accused him of having no idea
|
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|
1:55:06 – 1:55:08
He accused her of having no idea.
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1:55:08 – 1:55:10
and would only throw around with studies
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1:55:10 – 1:55:12
And the whole issue is much bigger.
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1:55:12 – 1:55:16
We need to look at a lot more sides.
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1:55:16 – 1:55:18
Just from the point of view of some studies.
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1:55:18 – 1:55:23
studies with which he is not wrong. And then he said, there has to be evolution.
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1:55:23 – 1:55:29
observe. Where were you born? How did you grow up? If you grew up in the mountains,
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1:55:29 – 1:55:35
at a height of 3000 meters? Or are you just a flatlander who grew up by the sea and stopped
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1:55:35 – 1:55:42
Perhaps more in the northern region or near the equator? All this also plays a role,
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1:55:42 – 1:55:47
Which needs to be taken into account in your diet. And he's absolutely right. And this will
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1:55:47 – 1:55:58
I like to be involved in studies. And you have to see what kind of people there are.
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1:55:58 – 1:56:03
Studies participated. If only Caucasians took part and no Eskimos,
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1:56:03 – 1:56:06
This study is … (Henryk) Innovative.
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1:56:06 – 1:56:13
(Siebert) Yeah, sorry. Thank you. Then this study is not universally valid,
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1:56:13 – 1:56:16
But only for Caucasians and so on and so forth.
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1:56:16 – 1:56:19
There are so many aspects to consider.
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1:56:19 – 1:56:25
I'd like to hear a discussion from experts,
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1:56:25 – 1:56:27
I like more than just two,
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1:56:27 – 1:56:30
maybe only three or four people in such a round,
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1:56:30 – 1:56:33
They really do exchange factually.
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1:56:33 – 1:56:37
I haven't found a single videocast yet.
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1:56:37 – 1:56:41
on the Internet, in the large, worldwide, where it sometimes matter-of-fact,
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1:56:41 – 1:56:43
where the whole topic is simply illuminated objectively.
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1:56:43 – 1:56:50
You will find either only things that are explained objectively, but then only one-sidedly,
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1:56:50 – 1:56:58
or you can only find such figures as these militant vegans,
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1:56:58 – 1:57:03
They do everything they can to boost their Onlyfans account.
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1:57:03 – 1:57:04
Yes, the woman has to live somewhere.
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1:57:04 – 1:57:06
I mean, as a doctor, she can't work.
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1:57:06 – 1:57:08
Yes, from the sexist.
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1:57:08 – 1:57:19
But you have to say, the videos she had on TikTok at the time, where she went into the McDonald's-Fiale and then there was a little girl sitting there, what she just ate in such a hamburger.
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1:57:19 – 1:57:28
She addresses the issue to the wrong people and she argues with insults and that doesn't attract people.
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1:57:28 – 1:57:31
This leads to a defensive attitude.
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1:57:31 – 1:57:32
That's right.
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1:57:32 – 1:57:37
She yelled at that, a girl there, she would now somehow have a baby of her mother
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1:57:37 – 1:57:38
eat away.
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1:57:38 – 1:57:39
Yeah, that's right.
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1:57:39 – 1:57:42
And that was totally shocked.
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1:57:42 – 1:57:45
The parents had sat next to it, they almost banged the Raffaela one.
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1:57:45 – 1:57:48
And that's the wrong way.
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1:57:48 – 1:57:52
You have to be able to argue intelligently.
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1:57:52 – 1:58:02
I have no problem at all when people want to explain veganism or vegetarianism to me.
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1:58:02 – 1:58:09
I like to look at myself objectively, I look at everything, but I don't like such insults.
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1:58:09 – 1:58:11
And it really divides in all directions.
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1:58:11 – 1:58:16
Yeah, and the problem is, she's doing a street interview and someone says,
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1:58:16 – 1:58:19
I've been thinking about it, and I'm vegetarian now.
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1:58:19 – 1:58:24
And then she says, "Yes, that's nice, but that's not enough. You have to be vegan now.
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1:58:24 – 1:58:27
And then, instead of appreciating that someone is starting to rethink...
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1:58:27 – 1:58:33
Yes, and the problem with veganism is, that's not something...
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1:58:33 – 1:58:39
Somehow for 200 years...
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1:58:41 – 1:58:49
It's an issue with people, but it's only come up so big in the last ten years, I say, in the last ten years.
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1:58:49 – 1:58:56
No, no, no, no, no, so I already noticed that in the 90s, but it still had a very, I say,
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1:58:56 – 1:59:05
It was smaller because you knew the people who played it were thinking about it.
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1:59:05 – 1:59:08
beyond how I can get clicks with it.
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1:59:08 – 1:59:11
Because that's the problem. You have all these formats,
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1:59:11 – 1:59:15
where you just put the three biggest lunatics in the subject,
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1:59:15 – 1:59:18
because they are pretty loud, that makes nice clicks,
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1:59:18 – 1:59:23
and yes, so, volume, you know,
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1:59:23 – 1:59:26
That's why you don't have a factual discussion.
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1:59:26 – 1:59:30
And if you had a factual discussion,
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1:59:30 – 1:59:32
There is a demo from the outside.
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1:59:32 – 1:59:36
from one side or the other. We just had this live in the city.
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1:59:36 – 1:59:44
Yes, I think it's a very interesting topic and I'd like to know more about it, but I honestly,
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1:59:44 – 1:59:48
I also don't have a buck now to deal with it more closely, after I have now
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1:59:48 – 1:59:52
Raffaela and Mickey Braa came in for three hours.
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1:59:52 – 1:59:59
Whereby, I have to say, I find this tendency towards these long, large formats, you know,
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1:59:59 – 2:00:05
just opposite now a talk show or where you are interrupted by the first sub-sentence.
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2:00:05 – 2:00:09
Yeah, that's good. I think it's good and we're not exactly the masters of brevity.
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2:00:09 – 2:00:16
We tried our 60-minute project, which we barely managed.
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2:00:16 – 2:00:22
In this respect, I'm not even concerned about the length of such a discussion,
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2:00:22 – 2:00:27
I'm just trying to make sure it's on topic, please.
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2:00:27 – 2:00:33
and that there are factual arguments to be exchanged and that there is really mutual respect.
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2:00:33 – 2:00:38
And I totally got that in this discussion at least, and I think that's the whole thing.
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2:00:38 – 2:00:42
Not at all useful, I totally missed it. They've got things on their heads
|
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2:00:42 – 2:00:49
thrown. The climax was, he blamed her, yes, you deserve on Onlyfans,
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2:00:49 – 2:00:55
I can see your earnings, wherever he got this info, I can see your earnings on
|
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|
2:00:55 – 2:01:04
Only-fan watch and you only spend a fraction on your videos and otherwise you don't do anything for animals.
|
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2:01:04 – 2:01:16
Yes, and look, I donate now live on the show, at the reception, I now donate 9000 euros to an animal welfare organization.
|
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2:01:16 – 2:01:20
This is abstruse, really abstruse.
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2:01:20 – 2:01:22
Has a Hitler comparison fallen?
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2:01:22 – 2:01:26
Of course. No, I don't even compare Hitler to the fascist accusation.
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2:01:26 – 2:01:29
He accused her of making a fascist argument.
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2:01:29 – 2:01:34
Today everything is fascist. I read the other day that Helmut Schmidt was one of them.
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2:01:34 – 2:01:40
Helmut Schmidt of all people. Maybe that's what Willy Brandt did.
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2:01:40 – 2:01:41
I don't know.
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2:01:41 – 2:01:45
I'm assuming we don't even know who Willy Brandt was.
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2:01:45 – 2:01:47
Willy Brandt would be Putin today, I understand.
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2:01:47 – 2:01:50
That's right, that's right.
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2:01:50 – 2:01:52
Yeah, that's not so bad.
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2:01:52 – 2:01:54
Because of his knee fold in Warsaw.
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2:01:54 – 2:01:59
Yeah, no matter. Let's not become political.
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2:01:59 – 2:02:14
So, dear people, if one of you wants to make a podcast about animal welfare or about vegan vs. meat eating,
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2:02:14 – 2:02:18
I would be interested to hear that.
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2:02:18 – 2:02:22
I thought you were going to invite it.
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2:02:22 – 2:02:26
No, I have no idea about the subject.
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2:02:26 – 2:02:28
That's why I'm interested.
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2:02:28 – 2:02:30
I had already thought, just very quickly,
|
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2:02:30 – 2:02:33
Which psychotropic substance should I use?
|
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|
2:02:33 – 2:02:35
Well, what I've learned this year is,
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|
2:02:35 – 2:02:38
Proteins are very important and valuable to the body.
|
|
|
2:02:38 – 2:02:43
And since I've been there every morning, what did she call it?
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|
2:02:43 – 2:02:50
a dead bird's corpse,
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2:02:50 – 2:02:54
She called it the baby bird's corpse,
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2:02:54 – 2:03:00
I'm actually less hungry and more awake during the day.
|
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|
2:03:00 – 2:03:05
Exactly because it takes longer to digest.
|
|
|
2:03:05 – 2:03:10
That's right. And I haven't found any other plant-based protein yet,
|
|
|
2:03:10 – 2:03:12
I found what I wanted to eat for breakfast.
|
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2:03:12 – 2:03:14
Yes, because the animals are simply more complex.
|
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2:03:14 – 2:03:16
Yeah, that's the problem.
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2:03:16 – 2:03:18
But you learn that in biology, you know that.
|
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|
2:03:18 – 2:03:20
You don't learn that as a doctor.
|
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|
2:03:20 – 2:03:22
Yeah, but that's another issue.
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|
2:03:22 – 2:03:24
So, I know,
|
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2:03:24 – 2:03:26
Doctors are sometimes
|
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2:03:26 – 2:03:28
Goddesses in white and...
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2:03:28 – 2:03:30
That's how she performs, yes.
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2:03:30 – 2:03:32
I've got myself
|
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|
2:03:32 – 2:03:34
Representing the foot on Tuesday.
|
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2:03:34 – 2:03:36
Yes, I'm with it for three hours
|
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2:03:36 – 2:03:38
Walked through the area, to blame.
|
|
|
2:03:38 – 2:03:42
Family doctor aunt meant, at least run around at home with the shoes,
|
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|
2:03:42 – 2:03:46
At the deposit, I'm doing it right now and I get it every time I get up,
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|
|
2:03:46 – 2:03:50
Stick one to the microphone afterwards.
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2:03:50 – 2:03:52
Gum son.
|
|
|
2:03:52 – 2:03:56
No, but Christmas, you raised the question before.
|
|
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2:03:56 – 2:03:58
I think you really have to separate it.
|
|
|
2:03:58 – 2:04:02
Yes, I think you have to separate it a bit, because there's just,
|
|
|
2:04:02 – 2:04:06
there is Christmas as, how to say, social courage,
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|
|
2:04:06 – 2:04:10
You know, like this American bastard, right?
|
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|
2:04:10 – 2:04:18
That's how Hart Lindemann put it so beautifully, Coca-Cola, sometimes was.
|
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|
2:04:18 – 2:04:22
And then there is the whole Christian.
|
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|
2:04:22 – 2:04:26
And that doesn't have much to do with each other at first.
|
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|
2:04:26 – 2:04:32
So we all know that, who has the Church, sits down there on holy holidays,
|
|
|
2:04:32 – 2:04:36
Because everyone was celebrating anyway to convert people a little better.
|
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|
2:04:36 – 2:04:40
A lot has been written about it, and the date isn't right either.
|
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|
2:04:40 – 2:04:48
But if one can say that I separate this whole spiritual plane first,
|
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|
2:04:48 – 2:04:52
It is already coherent in itself. So the message is there.
|
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|
2:04:52 – 2:05:00
Date, rituals, etc., you have to look at it all a little bit, I say, more fragmented.
|
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|
2:05:00 – 2:05:04
But I can have some sympathy …
|
|
|
2:05:04 – 2:05:08
Like I said, I was on the road with ….
|
|
|
2:05:08 – 2:05:12
I've conducted 50 noses, they're cheering you heaven,
|
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|
2:05:12 – 2:05:14
Rejoice in angels in choirs.
|
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|
2:05:14 – 2:05:17
Like I said, I'll leave that up to the point.
|
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|
2:05:17 – 2:05:20
And besides you have just this folklore,
|
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|
2:05:20 – 2:05:28
Let it snow, let it snow, let it snow.
|
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|
2:05:28 – 2:05:34
It's not about Christmas, it's about winter.
|
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|
2:05:34 – 2:05:38
There are also Swiss German offshoots of it. Andrew Bond has written a beautiful children's album,
|
|
|
2:05:38 – 2:05:43
The cornerstone of his career. Of course, I've almost noticed Day One.
|
|
|
2:05:43 – 2:05:45
I think you did that last year, I think.
|
|
|
2:05:45 – 2:05:54
Yeah, that's what I got from Day One. So there is such a winter and folklore Christmas comprehension.
|
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|
2:05:54 – 2:06:05
I see it because I believe it's such a thing that you, for that you must either be a child or very, very ignorant of the world.
|
|
|
2:06:05 – 2:06:19
Because we would have published the issue, which was too depressed even for me in the end, I would have been told all day long why I don't have a Christmas mood right now.
|
|
|
2:06:19 – 2:06:23
And that's where I stand. So I believe here that it
|
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|
2:06:23 – 2:06:28
For me, folklore is for, so memes for the Internet,
|
|
|
2:06:28 – 2:06:31
Folklore for a day at Europa-Park and that's it.
|
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|
2:06:31 – 2:06:35
I am open and honest with you.
|
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|
2:06:35 – 2:06:40
And the other, as I said, the other is a message that is sent 365 days a year.
|
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|
2:06:40 – 2:06:43
should apply. With everything that hangs on it.
|
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|
2:06:43 – 2:06:44
Of course, yes.
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|
2:06:44 – 2:06:47
And that the church is full at Christmas and empty at Easter.
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|
2:06:47 – 2:06:52
Or at least much more empty, probably already shows the problem.
|
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|
2:06:52 – 2:06:56
The story is actually so irrelevant that two of the four evangelists put it on the
|
|
|
2:06:56 – 2:07:02
They also left out. But it is only in the evangelical church,
|
|
|
2:07:02 – 2:07:10
In the Catholic Church, both Easter and Christmas are full, but in between clearly
|
|
|
2:07:10 – 2:07:13
Less, especially on vacation. That's what we expect by the way.
|
|
|
2:07:13 – 2:07:14
Yes, yes.
|
|
|
2:07:14 – 2:07:25
Yes, now the question, do we want to continue on the topic or do we come to the Christmas carols?
|
|
|
2:07:25 – 2:07:28
We were already there.
|
|
|
2:07:28 – 2:07:32
Christmas songs, yes!
|
|
|
2:07:32 – 2:07:37
Christmas carols. You asked about your favorite songs this year.
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|
2:07:37 – 2:07:43
Tobi?
|
|
|
2:07:43 – 2:07:56
Yeah, my micro just didn't want to. I get flashes in my head at a distance of 20 cm, ey. No, no, no, no, no, no,
|
|
|
2:07:56 – 2:08:02
Above all, I asked, a bit of a year-end. We're talking right here
|
|
|
2:08:02 – 2:08:06
A lot about making music, but we also have to listen to music to make music. This is
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|
|
2:08:06 – 2:08:11
As in writing. If you want to write a good book, you have to read good books on site.
|
|
|
2:08:11 – 2:08:19
And then I thought, I want to ask in the round and yes, we all don't hear
|
|
|
2:08:19 – 2:08:22
About our own stuff. Maybe we can learn something from each other.
|
|
|
2:08:22 – 2:08:26
Yeah, yeah. So, can I start?
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|
|
2:08:26 – 2:08:29
Of course.
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|
2:08:29 – 2:08:48
So, with me it's like this, I'm conditioned by the fact that I have two growing daughters, the, ok, the one is already grown up, the is 19 now, but the other, which is still, next year she will only be 12, but with 11, 12, you hear a lot of music.
|
|
|
2:08:48 – 2:08:56
And I can now through the fact that I almost always choose the music for the little one,
|
|
|
2:08:56 – 2:09:02
She always asks me, can you pick out this and the song?
|
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|
2:09:02 – 2:09:06
And then she always sings this to me and I have to guess what that song is,
|
|
|
2:09:06 – 2:09:08
because she usually doesn't know the titles, that's all in English,
|
|
|
2:09:08 – 2:09:15
Because English isn't like that yet. Then I am very much in contact with,
|
|
|
2:09:15 – 2:09:21
I call it very youthful music. And I picked out three tracks,
|
|
|
2:09:21 – 2:09:28
I don't want to say in my face, but I jumped in my ear and the
|
|
|
2:09:28 – 2:09:33
are so in the earworms. While the one track, this is rather my all-time favorite, the other
|
|
|
2:09:33 – 2:09:41
Two are more like that. It was a song, I don't know how to say it.
|
|
|
2:09:41 – 2:09:53
"Douchey" - "Denial is a River" - that's one, yes you could say something with a mix of R&B and hip-hop.
|
|
|
2:09:53 – 2:10:05
R&B and Rap. I find that very catchy, very poppy. It's a hit. Like the kids.
|
|
|
2:10:05 – 2:10:16
And the other is a German rapper called Zahide.
|
|
|
2:10:16 – 2:10:28
That's, I'd rather say, such a young girl, I have no idea how old she is, she's maybe 15 or 16, I don't know.
|
|
|
2:10:28 – 2:10:35
Still wearing braces. She has made a new song now, but she had already had a few other hits this year.
|
|
|
2:10:35 – 2:10:52
Her latest song is called "La Boo Boo Freestyle" and it's like "Douchey", it's kind of hip-hop, rap, kind of poppy.
|
|
|
2:10:52 – 2:11:00
She also somehow has a production team with somehow four producers, so she probably doesn't write the stuff herself, but is just an interpreter.
|
|
|
2:11:00 – 2:11:05
But that makes it pretty cool and the beats just go in the ear.
|
|
|
2:11:05 – 2:11:11
If you pull this in, then you have to automatically rock with your foot.
|
|
|
2:11:11 – 2:11:16
I can see why the kids are on it.
|
|
|
2:11:16 – 2:11:22
She is also very youthful in appearance, but still very fresh.
|
|
|
2:11:22 – 2:11:28
Anything that's hip and cool. That's probably why the kids like them.
|
|
|
2:11:28 – 2:11:41
My last tip, this is rather from the list of my electronic pieces, which I like to hear again and again.
|
|
|
2:11:41 – 2:11:54
And that's from a Japanese, Ken Ishii, who calls himself "Extra." The song was released in 1995 and has also been released.
|
|
|
2:11:54 – 2:11:58
There's also a great music video for it.
|
|
|
2:11:58 – 2:12:04
Exactly, ran on MTV and on Viva, up and down, formerly, then.
|
|
|
2:12:04 – 2:12:05
In the Jewish Age.
|
|
|
2:12:05 – 2:12:06
In the Jewish Age.
|
|
|
2:12:06 – 2:12:10
Didn't MTV even go in this year, I think?
|
|
|
2:12:10 – 2:12:14
They have closed the English thingum and the others will follow soon.
|
|
|
2:12:14 – 2:12:19
Because the Jamba ringtone advertising no longer ran?
|
|
|
2:12:19 – 2:12:21
Yes, but the subscriptions are still running.
|
|
|
2:12:21 – 2:12:24
Yes, but all cell phones are on storm.
|
|
|
2:12:24 – 2:12:26
Yeah, that's right.
|
|
|
2:12:26 – 2:12:32
Sasha?
|
|
|
2:12:32 – 2:12:33
Yeah?
|
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2:12:33 – 2:12:35
You also have three things.
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2:12:35 – 2:12:36
No, just a little before, just a little before.
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2:12:36 – 2:12:41
You know you have such a buzzer ID on Google, at least on your phone, right?
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2:12:41 – 2:12:43
Yeah, yeah, I use them diligently too.
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2:12:43 – 2:12:45
That's why, yeah.
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2:12:45 – 2:12:46
Very good, very good.
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2:12:46 – 2:12:48
Shazam, you mean? Shazam.
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2:12:48 – 2:12:50
Google itself has that too.
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2:12:50 – 2:12:51
Google itself can do that too.
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2:12:51 – 2:12:52
Google can do that too?
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2:12:52 – 2:12:53
Yes, yes.
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2:12:53 – 2:12:55
Can Shazam do that now?
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2:12:55 – 2:12:59
I have Shazam, I have installed a Shazam widget.
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2:12:59 – 2:13:01
Me too, on the homescreen.
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2:13:01 – 2:13:03
Yeah, that's right.
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2:13:03 – 2:13:10
But at the fair I noticed that, I need it even further ahead.
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2:13:10 – 2:13:13
Not only in the control center, I need it on the option.
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2:13:13 – 2:13:16
You already have three ways to get into the camera anyway.
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2:13:16 – 2:13:18
You also need the cam button.
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2:13:18 – 2:13:22
On the other hand, I quickly put the flashlight back on the other side,
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2:13:22 – 2:13:26
Because there's a reflex in it.
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2:13:26 – 2:13:31
Sascha, what did you bring us?
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2:13:31 – 2:13:36
Those were the things I played the most this year.
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2:13:36 – 2:13:49
Most of the time I have some algorithmically generated playlists because I run music in addition to programming or writing texts.
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2:13:49 – 2:13:56
Lowly Keys by S. Estiva.
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2:13:56 – 2:14:04
Yeah, something electronic, technoid, sort of like that.
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2:14:04 – 2:14:13
Then The Drill by The Drill, Alex Sonata and The Shop.
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2:14:13 – 2:14:14
The name is not complete.
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2:14:17 – 2:14:21
These are things that go all the way to the 12.
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2:14:21 – 2:14:23
That's what you can expect.
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2:14:23 – 2:14:33
"You Know" by Abadze and Paul Akane.
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2:14:33 – 2:14:40
Abadze, I can't pronounce it, I don't know what language that is.
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2:14:40 – 2:14:44
Those are the things I played the most.
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2:14:44 – 2:14:49
In addition to my own things, which sometimes run.
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2:14:49 – 2:15:01
That's what I see. I've been watching a bit of Apple Music Replay and whatever.
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2:15:01 – 2:15:09
I had, so always my favorite band in between, Stahlberger, the Sam Galler, dialect,
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2:15:09 – 2:15:21
But so cheerful lyrics and very international flair, such an indie pop, ne pop is the wrong word, ne indie troupe, which has made a new album.
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2:15:21 – 2:15:27
And the one single, the opener of the album, I've heard a lot.
