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00:00 - 0:00:26
He bought back a cozy day in the room
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Hello and welcome to the rehearsal podcast from the cozy as buzzing cozy day from the rehearsal
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video yes
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Today we introduce ourselves again and today I would like to meet the dear Lord.
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lot
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stream introduce hello here just the mum
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I sincerely welcome you as our host.
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yes yes
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room
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wavee
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hello
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Leave moin
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I'll make it beautiful today.
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Let's start with the news or
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yes we go with the news anja
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So I opened my e-mail in front of my mailbox and there was an e-mail inside
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this is, so to speak, a very fresh message at least that at the time when this recording is made here electron delivers for its L-stroke series so for Digital Pact syntax and Digital Run a song mode after
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wow
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holla the forest fairy that we are still allowed to experience it do wonders on so you have to say for the listeners we don't know m is the biggest criticism on the electronic devices of the newer date was that they are unlike the analog devices like a lok before or analog r tom the animal
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Tagged digital and syntax no song mode
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on
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which some people really already hypocrite and l
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sellers
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torches to get out so verbal
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and electron, so to speak, rather assume that they are striving for world domination
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yeah
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Anyway with that, actually now all these critics should not be tempted to do so, but now actually all these critics should be totally happy and immediately run into the store and
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tagged
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Contact or buy a digital
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I've had the then takes me at least season patterns chain courage
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the we have ham we had and still all have a pad semblance mode which unfortunately you could not save
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Ouch that's stupid
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So it never bothered me I've always had this thing
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operated
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All allegory not of them
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had
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I do yes with my groove box or so far have that yes or do I always do but it was once nice when the time has been so concept that what is supposed to make holders seem made allowed Pattaya pressed each other stringed buttons Zack the thing was finished as a song and could let the thing play as a song must maybe do a few other gimmicks
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He made it more beautiful.
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right and the best is the whole thing is free any owner can just download the work part of electron
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and then have fun in the song
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What else do we have at our disposal
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next
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on
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a bit older the message ah also interesting mon has again a new are the houses so or in other words a new old are the hoarsely laid on and indeed there is once again a small in the bathroom nicely small series
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on
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finest series of the moog model ten that is so to speak the smallest modular system of moog it is the one with the large jack socket
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Spam is basically
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small
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a h m mono fauna are it hoarse modular are the hoarse is also not patched before it
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with erm if i counted correctly four oscillators a a random generator a filter the classic moog filter a v c a a fixed filter bank
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two envelope generators and ahem the case and he can do the thing hm bit less than in the moog model d
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m has
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but for this, an almost three times as high price costs me in Germany if you order the at, for example, at Schneider's shop only three tens of thousands nine hundred ninety euros are bargains
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lamps
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I think for a nice monotone it's hoarse voice that you can pat a bit yes everyone has to know for themselves schotter thomas already please this is especially for lovers who are always super
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I think they definitely have
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So whether the ne asset is I mean we had recently been in the news
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a music shop here in hamburg in commission a yamaha c it sells
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this is a polyphonic analog will be for the sake of I think eight votes
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Arte Hello
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Saying and writing sixty thousand euros
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so
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twice somehow vw passat vw passat
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i.e. a
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vw passat in new or so no idea
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It's hard to imagine that things were messed up.
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It is not so long after twenty years.
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You still have a mail
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I think I would have even two more messages I manage there you have to look more so algae not so nice message is the topic then just times so incidentally he came out yesterday Apple raises the prices in the app store
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inherited for
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mac
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For MacOS and iOS, up to 30% for iPad and iPhone.
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and wow yes
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The energy of your singer
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and violently
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m
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below energy prices
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hm
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That's a good question you didn't say.
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change more
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Daniel quickly
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ok
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But you should
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This applies to all countries, but in any case it applies to all countries.
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yeah
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And then you would have a message.
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what
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"Copper Mine Andy a Little More Pleasing It Lever Ten Has Yesterday New Version of Ebelin Live Edition"
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power
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version eleven point two with apple m one aeuv three support das and an updated version of their standard nueva ab
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bake
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that means for all Apple Live owners that now even more plugins than A U are on the market then also natively on the M 1 processor on the new
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on
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without this emulation.
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without this emulation
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exact
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jonas drives after all eaten by performance well generally a bit
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and then a message that is already a bit older but maybe for some
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Today with
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There is a new multi track recorder from the company Zoom from small portable mini studio with it can make mercurial recordings called R-12 has a touch display
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and ham is almost like sun and no book box holds hesse but it also with built-in there is actually an f m there are hoist the there with built-in the one can just internally an ointment a software center the hammer file but quasi play over a connected midi keyboard that you have to buy extra and can then internally
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m r na yes
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Federal package I would say
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but he is priced
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Mr
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important information
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Ugly is the device at three hundred ninety
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oh
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But that's still
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I think humane is so close.
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Zoom has ears.
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spon maximum you can but only record two tracks at the same time that okay for you had a bit strange they can also do a lot of sports but keep built-in eight-voice f m it's hoarse
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It has a multi-effect processor.
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hamm
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Oh yeah and the thing is either battery powered or stop
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this is him
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you already know the zoom devices from the field recording and then we make a very good figure I wanted to record you very well even in higher image resolution
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you
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in the case of repetition
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Well, I think if you're a lot smaller for small bands or something like that,
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If you want to have a device with which you can do everything and do not have a baking oven somehow in the computer, that's a sensible purchase so when I compare what we're going to do
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fazit
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Thirty years had a nineties mountain sender stop only recorders multi-track devices with which one could record stop on cassette therefore on minidisc one could
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Maximum of four tracks
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Yes it was and that editing the tracks that was just him yes
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why
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dl
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and
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because you just have the same that catch colored touch display is the same with inside but only two comma four inches
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Really make a change of power
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more
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I don't actually have
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but again hazel on a yamaha now has a new edition from her people
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Ladies medium price synthesizer this mon mod x released and indeed in a plus extension with hitherto mergentheim pearl bite more here so far more since of course again with the neat price surcharge to the prices I don't even know
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I
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I just wanted to mention that
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because
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it's a very popular synthesizer sunny everyone who keeps up motive blond brave helmut haas montage is called here at the want to afford the stop gets this stripped down thing which in the end has almost the same engine stop just have a little less comfort further
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well
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I found it very interesting that the IRS
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yeah
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actually so quickly made a new edition ambrose the memory for an
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it is digitally extended as samples and extended to the front in the user memory for self-uploaded samples at
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You mean the mod x
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then stop
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that plus your address as just a little plus behind and
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Um, yeah
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has then gotten a bit more update from sixty-four to one hundred twenty-eight voices of polyphony expanded on and the NDR flash memory they have expanded
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So there it is now
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fischer cases ne one thousand five hundred ninety-nine euros at the relevant online
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dealers
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Exactly as the predecessor model was after all proof to get the eleven hundred
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annette
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but that's in terms of storage capacity under the vote number as far as that's concerned, he's his big brother as well
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Monday
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in nothing more after
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such
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So I think if you look a bit more online you will definitely find the old devices at a sale price which by the way are not bad now but at least just as good
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have
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a little less polyphony but that shouldn't bother you but you can get it at a bargain price as if you want to have such a large workstation
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slamming
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Yes and the internal that the parent advises the already ne egg legend wollmilchsau thus be from the M department and its simple based department and thin that you can still upload sample material yourself and the stop through the entire synthesis can wreck exactly so the really quite fantastic devices and I would personally get the older device
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so
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Even if I had the place, it would be more for me.
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sasha
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Triers with it.
