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[Music]
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0:00:14 – 0:00:18
Hello and welcome to a new edition of the digression.
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0:00:18 – 0:00:23
Where I occasionally deviate from the topic.
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I listened to the days podcast and there the good Frankster really had someone I really appreciate.
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I've been following his content for a long time.
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And whether it was the insulation station back then or today also the other formats,
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which were first used by third parties and are now back on the insulating station,
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I love his stuff.
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And even though I can't always follow everywhere now,
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'Cause I'm not such a serial junkie or movie junkie now,
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that I almost always listen to the Glotzkasten completely.
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Also the other formats, there are always consequences,
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Which I'm less interested in now or where I can't do so much with the guests.
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But he had an interesting edition of the format "Frankmektion",
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So "fragmented", so then just played with "Frank", with the word.
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Yeah, what am I supposed to say about that?
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He had mentioned me in his podcast.
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as an example for someone who is very committed and makes a lot of heart and soul of his production
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and suffers from the same phenomenon as he,
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That you get little feedback or almost no feedback.
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And then I thought, that would be an interesting thing,
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Think a little.
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Yes, I get visions from all my productions except NRW
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Little to no feedback.
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0:02:26 – 0:02:36
Be it on YouTube, on my homepage, where the podcast is mainly published,
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not on the other podcast platforms where it is played,
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Spotify, iTunes or Apple Podcast, as it is now called,
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And you haven't seen it.
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That's kind of sad.
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And you never really know what to change
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or if you have somehow hit the momentum of time
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or whether you should do something different, any wishes, formats.
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And somehow you can't get it all back.
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I mean, things are heard and I see it in the download numbers,
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So from my homepage or on Spotify I can see it
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Also on Apple Podcast.
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I don't look at the other platforms like that.
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Because it's so hard for me to sign up and blah blah.
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Anyway, I'd like everyone to take the feed.
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list the consequences, but the download would take place with me,
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Because then I could really see how much is played where.
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Yes, no feedback.
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I really don't know if you don't run a episode reasonably or something,
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which has really brutely less call numbers, why, why, why,
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Because no one is coming back.
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I have from time to time, this is super rare,
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that I once have something under a YouTube video,
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That it was a great topic or that was my voice, Marc.
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I've gotten something on Twitter twice.
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that you like to hear it as an evening to fall asleep,
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If you find my voice so reassuring and the way I speak.
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By the way, this was from someone I really also liked as a content creator.
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Extremely appreciated.
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I mean, she doesn't do that much anymore,
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But I really did that back then, all the YouTube stuff from her,
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I really appreciated it.
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It's great when someone gives you that kind of feedback.
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It's the same as Fringstar.
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If you look up to someone because it was a role model,
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With many things,
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Then that's something special,
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When you're always on topic with them
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Or be addressed again and again.
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The lack of feedback,
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It's just like the lack of support.
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in a format.
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I have discussed this with the MTC.
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with Marcel,
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And that there is little to nothing coming back.
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So rather nothing at all,
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'Cause I think people just got used to it,
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There is a totally free mentality on the internet.
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I know, I know people,
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Mogulator with his sequencer talk,
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He has a few supporters.
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They can't live on it,
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but this is just to bear the running costs,
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Definitely enough.
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And this is also such a point,
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which is somehow just a pity,
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I invest a lot of time,
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But that's what I said in the issue,
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in the limiting podcast.
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By the way, it all runs under one and the same feed,
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On one and the same side.
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You can find anything there.
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I'll give it all in the show notes below.
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Yeah, the feedback thing.
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With the feedback.
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It's not that I don't have opportunities.
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I have a WordPress site,
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In general, there is this comment function.
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This is indicated, even in the feed it is shown that
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You can comment there.
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When you click on the link,
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You land directly on the side.
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And there is actually every podcatcher displayed,
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they can access all internet pages, internet links
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and make it visible.
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This has never happened before.
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I turned on a phone number.
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You can call and leave a voice message.