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2:15:27 – 2:15:37
I don't know, I think the album, it's certainly not bad, but they had better ones as a band.
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2:15:37 – 2:15:46
It's just very deprived this time, very gloomy, also a bit equally crowded, so rather
|
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2:15:46 – 2:15:53
the last one was very postrock, the one before it was very electronic, so they are always worth a look, but I think so now
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2:15:53 – 2:16:03
the song anyway, the song here, I feel it, even if it is not even so complex, then
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2:16:03 – 2:16:09
Yeah, and what else did we have? Of course, I've heard a lot about emergency wist, so this summer.
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2:16:09 – 2:16:14
The Superheroes, Ghost Villains and Stuff, have accompanied me for a long time.
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2:16:14 – 2:16:17
Fantastic live album.
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2:16:17 – 2:16:19
If you need anything from the band, that's it.
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2:16:19 – 2:16:25
So not that the other would be bad, but because that's just the more or less the ultimate best-of.
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2:16:25 – 2:16:31
As for Album of the Year,
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2:16:31 – 2:16:39
There actually was, I got through the Proxima demo of Synapse, which I mentioned before,
|
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2:16:39 – 2:16:49
I met an artist, a French electronic musician and...
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2:16:49 – 2:16:54
I have a link before show, yes good, before show still show, yes please.
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2:16:54 – 2:16:56
Yes, I've accidentally posted it incorrectly before.
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2:16:56 – 2:17:00
No, oh, no, that's still the super... oh, yeah, well.
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2:17:00 – 2:17:10
You should at least save the link and not the other one. Anyway, here.
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2:17:10 – 2:17:18
Exactly, so, Album of the Year. The artist's name is Thunder, I think it's also a city in France or something.
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2:17:18 – 2:17:27
He made an album called "Como Rebi." I'm sure I'm saying it wrong.
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2:17:27 – 2:17:32
And that's, yeah, that's a mix of
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2:17:32 – 2:17:39
IDM partial, but stop such a French,
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2:17:39 – 2:17:42
It's a French electric.
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2:17:42 – 2:17:46
Already slightly technoid, also wonderful ambient passages.
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2:17:46 – 2:17:49
It's actually, I don't know if you know the record,
|
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2:17:49 – 2:17:51
John Hopkins' Inside.
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2:17:51 – 2:17:55
Does that tell you what?
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2:17:56 – 2:17:57
No.
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2:17:57 – 2:17:58
No, no.
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2:17:58 – 2:18:02
John Hopkins tells me something, of course, but …
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2:18:02 – 2:18:05
Insides was his third album.
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2:18:05 – 2:18:11
I think immunity is a little bit bigger, but I'm so pure of feelings
|
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2:18:11 – 2:18:16
In fact, even though I think Immunity is the better album, with Insides, not
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2:18:16 – 2:18:20
Light Through The Veins, but also the other stuff.
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2:18:20 – 2:18:24
And this is, I don't want to say, a legitimate successor, because every artist
|
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2:18:24 – 2:18:27
In fact, they are almost only committed to themselves.
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2:18:27 – 2:18:35
I don't have to look for my metadon for any album.
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2:18:35 – 2:18:41
But I find it interesting, the approaches he chooses here are similar to the former John Hopkins.
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|
2:18:41 – 2:18:46
I've lost Hopkins a bit since he somehow got stuck on mushrooms.
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|
2:18:46 – 2:18:50
What does it mean to be stuck? Now he's making a different sound.
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|
2:18:50 – 2:18:55
And this fills this gap so easily, but in a different way.
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|
2:18:55 – 2:18:58
And most importantly, when you compare it to Insights,
|
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|
2:18:58 – 2:19:04
The most expressive thing he had back then, back in 2008, were the Chaospads.
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|
2:19:04 – 2:19:11
And the Frenchman here, he just has an osmosis, he has, I think, also a Linz instrument, he has MPE,
|
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|
2:19:11 – 2:19:14
He has a very different approach to the game.
|
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|
2:19:14 – 2:19:17
The piano pieces are of course still the highlight of the album,
|
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|
2:19:17 – 2:19:24
But I'd listen to it. You can't go for songs specifically.
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|
2:19:24 – 2:19:30
It's more of an overall experience. There is, of course, a lead single, there are also a few faster tracks,
|
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|
2:19:30 – 2:19:38
But it flows. It flows past you in E major or C small, depending on what you want.
|
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|
2:19:38 – 2:19:45
But yes, so that's, I would say, this is the third tip and probably also my album of the year.
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|
2:19:45 – 2:19:53
It really wasn't a lot, I heard a lot of old stuff, but something like that came out.
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|
2:19:53 – 2:20:06
I wanted this one, "Better City" by Stahlberger, "Tenor Twist" with "Superheroes, Ghosts, Villains and Stuff" and "Donner" with "Komorebi".
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|
2:20:06 – 2:20:25
Your Stahlberger album there, I have to say, reminds me spontaneously of a game soundtrack that I heard up and down in the car a few years ago.
|
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|
2:20:25 – 2:20:27
Life is Strange.
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|
2:20:27 – 2:20:38
Yeah, that's right. It reminds me a bit of that. It's so close to that sound, so similar.
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|
2:20:38 – 2:20:52
Yeah, you might like the album. Let me know if you want me to translate it, the lyrics.
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|
2:20:52 – 2:20:57
Sometimes it doesn't need a translation. I mean, "Life is Strange" is all sung in English.
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|
2:20:57 – 2:21:01
Yes, in Swiss German in German, that's …
|
|
|
2:21:01 – 2:21:07
Well, there's a lot of American speech …, uh, no, what's that called?
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|
2:21:07 – 2:21:12
Phrases, i.e. phrases in it that are not so obvious.
|
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|
2:21:12 – 2:21:16
Then you know what the individual words mean, but somehow that doesn't make sense.
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|
2:21:16 – 2:21:23
That's why, sometimes I think, you can just leave the music like that or just leave the words like that and just try …
|
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|
2:21:23 – 2:21:26
They live in ambivalence.
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|
2:21:26 – 2:21:38
That's right. And just try to hear what is sometimes transported by the pauses in between and perhaps simply by the intonation and by the sounds.
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|
|
2:21:38 – 2:21:46
There is sometimes much more in it that you might somehow intuitively understand what emotions it is about.
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|
|
2:21:46 – 2:21:49
This is all very emotional music.
|
|
|
2:21:49 – 2:21:58
And that already has a very melancholic basic mood, which I really like at Strahlberger. I like that kind of thing.
|
|
|
2:21:58 – 2:22:01
Yeah, so I think the last three albums would really be for you.
|
|
|
2:22:01 – 2:22:04
They're all different, but they're all very, very good.
|
|
|
2:22:04 – 2:22:06
Yeah, I'd listen to that.
|
|
|
2:22:06 – 2:22:16
The first three are still a bit different stylistically, but I like that these bands, whenever they get together for an album, they sound new.
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|
2:22:16 – 2:22:20
I think it's a better approach than art.
|
|
|
2:22:20 – 2:22:27
As if they were almost forced to do the same thing.
|
|
|
2:22:27 – 2:22:33
Otherwise for our listeners live the Life is Strange soundtrack.
|
|
|
2:22:33 – 2:22:37
Goodness, what's wrong with me today? I only drank one geese.
|
|
|
2:22:37 – 2:22:46
That's when you hear, so Game Soundtrack,
|
|
|
2:22:46 – 2:22:50
You might think that this is a little bit of Kling Kling and Squeak Squeak,
|
|
|
2:22:50 – 2:22:57
Pac-Man-like. This is a complete indie album.
|
|
|
2:22:57 – 2:23:09
There's an electronic piece on it and otherwise the full edge is classic American indie rock and country music.
|
|
|
2:23:09 – 2:23:12
Very melancholic and very, very nicely done.
|
|
|
2:23:17 – 2:23:24
I also remember spending a lot of time here at my desk.
|
|
|
2:23:24 – 2:23:31
I just heard Zelda Skyward Sword's Skyloft.
|
|
|
2:23:31 – 2:23:33
The Overworld theme.
|
|
|
2:23:33 – 2:23:38
Is nice quiet, you can work wonderfully on it if it is not audio relevant.
|
|
|
2:23:38 – 2:23:40
That's why we need Hendrik again.
|
|
|
2:23:40 – 2:23:42
We need to talk about game music.
|
|
|
2:23:42 – 2:23:48
It's been around since "Valve's Half-Life."
|
|
|
2:23:48 – 2:23:52
Game soundtrack is not just sprinkling,
|
|
|
2:23:52 – 2:23:57
It is also an emotionally charged means of transport.
|
|
|
2:23:57 – 2:24:01
I would even say it's the "bis de resistance"
|
|
|
2:24:01 – 2:24:04
The good video games.
|
|
|
2:24:04 – 2:24:05
Yes, absolutely.
|
|
|
2:24:05 – 2:24:06
Absolutely.
|
|
|
2:24:06 – 2:24:08
Because a bad...
|
|
|
2:24:08 – 2:24:14
A good soundtrack can save you a bad game, vice versa, by no means.
|
|
|
2:24:14 – 2:24:15
That's right, that's true.
|
|
|
2:24:15 – 2:24:20
Sascha, can you remember "elite"?
|
|
|
2:24:20 – 2:24:22
Yes, yes.
|
|
|
2:24:22 – 2:24:31
With this great, fantastic, well, it wasn't really that great, because it was just beeping, but still.
|
|
|
2:24:31 – 2:24:39
You know who the piece was from? The classic piece you've always played in the Undoc scene?
|
|
|
2:24:39 – 2:24:41
I don't know.
|
|
|
2:24:41 – 2:24:47
This is the same piece of music you played in 2001.
|
|
|
2:24:47 – 2:24:51
That waltz of, is that bouquet?
|
|
|
2:24:51 – 2:24:56
This is ostrich.
|
|
|
2:24:56 – 2:25:03
Zaratustra, so spoke Zaratustra, so spoke Zaratustra, the play is called.
|
|
|
2:25:03 – 2:25:06
This is the main theme.
|
|
|
2:25:06 – 2:25:15
That comes in this, that comes and that you have, that they play, that they have also used in the, at Elite, in this, every time you have to dock there to a space station.
|
|
|
2:25:15 – 2:25:18
I had to think about this movie every time.
|
|
|
2:25:18 – 2:25:20
It's great.
|
|
|
2:25:20 – 2:25:32
But that's also the case with the Turrican on the C64, there is a special level and there is such a horny music.
|
|
|
2:25:32 – 2:25:43
And because the capabilities of the sound chip are not limited, you no longer have gaming sound, so no more in-sound, but only the music track.
|
|
|
2:25:43 – 2:25:47
But we only have so many times that we get to this place.
|
|
|
2:25:47 – 2:25:53
He emigrated to the United States and now lives in a trailer park. So just by the way.
|
|
|
2:25:53 – 2:25:57
So on the subject of a successful career.
|
|
|
2:25:57 – 2:26:01
Yeah, but that's the way it is, boah real ey. With Turikan, the soundtrack, it was so horny.
|
|
|
2:26:01 – 2:26:03
He's a great musician, yes.
|
|
|
2:26:03 – 2:26:05
Mm-hmm.
|
|
|
2:26:05 – 2:26:12
I think I've even seen a Minecraft soundtrack milestone review somewhere, somewhere.
|
|
|
2:26:12 – 2:26:13
Yes, yes.
|
|
|
2:26:13 – 2:26:15
It was recently.
|
|
|
2:26:15 – 2:26:24
I'll write to Hendrik again if he's up to making a game soundtrack episode with our new year.
|
|
|
2:26:24 – 2:26:36
I remember I had some game and the first track on the CD was the game, but then the tracks 2 through, I don't know, was the soundtrack.
|
|
|
2:26:36 – 2:26:44
And then I always have zack over, so that my boxes do not break, because the digital hardcore beat is of course already violent.
|
|
|
2:26:44 – 2:26:47
And then I just listened to the tracks.
|
|
|
2:26:47 – 2:26:50
Totally horny.
|
|
|
2:26:50 – 2:26:51
Yes, madness.
|
|
|
2:26:51 – 2:26:54
Amiga or C64?
|
|
|
2:26:54 – 2:26:56
No, Amiga, no?
|
|
|
2:26:56 – 2:26:58
No, that was PC then, right?
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|
|
2:26:58 – 2:27:00
The PC version, okay.
|
|
|
2:27:02 – 2:27:05
So not from Turricans, that was another game.
|
|
|
2:27:05 – 2:27:06
What was that name again?
|
|
|
2:27:06 – 2:27:08
Ah.
|
|
|
2:27:08 – 2:27:10
I don't remember what the game was called.
|
|
|
2:27:10 – 2:27:12
The track was totally awesome.
|
|
|
2:27:12 – 2:27:17
The CD was more in the CD player than in the CD drive,
|
|
|
2:27:17 – 2:27:18
In the CD-ROM drive.
|
|
|
2:27:18 – 2:27:24
We can also just ask Chris Hülsbeck directly.
|
|
|
2:27:24 – 2:27:28
All we have to do is look at the time differences.
|
|
|
2:27:28 – 2:27:31
Speaking of the C64, this...
|
|
|
2:27:31 – 2:27:35
Yeah, the clone from the C64 totally off, huh?
|
|
|
2:27:35 – 2:27:37
Yeah, I saw it.
|
|
|
2:27:37 – 2:27:39
Commodore 64 Ultimate. The madness.
|
|
|
2:27:39 – 2:27:41
Yes, madness.
|
|
|
2:27:41 – 2:27:45
64 gigabytes of memory.
|
|
|
2:27:45 – 2:27:47
Have you seen the demos?
|
|
|
2:27:47 – 2:27:50
Are they still producing for the C64?
|
|
|
2:27:50 – 2:27:53
Yeah, they're always crass. They're getting crasser.
|
|
|
2:27:53 – 2:27:56
This thing doesn't even have a megahertz of CPU clock speed
|
|
|
2:27:56 – 2:27:59
And yet they're throwing out demos like that.
|
|
|
2:27:59 – 2:28:02
With bitmaps and what else do I know.
|
|
|
2:28:02 – 2:28:06
It's crazy what they get out of the old hardware.
|
|
|
2:28:06 – 2:28:07
That's so horny.
|
|
|
2:28:07 – 2:28:11
The 8-bit Guy, the YouTube channel...
|
|
|
2:28:11 – 2:28:13
It has nearly 50-year-old hardware.
|
|
|
2:28:13 – 2:28:17
In a recent video, he explains,
|
|
|
2:28:17 – 2:28:21
how he made the portation of a game, what he did there,
|
|
|
2:28:21 – 2:28:28
on different systems, so PET, VIC-20 and so on.
|
|
|
2:28:28 – 2:28:43
And there he explains how he did it, with the bitmaps and what tricks and that's very interesting, but it's really about every bit you have to save.
|
|
|
2:28:43 – 2:28:46
Because the storage is limited.
|
|
|
2:28:46 – 2:28:47
Yes, of course.
|
|
|
2:28:47 – 2:28:52
But I really think that's crass what people get out of the machines.
|
|
|
2:28:52 – 2:28:59
Oh, Chris Hilsbeck has his own website, is being heard.
|
|
|
2:28:59 – 2:29:05
Or can you still remember the good old mod trackers?
|
|
|
2:29:05 – 2:29:06
Well, of course.
|
|
|
2:29:06 – 2:29:09
My God, what was that time?
|
|
|
2:29:09 – 2:29:12
I was fluid there.
|
|
|
2:29:12 – 2:29:14
Hence ….
|
|
|
2:29:14 – 2:29:19
Honestly, the ….
|
|
|
2:29:19 – 2:29:23
You push here nostalgia for times …
|
|
|
2:29:23 – 2:29:28
People my age push nostalgia for times they haven't experienced
|
|
|
2:29:28 – 2:29:32
And now the next generation is already pushing nostalgia for times we have experienced.
|
|
|
2:29:32 – 2:29:35
It's all just ….
|
|
|
2:29:35 – 2:29:39
Again through the usual pink-red glasses.
|
|
|
2:29:39 – 2:29:46
The funny thing is that a generation that has never experienced an analog childhood totally romanticizes it.
|
|
|
2:29:46 – 2:29:56
Yeah, it's even worse. I had a discussion with a teenager a few months ago, I think.
|
|
|
2:29:56 – 2:30:01
I also believe in work or at least somewhere in the area,
|
|
|
2:30:01 – 2:30:06
Whose book got caught out of the, I don't know, zeroes probably,
|
|
|
2:30:06 – 2:30:10
the game in the 90s and that's how this aspect of
|
|
|
2:30:10 – 2:30:18
Forbidden love, where you can only stay on weekends in some remote
|
|
|
2:30:18 – 2:30:25
areas between the two cities. And there it has romanticized at points,
|
|
|
2:30:25 – 2:30:29
where I thought, yes, of course you're right, your community is crazy these days,
|
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2:30:29 – 2:30:38
I don't want to deny that, but this is one written by someone who never
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2:30:38 – 2:30:46
was even involved, let alone affected, a romanticized version of one thing,
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2:30:46 – 2:30:56
It was shit. And you're just coming here and romanticizing it for something better,
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2:30:56 – 2:31:02
Because it's shit today, but you don't have a context for it.
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2:31:02 – 2:31:04
You have no idea what it was like.
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2:31:04 – 2:31:09
I only have it in Amaranda, but at least I was still there in time.
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2:31:09 – 2:31:15
And yes, although I believe analogous childhood as such, that is now, I believe, rather so,
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2:31:15 – 2:31:16
I would say that is more of a basic need.
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2:31:16 – 2:31:23
So less than that is a specific desire of something you haven't experienced.
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2:31:23 – 2:31:31
I think the desire for independence and haptics, you know?
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2:31:31 – 2:31:35
I still remember very well how people ran out,
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2:31:35 – 2:31:41
when the coronavirus regulation fell in February 2022.
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2:31:41 – 2:31:45
Two weeks later it was carnival and that was group cuddles.
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2:31:45 – 2:31:50
There were people hugging each other, they would have boxed at the maximum before.
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2:31:50 – 2:31:54
It was obvious that there was a need.
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2:31:54 – 2:32:00
I have the impression that if you took the phone from Chen Alpha today,
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2:32:00 – 2:32:02
It would have a few problems, but I think it would be happier.
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2:32:02 – 2:32:04
If only you could take the boomer away.
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2:32:04 – 2:32:05
They'd have Meltdown.
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2:32:05 – 2:32:06
Yes, yes.
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2:32:06 – 2:32:09
Hm.
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2:32:09 – 2:32:10
That's true.
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2:32:10 – 2:32:14
When I look at a lot of things, definitely.
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2:32:14 – 2:32:18
The tastes are very different.
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2:32:19 – 2:32:22
Not all kids like Labubo.
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2:32:22 – 2:32:23
No, no.
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2:32:23 – 2:32:24
So …
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2:32:24 – 2:32:28
An original Labubo is also a status symbol.
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2:32:28 – 2:32:30
True, a status symbol.
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2:32:30 – 2:32:33
Yeah, now things are out again, but …
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2:32:33 – 2:32:35
They're out again, but …
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2:32:35 – 2:32:36
That's right.
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2:32:36 – 2:32:43
So at least in the, I can say, in the age class so of eleven, twelve years.
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2:32:43 – 2:32:47
Yes, there are still children who like this, but for example my daughter, who finds
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2:32:47 – 2:32:51
Totally stupid. Thank goodness. Have you ever seen these things?
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2:32:51 – 2:32:55
Yes, yes. You're gonna have nightmares. They're such little psycho dolls.
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2:32:55 – 2:32:59
A better half has one.
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2:32:59 – 2:33:03
To her backpack.
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2:33:03 – 2:33:07
He even has his own clothes. They're psychopaths, aren't they?
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2:33:07 – 2:33:11
They look like a psychopath.
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2:33:11 – 2:33:15
You know my girlfriend. No, I don't know your girlfriend.
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2:33:15 – 2:33:17
Yeah, but you've heard it several times.
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2:33:17 – 2:33:26
Yeah, come on. I still can't say that I know her. I didn't talk to her for long.
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2:33:26 – 2:33:29
Same and same sociable, I can only say.
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2:33:29 – 2:33:33
I don't think Sasha is a psychopath.
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2:33:33 – 2:33:39
No, no, no. But the Lamu and his girlfriend.
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2:33:39 – 2:33:49
I'm telling you, I've experienced Sarah for an hour and I didn't find this a psycho-study in and of itself.
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2:33:49 – 2:33:52
On the other hand, who can look into people's heads?
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2:33:52 – 2:33:54
Yes, that's true.
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2:33:54 – 2:33:58
I don't think you'll look into my will either.
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2:33:58 – 2:34:02
I don't have to look at yours, you reveal yourself on your own.
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2:34:02 – 2:34:04
That's the advantage, yes.
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2:34:04 – 2:34:10
Have you ever heard the music Sarah makes with me? Have you ever paid attention to the texts?
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2:34:10 – 2:34:13
Yes, this is so Lieselotte leg width moderate.
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2:34:13 – 2:34:15
See, that's … already.
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2:34:15 – 2:34:20
Yes, but with three meta-levels underneath.
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2:34:20 – 2:34:28
Yes, so Colt Miro once said you need three brains to understand their humor.
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2:34:28 – 2:34:32
Because, yes, you need not only three brains, but also 15 quantum computers.
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2:34:32 – 2:34:36
With 1024 cubits.
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2:34:36 – 2:34:43
So that's what partly gets my better half out of there, that's already...
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2:34:43 – 2:34:48
What I haven't told you yet is what I did on Christmas Eve.
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2:34:48 – 2:34:51
Eat microwaves.
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2:34:54 – 2:34:57
No, I heard Lautfunk, actually.
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|
2:34:57 – 2:35:00
What sound radio?
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|
2:35:00 – 2:35:05
I pulled in two episodes, that's so messy, that's four hours.
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|
2:35:05 – 2:35:11
After eating and watching a movie, I thought, okay, what am I going to do in the evening?
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|
2:35:11 – 2:35:18
Yes, come on, I'm doing the latest episode digital, ne, rektral digital.
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|
2:35:18 – 2:35:29
And I gave me the flutterman, so your last episode there, episode 9 is that I think, right? From the Flattermann file. That's what I gave myself.
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2:35:29 – 2:35:39
I find it again and again, actually I have to confess, I'm not interested in the topic at all, because the guy I don't know.
|
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|
2:35:39 – 2:35:46
But I like to listen to you talk to each other. I just find it very relaxing.
