According to Funk Podcast & Blog

Format	size	Download
MP3 Audio	20 MB	Download
AAC m4a	11 MB	Download

transcript
00:00 - 0:00:17 [Music]
0:00:17 – 0:00:19 Hello and welcome to a new edition
0:00:19 – 0:00:24 Deviation, where I
0:00:24 – 0:00:28 Occasionally deviate from the topic.
0:00:24 – 0:00:32 Today's theme is producing music
0:00:32 – 0:00:34 and relationships, and there's only one thing I can do
0:00:34 – 0:00:38 They say that all this is very
0:00:38 – 0:00:40 It's different. I've had such a day
0:00:40 – 0:00:43 Documentary about music that
0:00:43 – 0:00:43 has no target group
0:00:43 – 0:00:49 And yet, money was made.
0:00:50 – 0:00:56 There was a musician who had a
0:00:56 – 0:00:59 I had a song with a punk band like that.
0:00:59 – 0:01:02 so "Cold, clear water" and years
0:01:02 – 0:01:02 Later it came back as
0:01:02 – 0:01:09 Techno-Track out, so from the fate-
0:01:09 – 0:01:13 Speed. Exactly, that's what they said,
0:01:13 – 0:01:16 "Cold, clear water". Yes,
0:01:16 – 0:01:18 Sorry, I got a bit of a cold
0:01:18 – 0:01:18 I'll do it again.
0:01:19 – 0:01:22 There were people like
0:01:22 – 0:01:25 Alexander Markus.
0:01:25 – 0:01:31 Cool, isn't it?
0:01:31 – 0:01:33 And that's where I came up with the idea,
0:01:33 – 0:01:37 that I also make music and various
0:01:37 – 0:01:40 Genres and don't do that either.
0:01:40 – 0:01:45 Earning money or fame or anything
0:01:45 – 0:01:47 to make the super career, but from
0:01:45 – 0:01:50 Have fun. And then I thought so
0:01:50 – 0:01:52 Like I did with this note.
0:01:52 – 0:01:54 I have written,
0:01:54 – 0:01:56 That it's always with me
0:01:56 – 0:02:00 It was different.
0:02:00 – 0:02:04 So let's start with these
0:02:04 – 0:02:04 In the first time with me
0:02:04 – 0:02:09 It was like I was making music
0:02:09 – 0:02:13 have made
0:02:09 – 0:02:16 Actually, there was no pause. That was
0:02:16 – 0:02:19 Finding phase, with which tools
0:02:19 – 0:02:22 I'm working and now I'm just going to
0:02:22 – 0:02:24 hardware or software, and the better the
0:02:24 – 0:02:27 Computers became the more
0:02:27 – 0:02:29 Software for the most part.
0:02:29 – 0:02:31 I also have hardware.
0:02:31 – 0:02:35 and synthesizers, but it's all about
0:02:31 – 0:02:38 Mostly old equipment,
0:02:38 – 0:02:42 Because they were just like that back then
0:02:42 – 0:02:44 Digital synthesizers from the 90s
0:02:44 – 0:02:47 They were super cheap. So they have
0:02:47 – 0:02:49 Partially for far less than 100 euros
0:02:49 – 0:02:49 Get it.
0:02:49 – 0:02:55 And then I stopped
0:02:55 – 0:02:57 I have experimented, I have found,
0:02:57 – 0:02:59 It's all cool, but if you
0:02:57 – 0:03:04 does not have 95,000 inputs or
0:03:04 – 0:03:06 Sound card, then that's real
0:03:06 – 0:03:08 It's tedious. You have a mixer, then go
0:03:08 – 0:03:12 this in there, then you have to track by track
0:03:12 – 0:03:14 Record and you can't multi-track
0:03:14 – 0:03:18 Recording, so several tracks
0:03:18 – 0:03:22 At the same time. And then it stopped
0:03:22 – 0:03:26 More and more software. Then came the
0:03:22 – 0:03:31 The first long-term relationship that
0:03:31 – 0:03:33 It was three, three and a half years.
0:03:33 – 0:03:36 And when they went in the breaches,
0:03:36 – 0:03:39 I totally threw myself into work.
0:03:39 – 0:03:42 I have to say, I've had it before.
0:03:42 – 0:03:45 It's such a creative phase, but there you have it.
0:03:45 – 0:03:48 Maybe I'll do a track this month.
0:03:48 – 0:03:50 You get it done, because you still have every
