Show: According to Funk's podcast / Analyses and comments

LautFunk schaut dorthin, wo Oberfläche nicht reicht: auf Debatten, digitale Dynamiken, Medienmechanismen und gesellschaftliche Entwicklungen. Zwischen Analyse und Kommentar ordnen wir ein, was in Feeds, Kommentarspalten und öffentlichen Diskussionen oft im Lärm untergeht – kritisch, verständlich und mit klarer Haltung.

Podcast und Blog gehen Hand in Hand eine Liaison ein, um alltägliche Themen aus verschiedenen Richtungen zu betrachten.
Es können Grenzwertige Themen sein wie Telefon Sex oder das Leben mit ALG2 aber auch ein Leben mit einer Behinderung. Es sind nicht immer angenehme Themen, doch sind sie es wert thematisiert zu werden. Auch angenehmen Themen werden hinterfragt und von allen Seiten betrachtet, den auch das schöne hat seine Schattenseiten sowie das unangenehme nicht immer etwas schlechtest sein muss.

Es kommt immer auf die Sichtweise des Betrachters an und diese versuchen wir so mannigfaltig zu hinterfragen.

LautFunk – 014 The autopsy of vanity

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00:00 - 0:00:25 [Music]
0:00:25 – 0:00:27 We have reached the end of the internet.
0:00:27 – 0:00:31 The place where the cat licks its own tail,
0:00:31 – 0:00:35 Today they are adorned like a phenomenon that shouldn't actually exist.
0:00:35 – 0:00:41 A reaction to a reaction to a reaction.
0:00:41 – 0:00:45 A closed cycle of vanity and greed,
0:00:45 – 0:00:48 In which the original has long since been lost.
0:00:48 – 0:00:51 Frank Rechne Papmaren diagnosed
0:00:51 – 0:00:53 and discovers a self-proclaimed leader,
0:00:53 – 0:00:58 For a deckpack nothing about it is real, but everything about it is sellable.
0:00:58 – 0:01:02 Welcome to the echo chamber of insignificance.
0:01:02 – 0:01:07 Welcome to Lautfunk.
0:01:07 – 0:01:09 A commentary by Sascha Machen.
0:01:09 – 0:01:16 We need to talk about the room where the echo is louder than the call.
0:01:16 – 0:01:21 We are now at the end of a food chain on the Internet.
0:01:22 – 0:01:29 We analyze a video that is a reaction to a video that is in turn a reaction.
0:01:29 – 0:01:30 It was on a video.
0:01:30 – 0:01:34 A closed cycle of insignificance.
0:01:34 – 0:01:44 A paper toumbouli of sickened vanity, kitchen psychology, and the craving for attention.
0:01:44 – 0:01:47 The progratonists.
0:01:47 – 0:01:48 Frank the Cynic.
0:01:48 – 0:02:00 of feelings converted into euros, Mare, pathologist who interprets contradictions as a symptom and Alex
0:02:00 – 0:02:09 Petrovic, who was first the leader and has now found Jesus. We look at the terms,
0:02:09 – 0:02:17 how racism, trauma and morality are forged into weapons in a war that is actually
0:02:17 – 0:02:23 It's all about nix. Loudspeaker radio. Analysis with attitude. Without pity. Without a filter.
0:02:23 – 0:02:30 The Accountant of Pain. Let's start with Frank from the TV Chest.
0:02:30 – 0:02:38 Frank is a man for the cold facts in this world full of hot tears. He
0:02:38 – 0:02:46 Looks at the drama between Alex and Vanessa and makes no emotional diagnoses. He makes
0:02:46 – 0:02:53 a cost-benefit statement. His suspicions are as simple as they are devastating. Were the two
0:02:53 – 0:03:00 Maybe separated before the show? For Frank, the tearful finale is transformed
0:03:00 – 0:03:08 by the campfire thus from a human drama into a brilliant spectacle. His proof is the
0:03:08 – 0:03:16 economic reality. Vanessa moves into the next format right after this alleged trauma.
0:03:16 – 0:03:22 Prominently separated. Frank comments on this with a brutal sobriety.
0:03:22 – 0:03:29 You just take the ashes with you so fast. He asks, why do you do this to yourself,
0:03:29 – 0:03:37 What if the pain is real? Why do you fly to South Africa to be locked up with your ex for weeks?
0:03:37 – 0:03:43 To be? The answer it implies is devastating because the pain is a product
0:03:43 – 0:03:52 Screen time is the currency. He mocks Alex, who stages himself as a masculine man,
0:03:52 – 0:03:59 as a howl that creeps in as soon as the cameras are off. Frank is unmasked
0:03:59 – 0:04:06 The discrepancy between self-image and reality. The man who wants to lead spits champagne on
0:04:06 – 0:04:12 Women and publicly complain about his fiancé's sex life.
0:04:12 – 0:04:18 It's not a tragedy for Frank, it's a bad performance for Frank.
0:04:18 – 0:04:21 The Dictatorship of Therapy
0:04:21 – 0:04:24 Performance by Maren
0:04:24 – 0:04:32 Maren does not respond to Frank's cynicism with arguments, she responds with a diagnosis.
0:04:32 – 0:04:43 She incapacitates him through care. She says Frank doesn't have a plan.
0:04:43 – 0:04:53 toxic relationships. She doesn't mean that bad, no, she attests to them a healthy educational scheme.
0:04:53 – 0:05:01 That's the most perfidious rhetorical trick in this debate, in which she considers Frank healthy.
0:05:01 – 0:05:07 At the same time, she denies him the ability to assess the situation.
0:05:07 – 0:05:15 For someone like Frank, according to Maren, this is all Bohemian villages. It builds a complex
0:05:15 – 0:05:22 psychological construct. Traumabodding, emotional dependence, the inability to
0:05:22 – 0:05:29 to loosen up. She even goes so far, the gut feeling of the famous butterflies
0:05:29 – 0:05:34 reinterpretation. Perhaps these butterflies are not love at all, but the soul that preserves them.
0:05:34 – 0:05:41 will. This is almost poetic, but it serves a hard purpose. It immunizes Vanessa against any
0:05:41 – 0:05:50 Criticism. Every rational question from Frank, "Why haven't you parted ways for a long time? Why
0:05:50 – 0:05:54 Didn't you understand how he ticks?" bounces off this wall of psychology.
0:05:54 – 0:06:00 Asked has no idea, desperately pursues perpetrator-victim conversion.
0:06:00 – 0:06:06 "Marin raises victim status to inviolability".
0:06:06 – 0:06:09 Logic has a house ban here.
0:06:09 – 0:06:12 The inflation of morality.
0:06:12 – 0:06:15 And then we reach the low point.
0:06:15 – 0:06:18 The moral short-circuit.
0:06:18 – 0:06:20 Amy Russ enters the stage.
0:06:20 – 0:06:23 She accuses Vanessa of racism.
0:06:23 – 0:06:28 The reason Vanessa called her a blond Chihuahua.
0:06:28 – 0:06:33 Amy's reasoning, a masterpiece of twisting.
0:06:33 – 0:06:38 If she had said "black dog" to Vanessa, she would have been canceled.
0:06:38 – 0:06:41 So "blonde dog" must also be racism.
0:06:41 – 0:06:48 She calls for the same outrage for an insult based on hair color as
0:06:48 – 0:06:51 for structural discrimination.
0:06:51 – 0:06:57 Frank looks at it and shrugs his shoulders. He doesn't see the racism.
0:06:57 – 0:07:06 He orders it as "the hein of what it is, an insult. Awful, yes, but racist?
0:07:06 – 0:07:13 Here it becomes clear what happens when terms lose their meaning. Racism becomes
0:07:13 – 0:07:19 a content module, you throw it into the room to create relevance. It's not about
0:07:19 – 0:07:27 Discrimination is about the headline. Amy instrumentalizes the serious accusation,
0:07:27 – 0:07:35 to keep a dispute about dog breeds right. And Vanessa, who's staging herself
0:07:35 – 0:07:42 At the same time as a happy single lady, while in the background the accusations of
0:07:42 – 0:07:51 There are black-headed sayings in the room that sometimes vary in texture, sometimes orally. It is a sell-out of
0:07:51 – 0:07:59 Values for a few minutes of attention. The Prophet of Embarrassment. And hovering over everything
0:07:59 – 0:08:09 Alex Petrovic. The man who said in a show, "I'm the leader." A phrase that is used in Germany
0:08:09 – 0:08:16 Historically, it has a certain level. After his image as an alpha animal in the
0:08:16 – 0:08:25 Reality is shattered, keyword champagne spit and wink, he has a new role
0:08:25 – 0:08:33 found. He discovered God. In the midst of his darkest pain, Jesus
0:08:33 – 0:08:41 Stop found. In keeping with Orthodox Christmas, he now preaches love and forgiveness while
0:08:41 – 0:08:49 At the same time, he threatens to unpack completely different things. I choose dignity,
0:08:49 – 0:08:58 He said. Frank translates the granios. He shuts up because he keeps his powder dry
0:08:58 – 0:09:07 I'd like to see Vanessa get more out of it. Fear of God as a PR strategy, this is the preliminary highlight
0:09:07 – 0:09:17 of hypocrisy. The echo of teaching. What's left? A circus in which every clown believes,
0:09:17 – 0:09:25 He is the dictator. Frank only sees numbers and forgets the people. Maren only the patient
0:09:25 – 0:09:35 Forget the calculation. Emily sees racism where only Bitchfight is. Alex sees himself.
0:09:35 – 0:09:42 In the mirror, he thinks he's his own prophet. They react to each other, but they hear each other
0:09:42 – 0:09:50 It's not. It is a closed system of noise. A reaction to a reaction to a reaction.
0:09:50 – 0:09:58 senseless and superfluous and yet we watch because we are addicted to the upheaval.
0:09:58 – 0:10:09 That was Lautfunk. Pathology of Attention. Until next time. Goodbye, Sasha.
0:10:09 – 0:10:23 What have we learned today?
0:10:23 – 0:10:25 Nothing and that's the problem.
0:10:25 – 0:10:30 We watched Frank calculate tears and exchange rates.
0:10:30 – 0:10:38 We listened to Maren explain criticism of the disease and we saw,
0:10:38 – 0:10:42 Like a man who wanted to lead when only he could pray.
0:10:42 – 0:10:48 It's a wasteful game of vanities.
0:10:48 – 0:10:52 A reaction to a reaction to a reaction.
0:10:52 – 0:10:57 The only winner in this game is the algorithm and the only loser
0:10:57 – 0:11:01 We are because we have wasted our time.
0:11:01 – 0:11:04 Turn off the screen, go out, look for the real world.
0:11:04 – 0:11:08 It's quieter, but at least it's real.
0:11:08 – 0:11:11 That was Lautfunk. Bye bye.
0:11:11 – 0:11:39 That was funk, bye.
0:11:39 – 0:11:57 [Music]
0:11:57 – 0:12:00 [Music]
0:12:00 – 0:12:03 [Music]
0:12:03 – 0:12:10 [Music]
0:12:10 – 0:12:18 [Music]
0:12:18 – 0:12:27 [Music]
0:12:27 – 0:12:56 It was loud by farewell.
0:12:56 – 0:13:14 It was loud, bye!