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And if you want, then it can also be played,
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In any case, where I get some feedback.
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But that doesn't happen.
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I recently had a rehearsal podcast.
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Where I'm with different musicians
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or with good colleagues,
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who are already on their way to becoming friends,
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Talk about music production from a hobbyist's point of view.
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And then we had some feedback,
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How bad we are.
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And even on iTunes or Apple Podcasts
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Then there was an assessment that we have absolutely no idea,
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Technology and everything else is very bad and bla bla bla.
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I think it's funny because I know about NRW Vision,
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How well the productions are done.
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I also believe that the criticism and also the claims
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are not as high as on transmittable material
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for television or radio stations.
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But I think it's a very high quality for podcasts,
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The one I deliver.
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I mean, I'm also a hobby musician.
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I also have a small project studio.
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So I know myself a little bit,
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How to make sound.
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Or there were times in the forum of Sequencer.de
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Let me give you some feedback,
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Because I'm also complaining about the consequences,
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Because there are many amateur musicians or even professional musicians.
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And there you will always find nice interview partners for a show,
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because there are really all those who have rank and name,
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As far as the music industry is concerned.
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So we don't act under their normal names,
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Under the pseudonym, it's clear.
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because there are all sorts of companies, producers,
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Hardware manufacturers, software manufacturers.
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Everything that is German,
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Chandeliers and chandeliers,
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Self-displaced people are there, so it's incredible.
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Every now and then you get out again,
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Who is behind what name and then it's interesting.
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In any case, I'm also promoting the podcast.
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And since I've done that, the number of calls has also gone up.
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That is anyway, since the Lord emergency power has gotten into it,
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with which I also make a format here on Lautfunk,
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the retrieval numbers have gone up anyway for the trial podcast
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The quality has also become quite different.
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Because simply the conversation and the topic research
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It has become a completely different one.
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Yes, but there has been some feedback about it,
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I don't know, dumb men, bad quality, bla bla bla.
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It must be said that the lobbying issue
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There were five guests, so I think there were six of us.
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Mr. Emergencystrom, the Tobi, Mick, the Freud, Bernie, yes we were six.
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And there were plenty of problems with feedback at the beginning
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and echoes, noises, dropouts.
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And from that we had to stop, the Tobi did it,
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Made such a small cut, extremely creative.
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You have to say that anyway, Tobi is such a creative mind, so unbelievable.
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In any case, we had made a cut there
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And that was just this time that it's not that typical 30-second trailer,
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Let's just say it's three minutes long.
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the sound and music that Tobi has made,
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then hold these fragments of speech are with the broken samples,
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then comes the actual intro, which he made especially for this issue,
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Yes, and then comes the greeting and if you stop these seven minutes
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which it took, the beginning, does not exist and survives,
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You would have the impression that this is a very chaotic group.
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And so was the comment.
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We then reacted to the comment one or two episodes later.
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And we enjoy it deliciously.
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I hope he understands and understands that.
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Why it was so fun for us.
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So far, these have been the only things.
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I've said on YouTube once in a while,
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that I had spoken a word wrongly on the monologue podcast,
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It was about monologizing a word.
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By the way, that's a word the Rangster had invented back then.
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And I just took it over.
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This means that you simply hold a monologue and keep it in a beautiful form.
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Yes, I say "yes" quite often now.
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These are the thoughts, these pauses that I have.
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I don't want to say "yes" again.
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I think this is such a sad thing
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I also talked to some people about it.
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They don't just make podcasts themselves, they also make YouTube videos or TikTok and so on.
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And if you do something on TikTok, you can do it now,
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You can make 10 minute videos, but they don't work.
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So three minutes is really, if that's going to work, then the hat's off.
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So rather 30-second things, they work very well there.
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I'm curious to see when we arrived at three seconds.
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Anything longer than three seconds no longer works.
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You can get feedback relatively quickly.
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and people comment quickly and briefly,
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Because you can't make so many signs.
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But the button to press a little heart,
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It's a lot easier, like a thumbs up on YouTube or something.