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|
2:35:46 – 2:35:51
You both have such pleasant voices and then, yeah, that's just nice.
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|
2:35:51 – 2:35:54
Yes, it really is.
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|
2:35:54 – 2:36:02
And then I listened to your interview with Chris von Medienhuren again.
|
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|
2:36:02 – 2:36:06
I also found it interesting.
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|
2:36:06 – 2:36:09
Yeah, that was an interesting conversation, too.
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|
2:36:09 – 2:36:12
I'm a Lautfunk fan.
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|
2:36:12 – 2:36:18
I mean, this is all under the umbrella brand "Lautfunk", you can see that at the URL.
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|
2:36:18 – 2:36:22
In fact, also this trial podcast here, which also runs under "Lautfunk".
|
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|
2:36:22 – 2:36:28
Exactly, the "Lautfunk-Publicationskartell".
|
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|
2:36:28 – 2:36:33
So, now you're showing the email address? Oh, no, we can't hide anything here.
|
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|
2:36:33 – 2:36:37
We are a podcast, not a videocast.
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|
2:36:37 – 2:36:43
I have explained this several times, the difference. Not everyone understands that either.
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|
2:36:43 – 2:36:45
I know that was the allusion to it.
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|
2:36:45 – 2:36:47
That's so horny.
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|
2:36:47 – 2:36:51
There were also iPods with video.
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|
|
2:36:51 – 2:36:54
Yes, but the original idea of the Podcast…
|
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|
2:36:54 – 2:36:56
I know, I know.
|
|
|
2:36:56 – 2:36:58
The annoying subject.
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|
2:36:58 – 2:37:00
Yes, yes.
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|
2:37:01 – 2:37:08
Yes, the awkward subject. Unfortunately, I'm afraid we'll have to talk about it again.
|
|
|
2:37:08 – 2:37:11
So Sascha, you're not rebuilding because you don't have a place?
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|
2:37:11 – 2:37:17
No, it won't be until the next apartment.
|
|
|
2:37:17 – 2:37:22
Is there such a thing planned in the approach? The housing market sucks everywhere.
|
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|
2:37:22 – 2:37:24
This is planned, of course.
|
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|
2:37:24 – 2:37:26
The housing market in Germany is currently
|
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|
2:37:26 – 2:37:28
This is beyond
|
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|
2:37:28 – 2:37:30
Somehow brutal
|
|
|
2:37:30 – 2:37:32
Or shit.
|
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|
2:37:32 – 2:37:34
That is,
|
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|
2:37:34 – 2:37:36
Just forget it. This is even worse than in Switzerland.
|
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|
2:37:36 – 2:37:38
It's easier to inherit an apartment.
|
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|
2:37:38 – 2:37:40
How about a free home that's affordable?
|
|
|
2:37:40 – 2:37:42
Chances are bigger, yes.
|
|
|
2:37:42 – 2:37:48
What do you think I mean
|
|
|
2:37:48 – 2:37:50
80 square meters of apartment that just
|
|
|
2:37:50 – 2:37:53
Half of it cost in Valdrop afterwards howling.
|
|
|
2:37:53 – 2:37:59
I started to howl at the additional costs.
|
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|
2:37:59 – 2:38:03
I know that somehow.
|
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|
2:38:03 – 2:38:05
I didn't have any.
|
|
|
2:38:05 – 2:38:09
At first I got an e-mail with the question, say, don't you heat?
|
|
|
2:38:09 – 2:38:11
Don't need electricity?
|
|
|
2:38:11 – 2:38:14
This is so …
|
|
|
2:38:14 – 2:38:16
This is so …
|
|
|
2:38:16 – 2:38:20
Then came the repayment of 600 flakes.
|
|
|
2:38:20 – 2:38:25
And you can't afford an Osmoser?
|
|
|
2:38:25 – 2:38:29
I could theoretically, but …
|
|
|
2:38:29 – 2:38:31
Why?
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|
|
2:38:31 – 2:38:35
The problem is simple, look here …
|
|
|
2:38:35 – 2:38:37
He'd have to remodel?
|
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|
2:38:37 – 2:38:39
No, I'd have to move.
|
|
|
2:38:39 – 2:38:44
You're fair. We had the conversation, I think, two years ago.
|
|
|
2:38:44 – 2:38:45
Yes, we did.
|
|
|
2:38:45 – 2:38:52
And this was always just a spontaneous interim solution to get away from the old thing. The old
|
|
|
2:38:52 – 2:39:00
Things weren't good. And this isn't good either. So this is … I know
|
|
|
2:39:00 – 2:39:04
If I look for a new tenant, my half circle of acquaintances will strike. Or
|
|
|
2:39:04 – 2:39:11
would. The lease is old enough, it's cheap, people are halfway okay,
|
|
|
2:39:11 – 2:39:19
The location is central. Except for the sun in the window, it's all you could wish for.
|
|
|
2:39:19 – 2:39:24
It's a bit shady here. And at the same time it's too big for me,
|
|
|
2:39:24 – 2:39:32
I would like to have a window in the bathroom, this is one of the few criticisms.
|
|
|
2:39:32 – 2:39:40
I would take a half-sized apartment myself, because I live just in one and a half
|
|
|
2:39:40 – 2:39:44
Rooms and the other one and a half are full of stuff.
|
|
|
2:39:44 – 2:39:52
And yes, I am now in addition, have almost had to leave the studio to go to the
|
|
|
2:39:52 – 2:39:58
Pulling out the living room and still dropping the laptop and I'm in such a
|
|
|
2:39:58 – 2:40:04
Funny desktop workflow. He's to work and call for himself is that
|
|
|
2:40:04 – 2:40:13
Probably the best combination I've ever had. Really. But I somehow have that
|
|
|
2:40:13 – 2:40:17
Feeling it's not going back and forth. I said earlier that making music feels like
|
|
|
2:40:17 – 2:40:23
Like work. Of course, some work is also work, but the rest feels like work.
|
|
|
2:40:23 – 2:40:29
And yes, I'm drowning in plugins that I don't install anymore.
|
|
|
2:40:29 – 2:40:35
Try remote-controlled cars in between. It's relaxed, really. You really get it
|
|
|
2:40:35 – 2:40:47
Free your head. You don't have to exaggerate like some people, they get the same
|
|
|
2:40:47 – 2:40:53
People with big synthesizer collections, a lot of people then get rappel and buy
|
|
|
2:40:53 – 2:40:57
It's like 10, 20, 30 cars. You don't have to. One is enough.
|
|
|
2:40:57 – 2:41:02
Look here, get one. Or just a CNC lathe, then a milling machine, a CNC.
|
|
|
2:41:02 – 2:41:06
You can do that too. Or a machining center and then make the parts yourself.
|
|
|
2:41:06 – 2:41:10
You can do it all, you don't have to. You can fix and finish
|
|
|
2:41:10 – 2:41:16
Buy ready-to-run cars. Stand in the parking lot of your supermarket
|
|
|
2:41:16 – 2:41:20
Sunday when it is not open. I don't know if the opening hours are in Switzerland.
|
|
|
2:41:20 – 2:41:25
And then you drive there for an hour and I tell you you're so …
|
|
|
2:41:25 – 2:41:26
The supermarket is closed, but no parking.
|
|
|
2:41:26 – 2:41:31
You are … Yes, then you go to the forest or no idea on the Rhine or anywhere else.
|
|
|
2:41:31 – 2:41:37
But you really get your head clear because you're standing there, you're in the fresh air,
|
|
|
2:41:37 – 2:41:45
You're moving a little bit and you're really just focusing on steering this
|
|
|
2:41:45 – 2:41:52
Vehicle and it's a lot of fun and sometimes you meet other people to chat with
|
|
|
2:41:52 – 2:41:58
can and so on. Or you can talk to some people. It's just wonderful
|
|
|
2:41:58 – 2:42:06
relaxes and you don't have time to think about anything else and your head really gets free
|
|
|
2:42:06 – 2:42:10
of which. Do this!
|
|
|
2:42:10 – 2:42:14
It's not that expensive, the cars.
|
|
|
2:42:14 – 2:42:21
No, a hundred or so. About, yeah. The point is, I have, too, I have
|
|
|
2:42:21 – 2:42:29
I think two or three times this year I helped out somewhere with drums.
|
|
|
2:42:29 – 2:42:34
That was just... Clear your head, too. Yeah, but that was completely different.
|
|
|
2:42:34 – 2:42:47
I also think drums are totally cool. I've played before and the problem is real, making headphones on it is so difficult.
|
|
|
2:42:47 – 2:42:51
Yes, you hear either clack clack or stop bumm crap.
|
|
|
2:42:51 – 2:42:59
Yes, or you just have to have a completely electronic one, because that's not so neighborhood compliant.
|
|
|
2:42:59 – 2:43:02
No, it's also electronically non-neighbourhood compliant.
|
|
|
2:43:02 – 2:43:04
It only depends on mercy.
|
|
|
2:43:04 – 2:43:07
And I also think, quite honestly, practicing drums is not mine.
|
|
|
2:43:07 – 2:43:09
I'm going, I'm playing, and then I'm going away.
|
|
|
2:43:09 – 2:43:11
So this is...
|
|
|
2:43:11 – 2:43:13
That was just so...
|
|
|
2:43:13 – 2:43:15
Yeah, I know that.
|
|
|
2:43:15 – 2:43:19
The emergency power has returned to its...
|
|
|
2:43:19 – 2:43:21
...excavated his other hobby here.
|
|
|
2:43:21 – 2:43:23
Acoustic instruments.
|
|
|
2:43:23 – 2:43:25
You can also play in the park.
|
|
|
2:43:27 – 2:43:35
It's going to be a disaster again because it's super quiet again.
|
|
|
2:43:35 – 2:43:39
Then I have to come up with something again. I'll make a brand.
|
|
|
2:43:39 – 2:43:54
The problem is also a bit, I had another unpleasant experience
|
|
|
2:43:54 – 2:43:59
This year, because I poured iced tea into a five-year-old controller,
|
|
|
2:43:59 – 2:44:05
He survived without any problems, but then I realized, boy, when I dried it,
|
|
|
2:44:05 – 2:44:11
I got the one in the assize out of the basement and found out, shit,
|
|
|
2:44:11 – 2:44:16
The old one rocked through. My goodness, so the device can now be used in its deserved
|
|
|
2:44:16 – 2:44:24
Retirement and can then still be smashed in a music video or something. Go to the basement.
|
|
|
2:44:24 – 2:44:29
Then I just thought, okay, but now I need a backup of backup, because I want yes
|
|
|
2:44:29 – 2:44:35
I also have something in the gigbag that I can take with me. Well, I'll get one,
|
|
|
2:44:35 – 2:44:40
because there isn't much left, or I'll get another one in a shop that still has something and
|
|
|
2:44:40 – 2:44:48
Look, shit, this keyboard is a crap. What happened there? And then I pack the 49er
|
|
|
2:44:48 – 2:44:52
from, which also came back from the repair, as a new device of course, because, as I said,
|
|
|
2:44:52 – 2:44:56
You can't do it, it's all glued up, right? He had a pitch-bender defect.
|
|
|
2:44:56 – 2:45:01
It came with a warranty and a new device. I'll open it, same keyboard problem.
|
|
|
2:45:01 – 2:45:06
And then I also liked it at some point, that's still the keyboard, which is also in
|
|
|
2:45:06 – 2:45:12
The foursome, at least the little one. They seem to have no idea if they wanted to.
|
|
|
2:45:12 – 2:45:19
or unintentionally, during the cycle the keyboard model changed. This is an extreme
|
|
|
2:45:19 – 2:45:29
hard synth keyboard, which you can also hear down. So my neighbors are quite gracious,
|
|
|
2:45:29 – 2:45:34
In the living room, I can do whatever I want. But it showed me somehow,
|
|
|
2:45:34 – 2:45:39
OK, I now have a backup model with a hard keyboard that I actually use more or less.
|
|
|
2:45:39 – 2:45:44
It could resell less directly. I have a main controller that, fortunately,
|
|
|
2:45:44 – 2:45:48
still has the old one. At House of Sound, they're just starting out, I think,
|
|
|
2:45:48 – 2:45:52
Somewhat 300 pieces ordered and have that in stock. And even those,
|
|
|
2:45:52 – 2:45:59
who then knocked it out. And I'll do the Robert Henke here. So change is
|
|
|
2:45:59 – 2:46:06
I'm deeply suspicious. I don't really want to change. I am still very happy with the
|
|
|
2:46:06 – 2:46:09
Old series with the possibilities you have here and everything.
|
|
|
2:46:09 – 2:46:12
But buy use?
|
|
|
2:46:12 – 2:46:20
Buying use was an idea, but I know stop, I think I'm selling the backup model
|
|
|
2:46:20 – 2:46:22
Do it with 61s and 49s.
|
|
|
2:46:22 – 2:46:27
And if that thing's off, then, my goodness, there's a NE-Control.
|
|
|
2:46:27 – 2:46:32
Or maybe something else has Poliate until then.
|
|
|
2:46:32 – 2:46:39
Maybe until then there will be a KeyLab Pro with full touch.
|
|
|
2:46:39 – 2:46:41
That would be something.
|
|
|
2:46:41 – 2:46:47
And just the idea with the osmosis, the idea of doing something fundamentally new.
|
|
|
2:46:47 – 2:46:52
So I made a note here the other day, I have to look for a short time, somewhere here it is.
|
|
|
2:46:52 – 2:46:54
Here or what happens.
|
|
|
2:46:54 – 2:46:58
Theoretically on the, I took out the stage piano, because that's just,
|
|
|
2:46:58 – 2:47:02
On the one hand, there are problems with the keyboard, which is not so horny after two years.
|
|
|
2:47:02 – 2:47:05
I'll have to see if there's any turban guarantee on it.
|
|
|
2:47:05 – 2:47:11
But it's more of a feeling question and less of a technical one.
|
|
|
2:47:11 – 2:47:17
And then, only because the keyboard goes through very quickly, very quickly rocked through somehow,
|
|
|
2:47:17 – 2:47:19
or simply the control panel starts rattling or whatever,
|
|
|
2:47:19 – 2:47:23
Now I've put a launchkey there and I've explained to myself,
|
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2:47:23 – 2:47:27
If this is now sitting on this sofa side, it even has exactly the right dimensions.
|
|
|
2:47:27 – 2:47:42
Put down an osmosis, but you'd buy a device for a setup in an apartment you don't actually want to be in anymore, with a sofa that's guaranteed to fly out the next time you move, because that's through.
|
|
|
2:47:42 – 2:47:51
This has now actually endured two apartments. And I feel like everything I can do here is getting better.
|
|
|
2:47:51 – 2:48:10
And of course, even if I'm on the dem show, let's say if Roland puts a 76-key piano or a 73-key piano with the specs, the RD-08 or the RD-88, I'd take it right away.
|
|
|
2:48:10 – 2:48:16
But, yes, it's difficult. Honestly, it's a little … right now.
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|
2:48:16 – 2:48:20
Yes, you know the problem.
|
|
|
2:48:20 – 2:48:21
I wonder what else is to come?
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|
|
2:48:21 – 2:48:27
Because, as I said, honestly, I still have a few handicaps since the shoulder treatment
|
|
|
2:48:27 – 2:48:32
from last year, then the little accident the other day with the ribs, which is also back in
|
|
|
2:48:32 – 2:48:33
The arms are shining.
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|
2:48:33 – 2:48:38
So somehow it all went a lot more smoothly.
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|
2:48:38 – 2:48:44
And right now it's kind of like that, yeah okay, you could of course, but why
|
|
|
2:48:44 – 2:48:45
You should, right?
|
|
|
2:48:45 – 2:48:50
I could get a Yamaha CK61, but I don't have that many external gigs.
|
|
|
2:48:50 – 2:48:53
What I need is for the battery to light up. Of course, the new assembly is great, but
|
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|
2:48:53 – 2:49:01
You have to do everything on the spot again. I'm actually very well grooved on Mainstage.
|
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|
2:49:01 – 2:49:06
Laptop, same problem. I accidentally dropped it. He is now 90
|
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|
2:49:06 – 2:49:09
Percent of a new device. But of course he still has the same problem as before,
|
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2:49:09 – 2:49:17
because this probably has to do with battery and bottom plate and, and, and, and, and, and. So everything
|
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|
2:49:17 – 2:49:27
poop. Everything's pooping. But at least I have to say, stationary computer has something. That's where I like to come
|
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|
2:49:27 – 2:49:31
A little bigger than that, I think. This is now a barrel that we may not
|
|
|
2:49:31 – 2:49:40
Should open more. But I don't know. Honestly, it would be nice if at the same price
|
|
|
2:49:40 – 2:49:46
a half as large apartment or from me also for less a smaller apartment appears.
|
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|
2:49:46 – 2:49:51
Yeah, so where do you go, I think I need the change of scenery, don't I? Because I can here yes
|
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|
2:49:51 – 2:49:59
Just move equipment from A to B and place it on different tables, right? And to
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|
2:49:59 – 2:50:03
I can plan a new place then, okay, here's window, here you can piano in front of it
|
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|
2:50:03 – 2:50:09
pushing. You can't do that now. And you realize it.
|
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|
2:50:09 – 2:50:18
Yes, as I said, so if you are somewhere in an affordable apartment in front of your feet
|
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|
2:50:18 – 2:50:26
It goes on, and then it gets a little bigger.
|
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|
2:50:26 – 2:50:32
But that's really so difficult.
|
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|
2:50:33 – 2:50:41
I have come to terms with it for the time being, we could easily use a room more.
|
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|
2:50:41 – 2:50:48
I've prepared myself to take care of every single room and
|
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|
2:50:48 – 2:50:55
We just need to make it a little bit more youthful and see how we do it.
|
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|
2:50:55 – 2:50:57
Design it here.
|
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|
2:50:57 – 2:51:02
I have already discussed this with my wife, so we have to do this for the beginning of the
|
|
|
2:51:02 – 2:51:06
So we decided to plan a little bit. So there are a lot of things,
|
|
|
2:51:06 – 2:51:10
Lots of changes we need to make. And if we're ever there,
|
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|
2:51:10 – 2:51:13
Then you can continue right away. Can you do something in the living room?
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|
2:51:13 – 2:51:20
and in the hallway and dit and that and maybe renovate a few more rooms and so on and so on
|
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|
2:51:20 – 2:51:31
immediately. The usual. The usual. You know that. You live for rent? Yes, yes. Okay. You can do that?
|
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|
2:51:31 – 2:51:35
I think I get mail from the administration when I hit the news in the wall.
|
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|
2:51:35 – 2:51:41
In Germany, this is possible if you open the holes again afterwards,
|
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|
2:51:41 – 2:51:42
You can do that. That's possible.
|
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|
2:51:42 – 2:51:45
You also have to bring your own kitchen.
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|
2:51:45 – 2:51:56
The kitchen was in here, but it is now so that I would say,
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|
2:51:56 – 2:52:02
They didn't put in the highest quality kitchen and actually I would like to have others.
|
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|
2:52:02 – 2:52:12
So when I move into a new apartment, that's the first thing I do,
|
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|
2:52:12 – 2:52:19
Make a breakthrough almost once from room to room, so 24 hole.
|
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|
2:52:19 – 2:52:23
I would have liked to have done that too, such a horny pass.
|
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|
2:52:23 – 2:52:30
24 hole where all the network cables go through.
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|
2:52:30 – 2:52:31
That's not bad either.
|
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|
2:52:31 – 2:52:35
Before all the furniture comes in, lay the cables.
|
|
|
2:52:35 – 2:52:42
Because it is always easier to lay the cables and then let them disappear,
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|
|
2:52:42 – 2:52:45
It's like the furniture is already standing.
|
|
|
2:52:45 – 2:52:51
The thing is, they did it here, but guess where they put the network box
|
|
|
2:52:51 – 2:53:03
have. Not in the individual rooms. That's stupid. The network socket for the Internet, which is only in the living room.
|
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|
2:53:03 – 2:53:11
Which is totally stupid. Why didn't they put them in each room? What was smarter
|
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|
2:53:11 – 2:53:20
would be. This is misplanning again. These are people your age, but not so much.
|
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|
2:53:20 – 2:53:30
The apartment is from 2016, but the architects here from a semi-state construction company, they just don't have that on it.
|
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|
2:53:30 – 2:53:47
No, honestly, I see it in others, in some people. So I know people, people your age, people Sascha's age, people my age included, who have a laptop, who use it only in one place.
|
|
|
2:53:47 – 2:53:50
So people think in the desktop PC.
|
|
|
2:53:50 – 2:53:52
Yes, on the one hand that.
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|
|
2:53:52 – 2:53:54
Then the architects also think in the desktop PC.
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|
2:53:54 – 2:54:01
And on the other hand, you cannot use Sasha and me as a yardstick for our generations.
|
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|
2:54:01 – 2:54:08
Because Sascha and I have a very high IT affinity.