0:03:48 – 0:03:57 He did a lot of other things. In addition to
0:03:57 – 0:04:01 education, work, school, my
0:04:01 – 0:04:06 Bundeswehr replacement service, did not remain
0:04:06 – 0:04:09 A lot of time. And then you have the few
0:04:09 – 0:04:11 free time to use any
0:04:11 – 0:04:14 Doing things. So you have twice
0:04:11 – 0:04:18 I had every idea in my head, but that was
0:04:18 – 0:04:20 Relatively little output. As the relationship
0:04:20 – 0:04:24 When I broke up, I totally
0:04:24 – 0:04:32 plunged into work. You have to say,
0:04:32 – 0:04:33 back in 2006, 2007 it was
0:04:33 – 0:04:35 The internet is not necessarily that way.
0:04:35 – 0:04:39 super cheap or super fast,
0:04:35 – 0:04:42 But you have a lot of money for it.
0:04:42 – 0:04:43 paid for the DSLR connection, whether
0:04:43 – 0:04:49 that was at Deutsche Telekom or otherwise
0:04:49 – 0:04:54 would be. And then I had, after my
0:04:54 – 0:04:57 My ex-girlfriend moved out, in
0:04:57 – 0:05:00 a huge apartment no internet
0:05:00 – 0:05:02 And then I found myself elsewhere.
0:05:02 – 0:05:05 I'm busy and I'm totally so
0:05:02 – 0:05:08 Lost in music. And there I have
0:05:08 – 0:05:11 I'm really doing one or two tracks a week.
0:05:11 – 0:05:14 finished. I had nothing else
0:05:14 – 0:05:17 to do. I've either watched TV
0:05:17 – 0:05:19 or sat in front of the computer and
0:05:19 – 0:05:24 I made music. And when I stop
0:05:24 – 0:05:27 I was at work or with my ex.
0:05:27 – 0:05:30 have cooked together, have made us a
0:05:30 – 0:05:32 met a few times a week, I'm
0:05:30 – 0:05:35 It is also available on the internet and has
0:05:35 – 0:05:37 then keep the stuff uploaded and what
0:05:37 – 0:05:39 This is how you do it on the internet.
0:05:39 – 0:05:43 But mostly it was me.
0:05:43 – 0:05:47 put my things up and let them go,
0:05:47 – 0:05:47 How they are distributed.
0:05:47 – 0:05:54 It went like this for a few years
0:05:54 – 0:05:57 And then I learned mine.
0:05:57 – 0:05:59 I know my second girlfriend where
0:05:57 – 0:06:01 It was really serious. I had in between
0:06:01 – 0:06:03 And a few easy things too, but that's
0:06:03 – 0:06:05 It was something else. There I have
0:06:05 – 0:06:07 Of course, much more has been done.
0:06:07 – 0:06:09 Even where I had moved, in another
0:06:09 – 0:06:12 Apartment, where it really is
0:06:12 – 0:06:16 extreme on creative work everything
0:06:16 – 0:06:20 was laid out. The bedroom was more
0:06:20 – 0:06:22 I have a music studio and a living room.
0:06:22 – 0:06:24 Almost not with equipment. So I have
0:06:22 – 0:06:28 Mainly in front of my equipment.
0:06:28 – 0:06:33 sat down. Then I learned mine
0:06:33 – 0:06:37 I know my second girlfriend and then
0:06:37 – 0:06:40 relatively little done. After we
0:06:40 – 0:06:44 Then they came together after two years.
0:06:44 – 0:06:47 in a shared apartment, was
0:06:47 – 0:06:49 The place isn't there, because
0:06:47 – 0:06:53 There was a nurse who
0:06:53 – 0:06:57 In the meantime, it was added and
0:06:57 – 0:07:00 She also worked from home.
0:07:00 – 0:07:03 There was no room for all the music.
0:07:03 – 0:07:06 So it was all
0:07:06 – 0:07:10 Stacked in the corner. The Whole
0:07:10 – 0:07:12 Rec-Synthesizer and Sampler and
0:07:12 – 0:07:15 You haven't seen it. And I have there
0:07:12 – 0:07:17 relatively little done. I have there indeed
0:07:17 – 0:07:20 Every now and then something with the software
0:07:20 – 0:07:23 made and as the relationship after good
0:07:23 – 0:07:25 Ten years in the making, I've
