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00:00 - 0:00:22
The rehearsal podcast. At the cozy talk in the rehearsal room. With our moderators Mr. Raumwelle,
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0:00:22 – 0:00:29
Tobi and Mr. Emergency Strom. Have fun!
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0:00:44 – 0:00:50
It's time again. It's been another week or so. It felt somehow
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0:00:50 – 0:00:59
Four weeks. Somehow yes, huh? For us, yes. For the others, I don't know. I think
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0:00:59 – 0:01:07
Most people are in summer mode. Totally. I wonder what summer it is. So,
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0:01:07 – 0:01:12
You can only go out with an inflatable boat around your hips, right? colleague,
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I'm sitting in my underpants in front of the fan. Yeah, come on, the mountain weather, that doesn't count.
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Here Basel, hot cobblestones or wherever the city is called, where you are currently staying in the
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Switzerland, like up here in the north, we already have swimming skins between our fingers. It's so hot
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0:01:31 – 0:01:40
Summer here. So balcony power plant here, that's a water wheel for me. I saw the meme.
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Yes, an AI meme that didn't even understand how a water wheel works.
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It's a joke.
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Above all, this giant snail there, that just looks funny.
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No, but in terms of temperature, summer is pretty normal.
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No, it's not normal, it's too cold.
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You have to watch all Kai Zorn, Kai Zorn YouTube weather channel, he has exactly that …
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Statistically, this is the case.
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So the summers earlier...
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He has torn it apart and he has put this in relation to the numbers from 1880.
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And you can clearly see that this...
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So this summer is one of the colder ones actually.
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Significantly colder.
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And he says it could get even warmer because summer isn't over yet.
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So now I have to pay indulgence trade to the EU or not?
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The Trump counts are enough for me, frankly.
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said. So we are now officially sitting here in the poorhouse of Europe.
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So we're paying taxes on the temperatures here, you know? You have to get out of all five.
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Pull off 20 degrees and then take off the start. So of the felt 36 degrees are only with us
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0:02:57 – 0:03:05
16 remaining. I honestly found it poetic that you are now talking about EU accession as
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A solution to the 39% tariffs. I wonder how long the euphoria will last.
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Does the US want to join the EU?
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Switzerland wants to enter the EU in order to circumvent the US tariffs.
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You're glad you only have to pay 39 percent. Other countries should pay 160 or
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150. Wasn't that the case with the Chinese? Why don't you just discuss it?
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That changes every hour for them. I find it much more interesting that islands,
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They are only inhabited by the penguin, then they are fired.
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This is a good statement about the global economy. I thought it was better,
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I never did that when I was for the …, but I thought it was better than my ancestors.
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To the farmer have directly virtually replaced the slaughtered Co for paper.
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You mean the bond, nothing else is money.
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Yeah, but it was just like that on a small scale, you know, I don't have to sort of
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throw money at an online tool for any hedge fund manager to
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I can do laziness and my things are glued together by some Chinese.
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You might be wondering, it was a bit easier on the ground.
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But we're talking about a person who tells you that we're paying for medication.
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Reduced by 1400 percent.
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Yes, if I look at how the pharmaceutical sales are, I can even believe that.
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Didn't you want to impose tariffs on pharmaceutical products?
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Yeah, but I can't cut anything by 1400 percent. I can't do that.
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Yes, that's possible.
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You can do this by simply throwing a lot of money at people when they buy a drug.
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For a percentage calculation, it's completely in the ass, but you can of course make it significantly smaller in percentage terms.
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So then you're in a zero with a few decimal places.
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No, it does, so I guess that's a translation mistake from the American,
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But generally 1400 percent less, that's nonsense.
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Had he actually said we didn't cut it by 40 percent,
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Nor did we reduce it by 120 percent, but by 1400 percent.
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Well, you know, some, so politicians in general, seem to have some sort of problems with numbers.
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I can only recall the 360-degree turn.
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Or was it a 180-degree turn? No, 360° turn.
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Or a certain politician whose name is not allowed to be pronounced, because otherwise...
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People, people, people!
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I don't want to have to cut that again. The last one is still on the record.
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It's already cost me several hours and I'm not even through.
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I just wanted to say, politicians and numbers, two worlds collide.
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And lose the numbers.
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Where there is a will, there is a way.
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Speaking of numbers, somehow every job just felt like summer sales.
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Yeah, kind of. I think because it's sour cucumber time, because everyone's on vacation right now,
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say to yourself, oh, we need to boost our sales more and that's why we're doing summer sales now.
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What do we have in summer sales?
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Somehow everyone.
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But only so Billo-Sales, so 30-40%.
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Summersale is for those who can't wait until Black Friday.
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That's right. It hasn't been that long.
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So besides airspace, I actually gave myself a few soundpacks like every summer.
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And get a free Lunaris that I can't install,
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because my native access glorified for two weeks worked
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He then updated himself and hasn't been able to since.
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From airspace I also have two soundpacks.
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0:07:19 – 0:07:27
Yeah, they've got a lot, haven't they? For Yuhi, Repro, did a little bit too. Diva and all that.
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0:07:27 – 0:07:31
Yes, the new Avalon sets. It didn't come until after the sale.
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Because I have just brought my Repro Library quasi up to date for airspace.
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I told myself once, just to not fall in everywhere and buy songs for everything,
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I told myself, soundpacks are only for the UE stuff.
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The problem is, there's most of it.
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We actually did for the Tal-Uno-LX from...
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[sighs]
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What is the name of the Swiss software company?
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Valley.
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Exactly, for TAL, TAL, DUNOX, LX there is also Summer Sale.
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So, three sound sets for Lau and the Short Pre-Summer Discount.
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Or is it not even current? Pre-Summer Discount? That's right, it was from June.
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What is the current one? The 50th% Off, ah, it's already over, we already have August.
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If you would like to have hardware, at the Music Store there is currently still a summer sale,
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Up to 65% Discount. Then there are such bangs, such crackers,
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like the Korg MicroKorg Crystal or the Behringer Model 15,
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the MicroKorg for 3.77 instead of 6.49.
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Ouch. And in the Behringer Model 15,
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199.
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Or Behringer TD3 for 79.
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So that's almost here plug-in price, I would say.
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That's plug-in price, yes.
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Plug-in price to touch.
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That's right, there's a lot of other stuff.
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It's plenty.
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Let's see if Soundstival is still running in the soundsale.
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I can only buy digital stuff.
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For the rest of this place now really so close.
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I know, I know.
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Well, then we have to do it like the young man in the video,
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Which we've been talking about for three episodes now.
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And just reduce it to 50 items.
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Yeah, have fun.
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We have also reduced ourselves as a moderator team.
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We're only three again.
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Greetings to Henrik, all the best.
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0:10:00 – 0:10:02
Yes, definitely.
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Yes, it was a beautiful early summer for four.
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Although awful for cutting, because four tracks, that is simply a doubling of working hours.
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I know, yeah.
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But, I'm just imagining we're five now, ne the Henrik is a good friend and it was a nice time,
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But as it is, life is exhausting. The Hendrik must cook, the Hendrik must dance,
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Hendrik has to keep an eye on 15 YouTube channels and make two albums. And there he told us,
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"Boys, gladly again, but not now." I'm looking forward to his Korg-only album.
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He has so many Korgs with him, that means I'm curious if he will actually do that.
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It's like making a Korg-only album. This is going to be very interesting.
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What do we do with the reduction to 50 items? Shall we cut it now?
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Yes, I mean, at some point we'll have to talk about it. Or, alternatively,
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it came very early quasi, so not reduction to 50 objects per se,
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but the video of the guy who wanted to reduce the 50 items and crashing
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failed, by the way, that came about so in these reduction efforts from the beginning of July,
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I think once you had a good time with yourself.
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That was before I even came up with the idea of roaring through here once,
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But that wasn't really the trigger or anything.
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I have been dealing with this for a long time.
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And the trigger was the auto repair shop.
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Exactly, the trigger was then the auto repair shop,
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I just needed space for my new hobby.
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I actually have more than one,
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Yes, in order to get some space and also the knowledge,
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that I'm just an old sack with very bad eyes
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and the devices simply partly can no longer be operated,
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Because I just don't have eyesight.
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This often fails due to these too small displays or too small labels.
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And what I have left of hardware here after my reduction,
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There are three synthesizers, and I'm pretty good at that.
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That's enough.
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Yes, yes.
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I mean, I don't have any...
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How are you, Tobi? You're always in continuous reduction mode.
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I have such an impression. So when you look in your studio, you're actually just standing there.
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still the speakers, the computer, the monitors and somehow half a million controllers felt
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Keyboards. Yes, and all the same. So that's really bad. Well, say so,
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It's just the luxury, you know, you just say, I want the keyboard just as long,
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How to do it. A 61 slips off my knees, a 37 is an octave too short for me,
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I need a 49er. And if the 49er after five months already at the pitchbende
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I'll have to wear this shit in the shop soon and exchange it.
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What are you doing with the pitchbend?
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Use it.
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But how to use?
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Normal. Well, that's not good quality. No, I think it's a Monday model
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in this respect. This is, I think, one from the last run. No, I have to look now.
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Of course, it could also be that the wheels are loose here at Studio Logic. That was
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At least in the case of Modwheel. I thought, shit, the pitchbender's over at the 49er,
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The 61 is the Modwheel in the ass. And then I thought, no, wait a minute,
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With the 61, you just played gigs.
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This cannot happen so spontaneously.
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Wasn't it, but here at Studio Logic the modbender,
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He was in the mid-position and scored funny values.
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And the bad thing about Studio Logic is, like me,
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This gives Modwheel and Pitchbend values.
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And the pedal, if you disable the zone,
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He continues to send them out.
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And everywhere.
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Fine, that's funny.
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I'm about to repel the device.
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The bums don't come to the next apartment.
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I'll get it, I don't know.
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Maybe even such a beautiful pseudo-wooden housing-Roland.
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But it would be good if you could take it apart
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and then almost support it.
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I told you now that nothing will be refurbished in this place.
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So I'll stay here in the corner,
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Get me a cramp in my neck because of the screen height.
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And when that's over,
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then I think my complete set new in the next apartment.
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Right now it's just like this, I've just pushed everything into the studio, into the former.
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There are now mountains of boxes and other stuff.
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But the living room is nicely tidy, bedroom nicely tidy.
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And let's just ignore the third room.
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Yes, so the video, I found it inspiring,
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that I, this is not a video about a man who wants to reduce 50 items,
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but it is above all a video about a man who almost faces his own educated messitum.
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Yes, and above all, it is also a video about a man who simply fails at the task.
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Yes, yes.
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And how he handles it.
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So the video, I don't know if we can link that, maybe you can post that again.
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So the video is about the fact that this young man somehow has a problem with cleaning up, so he has a problem with himself.
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Early 40s, by the way. Yes, so the young man is in his early 40s, but he still comes to me a bit
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like a little boy who discovered for himself, so shit, it would be quite good if
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I'm going to clean up a little. Some people take so long to come up with the idea.
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Maybe that's a good idea. He had been inspired by
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Minimalism and that you then just have more focus and he would like to have in his work also
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More focus. And that was the basic idea why he approached the project. And he often makes such a challenge and turns it into a video series.
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Yeah, he's been on the self-improvement trip for a couple of years now.
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So that's kind of the scam from his YouTube channel that he just tries such things?
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Yes, stand now, yes.
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Because it's a media man who's been through different developments, but he's a media man who just...
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Use it for yourself, the topic.
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Self-optimization.
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Yeah, right now.
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Yeah, all right.
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I don't know, screenwriter, cameraman.
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I think if you just look at it from this point of view, his video, then...
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0:17:15 – 0:17:19
Yes, I don't know, relatively I already know all this a bit.
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0:17:19 – 0:17:23
So you don't necessarily have to live your life on 50 items or your professional life,
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0:17:23 – 0:17:26
I don't know exactly what he was doing.
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0:17:26 – 0:17:31
Yes, he ultimately fails because he simply needs a hundred things that he needs for his work.
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0:17:31 – 0:17:40
Yes, and that is, of course, reality and idealism, which then bite each other.
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0:17:40 – 0:17:46
There are so many challenges on many, many other YouTube channels,
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0:17:46 – 0:17:50
For example, in "7 vs. Wild". I don't know who knows that.
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0:17:50 – 0:17:51
Do any of you know that?
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0:17:51 – 0:17:53
Yeah, you know, but don't look.
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0:17:53 – 0:17:58
Yes, there is a foam on them that they are only allowed to take 30 geocaching machines or something into the wild.
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0:17:58 – 0:18:02
But there's this concept, you know, I'm also going with a master keyboard,
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0:18:02 – 0:18:06
with a laptop and a clothes and clay bag with clothes in camps.
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0:18:06 – 0:18:07
That's not the point.
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0:18:07 – 0:18:09
That's basically what he's doing.
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0:18:09 – 0:18:25
Or if you yourself, if you do something for yourself, I want to visit Mr. Raumwelle in Essen, in North Rhine-Westphalia, now, I don't know, then you have to plan.
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0:18:25 – 0:18:30
You can't take a thousand items with you, but you can say, okay, I need four here.
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0:18:30 – 0:18:35
Underpants, because I'm gone for four nights, maybe some more toothbrushes.
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0:18:35 – 0:18:39
You only take what you can put in your package.
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0:18:39 – 0:18:41
You pack underpants after nights?
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0:18:41 – 0:18:43
No, that was just one example.
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0:18:43 – 0:18:53
Thomas, everyone knows, the underpants that were needed and one, if you
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0:18:53 – 0:18:54
wears in.