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|
2:54:08 – 2:54:14
That's why I can understand this, if you're pulling over Ü50 WhatsApp slob like this,
|
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|
2:54:14 – 2:54:25
But this does not fit either Sascha or me, because we simply do not reject the technology in principle, but are also skeptical of it here.
|
|
|
2:54:25 – 2:54:32
The WhatsApp boomers don't do that either. The WhatsApp boomers see there, hello, a singing cat, I have to give it to my whole circle of friends …
|
|
|
2:54:32 – 2:54:39
Yes, they see it through very pink-red, naive glasses, just like all this Facebook shit.
|
|
|
2:54:39 – 2:54:46
Shit. Yes, yes. I disagree with the Facebook Terms and Conditions.
|
|
|
2:54:46 – 2:54:54
I logged out very early. I tried it once,
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|
|
2:54:54 – 2:54:58
I looked at it for a while, found it shit and then I left. That was before,
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|
|
2:54:58 – 2:55:05
I don't know. When did you introduce Facebook? 2007? Must have been such a twist,
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|
2:55:05 – 2:55:09
Yeah, it's coming.
|
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|
2:55:09 – 2:55:15
At some point, I don't know anymore, it doesn't matter. I just looked at it for a moment and then I
|
|
|
2:55:15 – 2:55:18
I quickly unsubscribed. At some point they started,
|
|
|
2:55:18 – 2:55:22
I did a redesign and then it became illegible for me anyway.
|
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|
2:55:22 – 2:55:29
I think that's just as sick as X, formerly Twitter. I don't know why everyone
|
|
|
2:55:29 – 2:55:36
I think Reddit is even more laser, but you won't find anything on X.
|
|
|
2:55:36 – 2:55:45
Stockholm syndrome. Have you ever been on threads? Have you ever been to Threads, Facebook's X clone?
|
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|
2:55:45 – 2:55:47
No, never before.
|
|
|
2:55:47 – 2:55:50
Religious and racial wars have never been so funny.
|
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|
2:55:50 – 2:56:00
It's enough if you write a very provocative sentence and if that somehow goes away,
|
|
|
2:56:00 – 2:56:08
then you can have a threat in Threat with 1000, 1500 interactions.
|
|
|
2:56:08 – 2:56:13
So for now, we're just talking about usability. So I think Reddit goes yes
|
|
|
2:56:13 – 2:56:23
still. But X and Facebook and WhatsApp are already starting with this. It's so shit now
|
|
|
2:56:23 – 2:56:35
to serve. A Discord client, on the other hand, is not innovative, intuitive. And this
|
|
|
2:56:35 – 2:56:42
This is not the best user experience. But no matter, we're digressing.
|
|
|
2:56:42 – 2:56:49
But the interesting thing is here at X, either all the young people heal up there or stop all the old ones.
|
|
|
2:56:49 – 2:56:53
This is also the case with Facebook and so on.
|
|
|
2:56:53 – 2:56:58
Yes, only journalists and disturbed people we have always said at that time.
|
|
|
2:56:58 – 2:57:11
Yes, but to spend the original thing, yes, Thomas and I, we are both very IT-savvy and we just know how important this is,
|
|
|
2:57:11 – 2:57:18
If you're in an urban, densely populated area, you can't trust your Wi-Fi.
|
|
|
2:57:18 – 2:57:25
No, that's why I've already installed Wi-Fi repeaters and everything. Still breaks off with me
|
|
|
2:57:25 – 2:57:31
and once the Wi-Fi together and I then found out, I'm here in this multi-party house,
|
|
|
2:57:31 – 2:57:36
There must be something there, because I could, for example, on the first and second day of Christmas
|
|
|
2:57:36 – 2:57:42
I didn't have internet or phone for half of the day.
|
|
|
2:57:42 – 2:57:50
But stupid, so I'm still going here, I just don't see, another 40 flakes
|
|
|
2:57:50 – 2:57:55
up for a stationary Internet laatzen, if here everything can go over the mobile phone.
|
|
|
2:57:55 – 2:58:00
I don't know, how are the prices with you? Because here in Germany it is expensive.
|
|
|
2:58:00 – 2:58:05
I pay 70 a month for everything and have never had a problem.
|
|
|
2:58:05 – 2:58:07
What are the transfer rates?
|
|
|
2:58:07 – 2:58:12
I'll do a speed test, wait a minute.
|
|
|
2:58:12 – 2:58:26
So when I scan the Wi-Fi here, I have about 100 routers.
|
|
|
2:58:26 – 2:58:32
And then you can imagine that no matter what channel you're on …
|
|
|
2:58:32 – 2:58:36
The transmission rates are just 140 milliseconds.
|
|
|
2:58:36 – 2:58:46
So that's … I'd say since 5G it's been in the vast majority of places …
|
|
|
2:58:46 – 2:58:51
Say, wouldn't it be an alternative for you too, Tobi, to put some stability in your
|
|
|
2:58:51 – 2:58:59
Get internet connection. Wouldn't there be an alternative for you, Starlink? Can you install it on you?
|
|
|
2:58:59 – 2:59:13
What am I supposed to do with it? 320 Mbps? I don't know, you still need a regular phone network, do you?
|
|
|
2:59:13 – 2:59:20
No, you don't need it. You just have to be able to install a satellite dish that has such a clear view of the sky.
|
|
|
2:59:20 – 2:59:23
Hold on, heavens. A small satellite dish.
|
|
|
2:59:23 – 2:59:26
Yeah, what's the bowl? Mobile phone on the go, yes. Small satellite dish on
|
|
|
2:59:26 – 2:59:30
a rental building in an inner city in Switzerland. I don't even have a balcony.
|
|
|
2:59:30 – 2:59:36
Hi there? That didn't stop people from turning into pure satellite dishes in the '90s.
|
|
|
2:59:36 – 2:59:40
to dengeln to their rental apartments. In the 90s, yes.
|
|
|
2:59:40 – 2:59:46
Just to be able to receive RTL and Sack 1 and what are their names?
|
|
|
2:59:46 – 2:59:46
Sport 1.
|
|
|
2:59:46 – 2:59:49
Raw 7. Sport 1 is very important.
|
|
|
2:59:49 – 2:59:53
I thought you knew what house I lived in.
|
|
|
2:59:53 – 3:00:01
If I then hang out the satellite dish, then I hear the emergency radio from the fire brigade.
|
|
|
3:00:01 – 3:00:08
You are in Switzerland, which are even more German than the Germans.
|
|
|
3:00:08 – 3:00:12
Sometimes yes.
|
|
|
3:00:12 – 3:00:15
He was always very friendly.
|
|
|
3:00:15 – 3:00:16
Yes, grüezi.
|
|
|
3:00:16 – 3:00:18
Always, yeah, grüezi.
|
|
|
3:00:18 – 3:00:22
Now, why don't you ask, oh, what did you install there?
|
|
|
3:00:22 – 3:00:27
Does that have to be with the antenna on the window?
|
|
|
3:00:27 – 3:00:31
I am now writing you a penalty of 800...
|
|
|
3:00:31 – 3:00:32
Uh...
|
|
|
3:00:32 – 3:00:40
Now I've screwed up the gag because I didn't think of the currency.
|
|
|
3:00:40 – 3:00:42
Franks?
|
|
|
3:00:42 – 3:00:44
Yes, exactly, over 100 francs.
|
|
|
3:00:44 – 3:00:48
Please pay immediately within 14 days.
|
|
|
3:00:48 – 3:00:56
Or you can get a vignette here, then you can put it on it.
|
|
|
3:00:56 – 3:01:03
Tobi is so quiet. Don't you have an attic?
|
|
|
3:01:03 – 3:01:07
You don't have an attic, do you? - No, that's a flat roof.
|
|
|
3:01:07 – 3:01:09
- It's even easier. - It's even easier.
|
|
|
3:01:09 – 3:01:11
Just on top of the butcher.
|
|
|
3:01:11 – 3:01:14
If I go up there, I'll lose the deadline tomorrow.
|
|
|
3:01:14 – 3:01:16
All you have to do is pull the cable.
|
|
|
3:01:16 – 3:01:18
[Laughter]
|
|
|
3:01:18 – 3:01:20
[silence]
|
|
|
3:01:20 – 3:01:22
Must do as the healing neighbor did then,
|
|
|
3:01:22 – 3:01:24
He remembered it through the rain.
|
|
|
3:01:24 – 3:01:26
There's no balcony, right?
|
|
|
3:01:26 – 3:01:28
That's right. Yes, as I said,
|
|
|
3:01:28 – 3:01:30
There is a house canyon.
|
|
|
3:01:30 – 3:01:32
You can forget that.
|
|
|
3:01:32 – 3:01:34
Especially for Starlink.
|
|
|
3:01:34 – 3:01:38
This must have at least a 180° clear view of the sky.
|
|
|
3:01:38 – 3:01:40
No.
|
|
|
3:01:40 – 3:01:41
Are you sure?
|
|
|
3:01:41 – 3:01:42
Yes, yes.
|
|
|
3:01:42 – 3:01:47
Hello, the satellites that are swimming around.
|
|
|
3:01:47 – 3:01:51
Yes, it's clear, but there aren't always any satellites above Switzerland.
|
|
|
3:01:51 – 3:01:54
They are geostationary.
|
|
|
3:01:54 – 3:01:55
They are not geostationary.
|
|
|
3:01:55 – 3:01:56
No, they're not.
|
|
|
3:01:56 – 3:01:57
Aren't they?
|
|
|
3:01:57 – 3:02:00
They're on a pretty low orbit.
|
|
|
3:02:00 - 3:02:04
It cannot be geostationary.
|
|
|
3:02:04 – 3:02:17
I wanted the next apartment then actually also for Philips Hue and such a real Hue system,
|
|
|
3:02:17 – 3:02:22
It's not just the Bluetooth app that's been around for six years.
|
|
|
3:02:22 – 3:02:25
And if you're lying stupidly in bed, you can't get out of the lamp in the living room.
|
|
|
3:02:25 – 3:02:30
You have to get up again, walk into the hallway and then turn everything off again.
|
|
|
3:02:30 – 3:02:41
So I would like to professionalize it in a way, but I think I have to think bigger.
|
|
|
3:02:41 – 3:02:47
As I said, that's not a question that just goes with "Yes, push your furniture around a little bit" …
|
|
|
3:02:47 – 3:02:51
Please think big. Why do I have to think about Deichkind?
|
|
|
3:02:51 – 3:02:54
Speaking of which, a member of Deichkind died this year.
|
|
|
3:02:54 – 3:02:56
Yeah, I heard that too.
|
|
|
3:02:56 – 3:02:58
Or read it.
|
|
|
3:02:58 – 3:03:00
A former one, right?
|
|
|
3:03:00 - 3:03:06
What does this mean for the collective Deichkind, that there is only one left, right?
|
|
|
3:03:06 – 3:03:09
From the original team, yes.
|
|
|
3:03:09 – 3:03:13
Yes, from the original, yes. I think the DJ is still there.
|
|
|
3:03:13 – 3:03:16
That's just more intentional.
|
|
|
3:03:16 – 3:03:20
Sadly horny.
|
|
|
3:03:20 – 3:03:23
Deichkind could also be invited.
|
|
|
3:03:23 – 3:03:24
Yes, unfortunately horny.
|
|
|
3:03:24 – 3:03:26
They are even in Hamburg.
|
|
|
3:03:26 – 3:03:28
I thought they were in Berlin.
|
|
|
3:03:28 – 3:03:31
No, I mean, they're still all in Hamburg.
|
|
|
3:03:31 – 3:03:39
So many videos were created in Hamburg, that's right.
|
|
|
3:03:39 – 3:03:51
Great, now I have a catchy tune from no party.
|
|
|
3:03:53 – 3:03:57
And see the guys hopping around all the time.
|
|
|
3:03:57 – 3:04:00
There is a Hamburg hip-hop and electro-punk formation.
|
|
|
3:04:00 - 3:04:01
Really?
|
|
|
3:04:01 – 3:04:02
Yes, yes.
|
|
|
3:04:02 – 3:04:07
Now I see the whole time in my inner eye, how the guy hops around in the video.
|
|
|
3:04:07 – 3:04:10
But that's, what's the actor's name?
|
|
|
3:04:10 – 3:04:12
Yeah, that's the well-known guy.
|
|
|
3:04:12 – 3:04:14
Lars Heidinger.
|
|
|
3:04:14 – 3:04:15
Yeah, that's right.
|
|
|
3:04:15 – 3:04:19
That's right, but it's not the collective's dough.
|
|
|
3:04:19 – 3:04:23
No, he is not, but he often appears in the videos.
|
|
|
3:04:23 – 3:04:25
That's right, yes.
|
|
|
3:04:25 – 3:04:33
And that's always just this "bum, bum, bum".
|
|
|
3:04:33 – 3:04:42
Now I have Delle's on my helmet, I think, somewhere.
|
|
|
3:04:42 – 3:04:47
There goes the captain from the deck "Bye bye".
|
|
|
3:04:47 – 3:04:53
Or my favorite spot from the third verse. Phase tested with tongue.
|
|
|
3:04:53 – 3:04:59
Ohhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh You know, those fucking Adlibs, right?
|
|
|
3:04:59 – 3:05:10
What is the name of a video or a song by Van Dijk that knows where the place is in it,
|
|
|
3:05:10 – 3:05:12
It tastes a bit weird, but it's really good.
|
|
|
3:05:12 – 3:05:17
What's the name of the song?
|
|
|
3:05:17 – 3:05:20
Uhhhhhhhhhhhhhhhhhhhh
|
|
|
3:05:20 – 3:05:26
Do you know Pearl? Yeah, I've seen it before.
|
|
|
3:05:26 – 3:05:28
Must be Heinerstaff.
|
|
|
3:05:28 – 3:05:30
What's the name of the song?
|
|
|
3:05:30 – 3:05:31
Damn it.
|
|
|
3:05:31 – 3:05:32
Really good stuff.
|
|
|
3:05:32 – 3:05:33
Really good stuff.
|
|
|
3:05:33 – 3:05:34
Really good stuff.
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3:05:34 – 3:05:37
Really good stuff.
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3:05:37 – 3:05:38
Do you know Pearl?
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3:05:38 – 3:05:40
Yeah, I've seen it before. Really good stuff.
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3:05:40 – 3:05:47
I also find it funny where he did this together with Martin Fischer.
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3:05:47 – 3:05:53
Yeah, that's why I think this guy is probably very affable.
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3:05:53 – 3:05:54
I'd have something.
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3:05:54 – 3:05:57
Thomas, write to me.
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3:05:57 – 3:05:59
Really good stuff.
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3:05:59 – 3:06:03
Really crass. Really, boy, I like it. Really good.
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3:06:04 – 3:06:15
Well, if we already talk about a podcast again, after all the wonderful digressions from "The Digression", a format in loudspeaker where the Sascha supposedly digresses.
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3:06:15 – 3:06:18
But lately, he's been keeping too much on the subject for me, frankly.
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3:06:18 – 3:06:25
That's right, the one from whom I stole the name has already complained, the Frank.
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3:06:25 – 3:06:26
Yeah, yeah.
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3:06:26 – 3:06:31
The Frankstar, who has also complained, I digress so little in a digression.
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3:06:31 – 3:06:34
That's right, I noticed that too.
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3:06:34 – 3:06:41
The Frank wanted to steal the format name because he himself strays more than you do.
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3:06:41 – 3:06:43
No, no.
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3:06:43 – 3:06:47
We can call the rehearsal podcast a digression.
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3:06:47 – 3:06:49
No, no.
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3:06:49 – 3:06:53
Yeah, but then I'd have to move it. I don't have a buck on it.
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3:06:53 – 3:06:56
Make everything handy.
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3:06:59 – 3:07:03
But I have to say, I like how it's developing.
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3:07:03 – 3:07:08
So this aspect of "yes, we have a bigger topic here,
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3:07:08 – 3:07:14
We'll get someone to join us" and in between these bits-and-bytes episodes,
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3:07:14 – 3:07:21
I've enjoyed it in the last two months, actually since October.
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3:07:21 – 3:07:25
Actually, since we realized at some point, the concept no longer holds.
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3:07:25 – 3:07:33
Because I think that at least with Hendrik it would have carried on for another round, without which we have slowly just said everything to each other at some point.
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3:07:33 – 3:07:47
What have we done when you look retrospectively at all the episodes before, so not only the last 20, but maybe also the last 40 episodes.
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3:07:47 – 3:07:50
Yes, we have squandered all the forms of synthesis.
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3:07:50 – 3:07:58
So if you want to know something about wavetable synthesis, please take a look at the first
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3:07:58 – 3:08:03
Interview with Rolf Wörmann and then the two others who came after
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3:08:03 – 3:08:04
are.
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3:08:04 – 3:08:10
And otherwise, we've actually taken everything we can do now.
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3:08:10 – 3:08:12
We can do a little more special stuff.
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3:08:12 – 3:08:19
We can of course, just like other formats that are available on YouTube, there is plenty of choice.
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3:08:19 – 3:08:23
Of course, we can also focus on just testing Gear.
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3:08:23 – 3:08:24
Yeah, I think that's boring.
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3:08:24 – 3:08:26
Which I find boring.
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3:08:26 – 3:08:28
Yeah, really.
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3:08:28 – 3:08:31
How much gear do you want to talk about?
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3:08:31 – 3:08:35
I mean, sure, there's always something new coming out and we're talking about it.
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3:08:35 – 3:08:39
For example, I now found our protein sequence, I found great.
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3:08:39 – 3:08:42
Yes, but because the developer has it too.
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3:08:42 – 3:08:47
And because half of the episode we didn't talk about the thing itself, but all about it.
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3:08:47 – 3:08:49
Yeah, sure. Of course.
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3:08:49 – 3:09:00
And finally, this is also the concept that you just sit in the rehearsal room and there you talk about everything possible.
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3:09:00 - 3:09:05
I think we've probably willingly gotten to the point where you can say,
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3:09:05 – 3:09:15
External input is good for us. Just because I don't think we're constantly,
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3:09:15 – 3:09:20
So I don't anyway, I always buy the new variants of the same stuff,
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3:09:20 – 3:09:21
what I already have, but …
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3:09:21 – 3:09:31
You're using … I say, is that too much said when I say you're using it semi-professional?
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3:09:31 – 3:09:32
Yes, but …
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3:09:32 – 3:09:34
Or professionally, I would say?
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3:09:34 – 3:09:39
In some ways, even professionally. It may not be my primary bread shop,
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3:09:39 – 3:09:44
It probably won't be either, if I now have my primary bread shop in the summer.
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3:09:44 – 3:09:57
Change. But it still has to work. But it is at the same time the question, the question I ask myself more often,
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3:09:57 – 3:10:06
or I have something here that really works, with which I can move quickly, with which I can move forward, but I actually found myself better,
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3:10:06 – 3:10:12
Every few years I've thrown it all over.
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3:10:12 – 3:10:16
It's called reinventing yourself, isn't it?
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3:10:16 – 3:10:18
I mean, it doesn't matter.
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3:10:18 – 3:10:20
I already have an eye on the IKEA table.
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3:10:20 – 3:10:22
And the form, so honestly,
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3:10:22 – 3:10:24
I have, I wanted to tell you earlier,
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3:10:24 – 3:10:26
I gave myself a take five.
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3:10:26 – 3:10:29
Because he ran across me in the little ads.
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3:10:29 – 3:10:35
And that was such a classic case of "please inspire me" device,
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3:10:35 – 3:10:38
isn't it? But it didn't.
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3:10:38 – 3:10:41
I had to put brain lard in there myself.
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3:10:41 – 3:10:46
The form now, the new, the form, so no idea how to pronounce it.
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3:10:46 – 3:10:47
Form.
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3:10:47 – 3:10:48
Form.
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3:10:48 – 3:10:49
Yes, yes.
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3:10:49 – 3:10:50
Let's just call it form.
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3:10:50 – 3:10:58
He has with the poly keyboard and the shape factor, or I have also posted the video where
|
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3:10:58 – 3:11:02
I'm always sitting in a corner of my apartment because of a lack of space, right?
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3:11:02 – 3:11:07
Very small table, where only the laptop bursts on it, keyboard and tripod next to it, guitar
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3:11:07 – 3:11:08
in the hand.
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3:11:08 – 3:11:10
That was, yes, that's clear.
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3:11:10 – 3:11:14
This is abstract, but somehow it was possible to live there.
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3:11:14 – 3:11:21
And that's always that aspect of
|
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3:11:21 – 3:11:25
"Everything I do now is basically playing a horse,
|
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3:11:25 – 3:11:26
I don't want to ride anymore.
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3:11:26 – 3:11:27
This is my current stay.
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3:11:27 – 3:11:35
I mean, also a big problem of the last episodes,
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3:11:35 – 3:11:38
Before we had restructured, there had been,
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3:11:38 – 3:11:47
the constant topic "Reconstruction at Tobi" and the new findings from it.
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3:11:47 – 3:11:49
And that just kept repeating itself.
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3:11:49 – 3:11:55
So I mean, the findings don't, but that was changed, that was changed, that was changed.
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3:11:55 – 3:11:59
Yes, the problem is, the conversion at Tobi stops a …
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3:11:59 – 3:12:03
I'm not saying it's an issue where nothing happened.
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|
3:12:03 – 3:12:06
But you don't want to hear it every week.
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3:12:06 – 3:12:08
So I understand that, of course.
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|
3:12:08 – 3:12:09
And if we have consequences,
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3:12:09 – 3:12:11
which simply do not address any conversion at Tobi,
|
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3:12:11 – 3:12:12
Then, yes.
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3:12:12 – 3:12:17
Now we have one episode per quarter,
|
|
|
3:12:17 – 3:12:18
Reconstruction at Tobi's talks.
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|
3:12:18 – 3:12:21
I think you're sure to become the new MacBooks
|
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|
3:12:21 – 3:12:22
Hear nothing from me.
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|
3:12:22 – 3:12:25
In this regard.
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|
3:12:25 – 3:12:27
Unless I'm really taking the big step here.
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|
3:12:27 – 3:12:29
And tear it all off again.
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|
3:12:29 – 3:12:30
'Cause like I said, I'm sitting here in front of one,
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|
|
3:12:30 – 3:12:33
before a set-up that, in fact,
|
|
|
3:12:33 – 3:12:35
Technically, it's perfect now.
|
|
|
3:12:35 – 3:12:42
You posted photos on the forum, I think.
|
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|
3:12:42 – 3:12:47
I'd also say it looks good. Leave it that way for now.
|
|
|
3:12:47 – 3:12:52
Maybe what you should do is clear your head.
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|
3:12:52 – 3:12:58
Yes, there is probably more of the problem, because the setup is just...
|
|
|
3:12:58 – 3:13:01
I said before, it all feels like work.
|
|
|
3:13:01 – 3:13:07
Time is stationary, the Mini-Mac, which is super fast, but it feels even more like work.
|
|
|
3:13:07 – 3:13:11
I sit here on my great new office chair and do things.
|
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|
3:13:11 – 3:13:18
Yes, but from psychology you know that you should create places like this.
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|
3:13:18 – 3:13:22
There you are, there you sleep, there you work.
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|
3:13:22 – 3:13:30
Yeah, and I think that's pretty good when I know that's my place to sleep
|
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|
3:13:30 – 3:13:33
This is my place where I get creative.