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part and that's ne defining news by me finds totally super super transition from the yamaha moto x
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yeah
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multiple synthesis forms in one device united for transition to our main topic to come up with what we want to start today and that is Sascha and I have been thinking that we should have such a bit of tam
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0:13:28 – 0:13:28
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Synthesis forms what is what series do
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madeira mal
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a little something tell what there is actually there for synthesis form which are used up in the houses and maybe a little bit so provided with one or another small anecdote we have already had one or the other device under the hands
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on yes
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Yes, exactly we want to do it in a loose order but you won't let us sink now
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follow one after the other only talk about synthesis but stop when again stop us a form
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old noble grey
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Maybe we also have someone who can explain something deeper to one or the other synthesis form.
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Got it right there
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Let's start then
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yes what is
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laser perm
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and electronic sounds
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na
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The ones you know, so you've heard them before.
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Somehow after
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switches on
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and
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l how are they produced
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if now someone says he should have it hoarse that of course plan the general
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Concept of m
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As a rule, however, sounds can be produced in a wide variety of ways and ways.
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It will be on the irrsee
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different electronic components used for example
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I would see her first
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h
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between different
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yeah
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Divide is if distinguish once which ones are based on samples that are so one group then the other the stop on the more or less complicated at analog current circuits
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jan
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And then which one stops
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but exist between things
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It is based on both digital circuits of electronic circuits, but also on digital circuits of chips.
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on the one
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The software then emulates or simulates these components.
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on these digital building blocks
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eat
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And there is of course
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your specialty area
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The software is
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benner
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and there are also different things so which emulate you stop analog circuit or also on things the stop really completely from the digital world
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in order to:
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A sampler there is just as much
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make
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And there's a lot of analog stuff going on.
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billard man
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More complex times less complex
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this is also a world of its own this software is
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so
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The simplest synthesis
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is the subs tractive synthesis what is called so because at the beginning of the basic sound you have a simple so-called oscillator wave
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prevents
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but
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So if you have an oscillator, it always produces a standing tone.
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on
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Maybe because you somehow
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Yes good
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used to watch TV there was then also always such emerging ground otherwise standing signals where not what can I like had devastated
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Four hundred and fan them for you.
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bad
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That's four hundred and forty.
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my headlights test better
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michael
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on the phone so if you picked up the phone earlier the free sign will clearly be exactly that was definitely four hundred forty hertz
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the bed that was already that sounds crass yes that was the free sign so called the free these days no longer with the mobile phones but earlier with the analog phone you already had free signs that was so tusch
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0:17:30 – 0:17:33
I've always liked to use my devices this way.
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0:17:33 – 0:17:35
yeah
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really
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0:17:36 – 0:17:37
yeah
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0:17:37 – 0:17:38
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shoes
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you have
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0:17:40 – 0:17:44
I never came up with the idea but actually what would be right
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0:17:44 – 0:17:49
one but standardized in Germany it was then at the telecom and therefore you would rely on it
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0:17:49 – 0:17:50
could he
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0:17:50 – 0:17:54
They say it belongs to forty-four that the soundwall eats four weeks
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0:17:54 – 0:17:55
It wasn't there yet
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0:17:55 – 0:17:55
what yes
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The German Post
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0:17:57 – 0:18:03
But that was regulated, that could be on paper or had to be that way.
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0:18:03 – 0:18:07
That was awful, that's right, which is quite true.
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0:18:07 – 0:18:16
four hundred forty hertz is believe i in an appeal exactly from two resorts i knew just as little his expression parents ah now it fits
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0:18:16 – 0:18:18
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0:18:18 – 0:18:33
but before we whistle now here in stories he what do you do then with his standing oscillator wave of concrete basic clay there is at the substrate active synthesis therefore it is called so there are proportions from this sound
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0:18:33 – 0:18:34
taken away
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0:18:34 – 0:18:52
so substrat hirt therefore subs tractive synthesis there you can for example lower the basses or the middle or the heights or all at once the saturn stop away erm or you can take out stop ne combination from several frequency ranges
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0:18:52 – 0:18:52
he or she
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0:18:52 – 0:19:01
is that it must be imagined that I have in front of me like together sculptor of the sun nothing saying marble block na
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0:19:01 – 0:19:02
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0:19:02 – 0:19:06
then you start the sound quasi to skull turin
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0:19:06 – 0:19:07
wm
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to be worked out
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0:19:08 – 0:19:15
German hair and dahl the sound you want to have to work out for you have aids
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0:19:15 – 0:19:15
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0:19:15 – 0:19:19
and then again other electronic circuits or r
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0:19:19 – 0:19:20
they
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0:19:20 – 0:19:36
polished software electronics components the classic in the subjective synthesis is yes then the classic filter which is available in different forms unfortunately the missing has then
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0:19:36 – 0:19:37
one
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find attenuating effect so can range very much and very very far
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0:19:42 – 0:19:43
these
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sounded
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0:19:44 – 0:19:45
knowledge
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0:19:45 – 0:19:46
Different filter mode
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0:19:46 – 0:19:47
ps
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0:19:47 – 0:19:48
exact
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0:19:48 – 0:19:50
I, Mr.
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0:19:50 – 0:20:15
you can use sand filter but also stop to enrich a sound maybe also again at certain frequency parts that was just maybe a bit sharper or or also a bit louder noise in some filter models is due to the increase, for example, by more overtones he will then maybe but from the bass bit something away
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0:20:15 – 0:20:17
taken
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0:20:17 – 0:20:19
on
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0:20:19 – 0:20:21
Yes, that's exactly what
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0:20:21 – 0:20:22
Yes, this
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0:20:22 – 0:20:23
filter
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0:20:23 – 0:20:35
what you can use to form the sound and when you put sand filters on your sound or apply if sounds but I would say so after a second at the latest somehow quite boring
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0:20:35 – 0:20:36
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0:20:36 – 0:20:37
There is always only one
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0:20:37 – 0:20:39
yeah
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0:20:39 – 0:20:44
actually basically took again sun standing wave that just sounds a bit duller or a bit brighter
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0:20:44 – 0:20:46
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0:20:46 – 0:20:50
This is why there are so-called
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0:20:50 – 0:20:54
Ahhhhhhhhhhhhhhhhhhhhhhhh
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0:20:54 – 0:20:57
Or, as it turns out, what is it?
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0:20:57 – 0:21:00
Explain the Rafa
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0:21:00 – 0:21:08
this is quasi one at a circuit the arm over a time course
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0:21:08 – 0:21:10
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0:21:10 – 0:21:24
Your control produces voltage with which I can just show your oscillator once at the one swing phase of a standing phase and an outside phase in the inside simplest case that it then stops
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0:21:24 – 0:21:26
on
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0:21:26 – 0:21:28
what are the technical terms for plugging in
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0:21:28 – 0:21:30
sound effect
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0:21:30 – 0:21:32
According to dr t k
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0:21:32 – 0:21:33
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0:21:33 – 0:21:34
Hello Illies
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0:21:34 – 0:21:36
so
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0:21:36 – 0:21:39
And then there is the simplest
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0:21:39 – 0:22:00
this is the simplest that you can for example you can because such a envelope curve this control voltage you can apply something on the volume provided in the Asz Salad or is the stop as if I just go further away when I speak here in the micro time quieter or when I get closer again just again louder it simulates quasi a envelope curve
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0:22:00 – 0:22:01
exact
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0:22:01 – 0:22:02
yeah
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0:22:02 – 0:22:08
This could also be done manually with a volume control, which is of course difficult and reproducible.