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0:18:54 – 0:18:57
Why would you give yourself a shit?
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0:18:57 – 0:19:00
Yeah, because that's normal. That is the safety factor.
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0:19:00 – 0:19:02
That's normal?
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0:19:02 – 0:19:08
Yes, you go, so make underpants for days and then there is a safety factor.
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0:19:08 – 0:19:09
Plus one.
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0:19:09 – 0:19:12
So minimum is plus one, ideally plus two.
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0:19:12 – 0:19:16
Right, I went on vacation on plus one and regretted it bitterly.
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0:19:16 – 0:19:17
Isn't that so?
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0:19:17 – 0:19:18
Yes, yes.
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0:19:18 – 0:19:19
Silence.
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0:19:19 – 0:19:33
Anyway, such self-optimization stories, that's actually what everyone does, more or less permanently.
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0:19:33 – 0:19:42
One simply notices the dramatological arc of tension with the pro-actionists who make their video there.
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0:19:42 – 0:19:55
He introduces the idea, then he sits down to implement the project, then you notice how the failure suggests itself, then comes the realization, then the acceptance.
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0:19:55 – 0:20:06
This staged character with him, of course, has the system. He does this almost as his artistic hobby alongside his artistic profession.
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0:20:06 – 0:20:10
But I also have the impression somehow, and I don't take myself out of it either,
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0:20:10 – 0:20:15
Doing all this self-improvement is also a staging hobby.
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0:20:15 – 0:20:18
It is good and good that you all have the same knowledge,
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0:20:18 – 0:20:23
But would it have been possible without a book, without a video, without a blog?
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0:20:23 – 0:20:25
Difficult, huh?
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0:20:25 – 0:20:26
He could have done it.
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0:20:26 – 0:20:27
He could have done it, yes.
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0:20:27 – 0:20:36
But that's probably due to his attention deficit,
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0:20:36 – 0:20:39
When he did that. I don't know, I don't know.
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0:20:39 – 0:20:44
And some people just do it and then don't talk about it or talk about it so much.
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0:20:44 – 0:20:46
But if you don't talk about what...
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0:20:46 – 0:20:50
Maybe from my self-optimization here, so don't make such a big story,
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0:20:50 – 0:20:52
I just did it because I felt like
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0:20:52 – 0:20:54
Now is the right time and the right time.
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0:20:54 – 0:21:05
I've had the idea for a long time, for a few years now, how about I just start so brutally with a single synthesizer.
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0:21:05 – 0:21:11
Back then, I just had the idea with Moog Voyager, until I eventually realized that it was too limited for me.
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0:21:11 – 0:21:13
Yes, a few voices too little or …
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0:21:13 – 0:21:16
Yes, also sounding, you are still, you always sound like Moog.
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0:21:16 – 0:21:22
There is a saying that a moog is a moog. A moog is a moog. There's nothing more to be said about this.
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0:21:22 – 0:21:28
There is even an artist who only recorded an entire album with the Moog Voyager.
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0:21:28 – 0:21:29
That was...
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0:21:29 – 0:21:31
*moans*
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0:21:31 – 0:21:32
How many more are there?
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0:21:32 – 0:21:34
When Carlos switches and makes.
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0:21:34 – 0:21:35
No, no!
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0:21:35 – 0:21:36
Yeah?
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0:21:36 – 0:21:38
He doesn't have a Moog Voyager.
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0:21:38 – 0:21:43
He has the white Moog Voyager. Let me just google it.
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0:21:43 – 0:21:50
What artist made an entire album with the Moog Voyager?
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0:21:50 – 0:21:52
There was even a relatively well-known guy.
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0:21:52 – 0:21:54
What was his name?
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0:21:54 – 0:21:56
Ah.
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0:21:56 – 0:21:59
And here we are now dazzling the music of Jeopardy.
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0:21:59 – 0:22:03
[Music]
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0:22:03 – 0:22:05
In the 10-hour version.
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0:22:05 – 0:22:08
[Music]
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0:22:08 – 0:22:09
Another spongebob screen.
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0:22:09 – 0:22:11
Spongebob screen, right.
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0:22:11 – 0:22:12
Yes, yes.
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0:22:12 – 0:22:14
Few minutes later.
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0:22:14 – 0:22:17
Hello, I'm Patrick.
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0:22:17 – 0:22:19
I'd like a crab burger.
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0:22:19 – 0:22:21
Do you like crab burgers?
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0:22:21 – 0:22:26
Is that the big crab?
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0:22:26 – 0:22:28
Tastes like Auer.
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0:22:28 – 0:22:31
Without Tatsche.
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0:22:31 – 0:22:36
I'd have to search longer, but there's an album from a relatively well-known band.
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0:22:36 – 0:22:40
Musician, he made the whole album complete with the Moog and with the Moog Voyager.
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0:22:40 – 0:22:43
That sounds great, the album, but you can hear it too.
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0:22:43 – 0:22:45
That it's a moog.
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0:22:45 – 0:22:48
A moog is a moog.
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0:22:48 – 0:22:55
Yeah, it's a moog. There is also a moo. It croaks like a duck, it runs like a duck.
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0:22:55 – 0:23:00
It's most likely a duck.
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0:23:00 – 0:23:01
Or a moog.
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0:23:01 – 0:23:07
Yes, so what …
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|
0:23:07 – 0:23:11
Do you still know the old Tom and Jerry Dinger, where then this bad synthesizer music is?
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0:23:11 – 0:23:13
I just got that in my head.
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0:23:13 – 0:23:18
No, I only know the bad music with Udo Jürgens.
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0:23:18 – 0:23:23
Thank you very much for the flowers, thank you very much, as loved by you.
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0:23:23 – 0:23:28
When I was a kid, I didn't give a shit, I was joking the song, day and night.
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0:23:28 – 0:23:31
[hummt]
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0:23:31 – 0:23:35
And how he threw the cake there, the cake,
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0:23:35 – 0:23:39
I always thought it was a spaghetti bolognese.
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0:23:39 – 0:23:39
Really?
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0:23:39 – 0:23:45
As a child? How do I know what kind of cake is eaten in America?
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0:23:45 – 0:23:47
I never thought about it.
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0:23:47 – 0:23:49
Yes, for me it was Spaghetti Bolognese.
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0:23:49 – 0:23:58
I realized that was such a realization that the man cleaned it up.
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0:23:58 – 0:24:05
It's not even as willing as the material you need. It's all the rest that kind of flies around.
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0:24:05 – 0:24:10
Flying. So I can now pull out a USB-C cable from every sofa groove.
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0:24:10 – 0:24:15
Which is good, but I still never find what I need right now.
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0:24:15 – 0:24:19
I actually have a chocolate socket in my sofa.
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0:24:19 – 0:24:22
So a chocolate pairing.
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0:24:22 – 0:24:26
If you just have to pinch the laptop for charging.
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0:24:26 – 0:24:30
You have to buy a MacBook, which lasts for a weekend when you charge it.
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0:24:30 – 0:24:37
Yes, but I'm a poor musician and content creator and I don't have the money for it.
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0:24:37 – 0:24:40
I found it. I found it.
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0:24:40 – 0:24:47
That's the one, I don't know what role he has in The Cure.
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0:24:47 – 0:24:53
Roger O'Donnell has made a complete album only with the Rogue Voyager.
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0:24:53 – 0:24:56
Do you know him? Roger O'Donnell, The Cure?
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0:24:56 – 0:25:04
I know The Cure, but otherwise, with me name is always such a funny thing. They're here and they're gone.
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0:25:04 – 0:25:09
That's probably the keyboardist.
|
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|
0:25:09 – 0:25:21
So if you would describe to me any characteristics of these people, appearances, such special patterns of movement, then I can tell you, oh yes, I know. But names, pff, there are names.
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0:25:21 – 0:25:24
He's also 70, 69. It's insane.
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|
0:25:24 – 0:25:32
He was diagnosed with lymphoma last year.
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0:25:32 – 0:25:34
Oh, nice.
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|
0:25:34 – 0:25:37
Well, whatever. So that was it.
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|
0:25:37 – 0:25:46
He has recorded a complete solo album only with the Moog Voyager 3.
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|
0:25:46 – 0:25:48
With a white Moog Voyager.
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0:25:48 – 0:25:57
I don't know, so white devices in the studio, with the blacks you always see the dust and with the whites you always see all the other dirt.
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|
0:25:57 – 0:26:05
And if you always touch with such filthy fingers, then you have there, oh no. It would be better to be ash grey.
|
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|
0:26:05 – 0:26:12
It's like L'Oreal. May I offer you this fresh ash grey?
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|
0:26:12 – 0:26:20
Because Dad says, Dad, no, that's not The Underpartners, that's with Udi Pussy.
|
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|
0:26:20 – 0:26:21
Exactly.
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|
0:26:21 – 0:26:24
We'd still have that fresh grey.
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|
0:26:24 – 0:26:26
And now I've got this fucking earwig.
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|
0:26:26 – 0:26:30
Polyester has a sister.
|
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|
0:26:30 – 0:26:33
And then this dance.
|
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|
0:26:33 – 0:26:35
I'll give you the link here.
|
|
|
0:26:35 – 0:26:41
The album is called The Truth and Me by Roger O'Donnell, The Cure Keyboarder and the whole thing.
|
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|
0:26:41 – 0:26:47
I think I said that ten times. The last one from the bank has seen it now.
|
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|
0:26:47 – 0:26:51
The album is from 2006.
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|
0:26:51 – 0:27:01
And that was already the case for me, where I thought, someone has done this now,
|
|
|
0:27:01 – 0:27:05
It's been reduced to a single synthesizer.
|
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|
0:27:05 – 0:27:09
It was a complete album and you can hear it.
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0:27:09 – 0:27:13
I mean, as an attempt, I think that's a nice thing.
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|
0:27:13 – 0:27:18
The question is whether this is sustainable.
|
|
|
0:27:18 – 0:27:24
So I think any other podcast I'm still listening to that also referred to this video,
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|
|
0:27:24 – 0:27:29
He then opened the big barrel, "good progressive left", as they are,
|
|
|
0:27:29 – 0:27:34
Then I realized that minimalism is just a sign.
|
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|
0:27:34 – 0:27:40
is that you are doing well, capitalistically, and you can afford the stuff again.
|
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|
0:27:40 – 0:27:47
True, that's the reverse conclusion. I have a reduction thing like this before.
|
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|
0:27:47 – 0:27:55
made. Before my last move, I separated from several cubic meters of material. And
|
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|
0:27:55 – 0:28:01
In fact, over the last six years, there has always been a moment,
|
|
|
0:28:01 – 0:28:05
Where I think it could have been used now.
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|
0:28:05 – 0:28:10
Because it is still stored in the head that it is there.
|
|
|
0:28:10 – 0:28:13
But I don't buy things new.
|
|
|
0:28:13 – 0:28:14
That's just the point.
|
|
|
0:28:14 – 0:28:17
I don't want things in the corner of my eye,
|
|
|
0:28:17 – 0:28:19
But it's practical to own something like that.
|
|
|
0:28:19 – 0:28:21
I have a green bag behind the door,
|
|
|
0:28:21 – 0:28:24
There's some party lights in there.
|
|
|
0:28:24 – 0:28:27
And that's just nice if you don't have to call somewhere
|
|
|
0:28:27 – 0:28:29
And say, hey, can you get some party lights?
|
|
|
0:28:29 – 0:28:30
Here, that's it.
|
|
|
0:28:30 – 0:28:35
but just you look behind the door, well, here party lights, someone needs party lights,
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|
|
0:28:35 – 0:28:39
You can always use party lights, take a few lights with you. The whole thing can then
|
|
|
0:28:39 – 0:28:44
extend into the absurd. I still have material for a music video that I wanted to shoot in 2019.
|
|
|
0:28:44 – 0:28:53
No 2020. It probably didn't happen because of this, but generally
|
|
|
0:28:53 – 0:28:57
I like the idea that things are there. At the latest when it stops again
|
|
|
0:28:57 – 0:29:03
There is a purchase resistance. So I'm not planning to bunker Norwegian Launchkey Mk.III
|
|
|
0:29:03 – 0:29:07
to the G-Digit Sea, but I just got the last one they had there.
|
|
|
0:29:07 – 0:29:11
And if the 61 crashes, I'll go to the basement and get the other one.
|
|
|
0:29:11 – 0:29:16
But I think that's something else, because you are partly just yours.
|
|
|
0:29:16 – 0:29:24
Bread purchases are denied. I think that's perfectly legitimate if you use your tools.
|
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|
0:29:24 – 0:29:31
Maybe even hoarding. And this is also the point, because you really have to use it then,
|
|
|
0:29:31 – 0:29:43
to buy his bread. That is the other aspect. Maybe this is self-optimization.
|
|
|
0:29:43 – 0:29:50
especially in the music sector – you can actually do this in all areas of daily life
|
|
|
0:29:50 – 0:29:55
Expanding life in some way. But I'm saying, now in the music field, it's not the same,
|
|
|
0:29:55 – 0:30:02
that we can simply carry out an optimization through technical progress,
|
|
|
0:30:02 – 0:30:11
Again and again, because new instruments are coming to the market, which is what your current tool
|
|
|
0:30:11 – 0:30:17
You may be better off with the new tools. See also:
|
|
|
0:30:17 – 0:30:24
Example here Innovation Launch Key, nonsense, Innovation Launch Control, what I'm doing here now
|
|
|
0:30:24 – 0:30:31
I stand here again in front of me. I told you last time I bought the new MK3.
|
|
|
0:30:31 – 0:30:40
Version, ne MK4, MK3. This is smaller and better than the old one, in my opinion.