Welcome to the hamster wheel of insignificance.

In this special edition of Lautfunk Let's enter a room that shouldn't exist: We analyze a video that is a reaction to a video that in turn was a reaction. We dissect the ultimate boss of the content business: The echo chamber.

What happens when the cynicism of the market clashes with the hubris of kitchen psychology? On the one hand: Frank (The TV Chest). The accountant of pain, for which tears are real only when they bring no quota. He sees in every emotional breakdown only a ‘cheap spectacle’ for the next pay. On the other hand: Maren. The high priestess of diagnosis who pathologizes criticism. Those who question the ‘victim’ simply have ‘no idea’ for them and are ‘too healthy’ for the dark truth.

In between, figures such as Aleks Petrovic, who first stages himself as a ‘leader’ and then finds God in time for the shitstorm. And Emmy Russ, which inflates a dispute over dog breeds into the racism debate because it was called ‘blonde Chihuahua’.

We are talking about:

The Cold Economy: Why Frank thinks you can balance pain.
The Dictatorship of Therapy: How Maren uses terms such as ‘trauma bonding’ to stifle discussion.
The moral short-circuit: If racism is just a content module for more reach.

A series about two worldviews that scream without hearing each other. Analytical. It's cold. And without pity.

🎙️ LAUTFUNK 014 – The autopsy of vanity

An analysis of the echo chamber

📉 Phase I: The Cold of Economy

Frank (The TV Chest) and the Calculator

Accusation of the spectacle Frank assumes calculus instead of real emotions. If Aleks and Vanessa had been separated before the show, he would degrade their crying into a ‘cheap spectacle’.
Pain as Currency The proof of the staging is for him the direct participation in the next format (Prominently Separated). His damning verdict: You take the ashes ‘quickly’.
Logic vs. emotion Frank asks the rational question: ‘Why haven’t you understood how it ticks for a long time?’ It measures irrational behavior by logical standards.

🩺 Phase II: The Dictatorship of Therapy

Maren and the Pathologisation of Criticism

Diagnosis instead of argument Maren incapacitates Frank rhetorically by certifying that he ‘has no plan of toxic relationships’.
The ‘Too Healthy’ Paradox She accuses him not of ignorance, but of health. He has a ‘healthy attachment scheme’ and therefore cannot understand the dark dynamics.
The fortress of technical terms Concepts such as ‘trauma bonding’ do not serve to clarify, but to ward off critical issues. He who doubts understands nothing.

🎪 Phase III: The Circus of Morality

The Side Scenes of Absurdity

🐶 The Chihuahua Encyclopedia (Emmy Russ) Emmy constructs an accusation of racism from insulting ‘blonde Chihuahua’. Frank searches in vain for the ‘core of racism’. Moral degenerates into a content module.+1
✝️ The Fuehrer Complex (Aleks Petrovic) Aleks, who once described himself as a ‘leader’, suddenly discovers God in the shitstorm and stages himself as a purified martyr.+1

🔇 Phase IV: The echo (conclusion)

The Cycle of Insignificance

The meta level We observe a reaction to a reaction to a reaction.
The result A zero-sum game. Frank reckons Maren is diagnosed, but no one is listening. The algorithm wins, the content loses.

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Number of downloads: 357
Playing time: 0:13:15
Date of admission: 13.01.26
This episode is from season 4, there are a total of 4 seasons.

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LautFunk – 013 The unteachable – satire, self-pity and the big bluff