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0:22:08 – 0:22:17
Let me tell you one exactly why you then take a envelope curve in combination with, for example, a keyboard
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0:22:17 – 0:22:20
only m
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0:22:20 – 0:22:27
can then be reproducible products from any key pressure, this envelope curve becomes out of
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0:22:27 – 0:22:28
solves
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0:22:28 – 0:22:32
and then the sound of the oscillator sounded upset
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0:22:32 – 0:22:33
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0:22:33 – 0:22:34
mother hug
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0:22:34 – 0:22:35
yeah
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0:22:35 – 0:22:53
that you had to say yes it is also in the course of time unless you set forever how long this period should be and then quasi wien end effect much louder point is exactly because of this result then stop progresses as he has pointed inside or a slow fade out or stop have
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0:22:53 – 0:22:56
This is the part of this phase
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0:22:56 – 0:22:58
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0:22:58 – 0:23:17
By the way, even before the release comes you have better a monotonous analog with the wob grandma, for the sake of it you have shown very skillfully usually you have for each for each element of a envelope curve at many the driver are just a knob.
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0:23:17 – 0:23:17
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0:23:17 – 0:23:21
You didn't do that with the Grandmaster.
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0:23:21 – 0:23:22
him
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0:23:22 – 0:23:24
the sustain a slider
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0:23:24 – 0:23:25
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0:23:25 – 0:23:27
for the longer so you always know
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0:23:27 – 0:23:33
Right for the hits for the pitch because that's actually more the
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0:23:33 – 0:23:35
Um, yeah
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0:23:35 – 0:23:42
would also correspond to the circuit diagram well because you yourself with system you set only how long the sound
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0:23:42 – 0:23:45
yes yes
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0:23:45 – 0:23:50
Ah tech and the K how long he should then stay on this system phase
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0:23:50 – 0:23:50
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0:23:50 – 0:23:51
trust
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0:23:51 – 0:23:53
be very quiet or stop very loud
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0:23:53 – 0:24:02
and this is now just quasi in disaster yes execution there is only a short execution you can only quasi only nice customers release
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0:24:02 – 0:24:03
Now that's exactly what
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0:24:03 – 0:24:06
without sound there are also some who still have several intermediate
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0:24:06 – 0:24:07
hm
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0:24:07 – 0:24:21
so between the system and release there are other stages so depending on how complex this is then you can also just make more complex the course for every time my keyboard ran exactly that happens
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0:24:21 – 0:24:23
There's even the ham.
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0:24:23 – 0:24:24
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0:24:24 – 0:24:35
Hamm on several envelope curves that can be combined with each other that would be for example at Waldorf yes yes micro wave for example because then his envelope curve can have several steps
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0:24:35 – 0:24:36
such
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0:24:36 – 0:24:39
You can control other things too.
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0:24:39 – 0:24:40
and
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0:24:40 – 0:24:44
First of all, it's an analog world.
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0:24:44 – 0:24:45
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0:24:45 – 0:24:55
modular system since you could not only let the envelope curve to the volume from mountain you could also take there ne envelope curve and thus the filter
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0:24:55 – 0:24:55
miriam
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0:24:55 – 0:24:56
correct
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0:24:56 – 0:25:04
how could you then make semi-interesting sounds that change them so not only in volume over time all London stops at the
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0:25:04 – 0:25:05
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0:25:05 – 0:25:08
Also the filter itself.
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0:25:08 – 0:25:12
sounded always there hashed not only the loudness also the sound quasi with it
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0:25:12 – 0:25:14
molded
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0:25:14 – 0:25:18
Wow, that's the characteristic element of subjective synthesis.
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0:25:18 – 0:25:19
correct
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0:25:19 – 0:25:20
yeah
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0:25:20 – 0:25:29
but what else is there to fix long forums pop hormones elements together substrate depths are the hoarse
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0:25:29 – 0:25:32
The frequency of the oscillator is very important.
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0:25:32 – 0:25:43
a low frequency oscillator so there is not only an oscillator with one of those because there is also a so-called low frequency oscillator of the
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0:25:43 – 0:25:44
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0:25:44 – 0:25:49
oscillates then quasi not like its oscillator which is called the holding oscillations generator
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0:25:49 – 0:25:52
But then I have to be tax-promoted.
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0:25:52 – 0:25:53
in the field of
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0:25:53 – 0:25:55
the other has not worked in the audible range
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0:25:55 – 0:25:56
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0:25:56 – 0:25:59
You can imagine it like an em when you have a guitar.
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0:25:59 – 0:26:00
has
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0:26:00 – 0:26:02
there strikes a string
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0:26:02 – 0:26:04
is
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0:26:04 – 0:26:13
depending on how the side is tightly stretched, the tone is lower or higher that is quasi a
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0:26:13 – 0:26:14
help
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0:26:14 – 0:26:17
For a guitar, one side is an oscillator.
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0:26:17 – 0:26:18
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0:26:18 – 0:26:23
the side oscillates it swims back and forth and thereby creates the
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0:26:23 – 0:26:26
Well yes
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0:26:26 – 0:26:43
a real slow moving oscillator would be almost the side on the guitar that moves very slowly this is for example something I can't do with the guitar because I can't hear this and I can't do anything with this slow moving banner guitar
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0:26:43 – 0:26:45
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0:26:45 – 0:27:05
but with electronic instruments are with ours so I can take this l f o signal which can generate a control voltage and can apply that in turn to my sound-forming elements I can use it for example to control the filter when I then use the
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0:27:05 – 0:27:06
the
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0:27:06 – 0:27:11
the cata frequency at the filter with it
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0:27:11 – 0:27:12
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0:27:12 – 0:27:20
you can then let stop l la l duller or brighter make the sound or on mine on my
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0:27:20 – 0:27:22
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0:27:22 – 0:27:30
my applied to the generator attached to my amplifier I can use it to make the sound quieter and louder that no hansa i don't eat pure vibrato
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0:27:30 – 0:27:40
I can trigger with it also ne envelope curve on that then automatically stop times more times less stop at the sound demands
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0:27:40 – 0:27:45
Yes, that's exactly what's possible, but it's not possible with him, it's more likely with some people, but it's not possible with some people.
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0:27:45 – 0:27:52
Theoretically, that's exactly what's going on: this option is just there, or if you have a modular system, you can plug the old town together.
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0:27:52 – 0:27:54
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0:27:54 – 0:27:55
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0:27:55 – 0:27:56
is this interesting
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0:27:56 – 0:27:57
please
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0:27:57 – 0:27:58
hasan l f
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0:27:58 – 0:27:59
oh
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0:27:59 – 0:28:11
only how should oscillator so sinus moderately swing back and forth he and also in oscillator can not only swing back and forth which can then different waveforms
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0:28:11 – 0:28:12
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0:28:12 – 0:28:13
Then there's the psi.
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0:28:13 – 0:28:15
author
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0:28:15 – 0:28:26
classic wave shape triangle that creates a three excursus or sinus that find so the slightly rounder courses or there is also right
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0:28:26 – 0:28:27
week
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0:28:27 – 0:28:29
This makes the sound very
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0:28:29 – 0:28:30
m
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0:28:30 – 0:28:38
sharp our overtone rich and the same we have also in the l f o which can also assume this wave shape all depending on
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0:28:38 – 0:28:39
hotel
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0:28:39 – 0:28:41
Haven't you forgotten the sails?