|
|
|
0:30:40 – 0:30:50
I'd doubt it. I watched it and there was a video of Novation showing
|
|
|
0:30:50 – 0:30:55
Look here, here you have a page where you can set Pan and Sense and here you have a
|
|
|
0:30:55 – 0:31:00
other page where you can set macro and transport, but it sucks to be you. You can't
|
|
|
0:31:00 – 0:31:06
have more macros and sense in front of you at the same time, at least not in Ableton mode. You
|
|
|
0:31:06 – 0:31:07
You'd have to program.
|
|
|
0:31:07 – 0:31:09
And that was the moment I said to myself,
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|
|
0:31:09 – 0:31:12
Puppy, good, doesn't heal.
|
|
|
0:31:12 – 0:31:18
Well, you could stop with the old man.
|
|
|
0:31:18 – 0:31:20
The old man had two lines with Sens
|
|
|
0:31:20 – 0:31:24
and then a switchable line for pan and macro.
|
|
|
0:31:24 – 0:31:28
Yeah, but what do you do when the old man falls apart, so to speak?
|
|
|
0:31:28 – 0:31:30
You have to put something new up.
|
|
|
0:31:30 – 0:31:32
The old man is somewhere in Bern.
|
|
|
0:31:32 – 0:31:36
The new is the enemy of the old, or what was it like?
|
|
|
0:31:36 – 0:31:44
Yes, you have to get used to it. And exactly that, we did a whole episode, so the gelding crisis episode,
|
|
|
0:31:44 – 0:31:52
where I outline how I predict everything, how it came about. I bought MK4s for testing,
|
|
|
0:31:52 – 0:31:58
was so naive that I didn't want to send them back because I thought, well, I'm going to work with them for a while now,
|
|
|
0:31:58 – 0:32:04
They're not that bad. And yes, then they became the reason why I actually lost my studio in the first place
|
|
|
0:32:04 – 0:32:10
Now I'm almost in the new place. So once across the apartment, because the stop so asslaut
|
|
|
0:32:10 – 0:32:17
are with the hollow case and the new keyboards. The other is natural, I am
|
|
|
0:32:17 – 0:32:22
At the point where I say it all works. I don't need anything new and yet
|
|
|
0:32:22 – 0:32:27
I'm thinking about thinking about the next apartment. I'm looking for something,
|
|
|
0:32:27 – 0:32:32
That's a little bit more wood, maybe a little bit of a canopy or something. And then I'll get
|
|
|
0:32:32 – 0:32:38
I have a white piano, so away from the black corner of the table, towards something woody and with
|
|
|
0:32:38 – 0:32:44
A white master keyboard. Or I'd imagine a white Super Six, I'd imagine a
|
|
|
0:32:44 – 0:32:50
Super Six in white, Second Edition, so Special Edition, I would only get for the design.
|
|
|
0:32:50 – 0:32:55
Then off on rolls and with a white synthesizer through the apartment. This would be an aesthetic
|
|
|
0:32:55 – 0:33:01
Fall, but in a new place I can imagine it. Because otherwise I am so
|
|
|
0:33:01 – 0:33:05
I'm haptic as long as things don't fall apart. I'm actually happy.
|
|
|
0:33:05 – 0:33:07
Yes, you know. You know.
|
|
|
0:33:07 – 0:33:11
Yes, but sometimes you're just forced to get something new,
|
|
|
0:33:11 – 0:33:15
Which might bring some additional features. I may
|
|
|
0:33:15 – 0:33:22
It reminds me of the old groove boxes here. Yamaha RM1X, RS7000, still working with Smart…
|
|
|
0:33:22 – 0:33:23
Yes, yes, smart media.
|
|
|
0:33:23 – 0:33:28
Exactly, they still worked with floppy disks.
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0:33:28 – 0:33:33
You now pay a fortune for floppy disks for 3.5 inches.
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0:33:33 – 0:33:36
That's definitely a reason to say,
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0:33:36 – 0:33:38
Okay, I don't want to work with this old stuff anymore.
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0:33:38 – 0:33:41
I'd rather get an electron DigiTakt 2.
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0:33:41 – 0:33:48
Or you are just a hobbyist and then you make a USB port.
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0:33:48 – 0:33:49
That's right.
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0:33:49 – 0:33:54
Adapter and on. There are enough projects, which then stop for old equipment …
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0:33:54 – 0:33:58
But you are still forced to keep up with the technical progress somehow
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0:33:58 – 0:34:02
to keep up. So that's another aspect.
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0:34:02 – 0:34:06
Yes, try to get a floppy drive on your computer.
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0:34:06 – 0:34:13
Yeah, have fun. Meanwhile … I don't even know how to do this via Bluetooth.
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0:34:13 – 0:34:19
There are USB parts, but the things are now …
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0:34:19 – 0:34:22
Yes, but that's a USB-A or something.
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0:34:22 – 0:34:23
Yeah, that's right.
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0:34:23 – 0:34:29
An old filth, old protocol stuff, what of the fewest operating systems
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0:34:29 – 0:34:32
is still supported. And when you put that together,
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0:34:32 – 0:34:37
Then suddenly you have your entire USB bus at this slow speed.
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0:34:37 – 0:34:42
You have to watch, right? All its advantages and its disadvantages.
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0:34:42 – 0:34:48
I'm just looking a little bit for a buddy who is looking for an old computer from the
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0:34:48 – 0:34:55
90s still able to play the old Finkin' Finks games from Edmark
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0:34:55 – 0:35:00
for kindergarten. Because the 1A educational games are actually, although they are not really
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0:35:00 – 0:35:06
on … they have no right to learn, but they have fantastic …
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0:35:06 – 0:35:08
You mean MS-DOS?
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0:35:08 – 0:35:10
MS-DOS? You mean on the Evo?
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0:35:10 – 0:35:14
You have to have something that you can throttle.
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0:35:14 – 0:35:18
If you say '90s, that's MS-DOS. These are MS-DOS games or what?
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0:35:18 – 0:35:23
Mac OS 7, 2, 8, something. Was that even there?
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0:35:23 – 0:35:27
Achso, Mac OS 7. It's just EMU, isn't it?
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0:35:27 – 0:35:33
Yes, plus minus EMU or stop, as I said, something simple with a tube monitor.
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0:35:33 – 0:35:37
Or because you already have the problem with Mac OS 9 that the boxes are so fast,
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0:35:37 – 0:35:40
Later, they simply run at three times the speed.
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0:35:40 – 0:35:42
You can't throttle that either.
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0:35:42 – 0:35:45
So when you throw such an object through the area,
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0:35:45 – 0:35:47
what then somehow with such a comfortable speed
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0:35:47 – 0:35:49
should be pushed by the mouse-seed,
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0:35:49 – 0:35:52
On Mac OS, this will only fly around your ears.
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0:35:52 – 0:35:54
In other words, under 9.
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0:35:54 – 0:35:57
On X it didn't work without EMU anymore.
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0:35:57 – 0:36:00
That was the point that so many, so many things
|
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0:36:00 – 0:36:05
In this way, it loses its compatibility down.
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0:36:05 – 0:36:11
I've never had to change anything because I didn't like it anymore.
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0:36:11 – 0:36:21
Yeah, yeah, or what do you do with your old projects that you once created, I say in the early 2000s, in no idea what software,
|
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0:36:21 – 0:36:23
Yes, RatchBand.
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0:36:23 – 0:36:31
For example, no? You can't load that with current gelumse, and that's one of the problems.
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0:36:31 – 0:36:33
Logic does that too.
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0:36:33 – 0:36:35
Logic is compatible.
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0:36:35 – 0:36:41
Yeah, so he gets this... so it's a unit.
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|
0:36:41 – 0:36:44
So, with Lord Schick it works down.
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0:36:44 – 0:36:45
I don't think so with Ableton Live.
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0:36:45 – 0:36:47
The same goes for Cubase, the problem is...
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0:36:47 – 0:36:49
At Ableton Live, that wouldn't work.
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0:36:49 – 0:36:58
The synthesizers, the VSTs and the effects are all just 32 bits or so.
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0:36:58 – 0:37:00
Yeah, and he can't find it on the hard drive.
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0:37:00 – 0:37:05
So you have to go and then adjust everything again.
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0:37:05 – 0:37:13
You have the MIDI data in it and the complete arrangement, but don't create any sound.
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0:37:13 – 0:37:17
Yes, well, if you have now taken a piano, then of course you can take another piano.
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0:37:17 – 0:37:19
Unless it was something iconic.
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0:37:19 – 0:37:22
But with other things, it's going to be difficult.
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|
0:37:22 – 0:37:33
Okay, that's an argument for saying, okay, I only record audio in the last step of my project, in mastering, for mastering.
|
|
|
0:37:33 – 0:37:36
Yes, you can calculate all tracks in the audio.
|
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|
0:37:36 – 0:37:43
Exactly, and somehow have all tracks available as MIDI again, if you really want to make this so sustainable.
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|
0:37:43 – 0:37:49
I'm more of a guy like that, ne, fire and forget, I just kind of record everything and, yeah.
|
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0:37:49 – 0:37:51
Yeah, I got the problem, too.
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|
0:37:51 – 0:37:53
I've got a hard drive, haven't I?
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0:37:53 – 0:37:58
4 GB, but it's full of projects.
|
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|
0:37:58 – 0:38:02
But I would have to get an older computer,
|
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|
0:38:02 – 0:38:07
Where I put a Windows XP on it, 32 bit and then all the rest.
|
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|
0:38:07 – 0:38:12
The people, all the studios, all equipped with DAT tapes,
|
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|
0:38:12 – 0:38:16
With DAT recording devices and so on, they have to bite their butts, right?
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|
0:38:18 – 0:38:23
Yes, that was all in his time.
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0:38:23 – 0:38:25
State of the art.
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|
0:38:25 – 0:38:28
The next generation sings into their mobile phones, they no longer need to study.
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0:38:28 – 0:38:30
Yeah, that's right.
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|
0:38:30 – 0:38:36
Let them sing, you. Only one more prompt will be written.
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|
0:38:36 – 0:38:46
Yes, you are almost always forced to self-optimize in one way or another.
|
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|
0:38:46 – 0:38:54
You always have to somehow, but if you want to get your tools, you also have to put on your hand.
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|
0:38:54 – 0:39:03
I can still remember, I forgot the guy's name, there's such a beatboxer from England,
|
|
|
0:39:03 – 0:39:12
he started with these Korg, what's the name of the detail devices?
|
|
|
0:39:12 – 0:39:13
Chaos Pad?
|
|
|
0:39:13 – 0:39:16
That's right, he started with the Korg Chaos Pad.
|
|
|
0:39:16 – 0:39:38
Birdyman, you mean? Yeah, that's Birdyman's name. The Birdyman, who started with these Chaos Pets, beatboxing with these DJ pieces, how you just sampled yourself and then almost always layered his songs.
|
|
|
0:39:38 – 0:39:43
I don't know where he landed, but you've seen him over the years.
|
|
|
0:39:43 – 0:39:48
How his setup has gotten bigger and bigger and more special.
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|
0:39:48 – 0:39:54
And I think he's kind of gotten to four or five iPads by now,
|
|
|
0:39:54 – 0:39:58
He then runs a special software developed for him.
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|
|
0:39:58 – 0:40:03
Exactly. So also the surface that this is operated under Fly.
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|
0:40:03 – 0:40:12
And then he has a bunch of controllers and keyboards where he then just plays the stuff, grabs.
|
|
|
0:40:12 – 0:40:15
But that's crazy how it has developed.
|
|
|
0:40:15 – 0:40:24
Yes, if you followed your YouTube channel, you could really see it, so in the course of six or seven years it all kind of happened,
|
|
|
0:40:24 – 0:40:32
He himself has optimised his tool, which he needs, although he actually only makes music with his mouth.
|
|
|
0:40:32 – 0:40:36
Has this made his music better?
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|
0:40:36 – 0:40:38
It has become more complex.
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|
0:40:38 – 0:40:43
It has become more complex and I think it also fills stadiums.
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|
0:40:43 – 0:40:46
Definitely big clubs.
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|
|
0:40:46 – 0:40:54
I can still remember such small gigs, where he somehow had such a small hall at Raves,
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|
|
0:40:54 – 0:40:58
where a maximum of 50, 60 people fit in.
|
|
|
0:40:58 – 0:41:06
Then you saw how he was already in such town halls and now he is making such huge halls.
|
|
|
0:41:06 – 0:41:15
He has also started to incorporate synthesizer sounds. He doesn't just do everything with his mouth anymore.
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|
|
0:41:15 – 0:41:21
Yes, I mean, piano is a piano. If that's what you need, take a piano sound.
|
|
|
0:41:21 – 0:41:30
But this whole layer and then with extreme effects like gradulase, Teso, that's really crazy what he's doing.