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00:00 - 0:00:02 Welcome to Lautfunk.
0:00:02 – 0:00:08 Today, it's about a format that considers itself courageous.
0:00:08 – 0:00:11 And yet is only afraid of silence.
0:00:11 – 0:00:16 Two men who think they're making satire.
0:00:16 – 0:00:19 And in the end, just comment on their own shadows.
0:00:19 – 0:00:24 We're talking about self-justification in sound design.
0:00:24 – 0:00:27 Jokes as a weapon.
0:00:29 – 0:00:34 And why you sometimes scream louder the less you have to say.
0:00:34 – 0:00:36 Loudspeaker radio.
0:00:36 – 0:00:42 Analyses with attitude without pity and without filter.
0:00:42 – 0:00:47 The unteachable
0:00:47 – 0:00:52 Satire, self-pity and the greater bluff.
0:00:52 – 0:00:55 A comment from Lautfunk.
0:00:55 – 0:00:58 The great common error.
0:00:58 – 0:01:04 Welcome to a small special edition in which we look at a format that simultaneously
0:01:04 – 0:01:08 It promises so much and delivers surprisingly little.
0:01:08 – 0:01:18 The unteachables, Frank Batterman and Maikelle Dietrich, sit there week after week
0:01:18 – 0:01:27 their cameras, talk about God and the world and everyone who happens to be trending right now
0:01:27 – 0:01:34 Call it all satire. And yes, of course you can write satire on it, just like you do.
0:01:34 – 0:01:43 Some people print sugar-free on products that are actually only made of chemistry. The word
0:01:43 – 0:01:49 Sounds good, but it doesn't protect you from the content. Here we have two men who meet each other.
0:01:49 – 0:01:57 how they try to put their own dissatisfaction into humor and
0:01:57 – 0:02:05 Let the public believe that this is intentional. A videocast that wants to talk about it so much,
0:02:05 – 0:02:13 To be critical, courageous and honest, but that forgets what that actually means.
0:02:13 – 0:02:23 So let's sit back, buckle up and look at this format that's louder,
0:02:23 – 0:02:32 when it is deep and wonders that it still works. Satire as a lifebuoy,
0:02:32 – 0:02:41 or, if everything becomes a joke, perhaps the most striking feature of their show, the constant
0:02:41 – 0:02:50 Escape to the front with humor. When a sentence goes wrong, they laugh. When dealing with inappropriate
0:02:50 – 0:02:56 Talking about it, laughing. If you contradict yourself when you hurt someone,
0:02:56 – 0:03:05 When you make a mistake, when you don't admit a mistake, you laugh. This is not a style,
0:03:05 – 0:03:15 This is a protective mechanism. And the term satire is treated like an emergency case.
0:03:15 – 0:03:23 It is always brought out when you realize that you actually already have a reversal in the content.
0:03:23 – 0:03:29 built. Real satire takes things apart so you can understand them better. What's happening here,
0:03:29 – 0:03:37 It's rather the opposite. You make things ridiculous so you don't have to understand them. And thus arises
0:03:37 – 0:03:43 the impression that the two are less of a satire show moderate, but rather a kind of
0:03:43 – 0:03:49 Live group therapy, but without the courage to name the child by name.
0:03:49 – 0:03:54 Algorithm and ego – The underestimated symbiosis
0:03:54 – 0:04:03 You can blame Frank and Markelle a lot, but one thing you have to leave them, they have that.
0:04:03 – 0:04:15 The game understood. The algorithm wants stimulus, drama, many names, even more conflicts and powerful
0:04:15 – 0:04:23 Lots of surprises. And they deliver it, like influencers, who know on which day you
0:04:23 – 0:04:32 You have to drop content to take the wave. No matter if Kim Virginia was abducted or not.
0:04:32 – 0:04:40 whether Nicola has disappeared, whether a dog is no longer to be found or any influencer
0:04:40 – 0:04:48 A story has been deleted, everything is commented on. Rarely is it asked why? Or
0:04:48 – 0:04:55 Is that relevant? Relevance is not the criterion here. The algorithm rewards it.
0:04:55 – 0:05:02 What attracts attention, not what makes sense. And that's how a format is created,
0:05:02 – 0:05:09 where you never know if there is an opinion or if two men are just
0:05:09 – 0:05:17 Try to outbid their view numbers from last Friday. It's a system of clicks,
0:05:17 – 0:05:28 Stirring, reflexes, and both seem to be completely occupied by it. Name trading instead of opinion,
0:05:28 – 0:05:38 The Economics of Speaking. In each episode, names are thrown through the room like chips into a
0:05:38 – 0:05:44 Casino table, not because you have something to say to them, but because name range
0:05:44 – 0:05:51 generate. This is not a discourse. This is a marketplace. People become keywords,
0:05:51 – 0:05:59 Keywords become thumbnails and these again become clicks. This creates a dangerous
0:05:59 – 0:06:07 pattern. You talk about people without talking about them. They talk about their names and the more
0:06:07 – 0:06:16 If you reduce it, the bigger the show will be. It has become normal for both of them. Names in,
0:06:16 – 0:06:23 In other words, the content is ready. But whoever reduces people to keywords loses
0:06:23 – 0:06:31 At some point, the ability to look at topics in a differentiated way. self-justification;
0:06:31 – 0:06:41 The different dramaturgy. In each episode, something floats along that the two never say out loud.
0:06:41 – 0:06:55 They justify themselves. Against each other. With each other. In front of the audience. In front of himself. Frank is fighting for
0:06:55 – 0:07:02 his image as a similar opinion blogger. Marquiel struggles to control his
0:07:02 – 0:07:08 their own story and together a mixture of mutual encouragement arises,
0:07:08 – 0:07:18 prudent approaching and small tips, which often tell more than the statement
0:07:18 – 0:07:25 over-three. You could almost say they treat each other, but instead of
0:07:25 – 0:07:32 It happens on a couch in front of the camera. This explains why humor is often used.
0:07:32 – 0:07:39 It feels as strenuous as a dialogue, which is actually a monologue, but absolutely necessary.
0:07:39 – 0:07:47 Sounds like it's all spontaneous. True Crime, the most appropriate program item.
0:07:47 – 0:07:57 Hardly did you get to the side hits, the Gossip, Influenza and Reality TV and the small
0:07:57 – 0:08:03 Used to side blows, the two suddenly switch to True Crime. Without transition,
0:08:03 – 0:08:13 Without attitude, without sensitivity. A missing girl, an unsolved case, a real one.
0:08:13 – 0:08:21 Family with real suffering. And you immediately feel that the topic was not chosen because you
0:08:21 – 0:08:28 It has to or wants to contribute to this, but because it feels good as a first block.
0:08:28 – 0:08:37 It looks like a dramatic spot, a heavy spot that you push in,
0:08:37 – 0:08:46 So that the episode does not completely degenerate into a boulevard show. But that's what makes it so problematic.
0:08:46 – 0:08:55 Suffering is not a gap filler. True crime takes depth, not dramatology. And exactly at this
0:08:55 – 0:09:04 Place breaks down the format in itself. The moral short-circuit when criticizing the pose
0:09:04 – 0:09:10 A recurring pattern shows itself like a red thread through all the consequences.
0:09:10 – 0:09:15 One criticizes superficially and remains even superficial.
0:09:15 – 0:09:22 One denounces disrespect and puts the next joke into mockery.
0:09:22 – 0:09:27 They say we're honest, but they say we're merciless.
0:09:27 – 0:09:31 You demand an attitude, but you don't show any.
0:09:31 – 0:09:39 This is not a double standard, nor a triple standard, but a kind of moral short-circuit.
0:09:39 – 0:09:46 It comes from a show itself. Criticism is not a means of embarrassment here.
0:09:46 – 0:09:57 Criticism is content. And you can tell. The bubble, a cycle that feeds itself.
0:09:57 – 0:10:06 The format does not exist in empty space. It is embedded in a content bubble,
0:10:06 – 0:10:16 A Creator Bubble that feeds on mutual observation. Drama generates comments,
0:10:16 – 0:10:25 Comments generate reach, reach generates new topics. And that, in turn, clicks.
0:10:25 – 0:10:33 This creates a system that lives on the fact that something always happens and when nothing happens,
0:10:33 – 0:10:43 You create something. The danger, in such systems, people lose their depth and become
0:10:43 – 0:10:50 Content modules. And when you travel too long in this world, you start to believe,
0:10:50 – 0:11:01 That it's normal. But it's not normal. It's just frequent. Conclusion. The Unplanned Point
0:11:01 – 0:11:08 of the format. And so we are at the most involuntary, honest moment in this
0:11:08 – 0:11:18 Videocast. The unteachable wanted to be satire. What they have created is a weekly
0:11:18 – 0:11:26 Echo, their own contradictions. They wanted to provoke, but they exposed themselves.
0:11:26 – 0:11:34 They wanted to be loud, but the volume doesn't replace any substance. They wanted to show attitude,
0:11:34 – 0:11:41 But they have forgotten that attitude is something that one does not announce, but lives.
0:11:41 – 0:11:48 Silence is not an enemy, depth is not a risk and satire is not a shield.
0:11:48 – 0:11:55 It might be wiser to talk less and understand more,
0:11:55 – 0:11:59 But then it would no longer be the unteachable.
0:11:59 – 0:12:08 That was Lautfunk, a commentary about two men doing a show and more
0:12:08 – 0:12:13 To reveal themselves as about the world they are talking about.
0:12:13 – 0:12:18 Until next time. Farewell to your Sasha
0:12:18 – 0:12:40 That was Lautfunk. An analysis of satire, even with suffering and the big bluff. Because
0:12:40 – 0:12:47 Sometimes what they fear the most is the truth.
0:12:47 – 0:12:57 Subscribe to Lautfunk. If you don't want to miss a episode and share it with them,
0:12:57 – 0:13:07 Those who still think volume is an opinion. Silence is not an end. It is the moment,
0:13:07 – 0:13:09 In which there is all sense.
0:13:09 – 0:13:30 [Music]

You call it satire – but what if satire is just a costume for injured egos?
In this edition of LautFunk Sascha dissects the new podcast collaboration between Frank Battermann and Malkiel Dietrich, called ‘The unteachable’.

What begins as an ironic exchange of blows turns out to be Self-justification with sound effects. Two men applauding each other while trying to teach the audience. A format that considers itself critical – forgetting what it is actually talking about.

Sascha goes deeper:
He analyzes why the algorithm loves strife, why vanity is the new storytelling, and why satire loses its sharpness when it only serves as a shield. A comment about the Self-staging in the Creator Bubble, about the price of the volume – and about the courage to just shut up.

A follow-up for all those who want to know why ‘The unteachable’ It's not so much a podcast, but a mirror you don't like to see in.

NotebookLM comparison: How robust my analysis really is

For this edition, I have not only the three complete transcripts of the Unteachable handed over to Google's NotebookLM, but also my own detailed LautFunk analysis. NotebookLM cross-checked both levels – original material and my assessment – to create a combined analysis. The result clearly shows that the central criticisms of my analysis are not only comprehensible, but also confirmed on a data-based basis: the use of the satire label as a defense mechanism, the algorithmically driven theme mechanics and the permanent self-staging of the hosts. My analysis is therefore not only an opinion, but also withstands an independent structured sample test.

The unteachable – A NotebookLM analysis between satire, algorithm and self-staging

Watch this video on YouTube.

Breakdown of topics

Intro – The big claim and the small reality
– Presentation of the format
– The contradiction between self-image (‘courageous, satirical’) and actual content
Satire as a shield instead of a tool
– Humor as an emergency mechanism
– Laughter as a distraction, not as a stylistic device
– Why the two conflicts laugh away instead of analysing
Algorithm instead of attitude
– Stimulus themes, trend hunting, name-dropping
– Content production by algorithm patterns, not by relevance
– Attention as the main currency
The Marketplace of Names – opinion without substance
– People become buzzwords
– ‘Names in, opinion on them’ as production logic
– Loss of differentiation and context
Self-justification as a subliminal dramaturgy
– Mutual acknowledgment and simultaneous stinging
– Attempt to control image
– Group therapy on camera instead of real reflection
True Crime – The most inappropriate programme item
– Break in tone
– Indifference to the persons concerned
– Suffering as a dramaturgical element rather than a theme
The moral short-circuit
– Criticising what one practices oneself
– ‘honesty’ as a pose
– Criticism for content instead of insight
The Bubble – Drama as a circulatory system
– Creator Observe Creator
– Conflicts generate content that generates new conflicts
– Dependence on one’s own digital bubble
Conclusion – The involuntarily honest outcome
– The claim fails because of its own concept
– Volume replaces substance
– Depth would be possible – but does not take place
– Reflection on satire, authenticity and attitude

Click here for the NotebookLM

Disclaimer & legal notices

Note:
This episode is journalistic and satirical in nature.
All of these names refer to public persons and content that has already been published on social media or podcast formats.
The analysis is carried out within the framework of freedom of expression in accordance with Art. 5 GG.
Statements are contextualised and serve the media classification – not defamation.

Sources: Public streams, transcripts, press reports.

All audio and text rights © 2025 LautFunk.
CC BY-NC-SA 4.0 license.

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Sascha

Number of downloads: 212
Playing time: 0:13:31
Date of admission: 22.11.25
This episode is from season 4, there are a total of 4 seasons.

One According to Funk Publication Cartel Production - Where stories are transmitted unmistakably.

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

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According to Funk-012 Help, I need your support

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There is no transcript available for this episode.

012 I need your help.

Watch this video on YouTube.