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0:28:41 – 0:28:42
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0:28:42 – 0:28:43
that is not
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0:28:43 – 0:28:44
yeah
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0:28:44 – 0:28:45
My new right
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0:28:45 – 0:28:47
yes yes yes yes
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0:28:47 – 0:28:50
the winner Zahnes has almost always only and only half triangle
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0:28:50 – 0:28:52
They have half the triangle of victory.
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0:28:52 – 0:28:54
And you're very important besides bringing the style
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0:28:54 – 0:28:56
yeah
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0:28:56 – 0:28:56
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0:28:56 – 0:28:58
How can I forget the bus?
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0:28:58 – 0:29:03
valve one had to say at each of these different waveforms
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0:29:03 – 0:29:03
has
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0:29:03 – 0:29:11
more or less overtone overtone of the sinus actually has no overtones at all and
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0:29:11 – 0:29:12
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0:29:12 – 0:29:15
the rectangle sawtooth and
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0:29:15 – 0:29:16
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0:29:16 – 0:29:16
it still has
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0:29:16 – 0:29:18
beat
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0:29:18 – 0:29:29
Jörg quarrel produce on overtones and especially many had produced seegert driving that are quasi
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0:29:29 – 0:29:31
entire
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0:29:31 – 0:29:36
new fabric overtones existing stop for a multiple of the reason
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0:29:36 – 0:29:37
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0:29:37 – 0:29:43
and the stop at certain distances hm that's pure math and slits so on to explain but
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0:29:43 – 0:29:44
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0:29:44 – 0:29:55
It is always a multiple of the basic frequency and that repeats itself at certain intervals and the more of it there is the more interesting the singing becomes.
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0:29:55 – 0:29:56
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0:29:56 – 0:29:56
That's all
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0:29:56 – 0:29:59
rough can therefore be measured
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0:29:59 – 0:30:00
Exactly
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0:30:00 – 0:30:01
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0:30:01 – 0:30:05
Now we were at the l o f and disappeared in the
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0:30:05 – 0:30:06
alice
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0:30:06 – 0:30:09
Eric Lauch fresh food
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0:30:09 – 0:30:16
one can assume on different waveforms and steel the can then also additionally for example
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0:30:16 – 0:30:18
yes so
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0:30:18 – 0:30:30
where a random wave shape assumes some with in rectangle form others in attenuated form so that you can also use the stop fair driving randomly controlled stories
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0:30:30 – 0:30:31
what the whole
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0:30:31 – 0:30:34
It also makes it a little more unpredictable.
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0:30:34 – 0:30:35
and the
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0:30:35 – 0:30:37
of course also hang accordingly
|
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0:30:37 – 0:30:37
hunter
|
|
0:30:37 – 0:30:50
Yes, a good example of these unpredictable sounds are in science fiction film when you hear such computer communication and data transfer that is mostly a song.
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0:30:50 – 0:30:52
randomly
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0:30:52 – 0:30:53
exact
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0:30:53 – 0:30:54
It was almost
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0:30:54 – 0:30:55
the comrade exactly
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0:30:55 – 0:30:56
who stops there
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0:30:56 – 0:31:01
dystopia autumn fashion was now where the classic the sounds
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0:31:01 – 0:31:01
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0:31:01 – 0:31:22
with which one hears so in the Star Wars movie was my arch enemy d two l in quotes talk hears so these squeaking sounds that is an analog are it hoarse that is an arp two thousand six hundred and there was a lot of work with Alice os
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0:31:22 – 0:31:22
exact
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0:31:22 – 0:31:23
diverse
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0:31:23 – 0:31:24
Possibilities
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0:31:24 – 0:31:28
Yes and what comes now according to the norm law frequency for you
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0:31:28 – 0:31:30
on
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0:31:30 – 0:31:30
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0:31:30 – 0:31:36
I think there's the amplifier m hm
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0:31:36 – 0:31:38
I believe in the sound of the exit
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0:31:38 – 0:31:40
There is something
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0:31:40 – 0:31:49
yes then stop again the signal can be amplified accordingly then or it can also be triggered as said by the envelope curve under kandern
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0:31:49 – 0:31:50
yeah
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0:31:50 – 0:31:53
also again influence often take off and fade away
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0:31:53 – 0:31:55
correct
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0:31:55 – 0:31:57
I was again
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0:31:57 – 0:32:16
classic substrate depth and we had already called it once in r two thousand six of needle nubuk minimoog these are so the two I make times best known Erhard sailors who also know the people who don't have much to do with music technique current models
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0:32:16 – 0:32:20
There is one only forgetting hates the Korg ms twenty
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0:32:20 – 0:32:21
This is also true in the classic
|
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0:32:21 – 0:32:26
this is important very great classic and had also had a speciality in which one could
|
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0:32:26 – 0:32:27
hello
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0:32:27 – 0:32:39
a shot of lato so slowly turning down what so ne showed low frequency you felt had minute-long changes in sound
|
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0:32:39 – 0:32:46
s e r I had already started talking about current models there comes to mind an r before we do this
|
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0:32:46 – 0:32:48
then
|
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0:32:48 – 0:32:52
we explain how sonn aha analoga are the resort
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0:32:52 – 0:32:53
hears
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0:32:53 – 0:32:54
mostly
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0:32:54 – 0:32:55
it
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0:32:55 – 0:32:57
Most of the equipment is the ware
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0:32:57 – 0:32:58
oh
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0:32:58 – 0:33:02
heard were brute rum was
|
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0:33:02 – 0:33:03
why
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0:33:03 – 0:33:05
exact
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0:33:05 – 0:33:09
and somehow nothing full
|
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0:33:09 – 0:33:10
and organs
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0:33:10 – 0:33:18
full of that and full sounded just so I doubt if you should describe it but
|
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0:33:18 – 0:33:19
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0:33:19 – 0:33:19
mannheim
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0:33:19 – 0:33:21
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0:33:21 – 0:33:30
Even scooters for good digital analog simulation sound opposite a good analog synthesis
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0:33:30 – 0:33:31
sa
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0:33:31 – 0:33:32
students
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0:33:32 – 0:33:33
Oh man
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0:33:33 – 0:33:34
and somehow
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0:33:34 – 0:33:36
what
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0:33:36 – 0:33:37
I know she cares
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0:33:37 – 0:33:39
one should
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0:33:39 – 0:33:50
it will stop the magic that somehow happens through the I once through the systems components through all the analog electronic circuit stop
|
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0:33:50 – 0:33:51
who in the
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0:33:51 – 0:33:55
Moog put that in my interviewer.
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0:33:55 – 0:33:55
yeah
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0:33:55 – 0:34:00
This is what I mean by the fact that there's a certain interaction between D.