0:07:25 – 0:07:27 I started totally creative again
0:07:27 – 0:07:29 to live out. I have a podcast that
0:07:29 – 0:07:31 I've had it easy before too
0:07:31 – 0:07:33 started, but since my ex-girlfriend me
0:07:33 – 0:07:37 Always a pretty stupid one.
0:07:37 – 0:07:41 It made me feel like she was talking about mine.
0:07:37 – 0:07:44 Projects are always fun.
0:07:44 – 0:07:47 Whether it was for YouTube or for
0:07:47 – 0:07:50 Podcasts or when I'm with people
0:07:50 – 0:07:56 Then go back to what it was called.
0:07:56 – 0:08:00 In a kind of zoom meeting.
0:08:00 – 0:08:02 from Google
0:08:02 – 0:08:04 I met them to do things with them.
0:08:04 – 0:08:06 belabern.
0:08:04 – 0:08:08 Has she always been funny about it
0:08:08 – 0:08:12 It was done and it wasn't good. There I have
0:08:12 – 0:08:15 I didn't have a buck either. But there I was
0:08:15 – 0:08:20 He was free and had a very
0:08:20 – 0:08:22 Great apartment again. And there I have
0:08:22 – 0:08:26 I was totally thrown into work and
0:08:26 – 0:08:29 I have produced a lot and a lot
0:08:29 – 0:08:31 As far as YouTube and podcasts are concerned.
0:08:29 – 0:08:36 And also blog posts. So I have
0:08:36 – 0:08:39 There are three or four publications in
0:08:39 – 0:08:41 I had the week. But I have very little
0:08:41 – 0:08:44 Music, you have to say.
0:08:44 – 0:08:47 Then I moved to Dortmund, again
0:08:47 – 0:08:52 a smaller apartment and then have again
0:08:52 – 0:08:56 bedroom, studio with sleeping accommodation me
0:08:56 – 0:08:58 There is no place and there is no place for them.
0:08:56 – 0:09:01 put on all the hardware clothes,
0:09:01 – 0:09:06 But these days it is essential
0:09:06 – 0:09:06 It's easier to work with software.
0:09:06 – 0:09:13 Then I set myself up,
0:09:13 – 0:09:15 I started to do all of this. I had a short
0:09:15 – 0:09:17 Interruption because clear until internet here
0:09:17 – 0:09:20 It was because the deadline didn't work out.
0:09:20 – 0:09:22 'Cause I didn't have anyone here in the apartment
0:09:22 – 0:09:25 was. I had to be in the
0:09:22 – 0:09:29 other apartment, because there is just the
0:09:29 – 0:09:32 The moving company was there. Then
0:09:32 – 0:09:35 I haven't had three or four weeks.
0:09:35 – 0:09:38 I had the internet, but I was still using it.
0:09:38 – 0:09:41 They were busy, all
0:09:41 – 0:09:46 Wearing clothes here. You have to
0:09:46 – 0:09:48 I had a stroke in 2016.
0:09:48 – 0:09:52 People who listen to me, who know
0:09:48 – 0:09:53 this and that. I couldn't do that anymore
0:09:53 – 0:09:55 as I wanted. I was always on the lookout for help,
0:09:55 – 0:09:58 I still need help and
0:09:58 – 0:10:01 A lot of things just can't be like me
0:10:01 – 0:10:03 that will. It's not that I
0:10:03 – 0:10:06 I don't have the skills to do this, but
0:10:06 – 0:10:08 I can't do it without help. Yes, then
0:10:08 – 0:10:11 I started again, again
0:10:11 – 0:10:13 to produce diligently, again so
0:10:13 – 0:10:16 Three to Four Publications, Blog
0:10:13 – 0:10:23 Posts, podcasts, YouTube videos.
0:10:23 – 0:10:25 And then one day I learned 2019,
0:10:25 – 0:10:28 I've been two or three months, I've been
0:10:28 – 0:10:30 here, know my current girlfriend, my
0:10:30 – 0:10:32 Today's fiancée, you have to say,
0:10:32 – 0:10:32 and have
0:10:32 – 0:10:35 then,
0:10:35 – 0:10:41 Because that's the first time
0:10:38 – 0:10:44 Remote control was the time with her
0:10:44 – 0:10:47 Comrades, late in the evening she started
0:10:47 – 0:10:48 socks, so from 8 p.m., I have
0:10:48 – 0:10:52 Sitting in front of the computer, I've got mine.