The LautFunk network is largely financed by donations from supporters. I am grateful for every small contribution. The money is used for the production of my podcasts, especially for the maintenance and expansion of the podcast equipment, my studio in Dortmund.

Currently there is one fundraiser, To raise money for a new PC.

Supporters receive advance access to the latest releases even before their regular releases in the rough. In addition, there is exclusive content only for the supporters as before and after conversations as well as a kind of diary. You can support us through the following services: Ste ady, Steady on Spotify, Patreon, and gain access to the extra content.

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Anzahl der Downloads: 636
Playing time: 0:10:02
Date of admission: 05.11.22
This episode is from season 2, there are a total of 4 seasons.

One According to Funk Publication Cartel Production - Where stories are transmitted unmistakably.

Podcast license:

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

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LautFunk-011 Advertising in the LautFunk Publication Cartel

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transcript
00:00 – 0:00:11 hello
0:00:11 – 0:00:18 Stay openly according to the radio channel where stories are transmitted unmistakably well
0:00:18 – 0:00:19
0:00:19 – 0:00:24 Today's video
0:00:24 – 0:00:25 ma
0:00:25 – 0:00:30 podcast topic s advertising
0:00:30 – 0:00:30 I
0:00:30 – 0:00:33 I have decided on my
0:00:33 – 0:00:34
0:00:34 – 0:00:39 soaps and also blogs sites to advertise
0:00:39 – 0:00:41 Quite simply here
0:00:41 – 0:00:43 job accent
0:00:43 – 0:00:43
0:00:43 – 0:00:45 Someday I should be able to do that too
0:00:45 – 0:00:47 why
0:00:47 – 0:00:49 blockade on these videos
0:00:49 – 0:00:53 and stood
0:00:53 – 0:00:54 Please also come advertising
0:00:54 – 0:00:55 why
0:00:55 – 0:00:56 and why
0:00:56 – 0:00:57 the
0:00:57 – 0:00:59 Lots of fun here costs money
0:00:59 – 0:01:00 I will
0:01:00 – 0:01:04 starting from the fact that of course this also takes up a lot of time
0:01:04 – 0:01:05
0:01:05 – 0:01:06 Writing the Texts
0:01:06 – 0:01:07
0:01:07 – 0:01:21 the recordings do the editing no matter if the now behaving blog post it on podcast or even the videos that takes all the money as a veit and that it's on
0:01:21 – 0:01:22
0:01:22 – 0:01:23 How can I say that
0:01:23 – 0:01:24
0:01:24 – 0:01:26 on
0:01:26 – 0:01:33 also associated with costs the site I run costs money the server costs money
0:01:33 – 0:01:34 on
0:01:34 – 0:01:35
0:01:35 – 0:01:36
0:01:36 – 0:01:51 Although this is now all on a very low level but the bigger you get the more you need in performance and now more expensive the whole thing that it is now good and beautiful you can say sap is now as a hobby yes it is also
0:01:51 – 0:01:52 off
0:01:52 – 0:01:55 It eats money
0:01:55 – 0:01:56 and
0:01:56 – 0:01:57 I don't have much of it
0:01:57 – 0:01:58
0:01:58 – 0:02:03 You've tried to finance it differently before.
0:02:03 – 0:02:04
0:02:04 – 0:02:05 with patrols
0:02:05 – 0:02:06
0:02:06 – 0:02:07 there is teddy
0:02:07 – 0:02:08
0:02:08 – 0:02:17 with libra p so different models offered that you stop there with the month amount
0:02:17 – 0:02:17
0:02:17 – 0:02:21 small sum sends me one-time payments
0:02:21 – 0:02:22
0:02:22 – 0:02:27 It didn't work because I've been making videos all these years.
0:02:27 – 0:02:28
0:02:28 – 0:02:30 I actually have
0:02:30 – 0:02:31
0:02:31 – 0:02:34 and twenty euros get once twenty and once five
0:02:34 – 0:02:35
0:02:35 – 0:02:50 this isn't the world now especially considering if this isn't sent as a friend go down there also fees so you can say of twenty-five euros just as twenty-one twenty-two euros have arrived with me
0:02:50 – 0:02:51 on
0:02:51 – 0:02:52
0:02:52 – 0:02:53 what
0:02:53 – 0:02:54 who also liked to use
0:02:54 – 0:02:55
0:02:55 – 0:02:59 So buy software so plugins to improve audio quality
0:02:59 – 0:03:02 but to
0:03:02 – 0:03:05 This isn't most of the time and I'd need it to stop.
0:03:05 – 0:03:06
0:03:06 – 0:03:12 the service and the services can provide already twenty euros a month
0:03:12 – 0:03:13 and
0:03:13 – 0:03:20 It's not even evening the procurement of new equipment or software while I mean I'm standing
0:03:20 – 0:03:20
0:03:20 – 0:03:25 here cities thick mic inline amplifier
0:03:25 – 0:03:27 yeah
0:03:27 – 0:03:37 A reasonable cell phone with a good camera stands here Compressors that make the audio signal better are preamplifiers Interface
0:03:37 – 0:03:39 on
0:03:39 – 0:03:51 a few years you also need my computer wall mine is now of two thousand fourteen and around that you just realize I need for some things just longer until that is finished
0:03:51 – 0:03:53 because
0:03:53 – 0:04:02 I've had a few livestreams of statements lately, Tiktok, and there people have told me never to see Sasha disintegrate.
0:04:02 – 0:04:04
0:04:04 – 0:04:04 it is
0:04:04 – 0:04:10 You are worth it that they give you something because at tiktok when you go live
0:04:10 – 0:04:11 can be
0:04:11 – 0:04:15 Your Gifts are Mini Amounts
0:04:15 – 0:04:15
0:04:15 – 0:04:24 but I have now gotten over twenty US dollars in those maybe ten livestreams I made there
0:04:24 – 0:04:25
0:04:25 – 0:04:26 and
0:04:26 – 0:04:28 People are right
0:04:28 – 0:04:29 so
0:04:29 – 0:04:32 I'm offering a little bit of content.
0:04:32 – 0:04:33 and
0:04:33 – 0:04:35 if you can afford to give up to the bass
0:04:35 – 0:04:37 yeah
0:04:37 – 0:04:38
0:04:38 – 0:04:48 this is then the reason why why why I came up with the idea not to deal with the topic of acquisition at all
0:04:48 – 0:04:48
0:04:48 – 0:04:54 I had a video conference call some time ago to be more specific with
0:04:54 – 0:04:55 my
0:04:55 – 0:04:58 from the media industry
0:04:58 – 0:04:58
0:04:58 – 0:04:59 and
0:04:59 – 0:05:00
0:05:00 – 0:05:06 The company is called Snow of Tomorrow Snow of Tomorrow
0:05:06 – 0:05:07
0:05:07 – 0:05:09 They offer podcasts
0:05:09 – 0:05:09
0:05:09 – 0:05:23 Make it monetized but dynamically blaspheme as much as on YouTube You set it was within the podcast at the marker and if advertising is present, that advertising is dynamically inclined
0:05:23 – 0:05:24
0:05:24 – 0:05:34 I had the interest in you quasi to participate in the ETA program because I thought with the technique you can yes instead of commercials yes also poor
0:05:34 – 0:05:35 small
0:05:35 – 0:05:59 at announcements on the Rhine make for example when I then at the reference to a new production from the podcast sequence anyway there I don't have to go every time the file have to download recut on upload but I can just say that at the point so it should be inserted at the point should be inserted that is all well and nice
0:05:59 – 0:06:00
0:06:00 – 0:06:02 on
0:06:02 – 0:06:04 I didn't get into the beta program.
0:06:04 – 0:06:05
0:06:05 – 0:06:11 Sometimes key most formats I've made aren't interesting from an advertising face
0:06:11 – 0:06:11
0:06:11 – 0:06:18 Except for one thing and that's the rehearsal podcast that's a podcast he's targeting hobby musicians
0:06:18 – 0:06:20 on
0:06:20 – 0:06:21 And that's just about
0:06:21 – 0:06:22 the
0:06:22 – 0:06:23
0:06:23 – 0:06:26 Living in the studio space around the problems
0:06:26 – 0:06:27 yeah
0:06:27 – 0:06:45 and experiences that you have as a hobby musician and the knowledge huge advertising market because how they told me so nice it is a very great topic and there would be with a thousand downloads two hundred five hundred euros possible
0:06:45 – 0:06:46
0:06:46 – 0:06:53 I don't have a thousand downloads on this podcast.
0:06:53 – 0:06:55 When it comes up
0:06:55 – 0:06:55 one month
0:06:55 – 0:06:57 and
0:06:57 – 0:07:00 son maybe a hundred
0:07:00 – 0:07:00
0:07:00 – 0:07:04 I'm a total rivet in self-marketing.
0:07:04 – 0:07:06
0:07:06 – 0:07:11 I feel like what I'm doing, and I've talked about it a few times.
0:07:11 – 0:07:13 on
0:07:13 – 0:07:14 not particularly
0:07:14 – 0:07:15 yeah
0:07:15 – 0:07:16 this is
0:07:16 – 0:07:17 therefore not
0:07:17 – 0:07:19 important not
0:07:19 – 0:07:20
0:07:20 – 0:07:22 So much value for it
0:07:22 – 0:07:22
0:07:22 – 0:07:24 would have to grow old
0:07:24 – 0:07:24
0:07:24 – 0:07:27 I keep hearing wow you have a great voice
0:07:27 – 0:07:28
0:07:28 – 0:07:29 You can talk great
0:07:29 – 0:07:30
0:07:30 – 0:07:37 is always so pleasant to hear and when I lie in bed in the evening I like to listen to your voice there but I can fall asleep well
0:07:37 – 0:07:38
0:07:38 – 0:07:39 yeah
0:07:39 – 0:07:41 It may all be great and beautiful.
0:07:41 – 0:07:42 and
0:07:42 – 0:07:44 I can't believe it and
0:07:44 – 0:07:45
0:07:45 – 0:07:52 I've always thought what I'm doing here that it's am for the cat because it's pure time employment for me
0:07:52 – 0:07:52
0:07:52 – 0:07:55 When I look at the numbers
0:07:55 – 0:07:56
0:07:56 – 0:07:59 This is for the cat because