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|
|
0:41:30 – 0:41:32
Yes, and most importantly, he builds it in real time.
|
|
|
0:41:32 – 0:41:37
It's not like he's coming up with ready-made songs. No, it's all real-time.
|
|
|
0:41:37 – 0:41:39
And that's the graniose part of it.
|
|
|
0:41:39 – 0:41:43
And then he almost created his own tool for it.
|
|
|
0:41:43 – 0:41:52
And I went there in the meantime and thought, well, shooting a few backing tracks is also possible.
|
|
|
0:41:52 – 0:42:01
My old setups, such as the Space Station, Launch Control, Launch Pad Setup, were still completely designed for real time.
|
|
|
0:42:01 – 0:42:08
At jam sessions I also look at it a bit, but otherwise, ey, stay fair to me with real time, ey.
|
|
|
0:42:08 – 0:42:14
Give me a click, give me some pads to unlock things, done.
|
|
|
0:42:14 – 0:42:21
I mean, if it's anyway, so if it requires the situation and otherwise, give me a thick piano, frankly.
|
|
|
0:42:21 – 0:42:28
So I have now, a few years ago I actually played such an event every year.
|
|
|
0:42:28 – 0:42:31
I just took an old S90 out of the basement.
|
|
|
0:42:31 – 0:42:33
He has a beautiful piano.
|
|
|
0:42:33 – 0:42:39
He has a great piano, the good organ patches, he has a nice string patch, you didn't need much more.
|
|
|
0:42:39 – 0:42:49
There I added my Korg module for a few additional winds, so these analog winds. That's all you needed.
|
|
|
0:42:49 – 0:42:52
That was a good little master fashion.
|
|
|
0:42:52 – 0:42:58
I added a launch control and my iPad, which basically gave notes and gave out clicks for the others.
|
|
|
0:42:58 – 0:43:05
Then I asked myself again, yes boy, why are you actually dragging along to everything else like three keyboards and your laptop and the rack and everything.
|
|
|
0:43:05 – 0:43:12
And yes, then came Corona, then came the launchkeys and you become more frugal with age.
|
|
|
0:43:12 – 0:43:21
I have now also noticed a while ago, that is now a bit off-topic, but somehow also not, I use increasingly white light in my apartment.
|
|
|
0:43:21 – 0:43:28
So color is beautiful, it's still fun that all light bulbs can do that,
|
|
|
0:43:28 – 0:43:35
But until now, when I look here at a beautiful red-blue gradient under my desk,
|
|
|
0:43:35 – 0:43:41
So under the second shelf, I've been programming a lot of white lately.
|
|
|
0:43:41 – 0:43:45
Just warm white, different warm tones, different white tones,
|
|
|
0:43:45 – 0:43:50
It's still a bit creative, but it doesn't have to be that kind of color now.
|
|
|
0:43:50 – 0:43:55
So that's always been a topic, just like gamer aesthetics here, right?
|
|
|
0:43:55 – 0:44:02
As we streamed live, I also had colored light in the background.
|
|
|
0:44:02 – 0:44:10
And so in normal daily use, a pleasant warm white is really best.
|
|
|
0:44:10 – 0:44:12
Yes, yes.
|
|
|
0:44:12 – 0:44:19
Not too warm, because then it's kind of too sunset-like, but stop this pleasant warm white.
|
|
|
0:44:19 – 0:44:26
Although I now have the down lamps actually relatively little on.
|
|
|
0:44:26 – 0:44:36
Either I'm just like you, a little bit of color white or daylight or stop here now
|
|
|
0:44:36 – 0:44:43
For example, in the current recording, outside is already dark, I have nothing on but the
|
|
|
0:44:43 – 0:44:49
Monitor. And I have adjusted it so that the blue parts are reduced.
|
|
|
0:44:49 – 0:44:54
That's a myth, I read the other day. It is actually rather the brightness and not
|
|
|
0:44:54 – 0:45:03
Definitely the blue. The Blue Phobists will speak louder. There are people who are completely
|
|
|
0:45:03 – 0:45:07
allergic reaction as soon as you see a blue LED. No, give me away!
|
|
|
0:45:07 – 0:45:12
Yeah, it's like that. I also know someone who has hacked such a push, so that he
|
|
|
0:45:12 – 0:45:20
Instead of the classic colors, it actually has everything going so yellowish.
|
|
|
0:45:20 – 0:45:25
I think it's actually more enjoyable, I have to be honest. Definitely
|
|
|
0:45:25 – 0:45:27
My eyes don't get tired so quickly.
|
|
|
0:45:27 – 0:45:35
I have such a ring light here to light up the face evenly,
|
|
|
0:45:35 – 0:45:42
If that's a camera. And there's just the control element has a blue LED and the
|
|
|
0:45:42 – 0:45:52
I actually covered with several layers of tape because that's so bright that it's uncomfortable. And
|
|
|
0:45:52 – 0:45:57
If I don't turn off the computer completely, the thing is still powered up via USB.
|
|
|
0:45:57 – 0:46:06
And then you're blue all night. The room totally light blue illuminated. It's terrible.
|
|
|
0:46:06 – 0:46:13
Blue LEDs are also such a frequency. So I've got here when I put the lamp here now
|
|
|
0:46:13 – 0:46:19
next to me, but also the one in the bedroom, when I put it on red, I see practically nothing
|
|
|
0:46:19 – 0:46:24
More on one percent. It's really dark. If I put on blue, at the same percentage
|
|
|
0:46:24 – 0:46:25
The room is daylight.
|
|
|
0:46:25 – 0:46:27
I can imagine that.
|
|
|
0:46:27 – 0:46:31
Yes, that means taghell, but you clearly notice it.
|
|
|
0:46:31 – 0:46:32
Blue is blue.
|
|
|
0:46:32 – 0:46:35
No, so I think it's more enjoyable.
|
|
|
0:46:35 – 0:46:37
I always have the problem,
|
|
|
0:46:37 – 0:46:40
that I am extremely allergic to unclean paint,
|
|
|
0:46:40 – 0:46:42
Like the grave.
|
|
|
0:46:42 – 0:46:43
Mm-hmm.
|
|
|
0:46:43 – 0:46:46
I think that's great again when you have two monitors
|
|
|
0:46:46 – 0:46:48
And you didn't calibrate them.
|
|
|
0:46:48 – 0:46:50
and you push a window over
|
|
|
0:46:50 – 0:46:52
And one is so light, a little bluish-tinged
|
|
|
0:46:52 – 0:46:55
The other side is a bit yellowish.
|
|
|
0:46:55 – 0:46:57
So I'm getting too much.
|
|
|
0:46:57 – 0:46:59
That's why I only have one.
|
|
|
0:46:59 – 0:47:02
But who has to calibrate a device and its monitor at home?
|
|
|
0:47:02 – 0:47:04
I don't.
|
|
|
0:47:04 – 0:47:08
That's for nerds and bonnets, you know.
|
|
|
0:47:08 – 0:47:11
Or rather, photographers.
|
|
|
0:47:11 – 0:47:14
There are always two groups.
|
|
|
0:47:14 – 0:47:17
It's the people who need something.
|
|
|
0:47:17 – 0:47:20
It's the people who think they need something.
|
|
|
0:47:20 – 0:47:24
Some are silent and make easy,
|
|
|
0:47:24 – 0:47:26
may share their knowledge upon request,
|
|
|
0:47:26 – 0:47:28
Others don't, but talk about it.
|
|
|
0:47:28 – 0:47:33
Shit, the subreddit is full and any photo forums and
|
|
|
0:47:33 – 0:47:35
Such a gaming aesthetic.
|
|
|
0:47:35 – 0:47:37
Here is my new setup.
|
|
|
0:47:37 – 0:47:40
I've never worked productively here, but it looks beautiful.
|
|
|
0:47:40 – 0:47:41
Exactly.
|
|
|
0:47:41 – 0:47:47
Look here, with voice control I can
|
|
|
0:47:47 – 0:47:49
16 million colors.
|
|
|
0:47:49 – 0:47:52
Which I'll never need.
|
|
|
0:47:52 – 0:47:55
But it looks cool.
|
|
|
0:47:55 – 0:47:59
Or if he goes, then stop instead of 16-bit color depth 24-bit.
|
|
|
0:47:59 – 0:48:06
But I'll tell you, the gamer aesthetic has been around since Ikea discovered it, right?
|
|
|
0:48:06 – 0:48:08
But look at the YouTube videos, it's not through.
|
|
|
0:48:08 – 0:48:12
And when I look at the Twitch streams, that's not the issue.
|
|
|
0:48:12 – 0:48:15
They all have light and...
|
|
|
0:48:15 – 0:48:20
So I follow channels like Game Two, for example.
|
|
|
0:48:20 – 0:48:22
You know, right?
|
|
|
0:48:22 – 0:48:24
They still exist?
|
|
|
0:48:24 – 0:48:26
Yes, because they were called before Game One.
|
|
|
0:48:26 – 0:48:32
They're still there, and then they're still here, uh, uh, uh, Rock Beans, who's their name?
|
|
|
0:48:32 – 0:48:33
Rock Beans?
|
|
|
0:48:33 – 0:48:34
Rocket Beans.
|
|
|
0:48:34 – 0:48:36
Rocket Beans, they still exist.
|
|
|
0:48:36 – 0:48:39
And for example with Rocket Beans, they do so occasionally such a video podcast,
|
|
|
0:48:39 – 0:48:43
Somehow they talk to each other about gaming.
|
|
|
0:48:43 – 0:48:48
I find the aesthetics they took for their studio,
|
|
|
0:48:48 – 0:48:52
I actually found it quite trendy,
|
|
|
0:48:52 – 0:48:55
Because they don't use the gamer look anymore.
|
|
|
0:48:55 – 0:48:57
Okay, there are other style elements.
|
|
|
0:48:57 – 0:49:02
For example, they have this Rocket Beans, which they have on the back of the wall somehow as,
|
|
|
0:49:02 – 0:49:04
I don't even know,
|
|
|
0:49:04 – 0:49:10
1950s detergent advertising design,
|
|
|
0:49:10 – 0:49:12
You could say you've got it in the background.
|
|
|
0:49:12 – 0:49:15
and there, no, everything was a little dignified,
|
|
|
0:49:15 – 0:49:17
A little bit of gold and all that.
|
|
|
0:49:17 – 0:49:19
Yes, this gamer look,
|
|
|
0:49:19 – 0:49:21
Now that it's in the mainstream,
|
|
|
0:49:21 – 0:49:24
It's just not up-to-date anymore.
|
|
|
0:49:24 – 0:49:26
He's no longer a trendsetter.
|
|
|
0:49:26 – 0:49:29
Mm-hmm. Yeah, so if I'm here now
|
|
|
0:49:29 – 0:49:31
So much for r/battlestations.
|
|
|
0:49:31 – 0:49:33
Scroll, not that.
|
|
|
0:49:33 – 0:49:35
Music Battle Station Setup, but the
|
|
|
0:49:35 – 0:49:37
normal r/battlestations,
|
|
|
0:49:37 – 0:49:39
Then I see him here too.
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0:49:39 – 0:49:41
Day "rgbfree" quite often.
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0:49:41 – 0:49:50
More often and people suddenly have windows and white light and desk lamps.
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0:49:50 – 0:49:54
Here and there someone actually still has Nanoleaf, although I still do, so I have in my
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0:49:54 – 0:49:58
I haven't seen a Nanoleaf setup that looked really good all my life.
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0:49:58 – 0:50:05
Or in general these LED-stuffs on the walls.
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0:50:05 – 0:50:07
This basic understanding of indirect light.
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0:50:07 – 0:50:16
I don't want to count your fucking pixels and I don't want to see your face lit up purple from the side while I'm playing with you on a webcam.
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0:50:16 – 0:50:23
Of course, everything has, of course, everything in the computer now has LED, so...
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0:50:23 – 0:50:24
Yeah, you almost don't get any...
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0:50:24 – 0:50:30
The RAM glows and the hard drive glows and the fans glow and the processor also glows, the graphics card anyway.
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0:50:30 – 0:50:37
You get almost no casings and fans and so on you get, but casing before
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0:50:37 – 0:50:46
All things without windows, without RGB and so on. I think it's bad because my computer is
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0:50:46 – 0:50:52
So stupid under the desk that you would never see anything of the RGB. Of course I would like
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0:50:52 – 0:50:56
a case where I could install a custom water cooling system. If you have nothing else on the
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0:50:56 – 0:51:04
You have a desk, except for the monitor and keyboard and your gaming computer with all neon colors,
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0:51:04 – 0:51:10
You'll do that naturally if you want to say so. But it never makes sense to me,
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0:51:10 – 0:51:14
I never understood the meaning of illuminated graphics cards. What the fuck?
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0:51:14 – 0:51:17
Yes, that brings you two more FPS in gaming.
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0:51:17 – 0:51:19
When it is illuminated.
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0:51:19 – 0:51:22
Yeah, you know that. RGB always brings two more FPS.
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0:51:22 – 0:51:32
Yeah, okay, I can't understand. Counter-Strike may be the deciding factor, but elsewhere …
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0:51:32 – 0:51:35
I mean, if you want something for the look or something, there are already nice things,
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0:51:35 – 0:51:44
even fancy things, where you stop here an LCD display, the background light away
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0:51:44 – 0:51:50
and then pack behind the glass pane that the light, what stops in the housing takes place,
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0:51:50 – 0:51:54
acts as a background light that you then have so semi-transparent figures jumping around there.
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0:51:54 – 0:51:59
Looks nice, but when I'm gambling or working, I don't get any of it.
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0:51:59 – 0:52:02
No, not at all.
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0:52:02 – 0:52:09
The only really useful task of LED light, especially RGB, in graphics cards is,
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0:52:09 – 0:52:14
if you have the graphics card temperature displayed as light. When it is cold,
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0:52:14 – 0:52:17
If it is blue and the warmer it gets, it goes more and more into the red.
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0:52:17 – 0:52:21
That's the only scenario I'm thinking about ….
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0:52:21 – 0:52:27
Yes, but that can also be solved in other ways. There would be an ad on my
|
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0:52:27 – 0:52:33
Monitor, I would much rather what the current temperature is for me, if that's important to me.