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0:34:00 – 0:34:01
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0:34:01 – 0:34:05
the musician and the instrument takes place because stop there
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0:34:05 – 0:34:06
na
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0:34:06 – 0:34:15
also somehow on a quantum level since the energies flow between the musician and the instrument that you have at sam digital instrumental you have
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0:34:15 – 0:34:17
what me
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0:34:17 – 0:34:23
Certainly also otherwise psychological effect is but I believe that the actual explanation would simply be the ducking
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0:34:23 – 0:34:24
simply one
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0:34:24 – 0:34:28
much larger and wider frequency spectrum
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0:34:28 – 0:34:34
Yes, that's exactly what's going on, not by any limiting at the cut-off omen below, but
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0:34:34 – 0:34:34
the
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0:34:34 – 0:34:45
When the sub frequencies are on, those below the hearing threshold of the human ear are coming out of analog synthesizers and when you don't hear them you feel them but
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0:34:45 – 0:34:46
exact
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0:34:46 – 0:34:50
that's up in the body and that's what I believe each other
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0:34:50 – 0:34:57
right that's probably what makes the will to hear experience so exactly are digital recordings of analog synthesizers
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0:34:57 – 0:34:57
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0:34:57 – 0:35:02
Although still decidedly brutal but Bavarian
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0:35:02 – 0:35:09
but if you are then live but of synthesis of analogs therefore it somehow does not belong reproducible
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0:35:09 – 0:35:11
exact
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0:35:11 – 0:35:12
yeah
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0:35:12 – 0:35:15
but still make a synthesis form
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0:35:15 – 0:35:16
Why after
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0:35:16 – 0:35:41
short what to tell additive synthesis so that I do not know myself so well from sleeves I know that in the additive synthesis in contrast to the sub tractive deep synthesis since length are put together so to speak so waveform oscillators have to be easily merged with different frequency components and thus quasi new
|
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0:35:41 – 0:35:43
Um, yeah
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0:35:43 – 0:35:45
Frequencies are created
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0:35:45 – 0:35:57
You have to imagine s's in the grips actually always when the sinus waves are taken the stop at being superimposed on adam on
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0:35:57 – 0:35:58
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0:35:58 – 0:36:00
There are devices that make I think five hundred
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0:36:00 – 0:36:02
simon
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0:36:02 – 0:36:06
with waves to a new rims
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0:36:06 – 0:36:07
why
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0:36:07 – 0:36:08
and
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0:36:08 – 0:36:08
on
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0:36:08 – 0:36:16
This, of course, also creates many interesting new aspects that are complicated by this synthesis.
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0:36:16 – 0:36:17
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0:36:17 – 0:36:29
a complete circuit with everything filling curves forearm preamps our so on but you have one for everyone to say
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0:36:29 – 0:36:30
to
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0:36:30 – 0:36:42
If you want to build a complete circuit with analog, that's a riesending o ä, if that's one hundred twenty-eight now, you have one hundred twenty-eight times that circuit.
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0:36:42 – 0:36:42
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0:36:42 – 0:36:45
look at you come there
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0:36:45 – 0:36:47
even five
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0:36:47 – 0:36:53
a filter out because you choose this filter with the phases going on with the behavior of each sinus
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0:36:53 – 0:36:54
if
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0:36:54 – 0:36:55
stop being shaped
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0:36:55 – 0:36:56
can lose
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0:36:56 – 0:36:57
simulating
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0:36:57 – 0:36:58
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0:36:58 – 0:37:00
the Additive Synthesis
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0:37:00 – 0:37:01
has
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0:37:01 – 0:37:03
man sent
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0:37:03 – 0:37:03
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0:37:03 – 0:37:09
otherwise, because the same happens as stop with us operational at one has d
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0:37:09 – 0:37:11
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0:37:11 – 0:37:16
If you have already had the molding with the individual parts you have at the end of another molding
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0:37:16 – 0:37:18
That sounds a bit
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0:37:18 – 0:37:19
I guess I
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0:37:19 – 0:37:43
unknown of the passionate church organ players is that sounds a bit like sour as with his church organ what you tell here so there are also put together by the different registers through the different whistles as you have there complex sounds by just letting the different whistles play together sounds to me so a bit so in this direction
|
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0:37:43 – 0:37:44
or
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0:37:44 – 0:37:52
yes really car organisms are an end effect also the besides pounding organisms Sunday it also works like this for example
|
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0:37:52 – 0:37:53
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0:37:53 – 0:37:59
Many organisms are based on this additive synthesis in a very slimmed down and simple form.
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0:37:59 – 0:38:01
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0:38:01 – 0:38:02
anja
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0:38:02 – 0:38:02
and
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0:38:02 – 0:38:11
there is also a lot of math yes this is grossly complicated case two waveform swimming becomes twice as fast as that of the basic tone
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0:38:11 – 0:38:12
and
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0:38:12 – 0:38:25
but an octave higher three waveform swing three times as fast but an octave higher plus a quint higher four waves swing four times as fast
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0:38:25 – 0:38:26
and
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0:38:26 – 0:38:32
content and so on and immediately so this gets really complicated but the more it
|
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0:38:32 – 0:38:34
Sounds like
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0:38:34 – 0:38:34
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0:38:34 – 0:38:37
Maybe we should move on with the next one right away.
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0:38:37 – 0:38:39
um
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0:38:39 – 0:38:40
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0:38:40 – 0:38:47
So having been with one it probably doesn't always sound like an organ but you can just use it to make organ-like
|
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0:38:47 – 0:38:48
Mr
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0:38:48 – 0:38:58
very interesting stuff so classic guerrillas class Addis additive synthesizers are from kawai the ca five then there was also the k
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0:38:58 – 0:39:01
five thousand
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0:39:01 – 0:39:02
turner
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0:39:02 – 0:39:06
I always wanted to have it I could never afford it
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0:39:06 – 0:39:07
Nothing then either
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0:39:07 – 0:39:11
Uh, that's clever for that.
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0:39:11 – 0:39:13
four
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0:39:13 – 0:39:14
Digital is Sleeping
|
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0:39:14 – 0:39:15
thomas
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0:39:15 – 0:39:23
New at New England Yes and Hammering Organs Are Also Classic Additive Synthesizers
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0:39:23 – 0:39:30
sounds pretty horny times so incidentally noticed by the B three you see again and again with various rock bands on stage with
|
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0:39:30 – 0:40:00
yes what I wanted to add is if you now say sun full of synthesis has the five hundred twelve sinus waves on combined with the whole only on post-processing so on you get there often already two thousand forty-eight parameters these devices are pure parameter monsters except that it is on without intelligent sometimes
|
|
0:40:00 – 0:40:02
with his hammond organ gram but it is
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0:40:02 – 0:40:05
You can't work out your reviewer.
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0:40:05 – 0:40:12
If you look closely at his Hammond organ there are also Adrian's so many church organ laid out like this
|
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0:40:12 – 0:40:17
You didn't have the opportunity to intervene in resonance for the small formation.
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0:40:17 – 0:40:20
He was at sam k at about five, I can't believe that.
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0:40:20 – 0:40:30
and without intelligent in operability that he just somehow things are summarized that quasi our device is not possible without software lauber
|
|
0:40:30 – 0:40:46
I think in software form you will probably be more additive these days that means inventing or in hybrid it's hoarse that there's also where several are merged to these form there's for example Mervyn we had the in just inside a
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0:40:46 – 0:40:47
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0:40:47 – 0:40:48
news
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0:40:48 – 0:40:49
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0:40:49 – 0:40:54
electron digital which actually has a single parameter to
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0:40:54 – 0:40:56
on
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0:40:56 – 0:40:58
Sit there again additively
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0:40:58 – 0:40:58
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0:40:58 – 0:41:00
sounded synthesis so a bit pulling in
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0:41:00 – 0:41:02
already
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0:41:02 – 0:41:03
This one has its members
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0:41:03 – 0:41:19
exactly what we can then actually go to the next synthesis form, namely so f m synthesis to frequency the modulation to frequency modulation synthesis what the vulture is the
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0:41:19 – 0:41:19
ah that
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0:41:19 – 0:41:30
this is complicated so apply already the additive synthesis was complicated then this is again shove on top because I have in the simplest case I have on
|
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0:41:30 – 0:41:31
|
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0:41:31 – 0:41:38
an oscillator modulating one modulator, i.e. controlling a second listening
|
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0:41:38 – 0:41:40
wait wait wait wait wait
|
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0:41:40 – 0:41:41
because
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0:41:41 – 0:41:43
be precise
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0:41:43 – 0:41:45
Well it's nice changed since two accidents
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0:41:45 – 0:41:49
you have to be precise you have said that a modulator is a modulator
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0:41:49 – 0:41:51
All right, but one
|
|
0:41:51 – 0:41:54
a modulator a kara of a sowing wave
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0:41:54 – 0:41:55
modular
|
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0:41:55 – 0:41:56
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0:41:56 – 0:42:05
is true but in the end this is supposed to be the two oscillators where one oscillator is connected to the output rear input o from the others
|
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0:42:05 – 0:42:21
but this is not so complicated that is yes like with a substrate deep synthesis I have instead of an oscillator hold two oscillators and since yes second oscillator simply modulates the frequency of the first oscillator that was quite simple
|
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0:42:21 – 0:42:30
yes exactly is that in this case it's up to me to imagine you have two of these assemblies that you connect to Landa and also parallel
|
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0:42:30 – 0:42:31
can be like
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0:42:31 – 0:42:37
So you mean I have a career as a modulator and still in Korea and modulator yes and
|
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0:42:37 – 0:42:45
You can do this so that the output of one blog controls the input of the next block.