0:07:59 – 0:08:00
0:08:00 – 0:08:06 I am in self-marketing without seams and I have various projects that
0:08:06 – 0:08:06
0:08:06 – 0:08:07
0:08:07 – 0:08:11 Interesting but not necessarily
0:08:11 – 0:08:13 the
0:08:13 – 0:08:18 And then we'll probably be the main problem of the matter
0:08:18 – 0:08:20
0:08:20 – 0:08:25 I have been given many tips there what I should consider now what I should do differently in the future
0:08:25 – 0:08:26
0:08:26 – 0:08:33 had been highly interesting and I found the super love that the people there took so important an hour time and
0:08:33 – 0:08:34
0:08:34 – 0:08:35
0:08:35 – 0:08:49 They were dealing with me but that was already really sad that I got you into the beta program because I would have liked to have had this option and the possibility as this dynamic audio editing
0:08:49 – 0:08:51
0:08:51 – 0:08:54 You can expect to get the stone rolling.
0:08:54 – 0:08:55 Therefore, if
0:08:55 – 0:08:57 I already have a company like this.
0:08:57 – 0:08:58
0:08:58 – 0:09:02 I'm interested and then gives me tips and stops at the sack before all things
0:09:02 – 0:09:02
0:09:02 – 0:09:08 hu there you have what there you are creating what is really good your voice is pleasant you can express yourself
0:09:08 – 0:09:10
0:09:10 – 0:09:11 then power
0:09:11 – 0:09:14 there what out there you can know what you can earn there
0:09:14 – 0:09:15
0:09:15 – 0:09:18 Enjoying means earning a living online
0:09:18 – 0:09:19
0:09:19 – 0:09:25 that had also been to the point the sog told me hey maybe there's somehow but more to it maybe that's all
0:09:25 – 0:09:27
0:09:27 – 0:09:33 stars like you always said you want to see yourself maybe hangs there a lot more
0:09:33 – 0:09:34 yeah
0:09:34 – 0:09:38 security center as you have discovered for yourself
0:09:38 – 0:09:42 and okay
0:09:42 – 0:09:43
0:09:43 – 0:09:45 I thought of you like that
0:09:45 – 0:09:46
0:09:46 – 0:09:52 and then the said livestream came on tiktok where people said nee you're worth it
0:09:52 – 0:09:54
0:09:54 – 0:09:55 I thought I was okay
0:09:55 – 0:09:57
0:09:57 – 0:10:06 If that's what so many people from so many different directions tell me there's something to it and so I just decided to run a bit of advertising
0:10:06 – 0:10:07
0:10:07 – 0:10:08 on
0:10:08 – 0:10:10 The whole thing has been going on a bit longer.
0:10:10 – 0:10:12
0:10:12 – 0:10:19 I can say it so it's now we're just in the third month in the first month that was so about
0:10:19 – 0:10:20 well
0:10:20 – 0:10:46 seventy eighty cents I was with nem month started in the second month warner already almost two euros and now in the third month swamps already at about five euros and that I find it acceptable is ok for that I do nothing great I mess up and spoil my site because the advertising was served also hewn that looks mostly really suboptimal
0:10:46 – 0:10:47 what
0:10:47 – 0:10:56 that's why I'd rather people just use the subscription model but what they don't do so they just get then advertising hangs
0:10:56 – 0:10:58 and hamm
0:10:58 – 0:11:00 well
0:11:00 – 0:11:06 hold a few cents together at least so much that I stop
0:11:06 – 0:11:07
0:11:07 – 0:11:18 the internet site can be financed and that's the main thing on the game medium for my production for the blog and for the podcast the other one is running on youtube
0:11:18 – 0:11:18
0:11:18 – 0:11:30 even since even if I get the opportunity I'll do that too advertise there because then coming back has cent additionally in I think that's just there
0:11:30 – 0:11:31
0:11:31 – 0:11:37 Compromise I have to make out of the situation I've got it fortunately I'm not dependent on living like this because
0:11:37 – 0:11:38
0:11:38 – 0:11:47 Euro maybe ten euro or so in the month of that that would be too little but there have been other people lately
0:11:47 – 0:11:48
0:11:48 – 0:11:56 started to finance via petry per se for example vegas film the crawls so close to five hundred euros together
0:11:56 – 0:11:58 on
0:11:58 – 0:12:01 the old poet often twitch annoys
0:12:01 – 0:12:02 yeah
0:12:02 – 0:12:06 by Edgar Allan Poe
0:12:06 – 0:12:07
0:12:07 – 0:12:22 He also has so his two hundred euros a month together for his fantastic work he does for the entire aloud I mean this person closes with a fantastic voice to I don't know five hundred books or so that has already read
0:12:22 – 0:12:24
0:12:24 – 0:12:26 And of course, that's more value you get there.
0:12:26 – 0:12:28 Table manners
0:12:28 – 0:12:31 If I started comparing myself to that, I'd say
0:12:31 – 0:12:33 oh
0:12:33 – 0:12:42 the man is highly productive the deserved and what do you do home for months nothing out and then come back again something
0:12:42 – 0:12:43 yeah
0:12:43 – 0:12:51 That's another point, I'm worth it that people support me, I'm worth it that I'm allowed to advertise
0:12:51 – 0:12:51
0:12:51 – 0:12:55 And now I say out of conviction
0:12:55 – 0:12:56 yeah
0:12:56 – 0:12:58 because
0:12:58 – 0:12:59
0:12:59 – 0:13:03 I have a medium where there is little feedback.
0:13:03 – 0:13:04
0:13:04 – 0:13:23 I was totally surprised that the last time I did the first episode of the Probe podcast with the new constellation of team members, there was actually a totally positive feedback even though there was a lot of criticism in it because there were content errors.
0:13:23 – 0:13:24
0:13:24 – 0:13:32 but that was so worked out and so that I really liked because that showed me hey there was someone listening to the whole thing
0:13:32 – 0:13:33 yeah
0:13:33 – 0:13:55 You totally dealt with what we said and then sat down and wrote this huge long text, although not at the point where you can do this on the podcast as a comment and has successes but just in the synthesizer forum where it was basically promoted
0:13:55 – 0:13:57
0:13:57 – 0:13:58 and that was horny wow
0:13:58 – 0:14:03 great hm
0:14:03 – 0:14:09 and now I'm at the point where I just wanted to communicate this mentally
0:14:09 – 0:14:10 also
0:14:10 – 0:14:11 fellow human beings
0:14:11 – 0:14:12
0:14:12 – 0:14:18 What you have to live with now is that there will be advertising here and there
0:14:18 – 0:14:19
0:14:19 – 0:14:30 simply the possibility has remained to him to help patient foresee that should not sound now as if I am so totally money horny there
0:14:30 – 0:14:30
0:14:30 – 0:14:45 but so behind reed normally costs two hundred euros or reasonable microphone only starts from one hundred euros I mean this microphone what you see here the cost hundreds why is this inline amplifier costs even at seventy euros
0:14:45 – 0:14:46
0:14:46 – 0:14:48 Ring judges cost twenty euros
0:14:48 – 0:14:49
0:14:49 – 0:14:56 I don't even want to know how expensive my cell phone was that it was used as a camera Roll went almost around the thousand four hundred euros
0:14:56 – 0:14:56
0:14:56 – 0:15:00 hurra cable everything costs money and
0:15:00 – 0:15:02 somewhere
0:15:02 – 0:15:05 I also want to have my new toy somewhere I want
0:15:05 – 0:15:07 but
0:15:07 – 0:15:15 equipment have what has the quality brings forward the next purchase is good or bad stop times to have a better camera
0:15:15 – 0:15:15
0:15:15 – 0:15:17 and then money will be accepted again in
0:15:17 – 0:15:18
0:15:18 – 0:15:19
0:15:19 – 0:15:24 I would love to buy a new synthesizer that I haven't done in a while.
0:15:24 – 0:15:25
0:15:25 – 0:15:25 It costs money
0:15:25 – 0:15:26 seat
0:15:26 – 0:15:33 that costs all the money only that I don't have I have a lot of ideas now a lot of time
0:15:33 – 0:15:36 but I don't have any money
0:15:36 – 0:15:37
0:15:37 – 0:15:38 is
0:15:38 – 0:15:40 Looks like it's pretty cashy.
0:15:40 – 0:15:41
0:15:41 – 0:15:43 hm
0:15:43 – 0:15:50 I know you've been accusing people who do something like me here of being so money horny.
0:15:50 – 0:15:52 but
0:15:52 – 0:15:53
0:15:53 – 0:15:55 I guess I'll have to deal with it somewhere.
0:15:55 – 0:15:58 yeah
0:15:58 – 0:16:05 Think about that white enough at this point and I thank him for listening and watching
0:16:05 – 0:16:06
0:16:06 – 0:16:13 I would be happy if you listened to or read through one of the other productions.
0:16:13 – 0:16:14 is
0:16:14 – 0:16:25 There are a lot of them on my website in my blog in my podcast the links are all to be found and in the shownotes
0:16:25 – 0:16:26
0:16:26 – 0:16:28 as it is on youtube or in
0:16:28 – 0:16:31 or
0:16:31 – 0:16:32 the podcast
0:16:32 – 0:16:34 yeah
0:16:34 – 0:16:46 say thank you for your attention and say until next time it says welcome to the according funk channel where stories are transmitted unmistakably
0:16:46 – 0:16:48
0:16:48 – 0:16:50 Farewell to your Sasha
0:16:50 – 0:16:52 and
0:16:52 – 0:17:13 Users get advance access to the raw cut of the podcast episodes before the actual release more exclusive content such as before or after conversations or some kind of diary all the information on how to support confused you find I'm already us
0:17:13 – 0:17:27 No.