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0:52:33 – 0:52:38
Yeah, but if you have a scenario like me where that thing's down there in the corner …
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0:52:38 – 0:52:39
Yeah, you don't see that.
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0:52:39 – 0:52:44
No. Besides, when my graphics card gets warm, when I run here, I hear that too.
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0:52:44 – 0:52:50
Then you usually get a bit cold on your feet through the airflow.
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0:52:50 – 0:52:55
Maybe we're all just the wrong target group. So, one of you got into it.
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0:52:55 – 0:53:01
for the last 20 years someone invited and drew him the computer and said,
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0:53:01 – 0:53:02
Look here, isn't it?
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0:53:02 – 0:53:04
No, not at all.
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0:53:04 – 0:53:06
I just showed you my Mac Mini. I said,
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0:53:06 – 0:53:07
Look at how small, huh?
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0:53:07 – 0:53:11
I mean, where you were with Tobi and we sat down in front of the computer,
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0:53:11 – 0:53:14
I put this thing on and then we didn't talk about it at all because
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0:53:14 – 0:53:19
I don't know if you even saw that thing in the corner.
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0:53:19 – 0:53:22
I don't think I questioned your three monitors.
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0:53:22 – 0:53:23
Yes, yes.
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0:53:23 – 0:53:25
I can imagine that you need it.
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0:53:25 – 0:53:28
There are officially even four, because the TV is hanging over it,
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0:53:28 – 0:53:29
It's actually in the monitor.
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0:53:29 – 0:53:34
In the meantime. Or was it there when I was there?
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0:53:34 – 0:53:36
No, no, it was already there, it's hanging there.
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0:53:36 – 0:53:40
Yes, good German workmanship. In the case of the Amis, he would have fallen long before the wall.
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0:53:40 – 0:53:43
Or the device would have already disintegrated.
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0:53:43 – 0:53:46
Well, that's not because of the equipment, it's because of the walls.
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0:53:46 – 0:53:53
Also in terms of image quality. They have to buy a new TV for Black Friday every year because it hasn't lasted that long.
|
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0:53:53 – 0:53:55
Really? Is that so bad for them?
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0:53:55 – 0:54:05
Yes, you can have a TV with the Americans, who then sell this, you can twist it in yourself, because they have no stiffness.
|
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|
0:54:05 – 0:54:09
Uh, huh? Aren't they getting the same China goods as we are?
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0:54:09 – 0:54:17
They get the same China goods, only cheaper than us. Really? Yes, yes. Crass. So you're paying for,
|
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|
0:54:17 – 0:54:27
What had it been, 75 inch TV 500 dollars. What are you expecting? Yeah, well, okay, yeah. All right.
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|
0:54:27 – 0:54:34
Everything else is no longer money. Yes, yes. That's true. It's just this jumble of,
|
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|
0:54:34 – 0:54:37
We could never afford anything before. Yes, you had to save three months for your
|
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|
0:54:37 – 0:54:43
TV. But we can't do it anymore
|
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0:54:43 – 0:54:45
Save because it all comes down to it.
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|
0:54:45 – 0:54:47
Subscriptions, rent and other stuff. Man
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|
0:54:47 – 0:54:49
You can talk about it. We take this
|
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|
0:54:49 – 0:54:52
It's early August and I'll see you.
|
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|
0:54:52 – 0:54:56
Take the savings account next week.
|
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|
0:54:56 – 0:54:59
So a month fixed costs, the times
|
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|
0:54:59 – 0:54:59
are a little higher.
|
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|
0:54:59 – 0:55:05
I've seen, I've seen today
|
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|
0:55:03 – 0:55:08
For once, because I'm still
|
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|
0:55:08 – 0:55:10
I have problems with my back and no
|
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|
0:55:10 – 0:55:13
Got to go to the supermarket to
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|
0:55:13 – 0:55:17
the heavy boxes with water or something
|
|
|
0:55:17 – 0:55:19
To lug, I ordered online at
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|
0:55:19 – 0:55:24
large German grocery store.
|
|
|
0:55:24 – 0:55:24
What about R at the beginning?
|
|
|
0:55:24 – 0:55:31
Yeah, let's not say.
|
|
|
0:55:27 – 0:55:34
But they have a good delivery service and I looked at the prices.
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|
|
0:55:34 – 0:55:42
There are some things, hola the forest fairy, right, right, right, really expensive.
|
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|
0:55:42 – 0:55:43
It's insane.
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|
0:55:43 – 0:55:49
And, among other things, everything that concerns sweets.
|
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|
0:55:49 – 0:55:54
There you come for a bar of chocolate now almost at four euros.
|
|
|
0:55:54 – 0:55:58
Yes, that's because the cocoa harvest was so bad.
|
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|
0:55:58 – 0:56:00
Yeah, but that's the hammer.
|
|
|
0:56:00 – 0:56:08
Exactly, I mean, they tell us yes, the inflation rate has gone down and just forget,
|
|
|
0:56:08 – 0:56:13
that in the specific area of food, the inflation rate does not go down, but rather up.
|
|
|
0:56:13 – 0:56:19
But because the TV, the computer and the mobile phone or the oil heater,
|
|
|
0:56:19 – 0:56:23
or the oil for the oil heating everything has become cheaper, is the average …
|
|
|
0:56:23 – 0:56:25
That's right, fog has also become more expensive.
|
|
|
0:56:25 – 0:56:29
Yes, but compared to what they had calculated before, it all went down.
|
|
|
0:56:29 – 0:56:33
And then they go and say yes, the inflation rate is going down.
|
|
|
0:56:33 – 0:56:38
Yes, nothing there, because the everyday products that I need every day are becoming more and more expensive.
|
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|
0:56:38 – 0:56:42
I can see that in my wallet. The only thing I sell is some food.
|
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|
0:56:42 – 0:56:56
250 grams of chicken breast fillet and then not even in organic quality. $7.99. Dude, that's it!
|
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|
0:56:56 – 0:56:58
I wouldn't have any gaps.
|
|
|
0:56:58 – 0:57:03
Yeah, but even if you say, okay, I'm renouncing meat now, that's why …
|
|
|
0:57:03 – 0:57:05
Buy some potatoes!
|
|
|
0:57:05 – 0:57:08
Fruits and vegetables have become just as expensive.
|
|
|
0:57:08 – 0:57:12
Yes, the vegan substitutes are all reduced because no one buys them anymore.
|
|
|
0:57:12 – 0:57:14
No one wants them, they're just shit.
|
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|
0:57:14 – 0:57:18
That's messed up dirt with so many additives.
|
|
|
0:57:18 – 0:57:19
Nobody wants to eat that.
|
|
|
0:57:19 – 0:57:21
Who wants to eat it voluntarily?
|
|
|
0:57:21 – 0:57:23
That's spanked shit.
|
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|
0:57:23 – 0:57:26
Do you know where all the vegan clothes all end up?
|
|
|
0:57:26 – 0:57:27
They all come to the tables.
|
|
|
0:57:27 – 0:57:30
I have acquaintances who tell me so.
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|
|
0:57:30 – 0:57:33
You can't eat something like that, it doesn't taste good.
|
|
|
0:57:33 – 0:57:38
But you can't eat that because it's just disgusting, that stuff.
|
|
|
0:57:38 – 0:57:39
That's disgusting.
|
|
|
0:57:39 – 0:57:41
This is not only disgusting, it is also highly processed.
|
|
|
0:57:41 – 0:57:43
Yeah, that too.
|
|
|
0:57:43 – 0:57:47
People go and say yes, you can't eat that because it's so processed.
|
|
|
0:57:47 – 0:57:51
Yeah, but your vegan shit, it's so worked on.
|
|
|
0:57:51 – 0:57:56
I understand that if I ever say I eat vegetarian,
|
|
|
0:57:56 – 0:58:02
But with the vegans, there are some things that are so crass and then it must always be
|
|
|
0:58:02 – 0:58:04
Everything looks and tastes like meat.
|
|
|
0:58:04 – 0:58:08
Yeah, I didn't understand that either.
|
|
|
0:58:08 – 0:58:17
So how was it before with "It quacks like a duck, it runs like a duck, then get a duck right away, my face!"
|
|
|
0:58:17 – 0:58:21
It wasn't such an uprising, it wasn't minced meat.
|
|
|
0:58:21 – 0:58:26
Do you have this article, I think it was in the Berliner Zeitung, did you notice it?
|
|
|
0:58:26 – 0:58:36
Because there were rows of restaurants had to include meat in the menu, otherwise a bankruptcy would have gone.
|
|
|
0:58:36 – 0:58:42
Yes, I can imagine, because why should I go there? Why should I go there and pay a lot of money when I'm there …?
|
|
|
0:58:42 – 0:58:45
… way eat, but grant 100 cents detail.
|
|
|
0:58:45 – 0:58:54
But I can only say one thing, I could put money aside before the coronavirus thing.
|
|
|
0:58:54 – 0:58:56
And I can't do that anymore.
|
|
|
0:58:56 – 0:59:03
Yes, I totally agree with you. I see it the same way.
|
|
|
0:59:03 – 0:59:09
And if the utility bill comes to me, then this is the obligatory neck shot every time.
|
|
|
0:59:09 – 0:59:17
That's right, he was still there. And he hit me 300 times this month. That was the big post.
|
|
|
0:59:17 – 0:59:21
Then the domain invoice for the web server.
|
|
|
0:59:21 – 0:59:25
And I need new shoes.
|
|
|
0:59:25 – 0:59:32
That was a total of 600 euros upwards.
|
|
|
0:59:32 – 0:59:33
I can imagine.
|
|
|
0:59:33 – 0:59:36
There's a good reason to optimize, isn't there?
|
|
|
0:59:36 – 0:59:39
Pfff, if you don't optimize anymore, ey.
|
|
|
0:59:39 – 0:59:40
What's the point, you know?
|
|
|
0:59:40 – 0:59:44
Of course, I could now run with the next idea to Ikea,
|
|
|
0:59:44 – 0:59:47
But I've got the basement full of old stuff.
|
|
|
0:59:47 – 0:59:53
That which is written here is indeed unaesthetic as fuck,
|
|
|
0:59:53 – 0:59:54
But I got it anyway.
|
|
|
0:59:54 – 0:59:57
That is, the next step would be to say,
|
|
|
0:59:57 – 1:00:03
"Okay, I borrow tools and just make something new out of the old time."
|
|
|
1:00:03 – 1:00:04
Yes, upcycle.
|
|
|
1:00:04 – 1:00:05
Exactly, upcycle.
|
|
|
1:00:05 – 1:00:09
Yeah, but he actually has an idea.
|
|
|
1:00:09 – 1:00:11
Or I'll just make things …
|
|
|
1:00:11 – 1:00:15
That's what you said earlier, Sasha.
|
|
|
1:00:15 – 1:00:21
Simply remove the chain drive from the RM1X and use USB flash tripods.
|
|
|
1:00:21 – 1:00:22
Exactly.
|
|
|
1:00:22 – 1:00:23
Upcycling.
|
|
|
1:00:23 – 1:00:30
Upcycling and the green display, you can do that against something chic, modern, OLED-like
|
|
|
1:00:30 – 1:00:31
change.
|
|
|
1:00:31 – 1:00:38
You get everything, they even have adapter kits, where the display works,
|
|
|
1:00:38 – 1:00:42
It's always the backlight where you have the screen.
|
|
|
1:00:42 – 1:00:44
Either the foil itself or the inverter stops.
|
|
|
1:00:44 – 1:00:51
On the subject of upcycling, I'm trying to change the subject here on stage.
|
|
|
1:00:51 - 1:01:00
A few days ago, I ran a YouTube video through the recommendation engine over my liver.
|
|
|
1:01:00 – 1:01:14
And there it was, that someone for himself, for his music, a Roland … like
|
|
|
1:01:14 – 1:01:16
What's the name of that?
|
|
|
1:01:16 – 1:01:17
The effect device.
|
|
|
1:01:17 – 1:01:18
Damn it.
|
|
|
1:01:18 – 1:01:19
Damn, damn, damn.
|
|
|
1:01:19 – 1:01:22
I've lost it.
|
|
|
1:01:22 – 1:01:25
It's still in the slack.
|
|
|
1:01:25 – 1:01:26
It's still in the slack.
|
|
|
1:01:26 – 1:01:27
Here's the video.
|
|
|
1:01:27 – 1:01:29
We can share that too.
|
|
|
1:01:29 – 1:01:32
I'll make a short video here.
|
|
|
1:01:32 – 1:01:38
And the device is a Roland RSP 550.
|
|
|
1:01:38 – 1:01:41
An effect device from the 90s.
|
|
|
1:01:41 – 1:01:43
One unit of height.
|
|
|
1:01:43 – 1:01:54
Stereo signal processor, multi-effects. However, I do not know how many, I believe at least four or five pieces, which can then be linked together in a row.
|
|
|
1:01:54 – 1:01:59
Are you fans of such older multi-effect devices?
|
|
|
1:01:59 – 1:02:16
I have, so virtual, I have. And they have somehow, so especially with the reverb effects you have some, they have this particular sound.
|
|
|
1:02:16 – 1:02:23
And if you want to do something that has this aesthetic, I'll use it.
|
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|
1:02:23 – 1:02:31
Otherwise, there are some algorithms, so they are quite bad. You have such a funny
|
|
|
1:02:31 – 1:02:44
reverberation or even with the delays, you just realized that memory was expensive and the
|
|
|
1:02:44 – 1:02:52
Transducers were not the best, especially with the cheap devices. You mean Zoom 1201 and all?
|
|
|
1:02:52 – 1:02:59
Exactly, but they have their right. And if you want to have that sound aesthetic,
|
|
|
1:02:59 – 1:03:02
emulation or the original.