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|
3:13:33 – 3:13:36
The place is, I think, really not the problem.
|
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|
3:13:36 – 3:13:39
The problem is rather this,
|
|
|
3:13:39 – 3:13:42
If this was where I'm sitting in here now, my apartment,
|
|
|
3:13:42 – 3:13:45
or with the kitchen corner, with the couch,
|
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|
3:13:45 – 3:13:47
You might as well hit it, or,
|
|
|
3:13:47 – 3:13:49
If it were, I think, a little different,
|
|
|
3:13:49 – 3:13:51
It's like two rooms full of shit.
|
|
|
3:13:51 – 3:13:54
which have been accumulated over the years,
|
|
|
3:13:54 – 3:13:56
and you're still sitting here in the only corner,
|
|
|
3:13:56 – 3:13:57
where there is no trouble,
|
|
|
3:13:57 – 3:14:02
For what you still have to do in part, for what you still have to do in part, for what you want to do in part.
|
|
|
3:14:02 – 3:14:10
And mine, I'm getting so therapeutic here. I don't really want to do it all that way.
|
|
|
3:14:10 – 3:14:18
But I don't know. Let's change the subject now.
|
|
|
3:14:18 – 3:14:20
Yeah, we shouldn't.
|
|
|
3:14:20 – 3:14:22
Let's do something completely different.
|
|
|
3:14:22 – 3:14:24
Mm-hmm.
|
|
|
3:14:24 – 3:14:28
We had a episode where we had once played our own music.
|
|
|
3:14:28 – 3:14:34
I thought we wanted to revive that for this Christmas episode.
|
|
|
3:14:34 – 3:14:36
Oh, cool.
|
|
|
3:14:36 – 3:14:45
I could, I already got Sascha some tracks from my new album,
|
|
|
3:14:45 – 3:14:53
Album, on which I'm just tinkering around, where the protein is also used, already pushed over.
|
|
|
3:14:53 – 3:14:58
The question is, did you bring anything? No.
|
|
|
3:14:58 – 3:15:04
Didn't you prepare something? You had prepared something, Sasha.
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|
3:15:04 – 3:15:09
Yeah, but I don't think you could play it.
|
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|
3:15:09 – 3:15:19
Ah, okay. Yes, then I would say, then for relaxation catch with the one
|
|
|
3:15:19 – 3:15:22
Track from me, which is called "One". That's fine.
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3:15:22 – 3:15:24
[Claps]
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3:15:24 – 3:15:27
[Music]
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3:15:27 – 3:15:30
[Music]
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3:15:30 – 3:15:37
[Music]
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3:15:37 – 3:15:43
[Music]
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3:15:43 – 3:15:49
[Music]
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3:15:49 – 3:15:56
[Music]
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3:15:56 – 3:15:59
[Music]
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3:15:59 – 3:16:06
[Music]
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3:16:06 – 3:16:12
[Music]
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3:16:12 – 3:16:18
[Music]
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3:16:18 – 3:16:25
[Music]
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3:16:25 – 3:16:28
[Music]
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3:16:28 – 3:16:35
[Music]
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3:16:35 – 3:16:42
[Music]
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3:16:42 – 3:16:50
[Music]
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3:16:50 – 3:16:53
[Music]
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3:16:53 – 3:16:59
[Music]
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3:16:59 – 3:17:05
[Music]
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3:17:05 – 3:17:11
[Music]
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3:17:11 – 3:17:17
[Music]
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3:17:17 – 3:17:20
[Music]
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3:17:20 – 3:17:26
[Music]
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3:17:26 – 3:17:32
[Music]
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3:17:32 – 3:17:38
[Music]
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3:17:38 – 3:17:44
[Music]
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3:17:44 – 3:17:47
[Music]
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3:17:47 – 3:17:54
[Music]
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3:17:54 – 3:18:03
[Music]
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3:18:03 – 3:18:10
[Music]
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3:18:10 – 3:18:13
[Music]
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3:18:13 – 3:18:19
[Music]
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3:18:19 – 3:18:25
[Music]
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3:18:25 – 3:18:31
[Music]
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3:18:31 – 3:18:37
[Music]
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3:18:37 – 3:18:57
[Music]
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3:18:57 – 3:19:08
Yes, please?
|
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|
3:19:08 – 3:19:11
You all in the bathroom?
|
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|
3:19:11 – 3:19:14
I didn't, I heard.
|
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3:19:14 – 3:19:20
Someone's got their speaker on now.
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|
3:19:20 – 3:19:28
I thought it was nice. I just left the airpods empty.
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3:19:28 – 3:19:33
That's why I have to rest. No, I think I'm going.
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3:19:33 – 3:19:40
We've been gone 21 minutes for three hours, gentlemen.
|
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3:19:40 – 3:19:43
That would be the longest episode of the year.
|
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3:19:43 – 3:19:51
That's a cool number.
|
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|
3:19:51 – 3:19:57
Yeah, I like it too. You've become more beating-heavy the last few years.
|
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|
3:19:57 – 3:20:04
Yes, the idea is that I actually wanted to start a techno project,
|
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3:20:04 – 3:20:13
That's why the idea with the TA1000. I've been experimenting a little bit with software,
|
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3:20:13 – 3:20:21
We can play another piece right away, but I'm not so sure if that's a success.
|
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3:20:21 – 3:20:26
is. So that's all we're playing here now from me, that's all "work in progress",
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3:20:26 – 3:20:31
As they say so beautifully. And I'm not really 100% satisfied with everything,
|
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3:20:31 – 3:20:34
That's why we're looking.
|
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3:20:34 – 3:20:38
I gotta get Pippi.
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3:20:38 – 3:20:44
Sascha, if you like, you can play the track again.
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3:20:44 – 3:20:44
That's fine.
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3:20:44 – 3:20:47
[Music]
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3:20:47 – 3:20:51
[Music]
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3:20:51 – 3:20:58
[Music]
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3:20:58 – 3:21:06
[Music]
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3:21:06 – 3:21:15
[Music]
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3:21:15 – 3:21:18
[Music]
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3:21:18 – 3:21:25
[Music]
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3:21:25 – 3:21:33
[Music]
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3:21:33 – 3:21:41
[Music]
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3:21:41 – 3:21:44
[Music]
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3:21:44 – 3:21:50
[Music]
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3:21:50 – 3:21:56
[Music]
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3:21:56 – 3:22:02
[Music]
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3:22:02 – 3:22:08
[Music]
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3:22:08 – 3:22:11
[Music]
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3:22:11 – 3:22:17
[Music]
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3:22:17 – 3:22:23
[Music]
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3:22:23 – 3:22:29
[Music]
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3:22:29 – 3:22:36
[Music]
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3:22:36 – 3:22:39
[Music]
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3:22:39 – 3:22:45
[Music]
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3:22:45 – 3:22:51
[Music]
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3:22:51 – 3:22:57
[Music]
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3:22:57 – 3:23:04
[Music]
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3:23:04 – 3:23:07
[Music]
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3:23:07 – 3:23:30
Boah, yes, it falls apart somehow, so rhythmically.
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3:23:30 – 3:23:32
Yeah, but I already have some technoids.
|
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3:23:32 – 3:23:37
Yeah, the idea comes over. But there is still a bit of proante missing towards the end.
|
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3:23:37 – 3:23:42
Yes, the Proante is missing and I think that somehow the track falls apart. I'm very dissatisfied with that.
|
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3:23:42 – 3:23:47
You realize you care more about the other, don't you?
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3:23:47 – 3:23:52
You've got your homeless in the ambient, yeah.
|
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3:23:52 – 3:23:58
And this is such a bold step out, but you can still see that.
|
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3:23:58 – 3:24:01
Yeah, not just ambient, that's so chill out, isn't it?
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3:24:01 – 3:24:03
I don't know.
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3:24:03 – 3:24:05
In the evening there is smoke and noise.
|
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3:24:05 – 3:24:06
Yes, yes.
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3:24:06 – 3:24:12
Yeah, we can see what else I have in the quiver.
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3:24:12 – 3:24:18
Uh, take the piece number five.
|
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3:24:18 – 3:24:20
Let's see what you say.
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3:24:20 – 3:24:43
[Music]
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3:24:43 – 3:24:47
Oh no, I bugged out you again
|
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3:24:47 – 3:24:54
I never thought that we could be more than friends
|
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3:24:54 – 3:25:02
I don't even know what we're talking about
|
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3:25:02 – 3:25:05
Why did you have to answer?
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3:25:05 – 3:25:09
I'm trying to get you out of my head
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3:25:09 – 3:25:12
[Music]
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3:25:12 – 3:25:18
[Music]
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[Music]
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[Music]
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3:25:30 – 3:25:36
[Music]
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[Music]
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[Music]
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3:25:45 – 3:25:51
[Music]
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3:25:51 – 3:25:57
[Music]
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3:25:57 – 3:26:04
[Music]
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3:26:04 – 3:26:06
*Music*
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3:26:06 – 3:26:08
*Music*
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3:26:08 – 3:26:10
*Music*
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3:26:10 – 3:26:12
*Music*
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3:26:12 – 3:26:15
[Music]
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3:26:15 – 3:26:21
[Music]
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3:26:21 – 3:26:27
[Music]
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3:26:27 – 3:26:33
[Music]
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3:26:33 – 3:26:39
[Music]
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3:26:39 – 3:26:42
[Music]
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3:26:42 – 3:26:48
[Music]
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3:26:48 – 3:26:54
[Music]
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3:26:54 – 3:27:00
[Music]
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3:27:00 – 3:27:06
[Music]
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3:27:06 – 3:27:28
*Music*
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3:27:28 – 3:27:34
I never thought we could be more than just ourselves
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3:27:34 – 3:27:40
I don't want to lose you anymore
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3:27:40 – 3:27:46
Why do you have to hurt me when I try to lose you?
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3:27:46 – 3:28:14
I think it's cool.
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3:28:14 – 3:28:19
I'm not satisfied. That's better.
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3:28:19 – 3:28:22
Do you know what you need?
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3:28:22 – 3:28:23
Yeah?
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3:28:23 – 3:28:30
Ne TH-1000, which then just beats through the kick and knocks in a snare against the hands.
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3:28:30 – 3:28:34
You know that's quark. It's not about the gear, it's about ….
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3:28:34 – 3:28:40
You can also take a 9.0 sample. No, what I want to say is,
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3:28:40 – 3:28:42
Your drums are dead boring. Not because they were ….
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3:28:42 – 3:28:44
Yeah, I think so.
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3:28:44 – 3:28:48
Not because they are uninteresting in and of themselves, but because they are not pushing.
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3:28:48 – 3:28:50
They don't push.
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3:28:50 – 3:28:52
The so-called official.
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3:28:52 – 3:28:56
Yeah, that's a nice...
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3:28:56 – 3:29:10
Take the track, pick out a 999 sample, so a kick sample from the 999 and a nice combo snare...
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3:29:10 – 3:29:21
So I have from D-16, this is this Polish software forge, which have a very horny 303 emulation.
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3:29:21 – 3:29:23
Which you can hear, yes.
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3:29:23 – 3:29:27
They also have 808 and so on and also a 909 and so on.
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3:29:27 – 3:29:34
And I tried, I tried to put that under there, and it actually did, I couldn't do it.
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3:29:34 – 3:29:35
It didn't ignite.
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3:29:35 – 3:29:42
I think I have to take the song apart again completely, because the vocals are actually pretty horny per se.
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3:29:42 – 3:29:51
By the way, they are generated by Zuno. I once uploaded Zuno a version of this song without vocals,
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3:29:51 – 3:29:55
I told him to do this and the lyrics.
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3:29:55 – 3:30:03
And then there's sort of, I think, the 20th or 25th. Iteration then fell out of this song.
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3:30:03 – 3:30:09
I told him, please export me a stem, separate instruments and vocals.
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3:30:09 – 3:30:14
Then I took the vocal and it fit right into the whole thing.
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3:30:14 – 3:30:17
This has such a dubbed vibe, which I find very cool.
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3:30:17 – 3:30:22
I added a lot of delay, probably too much.
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3:30:22 – 3:30:31
I think I have to experiment with this again a bit, because the vocals per se, the
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3:30:31 – 3:30:36
I think I like them very much. I think there's something else you can do about it.
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3:30:36 – 3:30:38
The vocals are good.
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3:30:38 – 3:30:42
But you're right, the drums just don't push.
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3:30:42 – 3:30:47
Well, you try your hand at IDM drums, but you're not a drummer.
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3:30:47 – 3:30:49
Yes, exactly.
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3:30:49 – 3:30:56
So you're missing a bit of the Louis Cole game to understand it even more intuitively.
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3:30:56 – 3:31:02
You don't have to be a drummer to do that. I just don't have any experience with it.
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3:31:02 – 3:31:04
You don't have to, but it helps.
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3:31:04 – 3:31:07
I think so, yes.
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3:31:07 – 3:31:11
You can also be a drummer on your own table, that's not the point.
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3:31:11 – 3:31:16
I just ask Sascha if he'll build me some drums under it.
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3:31:16 – 3:31:18
Yes, yes.
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3:31:18 – 3:31:20
Let's make a collab.
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3:31:20 – 3:31:22
Yes, yes.
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3:31:22 – 3:31:26
Why not?
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3:31:26 – 3:31:29
Sascha now has Ableton Live.
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3:31:29 – 3:31:32
That's right, I wanted to send you something else.
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3:31:32 – 3:31:34
You do it like my sister.
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3:31:34 – 3:31:36
Yeah, yeah, there's Tobi involved, too.
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3:31:36 – 3:31:40
I didn't mean to imply that.
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3:31:40 – 3:31:42
That was far from it.
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3:31:42 – 3:31:44
I actually forgot,
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3:31:44 – 3:31:46
That you wanted to send me something else.
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3:31:46 – 3:31:49
Yeah, no, it's okay. I'll do it later.
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3:31:49 – 3:31:52
I can deduct everything from taxes.
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3:31:52 – 3:31:54
I have to do my taxes next week.
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3:31:54 – 3:31:58
Now that I finally get back into this shitty account because I got a passport …
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3:31:58 – 3:32:00
I have a new passport.
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3:32:00 – 3:32:04
I locked myself out of my own tax portal.
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3:32:04 – 3:32:05
Where I …
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3:32:05 – 3:32:06
What I … for
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3:32:06 – 3:32:09
So I should have ordered a new passport through this portal.
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3:32:09 – 3:32:11
That was a very funny run, this …
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3:32:11 – 3:32:12
It's very ….
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3:32:12 – 3:32:13
It's had a lot of it.
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3:32:13 – 3:32:14
Yeah, yeah.
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3:32:14 – 3:32:15
Yes, yes.
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3:32:15 – 3:32:17
This is totally gaga.
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3:32:17 – 3:32:19
Nee, umm …
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3:32:19 – 3:32:22
No, so I liked it.
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3:32:22 – 3:32:25
I liked that. The last one had real potential.
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3:32:25 – 3:32:29
There's still some pretty shabby drums under and over.
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3:32:29 – 3:32:31
I also think you can make something out of it.
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3:32:31 – 3:32:34
In this respect, everything is not finished yet.
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3:32:34 – 3:32:36
But do you still want to? I have two more things.
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3:32:36 – 3:32:38
I have two more pieces here.
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3:32:38 – 3:32:42
Do you want to leak your whole EP or something?
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3:32:42 – 3:32:46
I have 20 tracks right now.
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3:32:46 – 3:32:49
And I've only made a small selection here.
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3:32:49 – 3:32:54
All right, let's listen a little bit further into the emergency power techno attempt.
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3:32:54 – 3:32:56
So first 6 and then 7.
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3:32:56 – 3:32:58
Yeah, yeah, get out.
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3:32:58 – 3:33:01
[Music]
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3:33:01 – 3:33:04
[Music]
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3:33:04 – 3:33:07
[Music]
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3:33:07 – 3:33:13
[Music]
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3:33:13 – 3:33:19
[Music]
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3:33:19 – 3:33:25
[Music]
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3:33:25 – 3:33:31
[Music]
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3:33:31 – 3:33:34
[Music]
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3:33:34 – 3:33:40
[Music]
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3:33:40 – 3:33:46
[Music]
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3:33:46 – 3:33:52
[Music]
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3:33:52 – 3:33:58
[Music]
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3:33:58 – 3:34:01
[Music]
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3:34:01 – 3:34:07
[Music]
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3:34:07 – 3:34:13
[Music]
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3:34:13 – 3:34:19
[Music]
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3:34:19 – 3:34:25
[Music]
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3:34:25 – 3:34:28
[Music]
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3:34:28 – 3:34:34
[Music]
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3:34:34 – 3:34:40
[Music]
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3:34:40 – 3:34:46
[Music]
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3:34:46 – 3:34:52
[Music]
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3:34:52 – 3:34:55
[Music]
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3:34:55 – 3:35:02
[Music]
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3:35:02 – 3:35:10
[Music]
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3:35:10 – 3:35:17
[Music]
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3:35:17 – 3:35:20
[Music]
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3:35:20 – 3:35:26
[Music]
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3:35:26 – 3:35:32
[Music]
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3:35:32 – 3:35:38
[Music]
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3:35:38 – 3:35:44
[Music]
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3:35:44 – 3:35:47
[Music]
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3:35:47 – 3:35:53
[Music]
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3:35:53 – 3:35:59
[Music]
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3:35:59 – 3:36:05
[Music]
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3:36:05 – 3:36:12
[Music]
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3:36:12 – 3:36:40
It was abrupt.
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3:36:40 – 3:36:56
Well, then again such an idea comes, if I may briefly, again such an idea, which has wonderful approaches and then simply goes nowhere.
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3:36:56 – 3:36:57
Yeah, that's right.
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3:36:57 – 3:37:00
You're building treadmills here.
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3:37:00 – 3:37:08
Exactly, this is such a treadmill thing, this is almost such a jam session that I did with myself.
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3:37:08 – 3:37:17
By the way, quite prominently, I don't know if you can hear that, "Dawesome Hate" and "Dawesome Soul" in use there.
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3:37:17 – 3:37:19
Oh, the new one, yes.
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3:37:19 – 3:37:25
Yes, but it still leads to the empty, the track actually, that's why it's such an abrupt end.
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3:37:25 – 3:37:28
I gotta get back to that.
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3:37:28 – 3:37:30
But I like it more playful.
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3:37:30 – 3:37:37
Yes, I wanted to make it a bit more experimental, but sometimes it sounds too monotonous.
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3:37:37 – 3:37:42
Yes, and here again drums, drums, drums.
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3:37:42 – 3:37:45
Yes, I can tell that I have no idea about drums.
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3:37:45 – 3:37:52
You have, you have, no, I say, you build better, I say, the breakbeats or the backbeats quasi,
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3:37:52 – 3:38:01
So the stuff that's supposed to break it all up a bit, you build a lot better than a lot of people who make coke and hookers with it, you know.
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3:38:01 – 3:38:10
But it doesn't push because the people who earn coke and hookers with it are either better at it or have someone who just builds them kick and snare.
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3:38:10 – 3:38:19
And you don't have them in there. You have beautiful percussive loops, but if you want it to be techno, something else has to happen.
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3:38:19 – 3:38:25
It wasn't techno, it was electronic, it was a bit experimental.
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3:38:25 – 3:38:27
Yeah, yeah, I see her.
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|
3:38:27 – 3:38:39
And now to the end of this emergency power parade we have "Seven" again something more relaxed.
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3:38:39 – 3:38:42
[Music]
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3:38:42 – 3:38:49
[Music]
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3:38:49 – 3:38:54
[Music]
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3:38:54 – 3:38:57
[Music]
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3:38:57 – 3:39:00
[Music]
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3:39:00 – 3:39:03
[Music]
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3:39:03 – 3:39:06
[Music]
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3:39:06 – 3:39:09
[Music]
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3:39:09 – 3:39:12
[Music]
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3:39:12 – 3:39:18
[Music]
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3:39:18 – 3:39:24
[Music]
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3:39:24 – 3:39:31
[Music]
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3:39:31 – 3:39:37
[Music]
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3:39:37 – 3:39:40
[Music]
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3:39:40 – 3:39:46
[Music]
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3:39:46 – 3:39:52
[Music]
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3:39:52 – 3:39:58
[Music]
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3:39:58 – 3:40:05
[Music]
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3:40:05 – 3:40:12
[Music]
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3:40:12 – 3:40:18
[Music]
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3:40:18 – 3:40:25
[Music]
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3:40:25 – 3:40:30
[Music]
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3:40:30 – 3:40:44
[Music]
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3:40:44 – 3:40:52
I like these central chords.
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3:40:52 – 3:40:53
What was that?
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3:40:53 – 3:40:55
There's the transfer, I think.
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3:40:55 – 3:40:57
A little bit was swallowed.
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3:40:57 – 3:41:01
But we cut it and then put the original wave in there.
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3:41:01 – 3:41:05
Finally, what did you mean?
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3:41:05 – 3:41:09
These swelling chords, what was that?
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3:41:09 – 3:41:11
Hollywood.
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3:41:11 – 3:41:13
Hollywood?
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3:41:13 – 3:41:15
Okay.
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3:41:15 – 3:41:19
The bass, protein.
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3:41:19 – 3:41:23
Protein. The drums, Microtonic.
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3:41:23 – 3:41:25
What about the arpeggio?
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3:41:25 – 3:41:35
No, no, no, no. These little hi-hats, which are actually part of a patch, also from PolyBrute.
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3:41:35 – 3:41:41
So along with the arpeggio, right?
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3:41:41 – 3:41:42
Mm-hmm.
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3:41:42 – 3:41:49
Now don't make me the PolyBrute again, Starcraft.
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3:41:49 – 3:41:53
It's just a synthesis ship, it can do a little bit.
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3:41:53 – 3:41:54
Yes, I can tell.
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3:41:54 – 3:41:59
There's a lot of cool sounds in there.
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3:41:59 – 3:42:06
He comes to the end, comes in after such an area.
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3:42:06 – 3:42:11
This is also protein, a self-programmed sound,
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3:42:11 – 3:42:21
programmed strings by Sol, Dorsum Sol, Gipson Patch, which is called Microcosmos,
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3:42:21 – 3:42:27
Sounds just like the hardware pedal. That, I think, is also the idea.
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3:42:27 – 3:42:32
That's pretty cool what Peter programmed there. So this is really a cool plugin. And
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3:42:32 – 3:42:38
Then for Lau, horny. Greetings to Peter. Awesome plugin.
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3:42:38 – 3:42:42
The problem is, you can invite Peter every two weeks.
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3:42:42 – 3:42:51
Because he'll either be...
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|
3:42:51 – 3:42:55
So either he can tell you something about the world or he has a new plugin.
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|
3:42:55 – 3:43:00
So we didn't really talk about Hate, nor about Contrast, nor about Sol,
|
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3:43:00 – 3:43:06
still about the thing he is hatching and what I see nicely in his first cycle on the Discord server.
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3:43:06 – 3:43:11
We talked to Peter extensively about Hate, but that's unfortunately in the lost episode.
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3:43:11 – 3:43:14
Oh, you mean the episode that came out three days ago?
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3:43:14 – 3:43:18
How? Three days ago?
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3:43:18 – 3:43:22
No, on "Train to the 28th", there's an episode called "Dawson V3".
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3:43:22 – 3:43:26
It even came in the summary.
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3:43:26 – 3:43:29
Why didn't I have them in the announcement?