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Maybe it's the way people consume things.
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Consume YouTube videos or other devices at home on the TV,
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then that's just a little bit, you have to click a little bit more back and forth
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as on the computer or on the mobile phone.
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But I can only say that I rarely get any feedback.
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On the last videos I made, there was almost no comment.
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And also, what goes so "thumbs up" or something, that's super rare.
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The call numbers have also gone so far from the basement.
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I don't think that's bad now, because I used to always like to use it,
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to get a reasonable transcript.
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So the translation of the language, of the spoken words into writing.
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But nowadays I do it differently and that's much cleaner and better,
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How YouTube can do that.
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I wonder anyway why this automatic transcription on Google,
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Google is behind YouTube, so bad.
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Because if I dictate something to my phone, there are relatively few wrong words in it.
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But what OpenAI created with Whisper is wow.
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I had had a different tool before, so you could even have different voices,
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He was able to assign different speakers.
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Then you could almost go and say, that's what Thomas said now,
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That's what Tobi said, that's what I said.
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This is not possible with the now-sings, but the translation fits in.
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So there are so few mistakes in it that the comprehensibility of the text is still given.
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And even comma and point setting is very good.
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So runs at home on the computer, is calculated on the graphics card.
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This is faster than real time and I don't have a good graphics card.
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So entry-level model, this runs at about 5 times the speed of real time.
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Can you say that stop, what are these, 12 minutes, an hour.
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So an hour of audio material is 12 minutes through.
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And that's really cool.
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Although I really put so much effort into it and also really work on it
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and also because of my dyslexia the lyrics now more dare to express me there,
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because I also use this plugin from Duden,
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to compensate for spelling errors and also chat GBT please keep an eye on it
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and maybe reword a few things to make it more enjoyable to read,
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I simply see that the quality of the texts has also become much higher.
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And as a dyslexic, you have such a skill that you can ask the questions correctly.
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0:18:02 – 0:18:11
or the requirements for the input that the correct results come out there.
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0:18:11 – 0:18:18
Because the wiring, the wiring in the brain works a bit differently than other people.
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0:18:18 – 0:18:26
And this simply harmonizes with artificial word models, intelligences,
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0:18:26 – 0:18:31
I don't want to say it's smart, but with a language model like Chat-GBT.
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0:18:31 – 0:18:37
Wonderful, so I get the crassest things out of it by just putting in a few things
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0:18:37 – 0:18:44
and then say how I want it to be, in what form, and then that's going to get more out of it, the way I wanted it to be.
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0:18:44 – 0:18:48
Interestingly, it doesn't work with image generators.
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0:18:48 – 0:18:54
I always get junk out of it. So I imagined something, describe it and so on, but it doesn't work there.
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0:18:54 – 0:19:01
Interestingly, with texts. I would have had Chat-GBT when I wrote my dissertation.
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0:19:01 – 0:19:05
Yeah, yeah, that would have been awesome.
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0:19:05 – 0:19:10
At least to correct the error.
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0:19:10 – 0:19:18
We were at information depreciation and feedback.
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0:19:18 – 0:19:21
Feedback.
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0:19:21 – 0:19:27
Yes, I don't have any feedback. I have no feedback. Almost not at all.
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0:19:27 – 0:19:34
The more valuable, the more joyful are the ones I get.
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0:19:34 – 0:19:46
And be it a thumbs up in the sequencer forum or that someone writes that this was a great issue.
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0:19:46 – 0:19:53
Yes, that's nice, but I don't have anything on my side and it's always so empty.
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0:19:53 – 0:20:09
I only get spam comments from some strange sites that want to sell me some virtual magnification sticks of my genitals.
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0:20:09 – 0:20:12
Real or virtual.
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0:20:12 – 0:20:16
Somehow it's so sad.
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0:20:16 – 0:20:21
You're really producing whole bunches and people are consuming that.
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0:20:21 – 0:20:24
You can also see it in the bond.