|
|
|
1:03:02 – 1:03:07
Yes, I think that these effects devices from the 90s, they somehow have a
|
|
|
1:03:07 – 1:03:13
very special sound and whenever you send a signal through there, so in the video and
|
|
|
1:03:13 – 1:03:19
There are some very nice audio examples and I think you will get
|
|
|
1:03:19 – 1:03:28
immediately this instant 90s drum and bass surface sounds or reminds me that too
|
|
|
1:03:28 – 1:03:36
I've seen John Carpenter's films over and over again, and they sound so partial. Here's what it's called
|
|
|
1:03:36 – 1:03:45
"With Snake Plissken," "Escape from L.A." It's called PSR 6000 Sounds.
|
|
|
1:03:45 – 1:03:52
cheap adult film productions. Yeah, that's right. As I said, I said yes, that certain sound
|
|
|
1:03:52 – 1:03:58
Aesthetics make the devices and they had been really cheap for a while.
|
|
|
1:03:58 – 1:04:06
That's how I got the idea, so multi-effect plugins, is that even possible? me
|
|
|
1:04:06 – 1:04:13
We know that Korg has MDEX. I don't know if this is multi-effectual.
|
|
|
1:04:13 – 1:04:21
No, it's not. You can only upload one algorithm at a time. That's why you have this aesthetic.
|
|
|
1:04:21 – 1:04:28
And then there's Valhalla Vintage, which also makes this 90s hound.
|
|
|
1:04:28 – 1:04:36
But if you really want to achieve this hound aesthetic, you really have to work with several plugins.
|
|
|
1:04:36 – 1:04:48
Because the stop signal chains pack in the chain, in order to hit this aesthetic more precisely when there is a bit of phaser in it or chorus or something else.
|
|
|
1:04:48 – 1:05:02
A bit of delay and all that. Yes, because there you are free, so you can take it and then this and that. You are now looking for a plugin, where there are three slots and then you can pack the stuff in.
|
|
|
1:05:02 – 1:05:08
So I practice a reverb now, then hold an echo and finally a bit of distortion.
|
|
|
1:05:08 – 1:05:15
The question has arisen, are there such multi-effect plugins?
|
|
|
1:05:15 – 1:05:26
I can list a few. Here is Infiltrator from Devious Machines and then there are EFX Motions, which is a multi-effect in this sense.
|
|
|
1:05:26 – 1:05:29
This is super modern with granular effects and Trallala.
|
|
|
1:05:29 – 1:05:32
What about those 90s?
|
|
|
1:05:32 – 1:05:37
The RC20 from XLN Audio, for example.
|
|
|
1:05:37 – 1:05:38
Ah, okay.
|
|
|
1:05:38 – 1:05:42
Yes, this is an absolute industry standard, the Retro Color.
|
|
|
1:05:42 – 1:05:46
That's six slots, so you can do it all a little bit...
|
|
|
1:05:46 – 1:05:47
Audio Thing also has two such.
|
|
|
1:05:47 – 1:05:50
So with Audio Things, it always feels like multi-effects.
|
|
|
1:05:50 – 1:05:59
Just stick in different, I say, configurations, but something like Space Strip or New Strip
|
|
|
1:05:59 – 1:06:03
or frostbite, these are all different modules.
|
|
|
1:06:03 – 1:06:07
Then, of course, there's Path of Some Love and Hate.
|
|
|
1:06:07 – 1:06:13
This is clearly designed as a multi-effect. I think Filterverse from New He is also a multi, in the broadest sense.
|
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1:06:13 – 1:06:16
There is definitely enough.
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1:06:16 – 1:06:21
It's just not like in the 80s, where you just had to be able to do anything with any rack device.
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1:06:21 – 1:06:28
It's because you keep the individual things, I say, in your...
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1:06:28 – 1:06:34
... DAW, yes. And then above all, even in the standards plugins that are included, you have everything.
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1:06:34 – 1:06:36
And there you can build the chains as you want.
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1:06:36 – 1:06:42
So in other words, there is already a selection and you can always put something together yourself,
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1:06:42 – 1:06:46
by simply connecting several plugins to each other.
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1:06:46 – 1:06:49
Look at the colleague here, wait a minute, I'll post him in,
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1:06:49 – 1:06:51
That's right back here.
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1:06:51 – 1:06:55
Kilohertz Multipass, okay.
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1:06:55 – 1:06:57
99 dollars.
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1:06:57 – 1:06:59
Here's the other one.
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1:06:59 – 1:07:04
Multipass Multiband Modular Snap-in Host.
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1:07:04 – 1:07:09
Ah, okay, so that splits the incoming signal into five frequency ranges.
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1:07:09 – 1:07:11
You can probably also set
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1:07:11 – 1:07:19
And then each effect chain can also be applied separately to the frequency.
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1:07:19 – 1:07:20
That's cool, of course.
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1:07:20 – 1:07:21
Yeah, it's also a funny idea.
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1:07:21 – 1:07:24
That's right, and you've got 30 modules.
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1:07:24 – 1:07:32
There is also such an effect chain, which is quasi, so here with a few buses, Snapheap then means.
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1:07:32 – 1:07:35
So Kilohertz built an entire ecosystem there.
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1:07:35 – 1:07:38
This is probably the spearhead of the multi-effect.
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1:07:38 – 1:07:41
Also because the blocks are all relatively simple.
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1:07:41 – 1:07:43
Is it with or without iLok?
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1:07:43 – 1:07:45
That's without it. I tested this once.
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1:07:45 – 1:07:47
Very good.
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1:07:47 – 1:07:49
You can also subscript it.
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1:07:49 – 1:07:51
It costs 10 a month.
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1:07:51 – 1:07:53
Then you actually have everything you're face-planning.
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1:07:53 – 1:07:55
It works the same way.
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1:07:55 – 1:07:57
And then all the effects. There are a few,
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1:07:57 – 1:07:59
Then they cost something.
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1:07:59 – 1:08:01
In other words, it is included in the subscription.
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1:08:01 – 1:08:03
And there are 30 effects for free anyway.
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1:08:03 – 1:08:05
This is an ecosystem,
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1:08:05 – 1:08:07
It is liked to be used.
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1:08:07 – 1:08:09
As is the case with ecosystems.
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1:08:09 – 1:08:12
I've had enough, I don't want to pick it up.
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1:08:12 – 1:08:14
And I don't think it's so beautiful in terms of design either,
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1:08:14 – 1:08:18
As if to say, well, I'm going to switch right now.
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1:08:18 – 1:08:20
But on the other side …
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1:08:20 – 1:08:23
Why not? You can do it.
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1:08:23 – 1:08:28
I have another one here, multi-effect track.
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1:08:28 – 1:08:31
I'll take a screenshot here.
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1:08:31 – 1:08:35
Oh, that looks interesting. What is this? Serum!
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1:08:35 – 1:08:37
Ah, right, serum effect.
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1:08:37 – 1:08:41
I think the Serum FX or the Effects plugin will come along right away.
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1:08:41 – 1:08:49
So it's just the FX rack uncoupled again, exactly, as an effect unit.
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1:08:49 – 1:08:55
Unfortunately, it is not possible to purchase separately. So you're almost forced to get serum,
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1:08:55 – 1:09:00
If you only want to have Serum FX, which I think is a pity.
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1:09:00 – 1:09:06
Yes and no. So, of course, it's now a buying resistance, 250 is a rude,
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1:09:06 – 1:09:14
But you can also rent to own and buy splice and stuff like that. And I think if you need to use Serum FX properly,
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1:09:14 – 1:09:19
You also need to know the synthesizer. So the horny thing is stop, you can get all the LFOs down there
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1:09:19 – 1:09:27
and all the envelopes and macros and so on, you can route everything to the rack. So this is the internal effect unit of the synthesizer itself,
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1:09:27 – 1:09:34
But you can really just pull paths and yes, actually do a thousand things with it.
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1:09:34 – 1:09:38
And here you also have two buses, where you can route almost separately, here on the left.
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1:09:38 – 1:09:40
Yeah, that's open to me, isn't it?
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1:09:40 – 1:09:46
Yeah, totally. And just here, as I said, you have a rack that you can connect and route in several directions
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1:09:46 – 1:09:51
It's all done with modulators. And you have quite a few of them.
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1:09:51 – 1:09:56
I'm saying that if I wanted to, I could actually do a lot of what I'm doing.
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1:09:56 – 1:10:02
Replace it with serum FX. Of course you've got a little bit of it
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1:10:02 – 1:10:07
It's like, "Yes, well, that's the point," isn't it? You can then add every single detail
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1:10:07 – 1:10:12
Optimize as much as it is. So the basic problem of multi-effects was yes
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1:10:12 – 1:10:16
They always wanted everything and couldn't do anything right. But we are, I think,
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1:10:16 – 1:10:19
we're so out of analog nostalgia now we're out so slowly, so Chase Bliss
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1:10:19 – 1:10:23
It still works, but I don't know, you were the one with the whole ….
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1:10:23 – 1:10:31
Yeah, we've done something new, have you noticed? The new Chase Bliss Lost
|
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1:10:31 – 1:10:37
Found, new pedal. It's green. It still has the psychos.
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1:10:37 – 1:10:43
It still has the same design, exactly, the Lost and Found, what does that do? It is so
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|
1:10:43 – 1:10:49
A collection of effects. So you could say it's also a multi-effect pedal,
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1:10:49 – 1:11:00
Just like Microcosm, for example. And what can the Lost & Found do? What do you have here
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1:11:00 – 1:11:08
written? There are twelve modes that can be seamlessly blended.
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1:11:08 – 1:11:11
Twelve modes in that box?
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1:11:11 – 1:11:19
Yes, this is their first multi-effect device, they wrote. 144 possible combinations,
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1:11:19 – 1:11:28
effect combinations. You're not writing exactly what. That's a bit of a statement, I think.
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1:11:28 – 1:11:34
Surprise, surprise, buy, buy, buy, buy, then look, don't look,
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1:11:34 – 1:12:03
Then "Lent"
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1:12:03 – 1:12:11
And at the end you have a bonus compressor and a saturator at the end of the chain.
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1:12:11 – 1:12:17
Then you can put some compressions on top of it.
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1:12:17 – 1:12:25
They probably took that out of one of their other pedals and scaled it down.
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1:12:25 – 1:12:26
have, packed on it.
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1:12:26 – 1:12:33
Yes, it's a pity that they don't say exactly what effects they're calling, except
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1:12:33 – 1:12:34
Lasers and so on.
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1:12:34 – 1:12:41
But tell me, Thomas, you were the one with the effect pedal.
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1:12:41 – 1:12:43
Get rid of them all, car repair shop?
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1:12:43 – 1:12:50
No, not because of the car repair shop, but because I just do the things, just don't
|
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1:12:50 – 1:12:55
Bock had more to build up the things all and connect a synthesizer to it.
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1:12:55 – 1:13:01
And I can do what these pedals can do, you can now just kill that with software.
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|
1:13:01 – 1:13:07
And in better, faster, automatable.
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1:13:07 – 1:13:10
And that, I think, is the biggest advantage for me.
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1:13:10 – 1:13:14
I have the same sound quality, sometimes even better sound quality.
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1:13:14 – 1:13:19
And waiter, yeah, okay, I can turn around a little more on the buttons,
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1:13:19 – 1:13:23
but I have a MIDI controller, then I put the things on it and then it fits.
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1:13:23 – 1:13:25
That's the total recall.
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1:13:25 – 1:13:29
The Total Recall story is the most important thing for me.
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1:13:29 – 1:13:34
And, like I said, my eyesight is dwindling and I can just...
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1:13:34 – 1:13:40
The 2440x1400 resolution is simply unbeatable.
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1:13:40 – 1:13:42
Especially when it comes to zoom.
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1:13:42 – 1:13:44
Yes, that's right.
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1:13:44 – 1:13:50
If I set the surface to 200% Unfortunately, I can't do that with such a pedal.
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|
1:13:50 – 1:13:57
And with the Chase Bliss pedals I find this mouse piano in the back.
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1:13:57 – 1:14:02
I also have a very low resolution on the 4K monitor.
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1:14:02 – 1:14:04
That would be a 4K monitor.
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1:14:04 – 1:14:08
I use the, I think, in the plusminus same size resolution as on the MacBook.
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1:14:08 – 1:14:10
Just keep it big.
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1:14:10 – 1:14:14
Of course, you can usually zoom out a little better, right?
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|
1:14:14 – 1:14:23
It's probably not a good sign for the optician now, but
|
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|
1:14:23 – 1:14:26
I almost don't care about that.
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|
|
1:14:26 – 1:14:30
But I think the multi-effect trend
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|
1:14:30 – 1:14:35
or, in general, the back-to-box effect trend,
|
|
|
1:14:35 – 1:14:41
You look at Jay Horsking and he's got his reverb on the table.
|
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|
1:14:41 – 1:14:48
or his pedals, but these used to be simple little bread and butter boxes with three or four knobs.
|
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|
1:14:48 – 1:14:57
And now you look there and you think, okay, Marys, I know they look super good, don't they? But Chroma Console, Marys, LVX, yes.
|
|
|
1:14:57 – 1:15:03
The Marys pedals are now the absolute overkill. They all come with such an OLED display, such a color display.
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|
1:15:03 – 1:15:04
Yes, they all cost a thousand.
|
|
|
1:15:04 – 1:15:09
They all cost more than 1000 euros. Hammer, madness.
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|
1:15:09 – 1:15:13
But then they have one for reverb and one for delay.
|
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|
1:15:13 – 1:15:17
I wonder why they don't make a pedal out?