|
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0:42:45 – 0:42:46
yeah
|
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0:42:46 – 0:42:53
I have the two standing next to each other and mischel the signal together alison additive synthesis
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0:42:53 – 0:43:00
this is but this I actually is not at all complicated because a principle you had already said
|
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0:43:00 – 0:43:02
the one
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0:43:02 – 0:43:04
beja modulator blog
|
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0:43:04 – 0:43:04
will
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0:43:04 – 0:43:07
Then it affects the two.
|
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0:43:07 – 0:43:08
hm
|
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0:43:08 – 0:43:09
the modulator blog
|
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0:43:09 – 0:43:10
|
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0:43:10 – 0:43:15
after third and fourth had interconnected you just have to somehow have each other
|
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0:43:15 – 0:43:17
yeah
|
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0:43:17 – 0:43:19
I can imagine that it sounds very interesting.
|
|
0:43:19 – 0:43:20
come
|
|
0:43:20 – 0:43:37
the simplest synthesis on this form is that if there is one with two bluffs and if you have connected the one with the other you stop coming you can run the parallel one you can have it serially switch on then adheres to two operators
|
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0:43:37 – 0:43:38
|
|
0:43:38 – 0:43:39
Victor Hot Take These Blocks
|
|
0:43:39 – 0:43:40
dilemma
|
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0:43:40 – 0:43:41
and
|
|
0:43:41 – 0:43:45
we have two states parallel serial
|
|
0:43:45 – 0:43:45
hm
|
|
0:43:45 – 0:43:55
if you hate four of them now this is pure math then I can do the old all four with each other or all four parallel I can but also go
|
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0:43:55 – 0:43:55
|
|
0:43:55 – 0:44:06
two serial and then interconnecting in parallel h so it results from learning a possibility of interconnecting the
|
|
0:44:06 – 0:44:11
It's almost like applied mathematics.
|
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0:44:11 – 0:44:12
|
|
0:44:12 – 0:44:16
linked with different algorithms such as halt differently
|
|
0:44:16 – 0:44:21
Exactly and so this also means with animals such as the arrangement of the individual arm
|
|
0:44:21 – 0:44:22
yeah okay
|
|
0:44:22 – 0:44:31
Operators among each other it and that are then still algorithms and there is salat depending on how many operators are available totally different number of algorithms
|
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0:44:31 – 0:44:34
okay but sasha now tell me again
|
|
0:44:34 – 0:44:36
on
|
|
0:44:36 – 0:44:49
may I then even a mono front it is salutary as with the substrate active synthesis where due to the assemblies expressed in electronic circuits only Noah M usually have a voice for cost reasons
|
|
0:44:49 – 0:44:50
|
|
0:44:50 – 0:45:02
you could do it but not out and they build that into small chips all this is poured in and then you have under the most part sixteen votes so
|
|
0:45:02 – 0:45:03
minimum
|
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0:45:03 – 0:45:06
Sixteen notes at the same time.
|
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0:45:06 – 0:45:09
Abandoned the Madness
|
|
0:45:09 – 0:45:10
hm
|
|
0:45:10 – 0:45:10
yeah
|
|
0:45:10 – 0:45:21
after the one with the two of us often comes from Saturn and operators he comes up with four that are then just the simple yamaha synthesizers have been hm and then stop with
|
|
0:45:21 – 0:45:22
x
|
|
0:45:22 – 0:45:39
this is just the tech seven a which is also known for its digital pianos digital e-pianos under the sun metallic tones and bell-like tones and has the voters many eighty he for cetera cock of it profitable
|
|
0:45:39 – 0:45:46
so I believe that earlier even the mobile phones before we all got those big fat fur grass
|
|
0:45:46 – 0:45:48
discs
|
|
0:45:48 – 0:45:49
had
|
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0:45:49 – 0:45:49
yeah
|
|
0:45:49 – 0:45:52
There were cell phones that actually had
|
|
0:45:52 – 0:45:53
then s m
|
|
0:45:53 – 0:45:55
we are it houses with built-in right
|
|
0:45:55 – 0:45:58
Yes that was for that evening sound coding
|
|
0:45:58 – 0:46:00
the Madness
|
|
0:46:00 – 0:46:07
and you can continue to play it at the culmination then in eight operators in the
|
|
0:46:07 – 0:46:08
|
|
0:46:08 – 0:46:09
a
|
|
0:46:09 – 0:46:10
yamaha assembly
|
|
0:46:10 – 0:46:21
yamaha assembly and before that there was still a precursor that was yes this yamaha s s one r that it is actually about operable
|
|
0:46:21 – 0:46:23
To reach out to him, I think.
|
|
0:46:23 – 0:46:24
Celebrate the room
|
|
0:46:24 – 0:46:26
Some follow yes
|
|
0:46:26 – 0:46:27
Well-known musician of the band
|
|
0:46:27 – 0:46:28
b
|
|
0:46:28 – 0:46:44
the exchange also tells other anecdote that he has glued a dead head thicker on the name because that on the device itself is hardly tiles to use so you immediately know I don't tackle it on raab
|
|
0:46:44 – 0:46:45
he agrees
|
|
0:46:45 – 0:46:46
|
|
0:46:46 – 0:46:53
is a synthesis form that was somehow considered dead for my time rolling on the ring finger in recent years
|
|
0:46:53 – 0:46:59
but has been reawakened by firms like Cord with their call kolk cloud
|
|
0:46:59 – 0:47:00
exact
|
|
0:47:00 – 0:47:12
operable fm synthesis the deck seven is compatible he as that apparently came with three voices now with six voices and the previously mentioned electron digital
|
|
0:47:12 – 0:47:12
why
|
|
0:47:12 – 0:47:17
that's also a four operator fm it's wiser
|
|
0:47:17 – 0:47:18
|
|
0:47:18 – 0:47:28
and as I said it is but also still in hybrid you will find there also elements of the substrate active synthesis and also of the additive synthesis what
|
|
0:47:28 – 0:47:30
inherit
|
|
0:47:30 – 0:47:33
the sound spectrum of the device then expanded a bit
|
|
0:47:33 – 0:47:43
So in the past it was just a case of the FM synthesis, but a typical case for Yamaha even today, Knowledge serves that several companies, among other things, also in whole piles of whistling.