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3:43:29 – 3:43:33
I usually get an email when a new sound radio episode is out.
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3:43:33 – 3:43:35
She's not out yet.
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3:43:35 – 3:43:37
Ah, it's in the pipeline.
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3:43:37 – 3:43:39
I'll give her timestamps.
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3:43:39 – 3:43:43
Oh, you wanted to get them out this year?
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3:43:43 – 3:43:46
Well, of course. I said yes in the AI episode.
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3:43:46 – 3:43:48
We're two weeks, Peter.
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3:43:48 – 3:43:49
Okay.
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3:43:49 – 3:43:51
That was today.
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3:43:51 – 3:43:53
When do people hear this episode?
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3:43:53 – 3:43:55
On 31.
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3:43:55 – 3:43:57
Just like every year.
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3:43:57 – 3:43:59
At least that was the plan.
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3:43:59 – 3:44:01
Okay, let's stick with it.
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3:44:01 – 3:44:05
And then, and then, and then, and then, and then, and then, and then, and then, and then, and then, and then, and then, and then, and then, and then, and then, and then,
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3:44:05 – 3:44:06
That's right.
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3:44:06 – 3:44:09
You're forgetting what we talked about.
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3:44:09 – 3:44:17
At this point it's already the four-hour stream, that's Twitch for the highs.
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3:44:17 – 3:44:24
But I like it. Today we have spread out really wide in the rehearsal room, made ourselves comfortable.
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3:44:24 – 3:44:27
And now that I had to reload the thing,
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3:44:27 – 3:44:33
I've put this thing in by myself now. So we can also like to hear something from me again.
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3:44:33 – 3:44:38
Yeah, then do it. But I can't guarantee the volume yet. I just gave her a thumbs up.
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3:44:38 – 3:44:42
Let's just turn it down. I'll make it quiet.
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3:44:42 – 3:44:45
[Music]
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3:44:45 – 3:44:48
[Music]
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3:44:48 – 3:44:54
[Music]
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3:44:54 – 3:45:00
[Music]
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3:45:00 - 3:45:06
[Music]
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3:45:06 – 3:45:13
[Music]
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3:45:13 – 3:45:16
[Music]
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3:45:16 – 3:45:22
[Music]
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3:45:22 – 3:45:28
[Music]
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3:45:28 – 3:45:34
[Music]
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3:45:34 – 3:45:41
[Music]
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3:45:41 – 3:45:44
[Music]
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3:45:44 – 3:45:50
[Music]
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3:45:50 – 3:45:56
[Music]
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3:45:56 – 3:46:02
[Music]
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3:46:02 – 3:46:09
[Music]
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3:46:09 – 3:46:12
[Music]
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3:46:12 – 3:46:18
[Music]
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3:46:18 – 3:46:24
[Music]
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3:46:24 – 3:46:30
[Music]
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3:46:30 – 3:46:37
[Music]
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3:46:37 – 3:46:40
[Music]
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3:46:40 – 3:46:47
[Music]
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3:46:47 – 3:46:55
[Music]
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3:46:55 – 3:47:03
[Music]
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3:47:03 – 3:47:06
[Music]
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3:47:06 – 3:47:12
[Music]
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3:47:12 – 3:47:18
[Music]
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3:47:18 – 3:47:24
[Music]
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3:47:24 – 3:47:30
[Music]
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3:47:30 – 3:47:33
[Music]
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3:47:33 – 3:47:39
[Music]
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3:47:39 – 3:47:45
[Music]
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3:47:45 – 3:47:51
[Music]
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3:47:51 – 3:47:57
[Music]
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3:47:57 – 3:48:00
[Music]
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3:48:00 - 3:48:06
[Music]
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3:48:06 – 3:48:12
[Music]
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3:48:12 – 3:48:18
[Music]
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3:48:18 – 3:48:25
[Music]
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3:48:25 – 3:48:52
[Music]
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3:48:52 – 3:48:55
[Music]
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3:48:55 – 3:49:02
[Music]
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3:49:02 – 3:49:08
[Music]
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3:49:08 – 3:49:14
[Music]
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3:49:14 – 3:49:21
[Music]
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3:49:21 – 3:49:24
[Music]
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3:49:24 – 3:49:30
[Music]
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3:49:30 – 3:49:36
[Music]
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3:49:36 – 3:49:42
[Music]
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3:49:42 – 3:49:48
[Music]
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3:49:48 – 3:49:51
[Music]
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3:49:51 – 3:49:57
[Music]
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3:49:57 – 3:50:03
[Music]
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3:50:03 – 3:50:09
[Music]
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3:50:09 – 3:50:16
[Music]
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3:50:16 – 3:50:23
[Music]
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3:50:23 – 3:50:28
[Music]
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3:50:28 – 3:50:31
[Music]
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3:50:31 – 3:50:34
[Music]
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3:50:34 – 3:50:37
[Music]
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3:50:37 – 3:50:40
[Music]
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3:50:40 – 3:50:43
[Music]
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3:50:43 – 3:51:08
[Music]
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3:51:11 – 3:51:16
I have to open a beer first. Tobi, turn quietly.
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3:51:16 – 3:51:21
Okay? Let's go.
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3:51:21 – 3:51:29
I made it loud again too early.
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3:51:29 – 3:51:29
No, no!
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3:51:29 – 3:51:33
But it was quiet enough.
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3:51:33 – 3:51:36
Yes, I only have it far away from the means.
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3:51:36 – 3:51:45
Yes, and if you start this podcast at 8 p.m. on the 31st, the emergency power will open a beer at midnight.
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3:51:45 – 3:51:47
That's what it looks like.
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3:51:47 – 3:51:49
Where are we right now?
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3:51:49 – 3:51:51
Where are we right now?
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3:51:51 – 3:51:53
How many minutes?
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3:51:53 – 3:51:59
I think you have to do it at 7-8.
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3:51:59 – 3:52:01
7 to 8.
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3:52:01 – 3:52:03
Then the emergency power will open the beer at midnight.
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3:52:03 – 3:52:15
Ah, election time. Yeah, it's all right now. I picked up a water bottle before and now I feel a bit fitter again after I have almost caught away before. Somehow you heard it.
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3:52:15 – 3:52:20
In this miserable monologue, of how poop everything is.
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3:52:20 – 3:52:24
Yes, no, Sascha has a safe bank again, no?
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3:52:24 – 3:52:27
That's just the vibe, that's cool.
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3:52:27 – 3:52:30
That could go on forever.
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3:52:30 – 3:52:34
But his beats just push. I don't know, what do you do differently than I do?
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3:52:34 – 3:52:40
I don't know. He's been doing it for 20 years.
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3:52:40 – 3:52:47
Just like I've been making ambient music for 30 years.
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3:52:47 – 3:52:52
So the basic scaffolding up there was created on a Saturday evening.
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3:52:58 – 3:53:01
Yeah, and then you're just tinkering with it a little bit.
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3:53:01 – 3:53:08
I think it's like learning to drive remote-controlled cars,
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3:53:08 – 3:53:14
because you have to drive the cars yes, you don't just drive with them, that's not that hard per se.
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3:53:14 – 3:53:17
You need to know what you've got there.
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3:53:17 – 3:53:20
No, you gotta fix it, especially if that thing breaks down.
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3:53:20 – 3:53:23
And you have to know that first.
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3:53:23 – 3:53:27
So it's not like I'm gonna put a car like that in your hand and say,
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3:53:27 – 3:53:34
Repair here, because there is no idea, somehow a part has broken. That's where it belongs
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3:53:34 – 3:53:39
There's a lot to do when you take a car completely apart. I did it. I have
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3:53:39 – 3:53:48
In fact, I had a car, so I broke the middle differential because I
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3:53:48 – 3:53:55
I was driving through mud somehow. That's so long and so doll, the engine is so powerful
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3:53:55 – 3:54:01
in a car that the plastic housing has broken from the middle differential and
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3:54:01 – 3:54:07
expired. My face, that was a fucking job of screwing the car apart,
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3:54:07 – 3:54:13
change the mean differential and then reassemble it completely so that it
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3:54:13 – 3:54:19
I was still driving and I was actually able to sell it. You have to do it first
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3:54:19 – 3:54:23
Let's get it done. You have to try and learn a lot. And there I have
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3:54:23 – 3:54:41
A whole lot learned. I think building it with the pushing beats is basically, I think, the same thing. You just have to do it, yes, just do it and see what comes out of it and then just discuss it with you here in the rehearsal room.
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3:54:41 – 3:54:43
Yeah, and what's important.
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3:54:43 – 3:54:45
As an idea of what you might do again.
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3:54:45 – 3:54:47
The effects that are on it.
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3:54:47 – 3:54:49
Yeah, that's too many, isn't it?
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3:54:49 – 3:55:15
Yeah, that's exactly the point where I have no idea at all. I've always clapped some presets of iZotope on it, once so general and with drum compressing, with sidechain compressing I've just started experimenting.
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3:55:15 – 3:55:23
There are a lot of ways to make it more written.
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3:55:23 – 3:55:28
I think I've already watched half a dozen videos about it, but I've
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|
3:55:28 – 3:55:33
Still can't figure out how to do it better.
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3:55:33 – 3:55:38
And that's really so that you get on every single instrument from the drums that there
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3:55:38 – 3:55:44
A compressor comes on and then again on the sum of it there also do something.
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3:55:44 – 3:55:46
Exactly, and then you have to know how to set things up.
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3:55:46 – 3:55:47
Exactly.
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3:55:47 – 3:55:49
Yes, and automation is not to be despised either.
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|
3:55:49 – 3:55:53
So here's a good reverb beat and here's a delay on it.
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3:55:53 – 3:55:57
I've already checked it out, I've already checked it out.
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3:55:57 – 3:55:59
That's a whole lot.
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3:55:59 – 3:56:03
And you can actually get out of a stupid "Fore on the floor" beat,
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3:56:03 – 3:56:07
You can, if you take individual blows out there and they effect,
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3:56:07 – 3:56:10
there is a reason why the electron sequencers,
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3:56:10 – 3:56:13
Why do parameter logs exist?
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3:56:13 – 3:56:21
Also for effects. That's exactly what it is. So I'm just starting to experiment with it.
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3:56:21 – 3:56:29
So if you want, we can in future episodes, next year, we can there again my "progress",
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|
3:56:29 – 3:56:33
As they say in German, let's talk about my progress.
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3:56:33 – 3:56:37
Let's see what comes out of it. I'm going to stay a little bit further.
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3:56:37 – 3:56:41
Yeah, I'm sure it's a good idea. It's a good idea.
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3:56:41 – 3:56:44
Also ride around a bit on your own mosquito.
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3:56:44 – 3:56:49
I have a bit of a dilemma now, because of course I can't...
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|
3:56:49 – 3:56:54
So let's say work projects that I do for other people, I can't show here.
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3:56:54 – 3:56:56
Otherwise, I'll put copyright on it.
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|
3:56:56 – 3:57:02
Then stop the whole thing... And the other problem is, I'm doing pretty much every demo I do right now,
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3:57:02 – 3:57:05
It's just for the...
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|
3:57:05 – 3:57:07
Do you want me to offer the title now?
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|
3:57:07 – 3:57:15
Yes, hello, you've made a great summary of the last twelve months here and underlaid it with music.
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3:57:15 – 3:57:17
Probably self-composed.
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3:57:17 – 3:57:23
No, no, those were a couple of ample loops. They were just well assembled.
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3:57:23 – 3:57:23
Yeah, okay.
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|
3:57:23 – 3:57:27
But that's also an art of putting things together tastefully for the first time.
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|
3:57:27 – 3:57:33
I put very little effort into it. I was just thinking, what can I remember, what was horny.
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|
3:57:33 – 3:57:36
And then I'm back in the last two weeks
|
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|
3:57:36 – 3:57:39
flown over all transcripts of the episodes,
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|
3:57:39 – 3:57:40
Because you hear everything again,
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3:57:40 – 3:57:42
This is too masochistic for me.
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|
3:57:42 – 3:57:46
So I have transcript scanning again,
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|
3:57:46 – 3:57:47
the good spots out,
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3:57:47 – 3:57:50
And then I glued that together this afternoon.
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|
3:57:50 – 3:57:51
It didn't take two hours.
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|
3:57:51 – 3:57:57
I could have spent the time on the Timestamps.
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3:57:57 – 3:58:00
No, I'll do it in my hand, too.
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|
3:58:01 – 3:58:04
Maybe I'll go get some food first.
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|
3:58:04 – 3:58:07
Yeah, I just got a message.
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|
3:58:07 – 3:58:09
I'm hungry!
|
|
|
3:58:09 – 3:58:13
Then order me something to eat, 'cause I think we're gonna sit here longer, don't we?
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|
3:58:13 – 3:58:15
Can't the woman cook, or what?
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|
3:58:15 – 3:58:17
I'm a final cook.
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3:58:17 – 3:58:20
Yes, yes.
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|
3:58:20 – 3:58:22
Now he has to take over Sarah for you.
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|
3:58:22 – 3:58:27
That's a feminism, huh?
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|
3:58:27 – 3:58:30
Yeah, but I have no problem with that.
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3:58:30 – 3:58:33
At least I know the kitchen is right.
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|
3:58:33 – 3:58:37
That is the positive approach.
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|
3:58:37 – 3:58:43
Yes, but as I said, the *******, I can't leak it yet.
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|
3:58:43 – 3:58:45
Come on, come on.
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|
3:58:45 – 3:58:48
It's also crazy about the project.
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|
3:58:48 – 3:58:52
Especially visually. I'm much further away from the visuals than I am from the sounds.
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|
3:58:52 – 3:58:54
Okay, and what's up?
|
|
|
3:58:54 – 3:58:58
Basically what's on it.
|
|
|
3:58:58 – 3:59:03
The last year is basically just a metaphor for everything.
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|
3:59:03 – 3:59:09
I think it's very small, so uh...
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|
3:59:09 – 3:59:11
[Mobile phone rings]
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|
3:59:11 – 3:59:16
My flags are very small.
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|
3:59:16 – 3:59:19
[Mobile phone rings]
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|
3:59:19 – 3:59:20
I understand, Fairy.
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|
3:59:20 – 3:59:22
Yeah, that's your problem.
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|
3:59:22 – 3:59:23
[Laughter]
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|
3:59:23 – 3:59:25
That's your problem.
|
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|
3:59:25 – 3:59:28
So fairies small, they are just airy.
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|
3:59:28 – 3:59:37
Yeah, and now he actually made fur out of my idea of fairies, so fairies.
|
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|
3:59:37 – 3:59:40
Yeah, it's getting worse.
|
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|
3:59:40 – 3:59:43
Coupling rabbits.
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|
3:59:43 – 3:59:47
No, man in rabbit costume. Oh, my God.
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|
3:59:47 – 3:59:53
Maybe I'll tease you a little snippet.
|
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|
3:59:53 – 4:00:07
No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, But what I still have, and you want to show here a little something, I actually have a folder, which is called podcast mosquito.
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|
4:00:07 – 4:00:18
And I created it in 2021, because Sascha said, bring some music from you over the years.
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|
4:00:18 – 4:00:28
No, nonsense, I created it in 2017 because Sascha said, bring a little something about Moke from you.
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|
4:00:28 – 4:00:32
So I know that was something from Sascha or what kind of brain content, I don't even know anymore.
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|
4:00:32 – 4:00:35
Yes, that was so long ago, there was no trial podcast yet.
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|
4:00:35 – 4:00:38
He's only four years old, I thought. Or five.
|
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|
4:00:38 – 4:00:42
Hm, 2018?
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|
4:00:42 – 4:00:44
Hm, 2018.
|
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|
4:00:44 – 4:00:46
Yeah, it's been seven years.
|
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|
4:00:46 – 4:00:51
Yeah, well, we've been doing it for three and a half years now, we're doing it in the style we're doing here.
|
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|
4:00:51 – 4:00:54
This has always been an on/off.
|
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|
4:00:54 – 4:00:58
Anyway, I have a nice folder called Podcast Mosquito.
|
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|
4:00:58 – 4:01:04
There's the latest news about you from 2017 in there, of course, but there are still some nice old things that I haven't shown you yet.
|
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|
4:01:04 – 4:01:11
And I thought, hey, how about this thing?
|
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|
4:01:11 – 4:01:13
So Sascha will laugh right away and the rest can guess.
|
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|
4:01:13 – 4:01:19
I got a synthesizer, I say.
|
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|
4:01:19 – 4:01:27
Or he was sent to me. So I paid him, but he was sent to me, arrived and I wanted to try a little dull with it.
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|
4:01:27 – 4:01:32
And so the following work was created.
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|
4:01:32 – 4:01:34
[Music]
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4:01:34 – 4:01:49
[Music]
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4:01:49 – 4:01:56
[Music]
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4:01:56 – 4:02:01
[Music]
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4:02:01 – 4:02:04
[Music]
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4:02:04 – 4:02:09
[Music]
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|
4:02:09 – 4:02:12
[Music]
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4:02:12 – 4:02:41
[Music]
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|
4:02:41 – 4:02:48
[Music]
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|
4:02:48 – 4:02:51
[Music]
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|
4:02:51 – 4:02:54
[Music]
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|
4:02:54 – 4:02:57
[Music]
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|
4:02:57 – 4:03:00
[Music]
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|
4:03:00 – 4:03:03
[Music]
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|
4:03:03 – 4:03:06
[Music]
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|
4:03:06 – 4:03:09
[Music]
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|
4:03:09 – 4:03:38
[Music]
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|
4:03:38 – 4:04:01
[Music]
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4:04:04 – 4:04:08
Yeah, that kind of unfinished stuff.
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|
4:04:08 – 4:04:15
I know that before. It's a bit like Mike Oldfield.
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|
4:04:15 – 4:04:18
I think so. And the drums are horny.
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4:04:18 – 4:04:22
The drums are live. So I just daddled into the band room for a moment and I...
|
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|
4:04:22 – 4:04:26
I wrote the arrangement briefly, daddled into the band room,
|
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4:04:26 – 4:04:30
I tapped the drums briefly, over the camera microphone and back.
|
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4:04:30 – 4:04:34
I just wanted to say that it sounded like live drums.
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4:04:34 – 4:04:35
Yes, yes.
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4:04:35 – 4:04:36
Yeah, but horny.
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4:04:36 – 4:04:39
Was that the normal synthesizer?
|
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|
4:04:39 – 4:04:40
No.
|
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|
4:04:40 – 4:04:41
When was that?
|
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|
4:04:41 – 4:04:44
When do you have, when, from 2017?
|
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|
4:04:44 – 4:04:45
2015.
|
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|
4:04:45 – 4:04:46
2015.
|
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|
4:04:46 – 4:04:49
It's Mike Oldfield's story.
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|
4:04:49 – 4:04:55
Like I said, I haven't heard a conscious note from Mike Oldfield in my life.
|
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|
4:04:55 – 4:04:56
Really not?
|
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|
4:04:56 – 4:04:58
No, not that I know.
|
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|
4:04:58 – 4:04:59
Probably ….
|
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|
4:04:59 – 4:05:01
Tubular Bells? Have you never heard of it?
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|
4:05:01 – 4:05:03
Never consciously.
|
|
|
4:05:03 – 4:05:05
I probably heard it somewhere.
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|
4:05:05 – 4:05:07
Catch up, now.
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|
4:05:07 – 4:05:09
Not immediately after the show.
|
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4:05:09 – 4:05:11
No, seriously.
|
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|
4:05:11 – 4:05:13
You must have heard that.
|
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|
4:05:13 – 4:05:15
Tubular Bells by Mike Oldfield
|
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|
4:05:15 – 4:05:17
It's a must. You must have heard that.
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|
4:05:17 – 4:05:19
You'll like that.
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|
4:05:19 – 4:05:21
That's great.
|
|
|
4:05:21 – 4:05:23
No. Is it?
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|
4:05:23 – 4:05:25
Yes, yes. Of which films?
|
|
|
4:05:27 – 4:05:29
It was some horror movie.
|
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|
4:05:29 – 4:05:31
[Laughter]
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|
4:05:31 – 4:05:33
This is not horror film music.
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|
4:05:33 – 4:05:35
Boah.
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|
4:05:35 – 4:05:37
Mike Oldfield.
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|
4:05:37 – 4:05:43
Yes, yes.
|
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|
4:05:43 – 4:05:45
Either some top part or
|
|
|
4:05:45 – 4:05:49
A poltergeist.
|
|
|
4:05:49 – 4:05:51
Not poltergeist,
|
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|
4:05:51 – 4:05:53
Exorcist.
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|
4:05:55 – 4:06:00
So the play, Tobi, that's 26 minutes.
|
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|
4:06:00 – 4:06:03
Yes, I can whistle myself later on the way to the burger roaster.
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|
4:06:03 – 4:06:06
You can listen to that later on the way to the burger roaster.
|
|
|
4:06:06 – 4:06:10
Is it still open? Yes, our Saturday should still be open.
|
|
|
4:06:10 – 4:06:12
*sighs*
|
|
|
4:06:12 – 4:06:14
Exactly.
|
|
|
4:06:14 – 4:06:18
Yeah, so you still don't have the synth.
|
|
|
4:06:18 – 4:06:22
A Yamaha synth?
|
|
|
4:06:22 – 4:06:24
Then I asked a question, yes, Yamaha.
|
|
|
4:06:24 – 4:06:26
Then Korg.
|
|
|
4:06:26 – 4:06:27
No.
|
|
|
4:06:27 – 4:06:28
Analog or digital?