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|
|
1:15:17 – 1:15:18
Why does it always have to be two?
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|
1:15:18 – 1:15:20
So you can sell two.
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|
1:15:20 – 1:15:22
So you can sell two.
|
|
|
1:15:22 – 1:15:24
Because the content is the same.
|
|
|
1:15:24 – 1:15:27
So let's say that when I win a million,
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|
1:15:27 – 1:15:31
I would also put things up because they look sexy.
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|
1:15:31 – 1:15:35
That's a nice box to turn around.
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|
|
1:15:35 – 1:15:38
I'd really watch, what do you want to do?
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|
1:15:38 – 1:15:41
I'd really look, what am I up to?
|
|
|
1:15:41 – 1:15:43
What do I want to do? Do I want to go on stage with it?
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|
1:15:43 – 1:15:50
Our good Bernie, who also attends his live concerts with Meer.
|
|
|
1:15:50 – 1:15:55
It is also appropriate for him to have it.
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|
1:15:55 – 1:16:01
But when you're in the studio, no, sorry, you don't need to.
|
|
|
1:16:01 – 1:16:12
I wanted, that was the statement with the keystep, I want to build myself for live, maybe, for a bigger story, I want to build myself such a pedalboard,
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|
|
1:16:12 – 1:16:20
with a master keyboard and above still a Launch Control XL, then probably also the threesome, where I just have a few, such a noise story,
|
|
|
1:16:20 – 1:16:23
then the master keyboard is on the other side to play.
|
|
|
1:16:23 – 1:16:26
And the pedalboard should then just be there for it,
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|
|
1:16:26 – 1:16:30
almost top to rotate the effects or sometimes to start a clip
|
|
|
1:16:30 – 1:16:35
Ambient stories in the broadest sense.
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|
|
1:16:35 – 1:16:38
And yes, the stupid thing is,
|
|
|
1:16:38 – 1:16:41
Pedalboards are incredibly unwieldy in part,
|
|
|
1:16:41 – 1:16:43
Also from transportation.
|
|
|
1:16:43 – 1:16:45
Cutting wood is just as bad.
|
|
|
1:16:45 – 1:16:47
I need a tripod for all the fun.
|
|
|
1:16:47 – 1:16:51
I need the black keystep or something.
|
|
|
1:16:51 – 1:16:54
I've been thinking, maybe I'll go to Roli,
|
|
|
1:16:54 – 1:16:58
such a seaboard block, where you can plug the stop individually together.
|
|
|
1:16:58 – 1:17:02
A seaboard would also be cool, but honestly, I don't have the thousands right now.
|
|
|
1:17:02 – 1:17:05
He's going into new traitors right now.
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|
|
1:17:05 – 1:17:09
I don't know if it's on the descending branch,
|
|
|
1:17:09 – 1:17:10
But I think it's also such a trend.
|
|
|
1:17:10 – 1:17:14
which has formed a bit in the corona collection rage.
|
|
|
1:17:14 – 1:17:20
So before that was the, so the, we chase the synthesizer, the pedal is nothing.
|
|
|
1:17:20 – 1:17:24
This is the dollar trend. It all comes down to the dollar trend.
|
|
|
1:17:24 – 1:17:29
Because everyone says, yes Dollars, Dollars, Dollars, Dollars, Dollars, horny, horny, horny, horny, horny, horny, horny,
|
|
|
1:17:29 – 1:17:32
buy, buy, buy, buy, buy, buy, gas, gas, gas, gas.
|
|
|
1:17:32 – 1:17:36
That's why all this shit sells. Or is it?
|
|
|
1:17:36 – 1:17:39
Yeah, so. Definitely, definitely.
|
|
|
1:17:39 – 1:17:43
Especially the feel. I've been to Tenor Twist, and that's funny.
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|
|
1:17:43 – 1:17:50
because he also has such a glitch effect box on his setup, besides Launchkey and Launchpad.
|
|
|
1:17:50 – 1:17:56
But this is a box with a few controllers and it has a few effects in it and
|
|
|
1:17:56 – 1:18:00
I think it's a good thing if you had a pedal like that, you'd have to keep looking,
|
|
|
1:18:00 – 1:18:05
What's active, what's off or you have a tedious switching system. And that's why he has
|
|
|
1:18:05 – 1:18:10
Probably just built a custom box where he just rattles through his whole tone and
|
|
|
1:18:10 – 1:18:15
It can shred. Again, this is the multi-effect aspect.
|
|
|
1:18:15 – 1:18:20
So this whole... I have so much respect for people with so much
|
|
|
1:18:20 – 1:18:26
Giraffes go out on stage. While I'm always... I just want my
|
|
|
1:18:26 – 1:18:30
Giraffe does exactly what I tell him for the job. And when the job
|
|
|
1:18:30 – 1:18:34
but it consists of being able to act spontaneously on everything, that is somehow also
|
|
|
1:18:34 – 1:18:39
its own charm. But I've started a little bit, in my mind and in my mind
|
|
|
1:18:39 – 1:18:47
Doubt others when Eventide released the H90 as a double treader. That's where you think,
|
|
|
1:18:47 – 1:18:52
Of course, there are also multi-effect tracks, yes, but that's not the same thing. Or if you want me to
|
|
|
1:18:52 – 1:18:57
1500 an effect pedal with various chargeable algorithms, so this is really a state
|
|
|
1:18:57 – 1:19:02
Of the art, even the H9 is huge compared to what it can do. The H90 was in some way
|
|
|
1:19:02 – 1:19:08
so the concession of, yes, horny, now we can sell our algorithms in pedals. And
|
|
|
1:19:08 – 1:19:13
And from there it just kind of went, yes, Maris is a good example,
|
|
|
1:19:13 – 1:19:16
Microcosm, hologram, what's the name of the booth?
|
|
|
1:19:16 – 1:19:22
Hologram with the chroma of Soul, that is, I think, so of hologram so the …
|
|
|
1:19:22 – 1:19:24
Two stupid ones, one thought.
|
|
|
1:19:24 – 1:19:31
As for the stage, the most obvious, or live suitability,
|
|
|
1:19:31 – 1:19:36
because you are holding these four effects that you have there, you can hold them in any order
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|
|
1:19:36 – 1:19:43
order. Didn't you even have one? And because of the big controllers the thing is very
|
|
|
1:19:43 – 1:19:47
Live-suitable. So that would be, for example, if I had to choose a pedal,
|
|
|
1:19:47 – 1:19:52
For such an Amazon story, I would say, one could perhaps look at this. But
|
|
|
1:19:52 – 1:19:58
I would always connect this to a mixer so that I could just sand it in
|
|
|
1:19:58 – 1:20:04
can. I could swear I've seen this thing with you. No, you got this with me
|
|
|
1:20:04 – 1:20:11
I saw the microcosm, which is also hologram. And the microcosm is also a bit
|
|
|
1:20:11 – 1:20:17
Multi-effect, but is rather a typical granular reverb.
|
|
|
1:20:17 – 1:20:22
Now you've moved it through EFX Fragments and Darsum Low, haven't you?
|
|
|
1:20:22 – 1:20:29
Exactly. EFX Fragments came along and I already had Microcosm and then I realized,
|
|
|
1:20:29 – 1:20:33
Shit, the software does exactly the same thing as the Microcosm.
|
|
|
1:20:33 – 1:20:35
I don't really need it anymore.
|
|
|
1:20:35 – 1:20:37
But that's what I thought.
|
|
|
1:20:37 – 1:20:39
But by the way, it took a very long time.
|
|
|
1:20:39 – 1:20:43
It took me a long time to sell it because nobody wanted it.
|
|
|
1:20:43 – 1:20:44
What?
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|
|
1:20:44 – 1:20:45
Which I found totally strange.
|
|
|
1:20:45 – 1:20:47
Yeah, it took a long time.
|
|
|
1:20:47 – 1:20:52
I think I got it somehow, I think 10 weeks or so I had it on small
|
|
|
1:20:52 – 1:20:53
Advertisements.
|
|
|
1:20:53 – 1:20:55
It could be an American thing again, you know?
|
|
|
1:20:55 – 1:20:58
Well, I'm being honest.
|
|
|
1:20:58 – 1:21:01
I actually have the basement full of stuff.
|
|
|
1:21:01 – 1:21:03
No one wants it.
|
|
|
1:21:03 – 1:21:06
Or I would have to make an active effort to
|
|
|
1:21:06 – 1:21:09
If we're going to take 5, we'll be gone for three days.
|
|
|
1:21:09 – 1:21:12
But everything else has been in there for years.
|
|
|
1:21:12 – 1:21:14
I get an email like this every 60 days,
|
|
|
1:21:14 – 1:21:17
Your offer has expired, do you want to renew it?
|
|
|
1:21:17 – 1:21:20
Yeah, so this, well, it's maybe a question of time,
|
|
|
1:21:20 – 1:21:26
It may also be a national issue.
|
|
|
1:21:26 – 1:21:33
The European is also said to be somehow, I don't know, less, so let's say,
|
|
|
1:21:33 – 1:21:37
Perhaps materially inclined is the wrong term, but the European is in this respect
|
|
|
1:21:37 – 1:21:43
Surely more open to this whole software corner compared to hardware amassing, I have
|
|
|
1:21:43 – 1:21:47
Sometimes that impression. It may be latently racist, but...
|
|
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1:21:47 – 1:22:04
Yes, it would also go hand in hand with the fact that many software, many doors just come from Germany. Almost all of them. All the important ones.
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1:22:04 – 1:22:09
That's really the case. Ableton Germany, Logic, Imagic, Samba, eh?
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1:22:09 – 1:22:17
Native Instruments, Steinberg, okay, now belongs to Yamaha, but is still on German
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1:22:17 – 1:22:19
The brain has arisen.
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1:22:19 – 1:22:29
We've already called Ableton, Bitwig, or take the whole tracker scene, that's coming too
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1:22:29 – 1:22:32
Everything from Europe, that's not in the...
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1:22:32 – 1:22:35
Elektron is Sweden, Elektron is Sweden.
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1:22:35 – 1:22:36
That's right.
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1:22:36 – 1:22:40
There is also a lot coming from the island.
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1:22:40 – 1:22:43
Maybe it's the space requirement, you know?
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1:22:43 – 1:22:45
The Armies have 100 parking spaces
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1:22:45 – 1:22:48
and can build large houses from papier-mâché
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1:22:48 – 1:22:51
and can build up a pedal collection in it.
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1:22:51 – 1:22:53
You live in there, squeeze in the corners.
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1:22:53 – 1:22:55
Right, that may be.
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1:22:55 – 1:23:00
Perhaps, at the end of this, we would like to
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1:23:00 – 1:23:04
quiet, spontaneous, back-and-forth-thinking edition
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1:23:04 – 1:23:09
It feels a bit like it used to, you know, not so hard-wired with 100 themes,
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1:23:09 – 1:23:11
Just a little bit, yes, we can talk about it.
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1:23:11 – 1:23:14
Maybe we want to take a little effect crash course at the end,
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1:23:14 – 1:23:16
Because I've prepared a little bit more.
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1:23:16 – 1:23:23
So generally about the mode of action of effects.
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1:23:23 – 1:23:25
Even multi-effects, right?
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1:23:25 – 1:23:33
Yeah, well, but hold on to the power of the effect, you know.
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1:23:33 – 1:23:44
You know? I thought to myself a bit because, as I said, I have the impression that we're actually talking, so at least I'm talking too much about sound as a result of actually doing a lot of things with effects.
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1:23:44 – 1:23:50
So actually by simple changes of the sound, be it multiplication or that I subterrier something.
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1:23:50 – 1:23:56
Because this is actually more multiplied something or I take something apart from it.
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1:23:56 – 1:24:10
This is actually the art of the effect and for that I have the impression that we talk a little bit about the sound generator itself, if you actually don't need much from the sound generator.
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1:24:10 – 1:24:16
Or I catch myself regularly because I don't really need so much from the sound generator.
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1:24:16 – 1:24:25
Can we hear from the three demos that I provided, so the first threesome vlog, I brought you something, can we hear for the first time?
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[Music]
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[Music]
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[Music]
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[Music]
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1:24:46 – 1:24:52
[Music]
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1:24:52 – 1:24:55
[engine]
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1:24:55 – 1:25:01
[engine]
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1:25:01 – 1:25:07
[engine]
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1:25:07 – 1:25:13
[engine]
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1:25:13 – 1:25:19
[engine]
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1:25:19 – 1:25:22
[engine]
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1:25:22 – 1:25:28
[engine]
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1:25:28 – 1:25:34
[engine]
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1:25:34 – 1:25:40
[engine]
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1:25:40 – 1:25:46
[engine]
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1:25:46 – 1:26:10
[Music]
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1:26:10 – 1:26:13
So if that wasn't granular synthesis,
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1:26:13 – 1:26:14
Then I don't know either.
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1:26:14 – 1:26:16
Yes, you heard it at the end.
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1:26:16 – 1:26:22
Shimmer, granular synthesis, reverb, distortion, the full chain.
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1:26:22 – 1:26:27
And then somehow there is a modulation effect in it.
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1:26:27 – 1:26:31
Yes, a bit of sidechain filtering.
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1:26:31 – 1:26:32
Mm-hmm.
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1:26:32 – 1:26:35
Horny, was beautiful, gorgeous.
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1:26:35 – 1:26:36
Could have been good.
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1:26:36 – 1:26:39
I did a while ago, that was a sound from the live set.
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1:26:39 – 1:26:46
We can hear the same thing, that's exactly what I've been playing, without any effects.