Audio part of the LautFunk videos as podcast

Today it's about advertising in my productions as well as the idea behind it. What made me want to advertise?

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Contributors to this episode

Sascha

Number of downloads: 454
Playing time: 0:17:27
Date of admission: 28.07.22
This episode is from season 2, there are a total of 4 seasons.

One According to Funk Publication Cartel Production - Where stories are transmitted unmistakably.

Podcast license:

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

Note: This post contains affiliate links. If you shop through these links, I'll get a small commission at no extra cost to you.

"Self-love"

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MP3 Audio	11 MB	Download
AAC m4a	5 MB	Download

transcript
0:00:04 – 0:00:12 Hello and welcome to the run of
0:00:08 – 0:00:16 channel or in the according to funk blog or in the
0:00:12 – 0:00:16 According to podcast
0:00:16 – 0:00:20 Today's topic is
0:00:21 – 0:00:27 even love
0:00:24 – 0:00:29 So I love myself
0:00:27 – 0:00:32 different
0:00:29 – 0:00:35 Experience points made and
0:00:32 – 0:00:37 I wanted to do it with you or with you.
0:00:35 – 0:00:37 speak
0:00:37 – 0:00:44 I have
0:00:41 – 0:00:48 in my past
0:00:44 – 0:00:52 with self-love
0:00:48 – 0:00:53 sometimes more and sometimes less to do
0:00:52 – 0:00:56 I would say so until the middle of my
0:00:53 – 0:00:58 I wasn't like that in my twenties.
0:00:56 – 0:01:03 Really aware that the concept of
0:00:58 – 0:01:05 Self-love gives why I also lived
0:01:03 – 0:01:07 Let's just
0:01:05 – 0:01:10 that was
0:01:07 – 0:01:13 okay me
0:01:10 – 0:01:14 That's how I did my things.
0:01:13 – 0:01:17 okay too
0:01:14 – 0:01:20 and
0:01:17 – 0:01:22 Then at some point
0:01:20 – 0:01:26 Observe
0:01:22 – 0:01:28 And good advice from one of them.
0:01:26 – 0:01:30 girlfriend
0:01:28 – 0:01:32 My co-worker who
0:01:30 – 0:01:33 Later to a very good friend.
0:01:32 – 0:01:36 was
0:01:33 – 0:01:39 What's wrong with me is that I
0:01:36 – 0:01:42 Go to the doctor and there
0:01:39 – 0:01:45 came out of safety
0:01:42 – 0:01:47 Have a proper depression
0:01:45 – 0:01:50 and
0:01:47 – 0:01:52 Maybe another
0:01:50 – 0:01:54 Personality disorder
0:01:52 – 0:01:57 What Happens Over the Years
0:01:54 – 0:02:01 I had confirmed that I had a
0:01:57 – 0:02:03 Recurrent, therefore, a recurring
0:02:01 – 0:02:05 Depression has
0:02:03 – 0:02:07 And it still accompanies me to this day.
0:02:05 – 0:02:10 There are always phases
0:02:07 – 0:02:12 My life where I hold
0:02:10 – 0:02:14 More or less not at all
0:02:12 – 0:02:16 efficient bin
0:02:14 – 0:02:18 yeah
0:02:16 – 0:02:19 And then there are the
0:02:18 – 0:02:23 Borderline personality disorder
0:02:19 – 0:02:25 I have this on my blog
0:02:23 – 0:02:27 or my videos again and again something
0:02:25 – 0:02:31 I have promised and I have also claimed
0:02:27 – 0:02:33 that it is not so the case that is
0:02:31 – 0:02:34 that I do this so that I don't
0:02:33 – 0:02:38 would
0:02:34 – 0:02:40 Long story short in the context of
0:02:38 – 0:02:43 I have hold
0:02:40 – 0:02:46 You can see it or learn it.
0:02:43 – 0:02:50 There is such a thing as self-love
0:02:46 – 0:02:55 What is love itself
0:02:50 – 0:02:57 Self-love is something you
0:02:55 – 0:03:01 could be rewritten in such a way that
0:02:57 – 0:03:02 Appreciate that you have things in yourself.
0:03:01 – 0:03:05 finds the
0:03:02 – 0:03:08 man himself
0:03:05 – 0:03:10 mag
0:03:08 – 0:03:14 or
0:03:10 – 0:03:17 himself in the whole
0:03:14 – 0:03:22 Acknowledge and be aware of it
0:03:17 – 0:03:24 That all that you represent yourself
0:03:22 – 0:03:27 Similar to how outwardly I mean
0:03:24 – 0:03:28 that you are a good person is nice to
0:03:27 – 0:03:32 Many a friendly helpful
0:03:28 – 0:03:36 Man is that you can sing well
0:03:32 – 0:03:38 Dancing that you can do something well
0:03:36 – 0:03:41 or
0:03:38 – 0:03:43 because it had what weak man and
0:03:41 – 0:03:45 This stops as
0:03:43 – 0:03:47 It does not feel normal as
0:03:45 – 0:03:49 you can't exaggerate you can't
0:03:47 – 0:03:51 You can't have it, it's okay
0:03:49 – 0:03:52 that I can't do that I can
0:03:51 – 0:03:54 something else good
0:03:52 – 0:03:58 and
0:03:54 – 0:04:01 This is already the extended
0:03:58 – 0:04:04 Concept of self-love but basically
0:04:01 – 0:04:04 You have heard everything about it
0:04:06 – 0:04:10 You have to let it sack you first
0:04:10 – 0:04:14 I
0:04:12 – 0:04:16 I really didn't know for a long time
0:04:14 – 0:04:20 that what I have in
0:04:16 – 0:04:23 Various sessions with therapists
0:04:20 – 0:04:27 Now that's the psychiatrist psychologist.
0:04:23 – 0:04:30 Or with patients in
0:04:27 – 0:04:34 Talking in the middle of Berlin
0:04:30 – 0:04:38 I think it helped as
0:04:34 – 0:04:38 Professionally competent person
0:04:39 – 0:04:47 Learned and found out that it
0:04:43 – 0:04:50 Normal is that's good stuff Bonds
0:04:47 – 0:04:53 There are things there for one
0:04:50 – 0:04:55 The ones that make me positive
0:04:53 – 0:04:58 And the other one is valued.
0:04:55 – 0:05:02 It's like I'm still today
0:04:58 – 0:05:04 I have to learn again that I speak well.
0:05:02 – 0:05:08 I can make my voice pleasant.
0:05:04 – 0:05:10 As you can hear I'm different
0:05:08 – 0:05:12 Because I agree with that
0:05:10 – 0:05:16 Hear how you feel when you have a
0:05:12 – 0:05:17 Voice hold I hear my body going
0:05:16 – 0:05:19 Of course I also sound the bone
0:05:17 – 0:05:22 My voice is the most important thing
0:05:19 – 0:05:24 Classic for me as for you and me
0:05:22 – 0:05:26 I really had to learn first.
0:05:24 – 0:05:30 accepting
0:05:26 – 0:05:32 What I hear is so unfamiliar
0:05:30 – 0:05:35 It was for me when I took my shots.
0:05:32 – 0:05:39 Higher be it now potsdam podcast or
0:05:35 – 0:05:42 Even videos, that's the voice.
0:05:39 – 0:05:45 Do you feel comfortable, or do you feel comfortable?
0:05:42 – 0:05:49 The way I talk is pleasant.
0:05:45 – 0:05:51 I had to accept that first
0:05:49 – 0:05:53 That was so, and then I could say yes.
0:05:51 – 0:05:56 You can do that if there are so many
0:05:53 – 0:06:00 People say, 'You like to hear this.
0:05:56 – 0:06:03 I heard from a listener
0:06:00 – 0:06:05 Get an e-mail in a yes
0:06:03 – 0:06:07 A private message
0:06:05 – 0:06:09 on twitter she told me through higher
0:06:07 – 0:06:12 I love to fall asleep and do it
0:06:09 – 0:06:16 continue please continue
0:06:12 – 0:06:19 and if I go now and that
0:06:16 – 0:06:23 Accept that this is so I can
0:06:19 – 0:06:25 also assume yes you can do something that is
0:06:23 – 0:06:28 It's good for other people then.
0:06:25 – 0:06:28 Rolling Importantly
0:06:28 – 0:06:35 That's how I had to accept
0:06:32 – 0:06:37 but I'm now an attempt to say
0:06:35 – 0:06:40 boy you can
0:06:37 – 0:06:43 It's like my girlfriend is too.
0:06:40 – 0:06:45 on tik tok screens and I often
0:06:43 – 0:06:47 It was in the background and
0:06:45 – 0:06:50 Show me less, but that's it.
0:06:47 – 0:06:52 always so oh listen there's the voice
0:06:50 – 0:06:58 in the background
0:06:52 – 0:07:01 Glad he's back and yes.
0:06:58 – 0:07:02 I'm glad people are looking forward to it.
0:07:01 – 0:07:04 that I'm in it you have to be
0:07:02 – 0:07:05 I am pleased that
0:07:04 – 0:07:07 Others are happy that I'm here
0:07:05 – 0:07:12 great
0:07:07 – 0:07:14 And that's just these little things.
0:07:12 – 0:07:16 They prefer to be themselves
0:07:14 – 0:07:19 Just like every now and then
0:07:16 – 0:07:22 Do something good
0:07:19 – 0:07:24 If I go now and say
0:07:22 – 0:07:25 Buy me a new microphone that has
0:07:24 – 0:07:27 I'm good now that I already have
0:07:25 – 0:07:28 A little longer, but it's always
0:07:27 – 0:07:30 There's something else I've got
0:07:28 – 0:07:33 Well done, there's a long time
0:07:30 – 0:07:35 I was saved and then I was able to
0:07:33 – 0:07:37 Buying a good microphone isn't
0:07:35 – 0:07:41 Know How Expensive
0:07:37 – 0:07:43 $100 but I've got something.
0:07:41 – 0:07:46 Well done because that's for me.
0:07:43 – 0:07:48 Hobbies, and I'm pretty much myself.
0:07:46 – 0:07:51 Rewarded, and that's a small one.
0:07:48 – 0:07:51 Part of self-love
0:07:51 – 0:07:57 yeah
0:07:54 – 0:07:59 So when you think about it,
0:07:57 – 0:08:02 You couldn't solve it any other way.
0:07:59 – 0:08:05 and go there and cheap also sometimes nice
0:08:02 – 0:08:08 It was a great thing to do or
0:08:05 – 0:08:11 Make a new hairstyle
0:08:08 – 0:08:15 Try a new hair color
0:08:11 – 0:08:19 There are so many things
0:08:15 – 0:08:23 You can formally do something about yourself.
0:08:19 – 0:08:26 to prove again and to show that
0:08:23 – 0:08:29 you have it who has it
0:08:26 – 0:08:34 this and so sometimes small things
0:08:29 – 0:08:36 Sometimes very simple things and even
0:08:34 – 0:08:39 Not even that hard to make
0:08:36 – 0:08:42 But there is always such a thing
0:08:39 – 0:08:45 Acceptance of the fact that I am a human being
0:08:42 – 0:08:50 I am that I have strengths weakening
0:08:45 – 0:08:54 such a kind of radical apps acceptance
0:08:50 – 0:08:54 That sounds good or not.
0:08:55 – 0:08:58 that you also have to sack a bit
0:08:57 – 0:09:00 let
0:08:58 – 0:09:04 I am now the professional
0:09:00 – 0:09:06 Psychologist or career choice counselor
0:09:04 – 0:09:10 as
0:09:06 – 0:09:12 Life coach I'm just a guy
0:09:10 – 0:09:17 He speaks so from his experience.
0:09:12 – 0:09:18 I remember my first years
0:09:17 – 0:09:21 apologies
0:09:18 – 0:09:23 Due to the fact that I also
0:09:21 – 0:09:25 I don't have any bullying experience.
0:09:23 – 0:09:28 I especially liked it and I
0:09:25 – 0:09:30 Even hated as loved
0:09:28 – 0:09:36 It's always something you mean
0:09:30 – 0:09:39 live to play strongly and also a
0:09:36 – 0:09:42 I have a strong feeling in me
0:09:39 – 0:09:45 This makes me very insecure with
0:09:42 – 0:09:48 Strangers are situations in which I
0:09:45 – 0:09:51 You don't have to know but
0:09:48 – 0:09:55 it is as it is
0:09:51 – 0:09:56 You grow with your tasks and you
0:09:55 – 0:10:00 Learn about it
0:09:56 – 0:10:03 I can do much better today
0:10:00 – 0:10:07 is to say
0:10:03 – 0:10:11 you are female and all great you
0:10:07 – 0:10:14 have many problems many mistakes but in
0:10:11 – 0:10:17 Some things you're really good at and
0:10:14 – 0:10:21 That's why I love you
0:10:17 – 0:10:23 I like my voice now.
0:10:21 – 0:10:25 The voice I'm talking to now
0:10:23 – 0:10:27 It's different for me at this moment.
0:10:25 – 0:10:30 Hear and
0:10:27 – 0:10:31 later when editing again completely
0:10:30 – 0:10:33 It sounds different and
0:10:31 – 0:10:36 that's okay me
0:10:33 – 0:10:39 I know I can do that
0:10:36 – 0:10:41 And I can only give you the tip
0:10:39 – 0:10:45 Looking for something
0:10:41 – 0:10:48 What you have fun with and
0:10:45 – 0:10:52 Do this and if you have a positive
0:10:48 – 0:10:55 Feedback gets it
0:10:52 – 0:10:58 and at some point accept that you
0:10:55 – 0:11:02 You can do that and it's been good since then.
0:10:58 – 0:11:06 This is my little tip for you.
0:11:02 – 0:11:10 Thank you for hearing and
0:11:06 – 0:11:14 even see and tell you your sasha
0:11:10 – 0:11:14 Until next time.