0:10:52 – 0:10:54 I did things and then
0:10:54 – 0:10:55 Not so much published anymore,
0:10:55 – 0:10:58 Maybe two things, one blog.
0:10:58 – 0:11:03 Post and a podcast, the various
0:11:03 – 0:11:07 formats. And that was really more than good
0:11:03 – 0:11:09 And a good time. And that's how it holds
0:11:09 – 0:11:11 To this day. I always have in between
0:11:11 – 0:11:14 Take a break when I'm sick
0:11:14 – 0:11:17 or if I stay three months in
0:11:17 – 0:11:20 I'm in the hospital because I'm a little girl.
0:11:20 – 0:11:22 Nephew had fallen on his foot and I
0:11:22 – 0:11:25 He had several operations because he
0:11:25 – 0:11:28 There were complications.
0:11:28 – 0:11:28 Yes, yes.
0:11:28 – 0:11:34 But on the whole, I do
0:11:34 – 0:11:37 Hold it at least once a week
0:11:37 – 0:11:39 Publish. Now I was in the last
0:11:39 – 0:11:42 Time stops very often cold-like
0:11:42 – 0:11:46 sick. I say one, kindergarten killer-
0:11:46 – 0:11:48 Viruses are the worst because my
0:11:48 – 0:11:52 My sister had children again and
0:11:52 – 0:11:53 They are three years apart, so if
0:11:53 – 0:11:54 One from kindergarten
0:11:54 – 0:11:56 came out, the other is in
0:11:54 – 0:11:59 Kindergarten and they bring any
0:11:59 – 0:12:05 with very bad germs. So I was still
0:12:05 – 0:12:07 never so cold and constantly sick as the
0:12:07 – 0:12:12 last three years.
0:12:12 – 0:12:13 Yeah, almost four. Almost four years now.
0:12:13 – 0:12:16 In any case, I had it earlier this year.
0:12:16 – 0:12:19 Eight weeks where I'm going through one.
0:12:19 – 0:12:21 I had a cold and had a long time
0:12:19 – 0:12:25 had a dry cough for a long time and
0:12:25 – 0:12:25 Now I have this shit again.
0:12:25 – 0:12:32 Yeah, what am I supposed to say?
0:12:32 – 0:12:32 I have
0:12:32 – 0:12:37 two hard disks, which are still in the
0:12:37 – 0:12:40 The relationship with today is real.
0:12:40 – 0:12:45 ridiculous, two 4 gigabytes hard drives.
0:12:40 – 0:12:49 They are full of unproduced
0:12:49 – 0:12:53 or published pieces
0:12:53 – 0:12:53 And I have them
0:12:53 – 0:12:59 in the period of time, at that time
0:12:59 – 0:13:02 so after 2007,
0:13:02 – 0:13:05 When the first relationship broke up.
0:13:05 – 0:13:06 And there's a lot of great stuff
0:13:06 – 0:13:08 with.
0:13:06 – 0:13:11 The problem is, I can
0:13:11 – 0:13:16 Don't even open today, because
0:13:16 – 0:13:19 It was 32-bit.
0:13:19 – 0:13:24 Standard. So there was already 64-bit
0:13:24 – 0:13:26 plugins, but that was the
0:13:26 – 0:13:29 Exceptionally, because they needed one.
0:13:29 – 0:13:31 64-bit operating system and Windows
0:13:31 – 0:13:35 Windows XP was 64-bit.
0:13:31 – 0:13:38 Version, but it was totally unknown, so
0:13:38 – 0:13:41 Nobody used that. And
0:13:41 – 0:13:45 Today it is the case that at some point this
0:13:45 – 0:13:48 32-bit strand in the digital
0:13:48 – 0:13:51 Audio workstations have been cut off.
0:13:51 – 0:13:54 and then almost only 64-bit plugins
0:13:54 – 0:13:57 be supported. And so I can
0:13:57 – 0:14:00 Don't open things anymore because it's there
0:13:57 – 0:14:01 There were also a lot of free plugins.
0:14:01 – 0:14:05 Plugins that are no longer
0:14:05 – 0:14:08 I think I'm also on one of those
0:14:08 – 0:14:10 I've got a hard drive, but I'd have to get extra
0:14:10 – 0:14:13 assemble a computer and then stop
0:14:13 – 0:14:16 Windows XP and then
0:14:16 – 0:14:18 Reinstall everything and then
0:14:18 – 0:14:21 I could just roll it out and