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1:26:46 – 1:26:48
This is Demo 2.
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1:26:48 – 1:26:51
[Music]
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[Music]
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[Music]
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1:27:05 – 1:27:13
[Music]
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1:27:13 – 1:27:16
[Music]
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1:27:16 – 1:27:22
[Music]
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1:27:22 – 1:27:28
[Music]
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1:27:28 – 1:27:34
[Music]
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1:27:34 – 1:27:40
[Music]
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1:27:40 – 1:27:43
[Music]
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1:27:43 – 1:27:49
[Music]
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1:27:49 – 1:27:55
[Music]
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1:27:55 – 1:28:02
[Music]
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1:28:02 – 1:28:08
[Music]
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1:28:08 – 1:28:23
[Music]
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1:28:23 – 1:28:25
How boring.
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1:28:25 – 1:28:33
Yes, that's why good sound designers always add the effects to the sound design.
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1:28:33 – 1:28:40
I think that was a super plastic example of what is possible.
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1:28:40 – 1:28:45
And that effects can also have a big impact on sound design.
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1:28:45 – 1:28:46
It's great!
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1:28:46 – 1:28:47
Really good.
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1:28:47 – 1:28:48
Thank you, thank you.
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1:28:48 – 1:28:55
I have screenshotted the effect chain again during the leave.
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1:28:55 – 1:29:00
I'm not throwing it in yet.
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1:29:00 – 1:29:06
And we can now hear example 3, where I have successively added the effects,
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1:29:06 – 1:29:09
until we have the sound we have at the end.
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1:29:09 – 1:29:11
Can we have Example 3, Sascha?
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1:29:11 – 1:29:14
[Music]
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[Music]
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[Music]
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1:29:26 – 1:29:32
[Music]
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[Music]
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[Music]
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[Music]
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[Music]
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1:29:51 – 1:29:54
[Music]
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1:29:54 – 1:29:57
[Music]
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1:29:57 – 1:30:00
[Music]
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1:30:00 – 1:30:03
[Music]
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1:30:03 – 1:30:06
[Music]
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1:30:06 – 1:30:09
[Music]
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1:30:09 – 1:30:15
[Music]
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1:30:15 – 1:30:21
[Music]
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1:30:21 – 1:30:27
[Music]
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1:30:27 – 1:30:33
[Music]
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[Music]
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1:30:53 – 1:30:55
You want us to guess now?
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1:30:55 – 1:30:57
Yeah, you can do a little … like that.
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1:30:57 – 1:30:59
What did you hear?
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1:30:59 – 1:31:01
There was an order. That was then also
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1:31:01 – 1:31:10
the chain of effects as it is built. The other two were sends. So, what's in that sound?
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1:31:10 – 1:31:14
So I can't tell you now what plugins you used, but …
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1:31:14 – 1:31:16
Not the plugin, but the effects with which I also … here
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1:31:16 – 1:31:25
So the first thing I hear is you're making it wider. So Hall or maybe a light flanger or something.
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1:31:25 – 1:31:35
Yeah, then I hear you put in some distortion, some sort of distortion.
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1:31:35 – 1:31:43
In the end, it's definitely that you can still hear how you put in the gradulase effect.
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1:31:43 – 1:31:49
That wasn't the thing I heard so clearly.
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1:31:49 – 1:31:51
What is emergency power to you?
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1:31:51 – 1:32:06
Reverb, Distortion. You can really hear that, yeah. Filter, delay, I'm not so sure
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1:32:06 – 1:32:13
Shimmer effect, whether it came to the very end or whether this together with the delay
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1:32:13 – 1:32:20
Was it packaged as a granular delay? Something like that in the direction.
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1:32:20 – 1:32:25
I can read the name, so for me it's step-by-step.
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1:32:25 – 1:32:33
Yes, so step-by-step means that I switch things on on the file name. So this
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1:32:33 – 1:32:38
Make it wider, you've recognized that well, because that's when you turn it off,
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1:32:38 – 1:32:42
You hear it very quickly. The others don't have that on the bill, but that's natural.
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1:32:42 – 1:32:50
the screenshot still has the screenshot on the screenshot at the bottom right.
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1:32:50 – 1:32:53
There is no infinity.
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1:32:53 – 1:33:00
Yeah, pretty much. Anyway, so this is the first one here, widening.
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1:33:00 – 1:33:05
And that's the old reverb trick. In principle, it works like a chorus,
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1:33:05 – 1:33:13
You just have to multiply things. And just here so hard-hitting reverb on it,
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1:33:13 – 1:33:19
Decay almost at the stop or here, so, no, Decay is already quite wide open,
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1:33:19 – 1:33:23
Wiff is simple, I made it ultra-wide. Exactly, then stop slightly shifted in the phase,
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1:33:23 – 1:33:29
to make it wider. Exactly, here Rev Intensity, I like to use it for
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1:33:29 – 1:33:35
That sort of thing. So space is my normal reverb, so for the more classic reverb stuff and the here
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1:33:35 – 1:33:41
It's more for the freaky stuff. The second, you can't hear it out so well, because I've got a few
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1:33:41 – 1:33:46
Turn it on and off. You said filters, now we're going into the filter drive, of course.
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1:33:46 – 1:33:51
On the main sound generator is by the way the init patch of Massive X, or simply filter,
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1:33:51 – 1:33:59
So cutoff, too, on and init patch, saw wave, I think a double or something. Totally basic,
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1:33:59 – 1:34:01
So, an effect chain is now also not a sewage treatment plant.
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1:34:01 – 1:34:05
Well, maybe that's important.
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1:34:05 – 1:34:08
But then comes a very important point of this sound.
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1:34:08 – 1:34:14
And now you've both called it half.
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1:34:14 – 1:34:15
And that's...
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1:34:15 – 1:34:18
Yeah, a bitcrusher, I said.
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1:34:18 – 1:34:19
Okay.
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1:34:19 – 1:34:21
Well, not exactly on the list right now, but from the start.
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1:34:21 – 1:34:23
I really hadn't figured that out now.
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1:34:23 – 1:34:25
I said distortion or something.
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1:34:25 – 1:34:27
Now that you say it, yes.
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1:34:27 – 1:34:31
I think if the bitcrusher is used discreetly, then you can always say that badly.
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1:34:31 – 1:34:33
Is this a distortion?
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1:34:33 – 1:34:36
He also has a saturation unit.
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1:34:36 – 1:34:38
Yes, but it's zero.
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1:34:38 – 1:34:43
The titter is a bit higher, but the real point is downsampling.
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1:34:43 – 1:34:52
So I closed a HiFi-Synthi on 8 bits and with a Kilohertz filter from above.
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1:34:52 – 1:34:55
8 bits and 8 kilohertz, that's pretty little.
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1:34:55 – 1:34:59
Yes, that's right, so it's pretty cheap on the first level.
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1:34:59 – 1:35:06
And then comes what you have all heard very well, namely the colleague here.
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1:35:06 – 1:35:08
Processor, processor.
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1:35:08 – 1:35:11
Here comes the dirt.
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1:35:11 – 1:35:13
Here comes the dirt.
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1:35:13 – 1:35:15
Exactly, this is the Zerre.
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1:35:15 – 1:35:18
Good saturation, not too broken.
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1:35:18 – 1:35:22
There's a little boost in the back, nothing big.
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1:35:22 – 1:35:26
Simply mixed in, but that's just the one I can change.
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1:35:26 – 1:35:31
But you've also heard that it swells and swells again, the effect.
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1:35:31 – 1:35:36
But I find this so difficult, because this is the first time in the Bitcrusher chased in
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1:35:36 – 1:35:41
And then go straight to it. You can hear this really bad.
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1:35:41 – 1:35:43
The tick is like that, you know, when you …
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1:35:43 – 1:35:45
Yeah, shit in, shit out.
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1:35:45 – 1:35:50
Shit in, shit out, yes, but above all, that's the old tube screamer method.
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1:35:50 – 1:35:56
This is like my guitar buddy who has 4 overdrives on his pedalboard and depending on
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1:35:56 – 1:36:04
Which he turns on, there are 16 different tugs. And they all don't have to go that far
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1:36:04 – 1:36:08
It's broken, isn't it? The joke of this sound is that you don't lose downsampling,
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1:36:08 – 1:36:12
If you take the tucker out. That is, if you downsample with the Zerre, then you actually have
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1:36:12 – 1:36:20
already lost in the sense, because you have to yes, so it's on the frequency meter
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1:36:20 – 1:36:25
It is actually a rather hecky block that swells up and down because, as I said,
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1:36:25 – 1:36:29
There's something on top of it right now, but you want to keep the block, but you want it
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1:36:29 – 1:36:34
Not always completely distorted and that was the thought behind it. Yes, and then you turn around
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1:36:34 – 1:36:41
Another segregated tooth curve in automation. Exactly, that's the good shaper box, that's what you do
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1:36:41 – 1:36:45
These days, as I said, stop with LFO effects.
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1:36:45 – 1:36:50
Then we actually come to the refinement.
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1:36:50 – 1:36:52
You have the same screenshot again.
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1:36:52 – 1:36:55
No, no, there's something up there on the right.
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1:36:55 – 1:37:01
What's that? E-Read? Cloud piercer? Tritic?
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1:37:01 – 1:37:04
Okay, that's the glimmer, isn't it?
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1:37:04 – 1:37:06
That's the glimmer, exactly.
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1:37:06 – 1:37:13
He then shuts down at the top. And I like to use the irate relatively much, because the, I say,
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1:37:13 – 1:37:17
In contrast to a good shimmering effect, it sounds like a synth. So this is actually a
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1:37:17 – 1:37:21
mediocre plugin, but exactly for this it is very cool, in this purpose.
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1:37:21 – 1:37:30
The last one you heard out, that's a bit of Flurry and other stuff.
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1:37:30 – 1:37:42
Yes, that's right, the classic. I heard that right away because it was so flirty. That's the typical grain delay, isn't it?
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1:37:42 – 1:37:46
The shimmering, flickering in the overtones.
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1:37:46 – 1:37:53
And then also this, because this is also a delay effect in it, so for example "slim, slurred, slurred".
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1:37:53 – 1:37:55
Yeah, that's right.
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1:37:55 – 1:38:04
I had such a fortune-teller sketch in the last podcast production and I also popped fragments on it.
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1:38:04 – 1:38:07
Fragments is horny, I can only repeat.
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1:38:07 – 1:38:12
Yes, that's, to stop this crazy, to get this basic somehow.
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1:38:12 – 1:38:20
Very nice. I think that's a good ending to this show.
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1:38:20 – 1:38:22
You mean the power of effects.
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1:38:22 – 1:38:31
Never underestimate the power of the effects. May she be with you. In that sense, bye!
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1:38:31 – 1:38:33
Farewell to you!
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1:38:33 – 1:38:34
Farewell to you!
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1:38:34 – 1:38:35
Che!
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1:38:35 – 1:38:38
[Music]
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1:38:38 – 1:38:41
[Music]
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[Music]
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[Music]
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[Music]
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1:38:59 – 1:39:05
[Music]
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1:39:05 – 1:39:12
[Music]
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[Music]
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[Music]
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What else was there to talk about in these drenched …, uh, heated days: The minimalism video of Joseph ‘DeChangeman’ Bolz, which has been pushed out for several episodes, an entire album only with the Minimoog Voyager, the question of whether one is at all voluntarily optimizing and not rather forced, and the other question of whether everything is now becoming ‘multi’ again with the effects. In addition: Henrik, blue light, food (not that in NRW) and a demonstration about the power of the effect chain
Thematic breakdown
- Summer, weather & Feeling temperatures
– Hot, cold, rain and EU taxes on temperatures.
– Funny comparisons and discussion about summer 2025. - Summer sales & consumption
– Discounts on plugins, soundpacks and hardware.
– Airspace, Music Store, TAL, Behringer & Co.
– Discussion: Meaningful purchases or pure consumer compulsion? - Reduction to 50 items
– YouTube challenge and self-optimisation.
– Minimalism between ideal and reality.
– Own experience with clean-up & reduction. - Synthesizer & Minimalism in Music
– Working with only one device: Moog Voyager album.
– Own studio and live setups.
– Advantages and disadvantages of hardware reduction. - Old effect devices & 90s sound
– Roland RSP 550, Zoom 1201 and other classics.
– Sound aesthetics: John Carpenter & Drum’n’Bass-Vibes.
– Compared to modern multi-effect plugins. - Software vs. Hardware
– Advantages of plugins (recall, resolution, price).
– Haptik & inspiration in pedals.
– Chase Bliss, Valhalla, Kilohertz & Serum FX. - Gamer Aesthetics vs. Studio Reality
– RGB lights and Nanoleaf vs. warm white light.
– Practical studio settings instead of show optics.
– Battle stations and streaming trends. - Everyday life, finances & self-optimization
– Food prices, electricity costs & ancillary costs.
– Why reduction can also be a luxury problem.
– Upcycling & DIY ideas in the studio.
Links to the issue:
-
30 days of minimalism: Life and work 🧘 ♀️ Self-experiment
-
The Truth in Me - Wikipedia
-
Morality is no longer on the menu: Why Vegan Restaurants Serve Meat in Mitte
-
This Rare 90s FX unit turns anything into surreal ambience
Support our podcast
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Contributors to this episode
Tobi
Emergency power
Sascha
Playing time: 1:39:20
Date of admission: 07.08.25
This episode is from season 4, there are a total of 4 seasons.
One According to Funk Publication Cartel Production - Where stories are transmitted unmistakably.
Podcast license:
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