Audio part of the LautFunk videos as podcast

In a video of Jenny's strange world, which was made some time ago, the question arose as to her self-love at the moment. I took this opportunity to see how I feel about self-love.

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I'm perfect! - YouTube

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Sascha

Number of downloads: 314
Playing time: 0:11:34
Date of admission: 18.05.22
This episode is from season 2, there are a total of 4 seasons.

One According to Funk Publication Cartel Production - Where stories are transmitted unmistakably.

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

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LautFunk-008 Lawnmower parents

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Audio part of the LautFunk videos as podcast

There are parents who do everything for their child. These are called lawnmower parents. And then there are submarine parents who do almost nothing for their children. And these are also not accessible for schools, kindergartens, etc.

Links to the issue:

Lawnmower and submarine parents - LautFunk

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Sascha

Anzahl der Downloads: 434
Playing time: 0:12:42
Date of admission: 19.04.22
This episode is from season 2, there are a total of 4 seasons.

One According to Funk Publication Cartel Production - Where stories are transmitted unmistakably.

Podcast license:

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

Note: This post contains affiliate links. If you shop through these links, I'll get a small commission at no extra cost to you.

According to Funk-007 vaccine opponents true madness

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Audio part of the LautFunk videos as podcast

In times of the Covid-19 epidemic, people who are afraid of a compulsory vaccination or any other measures that are enforced against their will are currently piling up.

Links to the issue:

Anti-vaccine real madness

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Contributors to this episode

Sascha

Anzahl der Downloads: 490
Playing time: 0:14:28
Date of admission: 24.05.20
This episode is from season 1, there are a total of 4 seasons.

One According to Funk Publication Cartel Production - Where stories are transmitted unmistakably.

Podcast license:

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

Note: This post contains affiliate links. If you shop through these links, I'll get a small commission at no extra cost to you.