|
|
0:47:43 – 0:47:45
alfa
|
|
0:47:45 – 0:47:48
|
|
0:47:48 – 0:47:49
super
|
|
0:47:49 – 0:47:50
wörth
|
|
0:47:50 – 0:47:51
They are hoarse
|
|
0:47:51 – 0:47:52
|
|
0:47:52 – 0:47:58
we are the ultimate they are lobhudelei our are making homage
|
|
0:47:58 – 0:48:00
I'd love to be there until today
|
|
0:48:00 – 0:48:01
|
|
0:48:01 – 0:48:06
yes I just want to tell you if I took off there today I have a device
|
|
0:48:06 – 0:48:06
this is true
|
|
0:48:06 – 0:48:08
just in front of me I take my hand
|
|
0:48:08 – 0:48:09
|
|
0:48:09 – 0:48:14
this has a very unusual name which means hajo nir d j
|
|
0:48:14 – 0:48:16
calm
|
|
0:48:16 – 0:48:17
hi
|
|
0:48:17 – 0:48:18
s a s
|
|
0:48:18 – 0:48:19
one
|
|
0:48:19 – 0:48:20
|
|
0:48:20 – 0:48:30
This is a black box about the size of a VHS video cassette about the size of a thick pocketbook.
|
|
0:48:30 – 0:48:32
|
|
0:48:32 – 0:48:36
It weighs about as much as two packs of milk.
|
|
0:48:36 – 0:48:37
two
|
|
0:48:37 – 0:48:55
hopefully now enough analogies to imagine what this looks like the device although a bit dieter moderate as the name already says comes from the company pioneer actually yes also pioneer builds it are hoarse and have however gained expertise from the recently deceased Dave
|
|
0:48:55 – 0:48:57
df
|
|
0:48:57 – 0:49:00
They also have ham.
|
|
0:49:00 – 0:49:02
profit sex
|
|
0:49:02 – 0:49:06
that's an analog polyphony are the phase one voice
|
|
0:49:06 – 0:49:07
mom
|
|
0:49:07 – 0:49:10
A complete voice
|
|
0:49:10 – 0:49:11
and have
|
|
0:49:11 – 0:49:14
There they have rice in their gate
|
|
0:49:14 – 0:49:15
or
|
|
0:49:15 – 0:49:18
sooooo hot does not pronounce any indications
|
|
0:49:18 – 0:49:18
|
|
0:49:18 – 0:49:28
if someone should hear this and knows how to pronounce it please send to the still to show the hustle and bustle of the e-mail from Sascha
|
|
0:49:28 – 0:49:30
all
|
|
0:49:30 – 0:49:35
We built this into this A's one and I have to say the thing
|
|
0:49:35 – 0:49:39
Sounds like kneeling down
|
|
0:49:39 – 0:49:47
sings for a mono of analogs it is hoarse with two oscillators a sub oscillator
|
|
0:49:47 – 0:49:48
|
|
0:49:48 – 0:49:57
one m deep pass filter twenty-four d b switchable to twelve d b and one behind switched high pass filter
|
|
0:49:57 – 0:49:57
|
|
0:49:57 – 0:50:03
and a small effect unit at the back with the classic two envelope curves and
|
|
0:50:03 – 0:50:10
with a l f o so classic simple
|
|
0:50:10 – 0:50:14
simpler setup and modulation smatrics
|
|
0:50:14 – 0:50:15
sounding
|
|
0:50:15 – 0:50:22
In my opinion, he sounds even better than the prophet six.
|
|
0:50:22 – 0:50:23
|
|
0:50:23 – 0:50:33
I didn't have the Prophet six earths at the same time, but I find what comes out of this device out of this instrument.
|
|
0:50:33 – 0:50:34
|
|
0:50:34 – 0:50:36
I like very very very very much
|
|
0:50:36 – 0:50:38
|
|
0:50:38 – 0:50:40
The whole thing is in one
|
|
0:50:40 – 0:50:41
|
|
0:50:41 – 0:50:44
d j like black housing very compact
|
|
0:50:44 – 0:50:46
l very
|
|
0:50:46 – 0:50:47
fruity
|
|
0:50:47 – 0:50:48
stop
|
|
0:50:48 – 0:50:55
one comma brings five kilos to the scale has very fixed knobs there are six potis
|
|
0:50:55 – 0:50:56
and
|
|
0:50:56 – 0:51:02
Five endless encoders are gridded that bit and there's a little oled
|
|
0:51:02 – 0:51:03
a to
|
|
0:51:03 – 0:51:04
|
|
0:51:04 – 0:51:06
and thus
|
|
0:51:06 – 0:51:11
with its disadvantage of this instrument around it halt by the umm synthesis
|
|
0:51:11 – 0:51:12
|
|
0:51:12 – 0:51:15
I want to say work for them.
|
|
0:51:15 – 0:51:16
propagation
|
|
0:51:16 – 0:51:29
The thing has I think I have to look it up is not useful that I tell stupid here the thing has ninety-nine times ten programs ouch
|
|
0:51:29 – 0:51:29
|
|
0:51:29 – 0:51:31
Five hundred twelve never
|
|
0:51:31 – 0:51:32
New for me
|
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0:51:32 – 0:51:33
finally to be seen
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and
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One hundred ninety
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Nine hundred ninety presets that could be saved
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0:51:38 – 0:51:46
Hmm, wait a minute
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And the biggest drawback to this instrument is stop beer.
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Ahm the service
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You don't have
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every day
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Meta immediately available on the surface
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vips
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From the classic moog it seems hoarse but it only contains the all of all of the most important parameters kata frequency resonance high pass filter frequency ahm i believe he tech and the k me attack and willis from the envelope curves and eleven o'clock
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0:52:18 – 0:52:19
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0:52:19 – 0:52:29
that you've put out the rest of the synthesis you actually have to deal with then over the display with the endless encoder and etz key combination
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0:52:29 – 0:52:32
m
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Because once you're there, yes
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get out
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0:52:36 – 0:52:38
It's a kartu k o critique for many people
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0:52:38 – 0:52:41
That's for sure for a lot of people.
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a script
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a k o kriterium
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but leave the klingbeil
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0:52:46 – 0:53:23
Makes up for that for me again and the menu structure is also not as deeply nested as with the previously mentioned something one he but you go in principle no deeper than a level and the whole synthesis parameters are all sort of listed next to each other and you can use shift key and one of the endless encoders quasi there once through the individual I say times synthesis modules depunk so this is actually relatively elegant solved I had once a while Mr. of Firefox a controller box with it
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0:53:23 – 0:53:24
append
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0:53:24 – 0:53:32
but then quickly realized how must be programmed and then you just have a box by the way it's really fun on me what I have
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0:53:32 – 0:53:33
This is done
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0:53:33 – 0:53:42
there are certainly a lot of people of this would buy the thing and would then use the easy with software editor which I can also understand
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0:53:42 – 0:53:43
sometimes
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0:53:43 – 0:53:48
wanted to give this instrument a chance because it sounds really fantastic
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0:53:48 – 0:53:48
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0:53:48 – 0:53:54
There is also a small effect unit inside which has funny as opposed to the profit six
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0:53:54 – 0:53:56
on
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All effects but one not it's not a river
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0:53:59 – 0:53:59
why
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I left it out I don't know
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0:54:01 – 0:54:02
so louder
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0:54:02 – 0:54:15
we are inside achso and is still open it is still an analog of swapping unit which also still has it in its own knobs it also has it installed so you can also evil and can also three zero three and bright
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0:54:15 – 0:54:16
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0:54:16 – 0:54:26
for me this is a supplier of if I want to have some nice analog sounds for example for Berlin school thing
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0:54:26 – 0:54:27
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0:54:27 – 0:54:28
This is for
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yeah
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0:54:30 – 0:54:37
my first choice the instrument walls and the presets are I may say this
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0:54:37 – 0:54:39
So this is
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0:54:39 – 0:54:46
unpacking connect and if i need my quick sound the thing is easy does just what it's supposed to be great tool
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0:54:46 – 0:54:53
It's painful that he doesn't have a stop racer as an effect but you can switch it after
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0:54:53 – 0:54:53
yeah
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0:54:53 – 0:54:55
exact
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0:54:55 – 0:54:58
interesting the device I hadn't even lit up on the screen
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0:54:58 – 0:54:59
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0:54:59 – 0:55:13
he gets you needed hm depends on I got mine at a bargain price but usually you can find the used so around three hundred to three hundred fifty euros depending on the condition
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0:55:13 – 0:55:14
hm
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0:55:14 – 0:55:34
Most of the time the devices are probably always in good condition was also pretty I think so often put hammers mostly just buy or in is also often bought by people the stop with are hoarse not so much on the hat have a new Gibson I also believe in the relevant online shops dust there is
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0:55:34 – 0:55:35
such
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0:55:35 – 0:55:37
Fifty five hundred euros
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0:55:37 – 0:55:39
Somehow a hundred rerum
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0:55:39 – 0:55:42
Priests can do everything right.