0:14:21 – 0:14:24 It could then be imported into a
0:14:21 – 0:14:28 The modern DAW. But that's already
0:14:28 – 0:14:34 Really a mess. I don't know how many
0:14:34 – 0:14:37 Hundreds, maybe 1000 to 1500
0:14:37 – 0:14:38 I almost finished tracks there.
0:14:38 – 0:14:41 I have.
0:14:41 – 0:14:44 Different directions, so there can be
0:14:44 – 0:14:47 Classic things to be with.
0:14:44 – 0:14:52 It can be ambient or something.
0:14:52 – 0:14:56 Space Drone-like Music
0:14:56 – 0:15:01 Whether it's techno or techno
0:15:01 – 0:15:06 A bit of Italio influence.
0:15:06 – 0:15:08 Or something minimalistic.
0:15:08 – 0:15:13 Or keep it that way, you get stuck
0:15:08 – 0:15:16 Goa trends stuff.
0:15:16 – 0:15:18 That's really crazy.
0:15:18 – 0:15:22 If I think about it in such a way that it
0:15:22 – 0:15:24 I've got it all and I'm
0:15:24 – 0:15:27 Not necessarily ready now either.
0:15:27 – 0:15:27 the stuff
0:15:27 – 0:15:31 to put away.
0:15:31 – 0:15:32 I can't even use the hard drives.
0:15:32 – 0:15:35 connect more, because the connection is completely
0:15:32 – 0:15:39 is different. Today they all have one.
0:15:39 – 0:15:39 small plug, such a SATA port.
0:15:39 – 0:15:47 At that time it was so wide,
0:15:47 – 0:15:50 So with 40 pins and in two rows.
0:15:50 – 0:15:51 Such an IDE connection was called that.
0:15:51 – 0:15:55 There you can get an adapter, there you can
0:15:55 – 0:15:57 you can connect it via USB or something and
0:15:57 – 0:16:01 Then pull the things over. But
0:16:01 – 0:16:01 These are things that
0:16:02 – 0:16:08 to come. I once had a conversation
0:16:08 – 0:16:11 with a teacher, a vocational college, where
0:16:11 – 0:16:14 I also graduated from high school and he
0:16:14 – 0:16:19 said the problem with the computer is
0:16:19 – 0:16:21 It's just that if you don't regularly
0:16:21 – 0:16:24 Things from a generation to a generation
0:16:24 – 0:16:27 the next generation, then
0:16:27 – 0:16:31 You have problems. And he said I still have
0:16:27 – 0:16:33 in the basement programs and so on, the
0:16:33 – 0:16:35 I can't read anymore because
0:16:35 – 0:16:39 These readers no longer exist.
0:16:39 – 0:16:43 And that's how I came to think of it,
0:16:43 – 0:16:44 or if I think about it now, there was
0:16:44 – 0:16:47 even tape machines from the computer, where
0:16:47 – 0:16:49 the data was on it and then gave before
0:16:49 – 0:16:54 There are also perforated tapes or punch cards.
0:16:54 – 0:16:55 And if you have the readers
0:16:54 – 0:16:58 no longer has for it, the data is
0:16:58 – 0:17:00 Just go away. There is such an analog
0:17:00 – 0:17:03 It's a lot easier. So if I now
0:17:03 – 0:17:06 make a newspaper on microfish, so
0:17:06 – 0:17:08 Microfilm, that's where I ideally need it.
0:17:08 – 0:17:12 Just a magnifying glass and a candle to read this
0:17:12 – 0:17:15 to be able to. But digital data
0:17:15 – 0:17:17 They're gone.
0:17:17 – 0:17:19 I don't know if I'll ever
0:17:19 – 0:17:22 Make the effort and then stop like that.
0:17:19 – 0:17:24 Set up a digital system and there's an old one
0:17:24 – 0:17:26 The operating system pops on it and then stops the
0:17:26 – 0:17:32 I took things out once. Because the software
0:17:32 – 0:17:34 I have, I have all the data,
0:17:34 – 0:17:37 That wouldn't be an issue, old hard drives.
0:17:37 – 0:17:43 If not, things are just gone.
0:17:43 – 0:17:45 And that's how it is, that's how it is
0:17:45 – 0:17:48 A chapter in life that ends like this
0:17:45 – 0:17:51 Just as relationships have ended,
0:17:51 – 0:17:54 I was super creative. And I can