According to Funk-006 Loneliness in the relationship

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transcript
0:00:01 – 0:00:09 Hello and welcome to the radio channel
0:00:05 – 0:00:16 where stories are unmistakably conveyed
0:00:09 – 0:00:16 Today's topic will be
0:00:21 – 0:00:25 Loneliness in the relationship
0:00:26 – 0:00:33 I mean the weather wanted one or
0:00:29 – 0:00:34 Others also know this feeling I know
0:00:33 – 0:00:37 Not like most of them.
0:00:34 – 0:00:41 People are like that, but with me it's like that.
0:00:37 – 0:00:46 I am a Borderline Personality
0:00:41 – 0:00:49 I can feel the feeling of
0:00:46 – 0:00:51 Rejection of whether this is true or not
0:00:49 – 0:00:56 I just felt it or I want it.
0:00:51 – 0:01:01 It's a bad one or I'll go with it.
0:00:56 – 0:01:05 very badly around and this results in
0:01:01 – 0:01:12 Problems in the relationship if yes
0:01:05 – 0:01:14 By chance or by behavior
0:01:12 – 0:01:17 The partner may not be completely
0:01:14 – 0:01:20 I am aware of the feeling he
0:01:17 – 0:01:24 Now it can be that way too
0:01:20 – 0:01:27 that man lies in the common bed
0:01:24 – 0:01:32 the partner had a busy
0:01:27 – 0:01:34 tag and it's just broken and there
0:01:32 – 0:01:38 Turning to his preferred
0:01:34 – 0:01:42 sleep side and is just broken
0:01:38 – 0:01:45 Strive and want to sleep and I'm lying
0:01:42 – 0:01:49 In fact, I feel a few
0:01:45 – 0:01:52 Don't love me why he's cuddling now
0:01:49 – 0:01:54 Not with me or anything like that.
0:01:52 – 0:01:57 I have been in the past again and again
0:01:54 – 0:01:59 Preferably with a partner
0:01:57 – 0:01:59 who work
0:02:00 – 0:02:06 In the current relationship, I have
0:02:02 – 0:02:09 In other words, my
0:02:06 – 0:02:11 Friends have feelings, for example.
0:02:09 – 0:02:13 Situation at sleep
0:02:11 – 0:02:16 I have a favorite side of
0:02:13 – 0:02:20 I'm going to sleep and now it's so
0:02:16 – 0:02:22 He turned away from her, and when
0:02:20 – 0:02:24 I've been here all day
0:02:22 – 0:02:27 The apartment, which I almost did
0:02:24 – 0:02:30 Then we hurt the back.
0:02:27 – 0:02:33 Maybe the hip hurts the two
0:02:30 – 0:02:38 It's hard and I like a song like that.
0:02:33 – 0:02:44 half on my belly and that's mine
0:02:38 – 0:02:47 Preferential Sleep Side
0:02:44 – 0:02:53 It's not that there's something
0:02:47 – 0:02:59 could be emotional so I loved
0:02:53 – 0:03:01 My girlfriend continues to do so and so on.
0:02:59 – 0:03:01 It's not always easy
0:03:02 – 0:03:10 This creates a feeling of what
0:03:07 – 0:03:12 It wouldn't have to be I have it
0:03:10 – 0:03:13 Trying to myself again and again
0:03:12 – 0:03:15 explaining
0:03:13 – 0:03:23 So that holders kindnesses
0:03:15 – 0:03:25 Tenderness is there and you can
0:03:23 – 0:03:29 So much to explain logically what you
0:03:25 – 0:03:33 It feels different and in a world.
0:03:29 – 0:03:37 in one of my emotional worlds
0:03:33 – 0:03:40 They are, of course, very confused.
0:03:37 – 0:03:42 You will be very upset at the
0:03:40 – 0:03:46 The smallest smallness is respected and many
0:03:42 – 0:03:50 tempered that is sometimes really
0:03:46 – 0:03:55 It's exhausting, and I think it's too.
0:03:50 – 0:03:56 For someone whose partner you can also
0:03:55 – 0:04:00 not always so easy
0:03:56 – 0:04:01 I made the decision for myself
0:04:00 – 0:04:05 caught sometime
0:04:01 – 0:04:07 I don't talk anymore I'm me
0:04:05 – 0:04:11 Take the Observational Position 1
0:04:07 – 0:04:13 Now it could be counterproductive.
0:04:11 – 0:04:17 If you're looking at my past
0:04:13 – 0:04:24 When I look at relationships, I mean three.
0:04:17 – 0:04:28 Years and eight years are already
0:04:24 – 0:04:30 Longer but relationships are there
0:04:28 – 0:04:36 ended
0:04:30 – 0:04:39 and I would say that my strategy
0:04:36 – 0:04:39 Absolutely successful
0:04:39 – 0:04:46 I think you have to talk about it too
0:04:43 – 0:04:50 when it is extremely unpleasant and difficult
0:04:46 – 0:04:52 It's because only people can talk.
0:04:50 – 0:04:57 Helping where the other
0:04:52 – 0:04:59 Know what you feel as me out of my
0:04:57 – 0:05:01 current partner and referred to
0:04:59 – 0:05:02 I tried to do this here
0:05:01 – 0:05:05 explaining
0:05:02 – 0:05:09 [Music]
0:05:05 – 0:05:10 If you now understand it, believe it.
0:05:09 – 0:05:13 I
0:05:10 – 0:05:16 whether she accepted it for herself
0:05:13 – 0:05:16 I think less
0:05:16 – 0:05:23 There are rituals, and that's for you.
0:05:19 – 0:05:27 Ritual in another partnership
0:05:23 – 0:05:30 It's a ritual for customers.
0:05:27 – 0:05:34 chew to scratch then caress and
0:05:30 – 0:05:38 then you fall asleep
0:05:34 – 0:05:39 With her, the ritual is mutually exclusive.
0:05:38 – 0:05:42 watching
0:05:39 – 0:05:43 Christian here kissing there and getting good
0:05:42 – 0:05:46 Wishing for the night
0:05:43 – 0:05:46 [Music]
0:05:47 – 0:05:59 It is only counterproductive if you
0:05:49 – 0:06:05 On the wrong side, I'm solid.
0:05:59 – 0:06:07 I'm sure of my past
0:06:05 – 0:06:10 No one handled it well either.
0:06:07 – 0:06:13 It's because once that feeling
0:06:10 – 0:06:15 They are also wondering
0:06:13 – 0:06:20 Even if it is physical
0:06:15 – 0:06:22 Stay close why ever
0:06:20 – 0:06:27 This question has intensified in
0:06:22 – 0:06:35 head not yet sexy one desires me
0:06:27 – 0:06:39 and then rattling resort head and man
0:06:35 – 0:06:40 I wonder if you're doing something wrong
0:06:39 – 0:06:43 power
0:06:40 – 0:06:45 And then the thing is back
0:06:43 – 0:06:47 Instead of talking about it silently
0:06:45 – 0:06:54 more or I've always been silent
0:06:47 – 0:06:58 And that feeling gets bigger
0:06:54 – 0:07:01 Bigger and in the end, this
0:06:58 – 0:07:04 Feelings because you are more careful
0:07:01 – 0:07:06 Or I became more careful.
0:07:04 – 0:07:12 More broken than that.
0:07:06 – 0:07:15 I should have repaired it for myself.
0:07:12 – 0:07:19 I concluded that I would
0:07:15 – 0:07:19 You have to force to talk
0:07:21 – 0:07:28 It's just not easy and I think
0:07:25 – 0:07:31 This is also the only correct
0:07:28 – 0:07:31 approach is
0:07:33 – 0:07:39 I'm sure many because always
0:07:37 – 0:07:41 again when I talk to warriors
0:07:39 – 0:07:46 Or people talking to me.
0:07:41 – 0:07:49 There was such a topic that it
0:07:46 – 0:07:50 Many of his feelings from time to time
0:07:49 – 0:07:53 know
0:07:50 – 0:07:57 I'm not talking about sex now.
0:07:53 – 0:08:00 There are no physical things
0:07:57 – 0:08:02 a possible reason for hard cheese with
0:08:00 – 0:08:03 The other day so much stress on the
0:08:02 – 0:08:08 Work can't do that
0:08:03 – 0:08:10 It's good health and so on.
0:08:08 – 0:08:11 And so on and so forth, so there's
0:08:10 – 0:08:13 There are many reasons why it isn't necessarily something
0:08:11 – 0:08:15 have to do with the partnership
0:08:13 – 0:08:18 Of course, it can also be that you
0:08:15 – 0:08:22 It's a partnership and that's
0:08:18 – 0:08:25 feelings and this loneliness thing real
0:08:22 – 0:08:30 But how am I doing almost nothing
0:08:25 – 0:08:32 know then also submit
0:08:30 – 0:08:40 Don't give up impulses to stop this
0:08:32 – 0:08:45 Feeling that it is not
0:08:40 – 0:08:48 Just like I said, my strategy.
0:08:45 – 0:08:49 It doesn't work and I think
0:08:48 – 0:08:53 This is also a strategy that many
0:08:49 – 0:08:55 Men do it, or many women do it.
0:08:53 – 0:08:57 There is also the fear of rejection.
0:08:55 – 0:09:01 So judge in yours is so far open
0:08:57 – 0:09:04 And then the one who doesn't go into it
0:09:01 – 0:09:10 Or annoyed, of course.
0:09:04 – 0:09:14 why board in front of'm kopp and help in
0:09:10 – 0:09:14 The end effect isn't really any further.
0:09:14 – 0:09:21 Those were my thoughts on it.
0:09:19 – 0:09:23 If you want, you can still
0:09:21 – 0:09:26 Read a small blog post
0:09:23 – 0:09:31 It's written a bit of an occasion.
0:09:26 – 0:09:36 like this the things in the video with a
0:09:31 – 0:09:37 A few examples and I would
0:09:36 – 0:09:42 Glad if you also have a few
0:09:37 – 0:09:46 other of my projects would listen to the
0:09:42 – 0:09:48 podcast and find everything on my
0:09:46 – 0:09:55 homepage here of course also below
0:09:48 – 0:09:57 Linked I would say thank you.
0:09:55 – 0:10:00 to see or hear
0:09:57 – 0:10:03 Say goodbye to Mr. Sasha.
0:10:00 – 0:10:03 [Music].

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Is there a feeling of loneliness when you're in a relationship? I think this feeling will have been experienced by one or the other.

https://lautfunk.uber.space/blog/einsamkeit-in-der-beziehung

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Loneliness in the relationship - LautFunk

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Number of downloads: 487
Playing time: 0:10:25
Date of admission: 26.03.20
This episode is from season 1, there are a total of 4 seasons.

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Hello here is Leon from TALNEWS, thank you for the nice conversation. Again and again gladly! :)

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The fact that you are now working on the linguistic form is a transparent distraction maneuver. On every page of this blog is completely …

Sascha with all love, let go of the AI , these foreign words you bring in are supposed to distract from the topic …

It is significant that a rhetorical mask is chosen here from psychological terms such as ‘gaslighting’ and ‘blame reversal’, which are used in the diametric ….

🎙️ LAUTFUNK 014 – The autopsy of vanity

An analysis of the echo chamber

📉 Phase I: The Cold of Economy

🩺 Phase II: The Dictatorship of Therapy

🎪 Phase III: The Circus of Morality

🔇 Phase IV: The echo (conclusion)

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NotebookLM comparison: How robust my analysis really is

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