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0:55:42 – 0:55:59
I also think it's a very fair price I paid less for mine but it was also because he was somehow more on eBay classifieds for weeks and he was only for pickup and the colleague lives a bit further out in the hamburger bacon belt than no one drove me there.
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0:55:59 – 0:56:00
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0:56:00 – 0:56:02
I saw him and picked him up immediately.
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0:56:02 – 0:56:03
in the case of
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0:56:03 – 0:56:04
It was well worth it
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0:56:04 – 0:56:05
Well, yeah
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0:56:05 – 0:56:06
Yes, in any case
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0:56:06 – 0:56:08
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0:56:08 – 0:56:09
that sounds
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0:56:09 – 0:56:13
I'm Ray
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0:56:13 – 0:56:17
I'd say we're going through this show today.
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0:56:17 – 0:56:18
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0:56:18 – 0:56:20
Let's start with a synthesis form.
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0:56:20 – 0:56:29
boah we could still believe i even once in the safe table synthesis we still have there granular synthesis your gips after physical modeling
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0:56:29 – 0:56:30
hm
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0:56:30 – 0:56:32
hm what else
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0:56:32 – 0:56:33
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0:56:33 – 0:56:42
It says swapping exactly specify resin theses we already had granular synthesis in the
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0:56:42 – 0:56:44
our portfolio not but you just appeared
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0:56:44 – 0:56:45
money
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0:56:45 – 0:56:52
but I had already mentioned it here exactly yes and there are still I think there are definitely two other things you haven't mentioned yet
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0:56:52 – 0:56:53
So very exotic
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0:56:53 – 0:56:54
dr
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0:56:54 – 0:56:55
exact
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0:56:55 – 0:56:56
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0:56:56 – 0:56:57
in principle
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0:56:57 – 0:56:58
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0:56:58 – 0:57:06
as I understood that work as actually all more or less according to the same basic principle na you somehow have something somehow
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0:57:06 – 0:57:07
zones
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0:57:07 – 0:57:16
and then the stop is somehow shaped this sound with something and then at the end comes just somehow so
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0:57:16 – 0:57:20
Yeah, uh, any
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0:57:20 – 0:57:21
noise
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0:57:21 – 0:57:23
He's out
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0:57:23 – 0:57:26
but I think if I want it I still want the rest of the poor
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0:57:26 – 0:57:27
Create it
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0:57:27 – 0:57:28
I do this to myself
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0:57:28 – 0:57:31
Blast thing is I believe in it but the most important we have
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0:57:31 – 0:57:32
named
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0:57:32 – 0:57:38
can you in the next issue or the next issue stop time there tie that was at evt lever under
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0:57:38 – 0:57:39
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0:57:39 – 0:57:42
Granular Synthesis Sampling
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0:57:42 – 0:57:45
We can also talk about obstructive synthesis.
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0:57:45 – 0:57:46
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0:57:46 – 0:57:49
Because they didn't even mention the small details.
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0:57:49 – 0:57:59
pictures have not been received by everyone so we have but already once made rough demolition ronda everyone who knows there is now more seated but I forgot something you have this exactly down
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0:57:59 – 0:58:02
Or have you misunderstood whatever?
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0:58:02 – 0:58:17
That's what we never said I wanted to have to do otherwise didn't forget only that would absolutely blow the frame because I think we could rattle for three hours four hours just about the additive or subjective synthesis on philo
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0:58:17 – 0:58:26
I'm willing to think of what I'm thinking right now We haven't said one thing yet about how does additive synthesis sound like ne organ and it sounds f m on chicken eyes
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0:58:26 – 0:58:27
It's the water
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0:58:27 – 0:58:28
abstracts
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0:58:28 – 0:58:38
isn't true it's vocal is lying somehow can sound like an organ fm synthesis is but very diverse and she can actually have had very wide sound spectrum
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0:58:38 – 0:58:51
I had said yes grab so bells unique metallic longer ja sent adam that have the typical e-piano what you have heard so much in the eighties also am is that on
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0:58:51 – 0:58:52
Yes, exactly
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0:58:52 – 0:58:54
horny basses
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0:58:54 – 0:58:56
yeah
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0:58:56 – 0:59:07
but also a lot of other things because there are even more complex with me much more operators visible knock has eleven twelve or so which can then be even more and even wilder things
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0:59:07 – 0:59:09
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0:59:09 – 0:59:13
there is a quasi only the computing power at somewhere or oreally exactly the yellow
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0:59:13 – 0:59:23
there are very very cool f m there are houses that are also available in hard form which can be two hundred fifty-six voices and
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0:59:23 – 0:59:23
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0:59:23 – 0:59:26
All at the same time and with
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0:59:26 – 0:59:27
yeah
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0:59:27 – 0:59:30
multi temporal sixteen and tralala and
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0:59:30 – 0:59:31
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0:59:31 – 0:59:33
Maybe they'll cook it somehow.
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0:59:33 – 0:59:38
tunes the baking you also possibly on driven clay technique still ne pizza
|
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0:59:38 – 0:59:41
or make your tea hot
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0:59:41 – 0:59:42
you are right
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0:59:42 – 0:59:43
I
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0:59:43 – 0:59:45
warm beer delicious okay
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0:59:45 – 0:59:48
sascha many thanks
|
|
0:59:48 – 0:59:50
Since you are wrong there is no honor
|
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0:59:50 – 0:59:52
Yes, it was exactly fun
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0:59:52 – 0:59:56
I guess I think
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0:59:56 – 1:00:00
Turns on again next time when it's called
|
|
1:00:00 - 1:00:01
|
|
1:00:01 – 1:00:05
probe podcast a cozy day out of the rehearsal room
|
|
1:00:05 – 1:00:06
it
|
|
1:00:06 – 1:00:11
they are supporters
|
|
1:00:11 – 1:00:14
Old access to the raw cut of the podcast
|
|
1:00:14 – 1:00:15
follow
|
|
1:00:15 – 1:00:20
prior to actual publication, other exclusive content as previously or
|
|
1:00:20 – 1:00:24
eight conversations or some kind of diary all
|
|
1:00:24 – 1:00:30
mations how to support confused you find that already us
|
|
1:00:30 – 1:00:57
He retracts a leisurely day.
|
English