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|
|
4:06:28 – 4:06:29
Digital.
|
|
|
4:06:29 – 4:06:34
There's so much piano in there, where's that analog?
|
|
|
4:06:34 – 4:06:38
This is the S80.
|
|
|
4:06:38 – 4:06:41
Oh, you said yes, no Yamaha.
|
|
|
4:06:41 – 4:06:43
No, not a Yamaha.
|
|
|
4:06:43 – 4:06:47
Then Roland something.
|
|
|
4:06:47 – 4:06:48
No.
|
|
|
4:06:48 – 4:06:50
XP60 or something.
|
|
|
4:06:50 – 4:06:53
No, no, no. New, new.
|
|
|
4:06:53 – 4:06:55
I don't know, give up.
|
|
|
4:06:55 – 4:07:02
Come on, you know the videos. The device was very omnipresent for a long time, especially in the first seasons.
|
|
|
4:07:02 – 4:07:06
It's a keyboard synth.
|
|
|
4:07:06 – 4:07:08
I don't know.
|
|
|
4:07:08 – 4:07:10
I don't know either.
|
|
|
4:07:10 – 4:07:12
You're playing a booze.
|
|
|
4:07:12 – 4:07:15
Yes, red. There aren't that many red synthesizers.
|
|
|
4:07:15 – 4:07:17
It's a north lead. You're playing...
|
|
|
4:07:17 – 4:07:19
You're close.
|
|
|
4:07:19 – 4:07:22
From Nordwave? Such a stage piano from them?
|
|
|
4:07:22 – 4:07:25
If it's red, it can only be from the piano.
|
|
|
4:07:25 – 4:07:29
Or a Korg Karma, but that's not a Korg.
|
|
|
4:07:29 – 4:07:31
No, you didn't have a Korg Karma.
|
|
|
4:07:31 – 4:07:33
Yes, yes.
|
|
|
4:07:33 – 4:07:38
Then it was from piano, a north-stage or whatever.
|
|
|
4:07:38 – 4:07:40
It was a Nordwave.
|
|
|
4:07:40 – 4:07:43
And he really wasn't there yet.
|
|
|
4:07:43 – 4:07:45
Have you ever had a Nordwave?
|
|
|
4:07:45 – 4:07:49
Jupp, I wonder why I don't have one anymore.
|
|
|
4:07:49 – 4:07:57
'Cause I'm stupid, but I think the man who's got it now, he's doing it with the device.
|
|
|
4:07:57 – 4:08:04
Maybe not better, but at least he makes more music and that's certainly nice.
|
|
|
4:08:04 – 4:08:06
I had a ….
|
|
|
4:08:06 – 4:08:08
Yeah, keep telling me.
|
|
|
4:08:08 – 4:08:13
I had a Nordwave and abused it as a master keyboard for four years out of five.
|
|
|
4:08:13 – 4:08:24
And then I realized that I'm too much on the computer to be able to do this thing justice. That can go well.
|
|
|
4:08:24 – 4:08:30
So I once had a piano Nord Lead 3 for three years.
|
|
|
4:08:30 – 4:08:34
I needed it, bought it.
|
|
|
4:08:34 – 4:08:36
The Enko, the North Lead.
|
|
|
4:08:36 – 4:08:43
He was pretty horny, I liked him, but at some point I had heard myself tired of this wiry sound.
|
|
|
4:08:43 – 4:08:47
And then at some point, I don't know why, but I just couldn't hear the sound anymore.
|
|
|
4:08:47 – 4:08:51
Everything I set up somehow, it all sounded kind of thin.
|
|
|
4:08:51 – 4:08:54
All thin and wiry and "wöööööö".
|
|
|
4:08:54 – 4:08:58
But it could have beautiful surfaces.
|
|
|
4:08:58 – 4:09:00
It was a great surface synthesizer.
|
|
|
4:09:00 – 4:09:02
And he used to be very horny.
|
|
|
4:09:02 – 4:09:04
It was really fun with the encoders.
|
|
|
4:09:04 – 4:09:11
In between I broke a DSP chip, then I sent it directly to Sweden.
|
|
|
4:09:11 – 4:09:13
It cost 400 euros somehow.
|
|
|
4:09:13 – 4:09:14
Oh, yeah.
|
|
|
4:09:14 – 4:09:18
But it was worth it. Great synthesizer.
|
|
|
4:09:18 – 4:09:22
And then you needed something new someday?
|
|
|
4:09:22 – 4:09:28
No, I didn't need anything new, I just didn't want to hear him anymore.
|
|
|
4:09:28 – 4:09:37
And then I sold it, along with another Macbeth M3X.
|
|
|
4:09:37 – 4:09:45
And I bought a Moog Voyager RME, my first Moog synthesizer.
|
|
|
4:09:45 – 4:09:49
I've heard the Voyager story a few times.
|
|
|
4:09:49 – 4:09:53
So I just looked it up again.
|
|
|
4:09:53 – 4:10:00
"Turbular Bells" is actually the exorcist of '73 ….
|
|
|
4:10:00 – 4:10:04
Did they use that? It's crazy, okay.
|
|
|
4:10:04 – 4:10:14
Because I meant to remember that the … at least this initial sequence, you hear that often.
|
|
|
4:10:14 – 4:10:20
Tubular Bells Part 1 is from 1973.
|
|
|
4:10:20 – 4:10:26
It sounds like it could be from the 80's.
|
|
|
4:10:26 – 4:10:33
And Mike Oldfield, don't you know, you know one of his hits from the 80s?
|
|
|
4:10:33 – 4:10:39
[Music]
|
|
|
4:10:39 – 4:10:41
No, that doesn't tell me either.
|
|
|
4:10:41 – 4:10:43
And the night full of shadows.
|
|
|
4:10:43 – 4:10:46
[Music]
|
|
|
4:10:46 – 4:10:48
Didn't know?
|
|
|
4:10:48 – 4:10:51
No, don't tell me grad nix.
|
|
|
4:10:51 – 4:10:54
Guys, I was born in 1994. Hello there.
|
|
|
4:10:54 – 4:10:55
Yes and what?
|
|
|
4:10:55 – 4:10:59
Yes, and I also know music from the 50s, even from the 20s.
|
|
|
4:10:59 – 4:11:00
Yeah, that's your problem.
|
|
|
4:11:00 – 4:11:02
So, the 1920s.
|
|
|
4:11:02 – 4:11:12
Like I said, listen to me. This thing is a classic.
|
|
|
4:11:12 – 4:11:13
I even listened to a Trigorian song.
|
|
|
4:11:13 – 4:11:16
You should know. I mean, you know Jean-Michel Jarre, don't you?
|
|
|
4:11:16 – 4:11:21
At least that's what you should know.
|
|
|
4:11:21 – 4:11:26
So Oxygen, Zuluk, Equinox.
|
|
|
4:11:26 – 4:11:33
Yes, I could have had a concert of his indoor tour on the doorstep.
|
|
|
4:11:33 – 4:11:42
It was unfortunately the year when I was locked up for pretty much everything inappropriate and absent and professionally private and could not.
|
|
|
4:11:42 – 4:11:44
Yes, that can happen, of course.
|
|
|
4:11:44 – 4:11:47
Wasting 2.11 is a tragedy of my life.
|
|
|
4:11:47 – 4:11:51
What about Pink Floyd? "The Dark Side of the Moon"?
|
|
|
4:11:51 – 4:11:55
Yeah, I know that. Martin Miller's version is better than the original.
|
|
|
4:11:55 – 4:11:58
Yeah, yeah, pale for me, I know.
|
|
|
4:11:58 – 4:12:11
I think the original Darkside of the Moon is boring, wrong and the Martin Miller version is a, how can I say, a faithful cover that pays homage to the original,
|
|
|
4:12:11 – 4:12:17
but the more exciting drums, longer guitar solos and well, just so overall
|
|
|
4:12:17 – 4:12:20
better production, more modern production.
|
|
|
4:12:20 – 4:12:27
I find this … So, little anecdote from my life.
|
|
|
4:12:27 – 4:12:31
From my 55-year-old life, little anecdote.
|
|
|
4:12:31 – 4:12:34
I wanted to be a radio host.
|
|
|
4:12:34 – 4:12:38
I don't know the story yet.
|
|
|
4:12:38 – 4:12:40
Or only half.
|
|
|
4:12:40 – 4:12:50
Thank goodness. I'm in the late '90s, right, when was that?
|
|
|
4:12:50 – 4:12:58
That was so, but, actually, I have to think, when was that? Damn it.
|
|
|
4:12:58 – 4:13:05
Yeah, that's it, I'll tell you in the mid-90s. In the mid-1990s, I had the idea.
|
|
|
4:13:05 – 4:13:15
Hey, what do I do with my life? I don't have any bucks on it. I would like to work on the radio.
|
|
|
4:13:15 – 4:13:21
I wanted to imagine that. And some people have told me, "You have such a great voice."
|
|
|
4:13:21 – 4:13:28
And I thought, okay. I was looking for a speech trainer.
|
|
|
4:13:28 – 4:13:32
Back in the 90s, there weren't that many.
|
|
|
4:13:32 – 4:13:37
And then I landed at Klaus von Arps, here in Hamburg.
|
|
|
4:13:37 – 4:13:48
Klaus von Arps, doesn't know if anyone knows who has been a moderator at NDR 1
|
|
|
4:13:48 – 4:13:52
He has hosted a classic show there for many years.
|
|
|
4:13:52 – 4:13:57
So almost what is now classical radio, he has done in a program.
|
|
|
4:13:57 – 4:13:59
Somehow for two or three hours.
|
|
|
4:13:59 – 4:14:04
And Klaus was a total classical fan.
|
|
|
4:14:04 – 4:14:06
I don't know if he's still alive.
|
|
|
4:14:06 – 4:14:08
He was a total classical fan.
|
|
|
4:14:08 – 4:14:10
He always listened to classical music at home.
|
|
|
4:14:10 – 4:14:13
So I ended up with Klaus.
|
|
|
4:14:13 – 4:14:14
I don't know anymore,
|
|
|
4:14:14 – 4:14:17
How I got his phone number.
|
|
|
4:14:17 – 4:14:19
I don't know.
|
|
|
4:14:19 – 4:14:21
I think I called the NDR.
|
|
|
4:14:21 – 4:14:24
I asked for an internship.
|
|
|
4:14:24 – 4:14:26
And then they told me,
|
|
|
4:14:26 – 4:14:34
"Yes, it will be difficult, do a speech training first and do an internship and speech training first, yes, where can I do that?"
|
|
|
4:14:34 – 4:14:38
Yes, then we have Mr. Klaus von Arps.
|
|
|
4:14:38 – 4:14:47
So, then I marched to Klaus, who then lived in Eimsbüttel, in Hamburg-Eimsbüttel.
|
|
|
4:14:47 – 4:14:53
From Harburg I went to him and so on. He rang the bell and opened it.
|
|
|
4:14:53 – 4:14:59
Older, distinguished gentleman, very friendly, opens the door.
|
|
|
4:14:59 – 4:15:05
I told him what my plans were, what I wanted to do.
|
|
|
4:15:05 – 4:15:11
He then told me, yes, I'm training day-speakers.
|
|
|
4:15:11 – 4:15:17
Inwardly, I didn't say it, but I thought, boah, now the jaw is coming down.
|
|
|
4:15:17 – 4:15:23
Then I found a slightly higher-calibre nutrient.
|
|
|
4:15:23 – 4:15:30
Yes, then Klaus actually taught me speech training for two years.
|
|
|
4:15:30 – 4:15:34
I don't think there's been much of a hangover after 20, 30 years.
|
|
|
4:15:34 – 4:15:38
After 30 years, that's 30 years ago.
|
|
|
4:15:38 – 4:15:42
I think you can still hear my hamburger, my New German accent.
|
|
|
4:15:42 – 4:15:46
So Hannover also sounds like the …
|
|
|
4:15:46 – 4:15:50
The background of the story … no, no, watch out. Background of the story is …
|
|
|
4:15:50 – 4:15:56
and then Klaus and I made friends a little bit and I visited him so occasionally and we talked.
|
|
|
4:15:56 – 4:15:59
And he just played me classic records.
|
|
|
4:15:59 – 4:16:11
He was such a high fidelity, such an audiophile, so he had a very expensive, I don't know how many, thousands of euros great high fidelity system.
|
|
|
4:16:11 – 4:16:22
Then he played me classic pieces and once, once when I went with him, he says, "Here, Thomas, sit down, you have to listen to this and listen to my new speakers."
|
|
|
4:16:22 – 4:16:27
And then he actually put on Pink Floyd. And that was so horny.
|
|
|
4:16:27 – 4:16:33
By the way, this was not the Martin Fischer version, but still, it was horny.
|
|
|
4:16:33 – 4:16:35
The Martin Miller version. Martin Fischer, please don't.
|
|
|
4:16:35 – 4:16:40
Excuse me. Martin Fischer is another guy who also makes horny music.
|
|
|
4:16:40 – 4:16:42
You should also invite him.
|
|
|
4:16:42 – 4:16:44
You should also invite him.
|
|
|
4:16:44 – 4:16:48
Have you already written down?
|
|
|
4:16:48 – 4:16:50
Yeah, it's my turn.
|
|
|
4:16:52 – 4:16:58
Yes, and that's the anecdote that I met Pink Floyd about Klaus von Arp,
|
|
|
4:16:58 – 4:17:03
Speaking trainer, the day-speaker of the time.
|
|
|
4:17:03 – 4:17:12
My little problem with Pink Floyd is that people who say that "Dark Side of the Moon" would be their favorite album
|
|
|
4:17:12 – 4:17:16
or the best album of all time, especially the latter, that's just kind of …
|
|
|
4:17:16 – 4:17:19
No, I don't think so.
|
|
|
4:17:19 – 4:17:25
Honestly, I don't think so. I really like Pink Floyd a lot better.
|
|
|
4:17:25 – 4:17:29
"Wish You Were Here".
|
|
|
4:17:29 – 4:17:32
Yeah, that's right. That's right.
|
|
|
4:17:32 – 4:17:37
I think it's also the better record.
|
|
|
4:17:37 – 4:17:41
I would even say that even...
|
|
|
4:17:41 – 4:17:45
So, it's natural, the problem is Roger Waters.
|
|
|
4:17:45 – 4:17:55
Apart from the fact that Roger Waters never wanted to become a musician, but an activist and then "Dark Side of the Moon" came in between, "The Wall" is a very good album.
|
|
|
4:17:55 – 4:18:04
I would even rank it above "Dark Side of the Moon", simply because it is a bit more coherent, even if it is of course the absolute ego show.
|
|
|
4:18:04 – 4:18:09
Of course, "Wish You Were a Hero" stands for itself. I think "Dark Side of the Moon" has suffered a bit from its status.
|
|
|
4:18:09 – 4:18:14
There's a hell of a lot of good approaches, but somehow, yeah,
|
|
|
4:18:14 – 4:18:20
You know, when all the people who say yes are the hottest shit ever, right?
|
|
|
4:18:20 – 4:18:26
And when Stephen Wilson comes, right? So the big prog-rock-miracle-fuzzi,
|
|
|
4:18:26 – 4:18:32
who remixed the thing in surround sound and said, yes, well, no, my dad just let it go without end.
|
|
|
4:18:32 – 4:18:36
That's why this is my favorite band. I can't do much about it.
|
|
|
4:18:36 – 4:18:49
If you haven't heard Pink Floyd's "Wish You Were Here" yet, it's "Welcome to the Machine."
|
|
|
4:18:49 – 4:18:52
This is my favorite piece from the record.
|
|
|
4:18:55 – 4:19:02
I see why. So everyone can call something else a favorite and will be right.
|
|
|
4:19:02 – 4:19:05
They're all great.
|
|
|
4:19:05 – 4:19:11
This is a record that has no lengths and hardly any weaknesses.
|
|
|
4:19:11 – 4:19:17
You really notice the dark side and also the metal and all that before.
|
|
|
4:19:17 – 4:19:32
Seriously, now. I haven't heard an album in the last 10 years that has flashed me so much.
|
|
|
4:19:32 – 4:19:46
I have the feeling that in the last 20 years, there has hardly been anything on the market that was so good.
|
|
|
4:19:46 – 4:19:53
It's as if all of this is now actually, as if it no longer has that quality.
|
|
|
4:19:53 – 4:19:59
I'm just thinking about the last thing Deat blew me away.
|
|
|
4:19:59 – 4:20:01
Radiohead with Kid A.
|
|
|
4:20:01 – 4:20:04
That's '90s.
|
|
|
4:20:04 – 4:20:08
No, no, it was 2000, but it's a 90's.
|
|
|
4:20:08 – 4:20:17
Yes, but there you need the Kit A. Kit A was the last big shock moment of pop music, Rinko Heydrich once said, we also have to invite him.
|
|
|
4:20:17 – 4:20:25
The great Laude columnist, so there are already two people from Laude, I have to send the bails.
|
|
|
4:20:25 – 4:20:32
No, Rinko meant, that was the last moment when pop music could really do something new and shock.
|
|
|
4:20:32 – 4:20:39
Because after that, you'd actually seen it all. So the step from, I don't know, No Surprises to Everything in its Right Place.
|
|
|
4:20:39 – 4:20:43
Did you find Kid A so shocking? I didn't find it shocking at all.
|
|
|
4:20:43 – 4:20:45
Well, it's shocking in that regard.
|
|
|
4:20:45 – 4:20:47
It was just good music.
|
|
|
4:20:47 – 4:20:53
They should make space rock, you know? It was like Oasis. Or third Oasis album should be inherited by the Beatles.
|
|
|
4:20:53 – 4:20:56
You didn't do anything because it was just good.
|
|
|
4:20:56 – 4:21:04
And Radiohead should write these hypocrites for people who smoke bonk protests.
|
|
|
4:21:04 – 4:21:10
And what came after that? Stroke with Prophet 5.
|
|
|
4:21:10 – 4:21:17
So I think Radiohead is one of the most mercilessly overrated bands in the world.
|
|
|
4:21:17 – 4:21:22
So they do something completely their own, no one really does it well for them.
|
|
|
4:21:22 – 4:21:27
I can't hear it, I think it's awful, but I can appreciate what it's all about, right?
|
|
|
4:21:27 – 4:21:33
I especially like Tom Yorke's song.
|
|
|
4:21:33 – 4:21:42
The man has a voice, something, that has a frequency, that with me something,
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4:21:42 – 4:21:48
It triggers some pages on my soul because I could melt there every time.
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4:21:48 – 4:21:53
Do you remember where he was at...
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4:21:53 – 4:21:55
Damn, what's the name of the piece?
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4:21:55 – 4:22:03
He did a piece like this with another band.
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4:22:03 – 4:22:12
Then I probably don't know.
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4:22:12 – 4:22:16
Or can't you suhort me to Tom Yorke?
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4:22:16 – 4:22:24
I said Radiohead, I think I've got five, so the five obligatory albums maybe once so skipped over it.
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4:22:24 – 4:22:29
I think the only piece of Radiohead I've heard on several occasions was "Eat Your Tech".
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4:22:29 – 4:22:31
Because that's always the moment when you're the …
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4:22:31 – 4:22:35
"Rabbit in your headlights" with "Uncle".
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4:22:35 – 4:22:37
Okay, that doesn't tell me anything. Zero.
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4:22:40 – 4:22:56
I think that's especially with the music video, so you have to see that with the music video and then that song where his voice almost dies. It's great.
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4:22:56 – 4:22:59
On every second Radiohead track.
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4:22:59 – 4:23:05
You don't have to like it, it's okay if you don't like it.
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4:23:05 – 4:23:08
Yeah, that's it. I'm very grateful to you for that.
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4:23:08 – 4:23:14
Pull the video in from Anker.
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4:23:14 – 4:23:19
Yeah, post in here. We don't have a link list until you go.
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4:23:19 – 4:23:21
It doesn't matter.
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4:23:21 – 4:23:28
To be honest, I don't know, Mr. Lautfunk has become a bit silent.
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4:23:28 – 4:23:34
I wonder if it's because all the YouTube melodies that were previously played in the medley are now running in his head.
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4:23:34 – 4:23:37
That's it, I know.
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4:23:37 – 4:23:39
Of course.
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4:23:39 – 4:23:42
I can still sing it after all these years.
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4:23:42 – 4:23:46
Every single line and the six minutes that aren't in there, I'll stop them.
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4:23:46 – 4:23:50
I just lined up everything that was big.
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4:23:50 – 4:23:57
Yeah, I told you, I know that from somewhere.
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4:23:57 – 4:23:59
Ah, yeah.
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4:24:01 – 4:24:05
But I found something else in the order.
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4:24:05 – 4:24:12
Come on, let's run it first and then I can explain the concept,
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4:24:12 – 4:24:17
When we're in the music loop a little bit.
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4:24:17 – 4:24:20
[Music]
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4:24:20 – 4:24:26
[Music]
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4:24:26 – 4:24:32
[Music]
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4:24:32 – 4:24:39
[Music]
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4:24:39 – 4:24:46
[Music]
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4:24:46 – 4:24:49
[Music]
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4:24:49 – 4:24:56
[Music]
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4:24:56 – 4:25:02
[Music]
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4:25:02 – 4:25:08
[Music]
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4:25:08 – 4:25:15
[Music]
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4:25:15 – 4:25:18
[Music]
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4:25:18 – 4:25:24
[Music]
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4:25:24 – 4:25:30
[Music]
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4:25:30 – 4:25:36
[Music]
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4:25:36 – 4:25:42
[Music]
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4:25:42 – 4:25:58
[Music]
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4:25:58 – 4:26:01
[Music]
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4:26:01 – 4:26:08
[Music]
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4:26:08 – 4:26:14
[Music]
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4:26:14 – 4:26:21
[Music]
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4:26:26 – 4:26:28
*Music*
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4:26:28 – 4:26:31
[Music]
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4:26:31 – 4:26:37
[Music]
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4:26:37 – 4:26:43
[Music]
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4:26:43 – 4:26:49
[Music]
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4:26:49 – 4:26:55
[Music]
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4:26:55 – 4:27:17
[Music]
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4:27:18 – 4:27:20
[Music]
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4:27:20 – 4:27:23
[Music]
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4:27:23 – 4:27:30
[Music]
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4:27:30 – 4:27:38
[Music]
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4:27:38 – 4:27:46
[Music]
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4:27:46 – 4:28:15
[Music]
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4:28:15 – 4:28:18
* music *
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4:28:18 – 4:28:21
* music *
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4:28:21 – 4:28:24
[Music]
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4:28:24 – 4:28:31
[Music]
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4:28:31 – 4:28:37
[Music]
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4:28:37 – 4:28:42
[Music]
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4:28:42 – 4:28:48
[Music]
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4:28:48 – 4:28:51
[Music]
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4:28:51 – 4:28:58
[Music]
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4:28:58 – 4:29:05
[Music]
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4:29:05 – 4:29:11
[Music]
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4:29:16 – 4:29:45
[Music]
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4:29:45 – 4:30:10
Music for the podcast.
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4:30:10 – 4:30:15
Tobi the Prock Rocker.
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4:30:15 – 4:30:22
Prock Rock? So please. There's more to an anime opening than a prock rock.
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4:30:22 – 4:30:26
Just because there was a solo in between, where I briefly shot the time.
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4:30:26 – 4:30:31
What was the name of this subgenre? Glitter Rock?
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4:30:31 – 4:30:42
I can see Tobi. Tobi with sequin pants, fat sunglasses and long hair.
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4:30:42 – 4:30:44
So Rick Wakeman-like or what?