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0:20:24 – 0:20:30
So now I can't see this on my homepage, because I can only see that the file has been downloaded.
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0:20:30 – 0:20:34
I can't tell if it was even heard, but I'm going to assume it's hard.
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0:20:34 – 0:20:44
But I can see it on Spotify, I can see it on Apple Podcast, and I can watch it on YouTube.
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0:20:44 – 0:20:49
In the video, I can also see how long people have been on average.
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0:20:49 – 0:20:58
And then there are always at least two thirds, if not 70 percent, 80 percent.
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0:20:58 – 0:21:01
So most of the time, this is the end of these Laber podcasts.
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0:21:01 – 0:21:07
Always a little bit of the trivial, that one then discusses again about different topics,
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0:21:07 – 0:21:14
However, these are no longer so important or did not address the actual issue of consequences.
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0:21:14 – 0:21:20
We're already 21 minutes full.
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0:21:20 – 0:21:31
I would say that these were now enough thoughts and digressions to fill at least two episodes.
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0:21:31 – 0:21:36
But no, it's all about feedback and feedback.
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0:21:36 – 0:21:42
And I leave my dear greeting to the Frankster there and I am already looking forward to our joint reception,
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0:21:42 – 0:21:46
If you invite me to your podcast.
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0:21:46 – 0:21:50
I wonder what awaits me there.
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0:21:50 – 0:21:53
So, thank you for your attention.
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0:21:53 – 0:21:58
I would be happy if you take a look at my homepage.
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0:21:58 – 0:22:04
No matter if you are at NRW Vision, because that's all stated on the page.
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0:22:04 – 0:22:13
Or stop over my homepage or via the feed at any provider, where you can hear something, that's all stated.
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0:22:13 – 0:22:21
And just leave me a nice message, can also be a naughty,
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0:22:21 – 0:22:25
Whether you liked it or not and what could be improved.
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0:22:25 – 0:22:31
Or what you would like to do for a topic, in whatever format.
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0:22:31 – 0:22:36
I'll say goodbye, Sasha.
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0:22:36 – 0:22:52
[Music]
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In this captivating episode of the digression podcast, I dive deep into a theme that inspired me personally: Feedback and feedback for our own productions. Recently I had the pleasure of listening to a podcast episode of @DerFrankster He spoke about the lack of feedback. I was able to identify with it immediately, as I rarely get feedback myself in my own production. In this special edition of the digression podcast, I share my thoughts and experiences on this topic. I tell about my own journey and how it feels not to get any feedback or feedback. It is an opportunity for me to reflect on my feelings and to talk about how much I am happy about any form of feedback – be it a loving message, an encouraging comment or enthusiastic praise. During this episode, I also share the positive impact that feedback and feedback have on my motivation and self-confidence. It's amazing to see how a simple set of appreciation boosts my mood and drive. I encourage my listeners to recognize the power of their own words and give feedback and feedback to other producers and creatives around them. This episode is an invitation to compassion and reflection. We all have the potential to give other producers and creatives a big impact on their work with our words and feedback. By showing them our appreciation and providing constructive feedback, we can help them reach their full potential and continue to create great content. So turn on when I share my thoughts and experiences on feedback and feedback in our own productions in this captivating episode of the digression podcast. Get inspired by my stories and find new ways to help other producers with your feedback. Together, we can build a community that supports and inspires each other to get the most out of our creative projects.
NRWision says:
A lot of podcasters know the problem. They hardly get any feedback and feedback from their listeners. This is no different with Sascha Markmann. What bothers him about the lack of feedback, he tells in his podcast ‘Die Abschweifung’. Without feedback, as a podcast producer, he doesn't know what he can change or do better. Sascha Markmann finds it a pity that podcasters usually get little feedback. After all, they put a lot of time, passion and effort into the recordings. Here, Sascha Markmann wishes for a significant change in the future.
NRWision
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Sascha
Playing time: 0:22:52
Date of admission: 24.06.23
This episode is from season 3, there are a total of 4 seasons.
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