0:17:54 – 0:17:57 only say so for me when I suffer,
0:17:57 – 0:17:59 I'm the most creative because that's right now.
0:17:59 – 0:18:03 Not just blogging, but me.
0:18:03 – 0:18:03 Then paint, I draw
0:18:03 – 0:18:10 various things. So I'm alive
0:18:10 – 0:18:12 Always be creative. This is real
0:18:10 – 0:18:18 It's funny. And if I'm okay, then
0:18:18 – 0:18:23 I don't even have the mousse and the
0:18:23 – 0:18:26 What do I call that, the energy for it. me
0:18:26 – 0:18:29 I just think that in suffering there is a
0:18:29 – 0:18:31 Improbably strong energy in it.
0:18:31 – 0:18:32 is stuck. Not when you're depressed.
0:18:32 – 0:18:36 corner sitting or out of bed no more
0:18:36 – 0:18:38 Come out, but if you get a little
0:18:36 – 0:18:41 is depressed or has a certain
0:18:41 – 0:18:44 Suffering can happen in a
0:18:44 – 0:18:47 Improbably strong creativity
0:18:47 – 0:18:49 express. If you think about it, here so
0:18:49 – 0:18:51 Picasso, who in his goods
0:18:51 – 0:18:55 He cut off another ear. Was that
0:18:55 – 0:18:55 Picasso? No.
0:18:55 – 0:19:00 I don't know who that was.
0:19:00 – 0:19:03 It's too late for that. I'm doing these now
0:19:03 – 0:19:03 Recording. Somehow we have 0 o'clock.
0:19:05 – 0:19:13 In any case, there are people
0:19:13 – 0:19:15 in contemporary art, which really
0:19:15 – 0:19:18 They are most creative when they don't.
0:19:18 – 0:19:21 I'm fine. And I'm obviously counting
0:19:21 – 0:19:23 Because if I'm okay and I'm
0:19:23 – 0:19:25 I'm happy in the relationship and so on.
0:19:25 – 0:19:29 Life goes on, I always have to
0:19:29 – 0:19:31 Motivate me to do something. In
0:19:31 – 0:19:33 other case it just bubbles out of me
0:19:31 – 0:19:37 out.
0:19:37 – 0:19:37 It's kind of funny, isn't it?
0:19:37 – 0:19:42 That was it again, which
0:19:42 – 0:19:42 I wanted to talk like that.
0:19:42 – 0:19:48 I'm not that much today
0:19:48 – 0:19:50 I'm sorry, but if you're in favor of mine
0:19:50 – 0:19:53 musical agypse or for the
0:19:53 – 0:19:56 Making Music Interested in Itself, There Are
0:19:56 – 0:20:04 It is connected to this sound-funk universe.
0:19:56 – 0:20:00 The trial podcast, which is also available in
0:20:04 – 0:20:05 There you will find when you go,
0:20:05 – 0:20:08 Rehearsal podcast where you can find these two words
0:20:08 – 0:20:13 writes, maybe still Lautfunk behind it,
0:20:13 – 0:20:13 Then you'll find it. Or look at them.
0:20:13 – 0:20:20 Follow-up description, there is also a link
0:20:20 – 0:20:23 inside. Musical Aegypse of Me
0:20:23 – 0:20:24 You can find it here, oh the
0:20:23 – 0:20:27 I don't have a URL to list either.
0:20:27 – 0:20:29 Because it is so cryptic. On
0:20:29 – 0:20:30 I'll link it to each case and then
0:20:30 – 0:20:33 Can you look at it or
0:20:33 – 0:20:35 Listen in. If you have a goat, a
0:20:35 – 0:20:37 Give feedback, you can get one.
0:20:37 – 0:20:39 Call the phone number and you can get one.
0:20:39 – 0:20:41 Make a voice message and if you
0:20:41 – 0:20:42 I agree with you, then I can
0:20:42 – 0:20:44 Somewhere here too
0:20:44 – 0:20:48 Publish it and then stick to it.
0:20:48 – 0:20:51 Leave a comment. Do you find
0:20:48 – 0:20:54 Also in the follow-up description. Then
0:20:54 – 0:20:58 You can leave a comment here, too, so
0:20:58 – 0:21:02 written form. I would go on
0:21:02 – 0:21:04 Any case rejoice. Yes, thanks for listening
0:21:04 – 0:21:05 Until the next edition of
0:21:05 – 0:21:09 It's a digression.
0:21:09 – 0:21:09 Goodbye, Sasha.
0:21:10 – 0:21:25 [Music]