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4:30:44 – 4:30:46
Yeah, that's right.
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4:30:46 – 4:30:51
I see him more like a cat at Kiss.
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4:30:51 – 4:30:56
Here's my topic again, f*** or what?
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4:30:56 – 4:31:01
You're pretty damn close to what I'm planning for the next tour.
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4:31:01 – 4:31:03
[Laughter]
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4:31:03 – 4:31:06
It's great.
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4:31:06 – 4:31:08
Just not so constructive.
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4:31:08 – 4:31:10
Yeah, but speaking of constructive, that's...
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4:31:10 – 4:31:14
I have a habit of dealing with issues,
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4:31:14 – 4:31:18
There is a constructive version and there is a destructive version.
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4:31:18 – 4:31:22
And the destructive version took place then on the YouTube channel,
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4:31:22 – 4:31:25
where I wanted to go with a... on a bubble tea through Germany.
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4:31:25 – 4:31:30
Sasha remembers that very well, I know that.
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4:31:30 – 4:31:32
Yes, yes.
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4:31:32 – 4:31:34
That was great art.
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4:31:34 – 4:31:40
And this was such a bit of an attempt from the footage,
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4:31:40 – 4:31:42
That came around.
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4:31:42 – 4:31:46
I also think it was such a small summary of someone,
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4:31:46 – 4:31:51
Almost working on it a bit with motif technique.
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4:31:51 – 4:31:55
In short, to understand the context, there are four types,
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4:31:55 – 4:32:00
In the sense of a promo stunt, that was the time when all YouTubers were just big.
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4:32:00 – 4:32:06
And even so in 2014, the last year of lies, before 2015 everything broke
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4:32:06 – 4:32:13
Walla Digga and Aporet Hamburg overwhelmed everything.
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4:32:13 – 4:32:18
In any case, these were still the weddings of Cologne and so four YouTube dullis wanted to
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4:32:18 – 4:32:22
Driving through Germany on a longboard.
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4:32:22 – 4:32:25
And I set a little footage there, so to speak,
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4:32:25 – 4:32:31
I took almost four lead tracks, depicted almost every character a bit in it
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4:32:31 – 4:32:34
From the video content I had.
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4:32:34 – 4:32:38
And yes, that got around a bit.
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4:32:38 – 4:32:43
Of course, it all came back in one afternoon, somewhere, I don't know.
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4:32:43 – 4:32:45
I believe in Tuscany.
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4:32:45 – 4:32:50
So, Master Keyboard, who was still in charge of the guitar at the same time,
|
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4:32:50 – 4:32:55
such an old Yamaha, I think such an MX, which was not old at that time, which was just new,
|
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4:32:55 – 4:33:02
but that was my on-the-go keyboard back then and yes, a bit of Omnisphere still,
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4:33:02 – 4:33:06
Drum Programming from the Logic Drummer. I don't think there's a bass,
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4:33:06 – 4:33:09
It doesn't need to be as dense as the mix.
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4:33:09 – 4:33:12
Didn't notice.
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4:33:12 – 4:33:22
No, that's the 80's trick. They were on the radio back then, basically the bass was compressing everything
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4:33:22 – 4:33:26
And then people just left out the bass and then it got louder on the radio.
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4:33:26 – 4:33:36
That's why 80's music is relatively low in bass, both in real and imitation style.
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4:33:36 – 4:33:42
It comes from the feeling of volume. And of course this is all super unmixed,
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4:33:42 – 4:33:50
Somehow beaten by logic to 0 dB or something. Me and production, huh? Today, of course, I would
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4:33:50 – 4:33:55
Doing everything differently, but I think for 18, 19 that's not bad. You can't even
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4:33:55 – 4:34:04
Ignore the time. No, you shouldn't either. That was a long time ago. Where I sometimes
|
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4:34:04 – 4:34:08
I think I was a better musician than I am today. It's not just,
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4:34:08 – 4:34:12
Because it's just after shoulder treatment that one hand is so a bit on it, but in general.
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4:34:12 – 4:34:19
There is such an intuition and such a playful thing. So if I give you certain
|
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4:34:19 – 4:34:22
I'm supposed to re-enact these runs today, eh, I'd be screwed.
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4:34:22 – 4:34:27
Is that a certain naivety?
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|
4:34:27 – 4:34:30
Well, probably, yes.
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4:34:30 – 4:34:37
I mean, how old were you there? If that was seven years ago, you were just 23 years old.
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4:34:37 – 4:34:40
No, no, that's from 2014, I said yes.
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4:34:40 – 4:34:42
Ahso, 2014, okay.
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4:34:42 – 4:34:48
Yeah, we're going backwards. This is 18, 19.
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4:34:48 – 4:34:54
Naivety is perhaps the wrong term, I think such light-heartedness is still in there.
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4:34:54 – 4:34:57
Such an obsessive attempt.
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4:34:57 – 4:35:03
That's the playful, naivety isn't the right expression, that's actually, you're right.
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4:35:03 – 4:35:04
Yeah, maybe it is.
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|
4:35:04 – 4:35:09
No, it's more like you said, it's more like light-heartedness.
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4:35:09 – 4:35:11
This is the constructive approach.
|
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4:35:11 – 4:35:19
So you write for once, although there, let's say so, the heavy things were already running a bit in the background.
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4:35:19 – 4:35:31
So that's not that I basically only wrote positive stuff until 2000, I don't know, 16, 17, 18 or something.
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4:35:31 – 4:35:50
I think that's where it started a little bit. I think that's the moment when all this, yes, I would say so in 2015, 2016, when it all migrated more and more into the computer and then I did a lot more professional stuff, you know?
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4:35:50 – 4:36:03
You'll learn your tools, but – and that's why I tell people if they really want to make bread with music,
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4:36:03 – 4:36:13
then they have to reckon with the fact that for art only what has a certain importance remains.
|
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|
4:36:13 – 4:36:17
So you divide your time differently.
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|
4:36:17 – 4:36:19
And I've got here, if I look through here a little,
|
|
|
4:36:19 – 4:36:26
Clearly, I see a certain production craze between 2011 and 2015.
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|
|
4:36:26 – 4:36:31
which I never had again, but which also had occasions and moments
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|
|
4:36:31 – 4:36:34
And there he had a certain light-heartedness,
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|
|
4:36:34 – 4:36:38
Because it happened by the way.
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|
4:36:38 – 4:36:42
I ran out of food at the same time or exchanged laptops in companies,
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|
|
4:36:42 – 4:36:47
exchanged, I lived at KPMG in my boss's pocket and questioned the company,
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|
4:36:47 – 4:36:54
their economic benefits. And yes, so stop things like that. And then when you stop
|
|
|
4:36:54 – 4:36:59
make the whole day almost different and then so, are even younger, the summer is still
|
|
|
4:36:59 – 4:37:04
A little warmer or anything and everything. Well, nonsense. I totally romanticize it, of course.
|
|
|
4:37:04 – 4:37:09
isn't it? But of course there is already a difference when you stop music, music was a constructive
|
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|
4:37:09 – 4:37:20
Valve, isn't it? And now it's partly a job, partly relaxation, and the valve,
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4:37:20 – 4:37:25
It's there too, there are other occasions. Or I'll tell you, the world doesn't offer
|
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|
4:37:25 – 4:37:32
It's definitely an occasion for childish-naïve-happy music, isn't it? At least I don't know,
|
|
|
4:37:32 – 4:37:38
Where to start, because intuitively you are already somewhere else. Yes, if you look back like that,
|
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|
4:37:38 – 4:37:45
Would you say that 2020, the beginning of the Corona era, that this was a caesura, also in your work,
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|
4:37:45 – 4:37:47
That it influenced you?
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|
4:37:47 – 4:37:59
No. So the caesura was, I think, 2018. Actually, it was 2015's censorship. I'm 2015 after
|
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|
4:37:59 – 4:38:07
Cologne and was there regularly, also so again the YouTube times.
|
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4:38:07 – 4:38:09
There you were 20.
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|
4:38:09 – 4:38:20
Yeah, 20, yeah. Progressivism has tried to sell itself as an attractive alternative,
|
|
|
4:38:20 – 4:38:26
but in the end he just threw you on the floor at 3 o'clock in the morning and cried you out,
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|
4:38:26 – 4:38:30
or while you're trying to get them to somehow keep him over the toilet.
|
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|
4:38:30 – 4:38:36
And it was a collection of then probably 2018 still, faith crisis on top of that.
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|
4:38:36 – 4:38:42
And Corona was actually just that, I say, that was the grateful moment,
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|
4:38:42 – 4:38:47
where you could stay at home without disturbing yourself with the environment.
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|
4:38:47 – 4:38:51
But of course I also drove a lot over mountains and listened to a lot of good pop music.
|
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|
4:38:51 – 4:38:54
Now I know again, the last album I've heard,
|
|
|
4:38:54 – 4:38:58
"Forward" by Dispers.
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|
4:38:58 – 4:39:02
I heard that very, very often on the road in Lockdown-Willi.
|
|
|
4:39:02 – 4:39:07
Fantastic album, is a delusional Polish progressive,
|
|
|
4:39:07 – 4:39:13
Well, almost Mav-Prog, so you can't call it a classic progressive anymore.
|
|
|
4:39:13 – 4:39:18
This is a blueprint from 2017, which has anticipated a lot,
|
|
|
4:39:18 – 4:39:20
What happened later in the scene, right?
|
|
|
4:39:20 – 4:39:25
The band broke up because there was so much more you couldn't do, right?
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|
4:39:25 – 4:39:30
In fact, I didn't listen to any music in the Corona years.
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|
4:39:30 – 4:39:32
I did.
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|
4:39:32 – 4:39:34
Okay.
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|
|
4:39:34 – 4:39:40
And from the point of view of life, for me the corona period was with being imprisoned,
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|
|
4:39:40 – 4:39:47
I do not know how the coronavirus measures have been implemented in Switzerland,
|
|
|
4:39:47 – 4:39:54
And here in Hamburg and in Germany in general, they were the strictest in the world.
|
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|
4:39:54 – 4:39:57
I think only China was stricter.
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|
4:39:57 – 4:40:02
So here in Germany they have it from all countries, I think, the longest and
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|
4:40:02 – 4:40:04
The hardest through.
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|
4:40:04 – 4:40:09
And for me, the Corona era was like my childhood.
|
|
|
4:40:09 – 4:40:15
I felt very much moved back to my parents' house.
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|
4:40:15 – 4:40:19
You didn't know what was going on.
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|
4:40:19 – 4:40:24
You didn't know every day what new rules were in place.
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|
4:40:24 – 4:40:27
You never knew how to act now.
|
|
|
4:40:27 – 4:40:31
What rules do you violate that have not been pronounced,
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|
|
4:40:31 – 4:40:35
which have not been published.
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|
4:40:35 – 4:40:37
It was like my childhood.
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|
|
4:40:37 – 4:40:42
And that helped me survive that time.
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|
4:40:42 – 4:40:44
And make the music.
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|
4:40:44 – 4:40:48
Other people didn't get it so well.
|
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|
4:40:48 – 4:40:50
So I noticed,
|
|
|
4:40:50 – 4:40:58
So when I compare here with the youth, I also see the vintage, which in the autonomy phase 10, 11 was allowed to stay at home, should.
|
|
|
4:40:58 – 4:41:04
There were parents who kicked the kids out the door and said you can do whatever you want.
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|
4:41:04 – 4:41:12
School is free. We ourselves are from the job, have packed two of us quasi in jogging clothes,
|
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|
4:41:12 – 4:41:19
They put the kids in a bag of grilled food and then walked more or less unobtrusively through the forest.
|
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|
4:41:19 – 4:41:25
And they had, yes, the evening, at least one positive evening in the week.
|
|
|
4:41:25 – 4:41:31
That was in the beginning. So the first lockdown, which was really a courage in this regard.
|
|
|
4:41:31 – 4:41:35
The psychotic changes did not come until the end of April, the beginning of May.
|
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|
4:41:35 – 4:41:40
In fact, Switzerland has been much stricter than Germany for a long time.
|
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|
4:41:40 – 4:41:44
And then it tipped because you had direct democracy in Switzerland.
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|
4:41:44 – 4:41:48
And you knew very well, if you exaggerate it a little,
|
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|
4:41:48 – 4:41:52
then other people gain traction and you can't stop that.
|
|
|
4:41:52 – 4:41:57
And we had three votes for coronavirus rules updated three times.
|
|
|
4:41:57 – 4:42:10
They were all confirmed, because they actually left a lot of room for manoeuvre in comparison.
|
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|
4:42:10 – 4:42:17
I also took advantage of the free space. In addition to the things you do at work
|
|
|
4:42:17 – 4:42:23
I was able to make, I grabbed my bike, my e-bike, and I'm there over mountains and
|
|
|
4:42:23 – 4:42:26
I left at sunset and returned in the morning.
|
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|
4:42:26 – 4:42:35
That is why I continue to support the introduction of a democracy modelled on Switzerland.
|
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|
4:42:35 – 4:42:40
should. This also has its problems, I also know from your explanations,
|
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|
4:42:40 – 4:42:45
But I still think it's better than just being behind a party.
|
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|
4:42:45 – 4:42:52
to hide. The representative is, of course, the problem in itself, but as I said, the
|
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|
4:42:52 – 4:42:58
direct, you have so many prerequisites in Switzerland, which are also simply historical
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4:42:58 – 4:43:05
They have grown and you can't just trigger them with democracy. So I believe
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4:43:05 – 4:43:08
Nor would Germany be able to withstand a direct democracy.
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4:43:08 – 4:43:13
Not anymore, forget it. I've seen people with masks jogging, that's how it went for two weeks,
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4:43:13 – 4:43:18
Then people took off the mask again, because absolutely, you can't do that.
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4:43:18 – 4:43:20
You can't run with a mask.
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4:43:20 – 4:43:21
This is black deer.
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4:43:21 – 4:43:25
I had two weeks of very pleasant roads and then the retirees came on e-bikes.
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4:43:25 – 4:43:28
That's right, yes.
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4:43:28 – 4:43:32
That was the beginning of the end.
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4:43:32 – 4:43:36
It was really beautiful for several weeks.
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4:43:36 – 4:43:41
Yeah, did you notice what a blue sky we've had over the years?
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4:43:41 – 4:43:43
Yes, very blue.
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4:43:43 – 4:43:46
It's insane. Funny, isn't it?
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4:43:46 – 4:43:50
You could have made something out of it.
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4:43:50 – 4:43:55
The nice thing is, if you, where did I read this?
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4:43:55 – 4:44:00
Somewhere on Twitter, so "the rich people's yacht money",
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4:44:00 – 4:44:05
So if you replace "the economy" with "the rich people's yacht money",
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4:44:05 – 4:44:07
It makes a lot of sense.
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4:44:07 – 4:44:14
"This hurts the economy" or "You can't do this because of the economy".
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4:44:14 – 4:44:16
Absolutely.
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4:44:16 – 4:44:18
This hurts rich people's yacht money.
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4:44:18 – 4:44:20
And that's what our will has explained.
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4:44:20 – 4:44:26
We've got five hours full.
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4:44:26 – 4:44:28
We have to cut the last quarter of an hour a bit.
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4:44:28 – 4:44:30
That's the way it is.
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4:44:30 – 4:44:32
Maybe Mr. Lautfunk is doing a countdown or something.
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4:44:32 – 4:44:36
Yeah, okay, if we have to cut out 10 minutes now,
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4:44:36 – 4:44:40
Then we have themes.
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4:44:40 – 4:44:42
No.
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4:44:42 – 4:44:45
We're actually at the end of this show, aren't we?
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4:44:45 – 4:44:49
We've got five hours full.
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4:44:49 – 4:44:52
Yeah, not quite cutting out yet.
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4:44:52 – 4:44:59
Mr. Raumwelle, what about your stomach and Sara's stomach?
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4:44:59 – 4:45:06
I've injected Monjaro, I don't have coal vapor yet, but the good woman...
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4:45:09 – 4:45:14
And I'm also so slow in "you could drive at -3 degrees to the burger" mood.
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4:45:14 – 4:45:20
Exactly, and if people get into this, then it's probably already a long way off.
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4:45:20 – 4:45:21
Midnight.
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4:45:21 – 4:45:28
Then I would say, turn on again next year.
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4:45:28 – 4:45:32
No, no, no, then we have no listeners for a whole year.
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4:45:32 – 4:45:35
That's right, we're already in the new year.
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4:45:35 – 4:45:36
That's right, damn it.
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4:45:36 – 4:45:43
In this sense, happy new! Happy new year! Turns on again this year,
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4:45:43 – 4:45:48
If your … ach, whatever. I have the impression that our end-of-year expenditures are getting longer and longer.
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4:45:48 – 4:45:53
What are we going to do next year? Twelve hours of streaming or what?
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4:45:53 – 4:45:58
Do you think we should stream? Oh, no, how? We could do it, too.
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4:45:58 – 4:45:59
Let's do it. We had the idea.
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4:45:59 – 4:46:00
But then we can't talk about politics.
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4:46:00 – 4:46:06
You see, but I'm glad it worked out. I think we have to do a part of it first.
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4:46:06 – 4:46:11
Shorten it a bit, somewhere in the middle. There was one who was dangerously close to the political.
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4:46:11 – 4:46:17
Yeah, there was something. I can remember darkly.
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4:46:17 – 4:46:24
I'll look at it. Now a happy new one to the mob out there. Make something out of the year.
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4:46:24 – 4:46:27
From you. Also a happy new one.
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4:46:27 – 4:46:29
It's all right.
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4:46:29 – 4:46:32
We are more likely to hear each other in January.
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4:46:32 – 4:46:35
Exactly.
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4:46:35 – 4:46:38
Vidanja.
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4:46:38 – 4:46:41
The vidanja. It's Tavarish.
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4:46:41 – 4:46:47
Is there a foreign language waiting for me? Who are you guys?
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4:46:47 – 4:46:48
Au revoir.
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4:46:48 – 4:46:50
*Music*
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4:46:50 – 4:46:53
[Music]
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4:46:53 – 4:46:59
[Music]
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4:46:59 – 4:47:05
[Music]
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4:47:05 – 4:47:11
[Music]
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4:47:11 – 4:47:18
[Music]
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4:47:18 – 4:47:25
[Music]
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4:47:25 – 4:47:28
[Music]
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4:47:28 – 4:47:31
[Music]
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4:47:31 – 4:47:33
[Music]
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Yes, it was originally supposed to be released last year, but who expects the three times to record by far the longest episode of their podcast career, during this cozy (and sometimes overtired) rehearsal room conversation between the years. But; (largely) everything in it, everything on it. The big topics that move the world, the last podcast year compactly summarized, an ode to the guests (especially to one), almost an hour of material battle analysis and yet another about the not even so surprising findings. And towards the end there is finally a lot of my own music. See you (or rather “hear you”?) in 2026 (ah, we already are? Well well, next week).
🧭 Episode Topic Overview
Arriving in the rehearsal room
An unfiltered entry: Technology is catching on, conversations are stumbling away – and this is exactly what creates the atmosphere that characterises this episode.
Between Years and Thoughts
Christmas, the end of the year and the moment in between: personal reviews, fatigue, routines and the feeling of stopping for a moment.
Speaking without a plan – but with an attitude
Why not every conversation needs a goal and digressions often tell more than structured theses.
Music as a retreat
Making music between everyday stress, idealism and the desire not to be bent creatively.
Synthesizer, Gear & Reality check
Hardware dreams, software updates, bad purchases, highlights – and the honest question of what you really need.
Trends, Hypes and Disillusionment
What is ‘pronounced’, why many things seem interchangeable and where real inspiration still arises.
AI, Creativity and Grey Zones
Artificial intelligence between tool, threat and opportunity – including copyright, in-house performance and cultural responsibility.
Platforms & monetization
Streaming services, advertising, subscription models and the question of who actually benefits from music and podcasts.
Community, expectations and reality
Listeners, comments, feedback – and the fine line between exchange, projection and pressure to expect.
Social background noise
Football, media events, attention economy and the feeling of being part of a constant noise.
Humor, irony & border tests
Jokes, side blows, deliberate overdrafts – and why not everything has to be meant with beer.
The Year in the Rearview Mirror
A personal review of podcasts, conversations, dynamics and changes in your own format.
Fatigue, Doubt and Continuation
Exhaustion, questions of meaning and yet the desire to continue – only more consciously.
Open end instead of conclusion
Not a final judgment, not a final plan – but thoughts that can be taken along.
Links to the issue:
-
Disperse - Stay
-
Rabbit in Your Headlights
-
Pink Floyd - Wish You Were Here (Full Album)
-
The Dark Side of the Moon - Pink Floyd - (FULL COVER Live in Studio)
-
Tubular Bells (Pt. I)
-
Deichkind – Really good stuff
-
#540290 BlackZon Spryte MT Turbo - Red
-
Chris Huelsbeck Productions
-
Life Is Strange Soundtrack - To All Of You By Syd Matters
-
Echoes of Slumbering Meadows
-
The Notwist - Superheroes, Ghostvillains & Stuff [FULL ALBUM STREAM]
-
Besseri city
-
Lonely Keys - Mixed
-
The Drill - Mixed
-
Juno
-
Ebola for MushiFlo - Black People want Christmas (even if they don't know what it is)
-
Strudel REPL
-
Sonic Pi - Programming music in a self-test: Turning coding beats instead of buttons?
-
Expressive E osmosis 61
-
Your Sound Journey - Meinl Sonic Energy
-
Lambda Synthetics
-
Hacky Sack®
-
VEGAN-BEEF is escalating completely! (Raffaela vs. Nikibrah)
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Contributors to this episode
Tobi
Emergency power
Sascha
Playing time: 4:47:33
Date of admission: 27.12.25
This episode is from season 4, there are a total of 4 seasons.
One According to Funk Publication Cartel Production - Where stories are transmitted unmistakably.
Podcast license:
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Author: Sascha Markmann
Sascha Markmann is a creative mind with a moving biography – and a person who has rediscovered life after a stroke. After working as a paramedic and elderly caregiver, Sascha found his way into creative expression. As a blogger, podcaster, musician and visual storyteller, he brings together things that just don't fit at first glance: He combines his keen enthusiasm for technology – from self-hosted servers to electronic music production – with emotional depth and an oblique sense of humor. His contributions are somewhere between borderline, acid basslines and assistance – honestly, directly and with a wink. Guiding principle: “Audio-visual dullness with no usefulness – but perhaps that's why it's so valuable.” View all posts by Sascha Markmann
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