Description:

In this captivating episode of ‘Die Abschweifung’, Sascha dives deep into his personal musical journey, which takes him from the experimental days with digital synthesizers of the 90s to his latest podcast and YouTube projects. Sascha reflects on his experiences with music production, which was both a creative escape and a therapeutic means during various phases of life. He talks about the technical challenges and evolution of his musical tools from hardware to software and how relationships and living conditions influenced his artistic production. From his first serious relationship, which ended in creative flare-ups, to moving to Dortmund, to the challenges of a stroke and the support of his current fiancé, Sascha gives an intimate insight into the life of a versatile artist who remains passionately creative despite health and technological obstacles.

Successful Music Beyond the Mainstream | ARTE Tracks

Watch this video on YouTube.

Links to the issue:

Advertising:

Leave feedback on the issue? ✍️ Then write a comment Audio feedback on the show? ☎️ 0231 53075818

Trustpilot

Contributors to this episode

Sascha

Number of downloads: 660
Playing time: 0:21:23
Date of admission: 09.05.24
This episode is from season 4, there are a total of 4 seasons.

One According to Funk Publication Cartel Production - Where stories are transmitted unmistakably.

Podcast license:

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

Note: This post contains affiliate links. If you shop through these links, I'll get a small commission at no extra cost to you.

Reading time

1–2 minutes

Relationships are a fascinating phenomenon. In the course of my life, I have already had some relationships, be it with my parents or with my sister. These relationships are familiar to all of us, as are relationships with relatives such as grandparents, aunts and uncles. They are predetermined and we have no choice. But then there are the relationships we can choose – friendships. Friendships are also relationships that are not predetermined. We consciously choose with whom we enter into these relationships. And then there are the relationships that we enter into over the course of our lives, especially romantic relationships, but that's a theme of its own.